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Dad was the father of seven children, a veteran of World War II who served in the Pacific. After the war, he graduated from Boston University in two and half years, because why in the world would anybody want to waste another minute in school. There was a life to be lived, a brass ring to grab, things to do. Let’s get on with it.

It was a different time, a different generation.

Dad settled with my mother on Long Island, became an insurance man, started having kids rapid fire in the Catholic fashion, built a business. I was the youngest in the family, the baby. On rare weekend days I’d tag along when my father needed to pop into his rented office on Wantagh Avenue for an hour or two. We never specialized in father-and-son type stuff, whatever that was, and I’m sure the word bonding did not apply to relationships back in those days, only glue, but I do recall those trips to his office. Dad’s place of business offered that most wondrous of commodities, office supplies — electric typewriters, staplers, a copier, boxes of paper clips and, best of all, tracing paper.

I marveled at its magical properties. Dad didn’t part with his supply easily, that stuff cost money, so I was thrilled and grateful whenever he brought a stack home. Those are nice memories for me, a lifetime away. I sometimes wonder: Whatever happened to that kid? That boy with the tracing paper? Where’d he go?

From around that time, somewhere in the mid 60’s, another memory presses forward for attention. One spring morning we set off together — in the hazy gauze of memory, just me and dad — to a farm somewhere. Because dad knew a guy, a customer who had a stable and a few horses. He possessed, in others words, shit to spare. And the price was right.

I must have  been about five or six years old at the time, no older. We got to the farm, out east on Long Island probably, and I stood around while my father chatted with the owner of the place. Maybe I looked into the stable, fearfully eyed the horses. Did I want to feed one of them an apple? No, I did not. I was shy, watchful and quiet. Eventually my dad keyed open the car truck, borrowed a shovel, and filled it to the brim with horse manure. I stood by, mystified, awestruck. Trunk full, steam rising, we headed back home, where I watched my father spread the still semi-moist shit around the front lawn. It was good for the grass, he explained. Nature’s fertilizer.

My older brothers and sisters recall those times with profound mortification. Imagine the embarrassment they felt, the acute stabbing horror, especially those of a certain age, when the opinion of one’s peers meant only everything. I can’t say this plainly enough: My brothers hated it w

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2This is seeming a lot more involved and methodical then it is. The reality is I'm a lot more halting and sloppy when I work and this process is pretty vague and open. I'm quite easily distracted and find I need some kind of structure so I use this method based on the methods of artists whose work I love.