Some of my favorite reads (and examples of Voice!) this year: Agnes Parker . . . Girl In Progress, by Kathleen O'Dell; The Mostly True Adventures of Homer P. Figg, by Rodman Philbrick; I Am A Genius of Unspeakable Evil and I Want To Be Your Class President, by Josh Lieb; Hold Still, by Nina LaCour; Gorgeous, by Rachel Vail; The Monstrumologist, by Rick Yancey. (All images from GoodReads.)
All right. So here's the promise Lee and I made to the world in our latest e-blast about the SCBWI Westside Schmooze.
Subject: The SCBWI Westside Schmooze -- Wednesday, October 13th at 7 PM
Does October mean thrills, chills, and suspense to you? Well, it should if you attend the next meeting of the SCBWI Westside Schmooze! Because on October 13th, at 7 PM, we will meet to unmask . . .
VOICE: The End-All Definition
That's right. Editors and Agents often say that while they can fix everything else in a manuscript, Voice is that one special quality a manuscript must have from the start, for them to fall in love. Yet when it comes to defining what Voice IS, even the greats flounder, with many falling back on the axiom "You know it when you see it."
What is THAT about? Are we in the business of describing things or aren't we?? At the next Westside Schmooze we aim to settle this mystery once and for all--AND come up with an End-All Definition--by showing great examples of Voice, analyzing WHAT IT IS, and sharing exercises that will help each of us find and perfect our own. For Picture Book through Young Adult, fiction and non-fiction. Let's do this. It's time.
Now, I'll admit I've been frustrated in my life lately, and I wrote this email with a mad gleam in my eye when the weather had taken a turn for the worse.
But.
I think it's hilarious to set out to do "impossible" things--especially because (in my experience) 60-65% of the time, it totally works. Most of the time, the only Add a Comment
