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1. the one with the Dave McKean Graveyard Book cover sketches in

Lots of people wrote to tell me that X-Rays were needed for TB tests, and some people suggested that they were in hand-baggage as they might be fogged by X-Rays in checked baggage, but no-one explained why there seemed no mechanism for anyone ever to look at the (quite expensive, and carried over in hand-baggage), x-rays until this arrived from Mr Petit...

Having been a commanding officer in the UK -- meaning I had to supervise
airmen and NCOs under my command when they wanted to bring their UK brides
back to the US -- I had to chuckle when I saw the note about the x-ray.

It's not required by the immigration folks (either Division 6, or anyone
else). Since it's a different federal agency, I'm not surprised that an INS
employee wouldn't know about it. It's required by the US Public Health
Service, for everyone, regardless of nationality, who is trying to immigrate.

And they do, on occasion, get checked, but only if there's advance reason to
believe there's "a substantial risk of exposure." For example, you can bet
that flights on foreign-flag carriers originating in, say, Nairobi get more
scrutiny than would a BA or AA flight from Heathrow.

The relevant statute was passed in 1938 (there may have been a predecessor,
but I doubt it) and hasn't been updated yet. What a surprise.

And this came in from my editor Jennifer Brehl at Harper Collins about the free American Gods -- I'm putting it up because she says it better than I could paraphrase it:

First of all, the online edition has been optimized and the embedded pages are moving much faster. I’ve asked that the widget confusion be fixed – i.e., open up widget to full book rather than older partial version.

We’re wondering if you might have some time tomorrow that we could call you and we could have a conference call to discuss things? We want your fans to know that we are responsive to their concerns and, although it’s painful getting the criticism, it’s also a good learning opportunity.

So there will be a conference call, and I'll report back on it.

...

Neil,

Huge fan, metaphorically speaking, regular sized person.

Did you see this? You're creating favorites that stand the test of time: http://www.ew.com/ew/gallery/0,,20181426_13,00.html.


-Mike



Oh good.

(And I should mention, I loved this Michael Chabon New Yorker article about Superhero costumes.)

Hello Neil,
I am going to the Easter Con in Heathrow because I'd like to hear you. Could you recommend which day would have the most Neil-time or most Neil-events? I know I'm not made of the right stuff since I might have to be selective about the days at the con, and even though I'd love to build my own battle-ready space ship, I still would like to get two flies with one swat....being battle-ready an'all (Ahem!).

Thank you,

Henriette


From the schedule, it looks like it's definitely Sunday.
http://www.orbital2008.org/sunday.pdf
-- and you get a Mitch Benn concert into the bargain.

...


Dave McKean says he doesn't mind me putting up his sketches for The Graveyard Book cover...

So to bring you up to speed...

Dave did a cover while I was writing the book. As the book continued, it became sort of obvious that the cover was younger than the book was, and we needed a cover that told adults that this was a book for them too.

So I finished the book and Dave read the book and did a bunch of sketches, all of which made me happy, and all of which felt a lot more like the book I'd written...














All of these are sketches, it's worth pointing out -- roughs for me and the various editors and art departments to look at and choose from. It's not finished art, nor is it meant to be.

(The actual typeface is something Dave plans to scan in and create from photos of old gravestones.)

And in the next post I'll tell you what the response was, and which one we wound up going with and why.

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2. The Tar Man - Linda Buckley-Archer

WOW !!


I finished reading Linda Buckley-Archer's The Tar Man in bed last night, losing sleep to finish it because the story had got so exciting I couldn't bear to put it aside. I thoroughly enjoyed the first book in this series, Gideon the Cutpurse, when I read it last November (Review) so I had high hopes of this tale being as good as the first. My expectations were surpassed. The Tar Man is a totally compelling read.

The story is split between two main narrative strands. The Tar Man's experiences in 21st century London where he begins by causing havoc with an astonishing horse-riding stunt, and the experiences of Kate Dyer and Peter Schock's father in 18th century England and France. At the end of Gideon the Cutpurse, the Tar Man took Peter Schock's place and managed to travel to the 21st century, stranding Peter in the 18th century. He's taken under the wing of Gideon Seymour and his friends, and grows to maturity. When Kate and Peter's father try to use the anti-gravity machine to get back to 1763 to rescue Peter, they accidentally find themselves in 1792 instead, by which time Peter is now in his early 40s and the same age as his father. When he realises what's happened - that Kate and his father haven't aged and are looking for 12 year old Peter (only a few days have passed since Kate got back to the 21st century), he pretends to be Gideon's half-brother Joshua because he can't face the idea of telling his father who he is, knowing that his father has come for a 12 year old boy, not a grown man. So Peter travels to Derbyshire to tell Kate and his father that Peter Schock went to America twenty years ago and hasn't been heard from since (which is actually the fate that's befallen Joshua Seymour). The pair decide to return to the 21st century, but the anti-gravity machine won't work. They travel to London and visit Queen Charlotte (who had befriended both Kate and Peter during their visit to 1763, and remained friends with Peter after he was stranded) and Sir Joseph Banks, a distinguished scientist, in the hopes that Sir Joseph will be able to fix the machine. He cannot, so he recommends they visit the Marquis de Montfaron who has lately come from Revolutionary France and will, he believes, be able to assist them. Unfortunately de Montfaron is not in England, but still on his French estate, having refused to flee. So Kate, Mr Schock, Peter (in the guise of Joshua Seymour) and Hannah (Peter's housekeeper) set off to visit de Montfaron at his estate near Arras, braving the Revolutionists to do so.

Whilst this is going on, the Tar Man is settling into life in 21st century London - carrying out a series of daring thefts, spending money lavishly and trying to impress. He's aided by a young woman named Anjali whom he had saved from a gang of youths in the Underground, and his young apprentice, Tom, who had also travelled to the 21st century (during the events described in Gideon). When the Tar Man fails to blackmail his way into an exclusive London Club and Tom is killed trying to protect Anjali from the leader of the gang that had attacked her, he comes up with a new plan. He's going to steal one of the anti-gravity machines (there are now three in existence), travel back into time to his childhood and change his personal history to give him a better life.

Kate and Mr Schock succeed in finding de Montfaron and he is persuaded to return to London with them after his estate is plundered by the Revolutionists. He fixes the anti-gravity machine and they are able to return to the 21st century, taking de Montfaron with them. Whilst they've been trekking to France and back, Dr Dyer (Kate's father) has succeeded in travelling back in time to 1763 and locating 12 year old Peter Schock. And by this time, Kate and Mr Schock have discovered that "Joshua Seymour" is really the grown-up Peter Schock.

Having been reunited, the Schocks and the Dyers together with Anita Perretti (one of the NASA scientists who was working on a similar anti-gravity machine to the one that Dr Dyer was working on in Derbyshire), de Montfaron, and Inspector Wheeler (the policeman in charge of the hunt for the missing Kate and Peter) are having a celebratory lunch at the Dyers' farm, when the Tar Man arrives. He kidnaps Peter and Kate and steals the two anti-gravity machines, disappearing back to the 18th century with the intention of changing his own personal history.

This is a fairly complex plot and will require the reader to pay close attention to follow the various narrative strands in order not to get lost, but such attentiveness is amply rewarding by the gripping tale that unfolds. I was particularly intrigued by the conversations that the grown-up Peter has with both Hannah and Queen Charlotte with regard to what will happen if 12 year old Peter is found and returned to the 21st century. Will they have never known the grown up Peter? How will his disappearance from the 18th century timeline affect them and history. There are some interesting points raised here that will be familiar to anyone who's enjoyed a lot of time-travel narratives (as I have in various formats).

The Tar Man is out in September published by Simon and Schuster. My advanced copy was received (gratefully) from the author, Linda Buckley-Archer.

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