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जी टीवी का सा रे गा मा पा और सिमरन बात कुछ साल पहले की है जब हम सिरसा में बच्चों के अलग अलग टीवी कार्यक्रम बनाया करते थे ताकि उनमे छिपी प्रतिभा सामने आए …उन दिनों नेट इतना प्रचलित नही था इसलिए सैमसन क्रिएशसं के नाम से लोकल केबल पर बच्चों के प्रोग्राम बना […]
It's up against many other childrens' books, all of them written by very talented authors and I am honoured to be alongside them. Please spare a moment vote for The Secret City if you or your child enjoyed reading it - there's room for you to leave a comment as well if you like. The People's Book Prize was founded by Tatiana Wilson who wanted to give new authors an equal opportunity in the marketplace, based purely on their talent and ability. Writers' works are voted by the public and that not only helps to raise the profile of the author but also highlights the importance of libraries and bookshops and encourages new work. Thank you Tatiana! My second piece of good news is that I have been asked by Paws n Claws Publishing to be a judge for their children's writing competition which will start on 16 September - so watch this space for more details on how to enter! Paws n Claws work very closely with the Born Free Foundation, the charity Burly & Grum also supports and I am delighted to have been invited to work with them!
0 Comments on Please vote for Burly & Grum! as of 1/1/1900
So, anywho, I was going to post this yesterday for the Illustration Friday theme “Talent” but missed it by THIS much. Soooo, since this week’s theme is “Yesterday”…
10 Comments on yesterday’s talent, last added: 3/9/2013
When you purchase an item from MY STORE, 10% of your purchase price will be donated to my favorite animal charities;Last Chance Animal Rescue and Horses Haven, both in lower MI. Which charity the donation goes to, will depend on the item purchased and I will love you forever from the bottom of my little black heart. ...and even if you don't purchase anything from me, you can go to their site and make a donation! They deserve a chance too!
Have a seat and browse through the pages of my website
Songwriter Irving Berlin knew that while talent may first separate you from others, the advantage it gives doesn’t last long. “Talent is only a starting point,” Berlin said. ”You’ve got to keep working that talent.”
Okay, but how?
John Maxwell, motivational speaker, often talks about finding your “strength zone,” or the areas you excel. He says the majority of people don’t do that. Instead, they waste time focusing on strengthening their weaknesses instead.
For example, I can write short nonfiction very quickly, and little rewriting is needed. On the other hand, I can’t write a poem to save my life. It would be silly for me to spend a large amount of time trying to write verse novels. Instead it makes more publishing sense to get even better at what I already do well.
Increased Talent?
Are you stuck with a certain amount of talent, and you just have to make do with it? Or are there ways to maximize whatever God-given talent you might happen to have? Maxwell (whom I follow on Twitter) says there are thirteen ways you can make the most of your talents. For writers–for anyone–that’s good news! Choose one of these ways today, and use it to help your talent grow.
Belieflifts your talent.
Passionenergizes your talent.
Initiativeactivates your talent.
Focus directs your talent.
Preparationpositions your talent.
Practicesharpens your talent.
Perseverancesustains your talent.
Couragetests your talent.
Teachability expands your talent.
Characterprotects your talent.
Relationshipsinflucence your talent.
Responsibilitystrengthens your talent.
Teamwork multipliesyour talent.
Get Started Today!
Many writers compare themselves to others and feel as if they were on the short end of the stick when talent was distributed. Even so, there are things you can do to help your talent grow. In tough economic times, this is good to know.
Which one of the ways above can you choose to implement today? And tomorrow? I challenge you to take each attribute and focus on one per week–and watch your talent grow in the coming months.
I want to thank everyone who emailed me their thoughts on writing groups, and here is my collective response: writers' groups are great if they work for you. Maybe they support you in some way that is necessary for you to go on writing. They are just not for me, and I need to spend what little time I have actually writing. So while I appreciate offers to join online critique groups, I like figuring out how to revise on my own. Just the way I work. And I think I'm more ruthless on myself than nice people would be.
Besides, I have to spend my online time looking up obscure facts about polar bears and peacocks so I can look at the clock and think, "OMG, it's 1:45 and the boys will be home in 17 minutes, and I haven't started revising yet!" It makes me really use those 17 minutes constructively. Unfortunately, another way I work: the Internet is my endless encyclopedia of trivia.
And while I'm sort of on the subject of writing and writing groups, I had no idea so many folks out there are aspiring to be writers, and YA writers in particular. It seems to have exploded, and I feel like Rip VanWinkle. Where did all these people come from and what were they doing before?
In reading some of these emails, I found out a lot that I didn't know, so I started snooping around the Internet to see what they were referencing. Now, admittedly, I am not a writer involved in many literary social loops - okay, no literary social loops - but I discovered a huge business has sprung up to cater to the aspiration of being a writer. There are workshops run by editors and former editors who charge mightily to critique your manuscript and make it publishable. (Can/do they guarantee that? What if that manuscript is still lingering in your hard drive three years later? Do you get a refund?)
There are conferences and weekend retreats and retreats combined with spa treatments to relax you so you can write better. So a sea kelp facial and then a little plot tweaking? Oh, sure, I get that. And none of these are cheap.
Then there is a strange fellow termed "collaborative publishing" - which seems like an advanced form of Xeroxing. You pay someone to publish your book. That's putting it a little baldly, but that's what I gathered from reading their spiel. You get to say you're published even if you're out a couple of grand.
Through none of this does anyone mention talent. There is a conspicuous absence of the T-word in most publishing come ons, and there is this weird atmosphere around writing that if you work a manuscript to death, send it out enough, throw some cash at it, you'll eventually hit it right, quit your day job and start lunching with JK Rowling. Or something along those lines. The odds are never mentioned.
We live right near Atlantic City, sort of a subdued LasVegas with tons of casinos and gamblers. One of the things Gamblers Anonymous does is explain the incredibly low odds of making it big at a casino. It's logical, and mathematical, and inarguable. You would think all the examples would keep the gamblers away from the glittery lure of Harrah's. But it doesn't, and the casinos continue to thrive. They keep coming back and spending money despite the almost impossible odds.
The gamblers know there are so many gamblers and so few jackpots. And the casinos know exactly how few gamblers will accept that as fact.
0 Comments on The T Word and Stuff as of 1/1/1900
Mike from NY said, on 12/20/2008 12:34:00 PM
My friend paid a company big bucks to "fix" her contemporary mystery novel. They fixed some grammar, told her to "spice up the sex" and sent it back with the same typos.
She's still unpubbed, no agent, but she's not giving up. Go figure.
Oh, the T-word. I don't think we're supposed to say that one. We're just supposed to keep trying to get published rather than trying to, heaven forbid, become better writers.
Love that feather! I have one too; a student sent it to me because she is also researching peacocks. When I opened the package I thought, "The cat is going to go NUTS." But I managed to pretty much hide it from her.
I may be completely wrong, but I think the emphasis on groups is relatively new. By relatively, I mean much more so than when I started out, when there was almost no way for writers to meet each other except face-to-face at an SCBWI event, if indeed SCBWI was active in your locality. Every piece of advice I read at that time said "NOBODY, except maybe my spouse, reads my stuff until I'm ready to send it to my agent." I got the definite impression that just about all writers went it alone. No opinions wanted while the thing was still half-formed.
Sometimes I think groups are part of all the trappings of "being a writer." Because yes, there is a whole industry out there that caters to aspiring writers. Never mind that only a small minority has the talent level, the command of the language, AND the temperament (butt in chair, alone in room, hour after hour)to make it. Some have one or two of the above, but you need all three. And how much do you want a bet that the one they will assure you they have is talent? That plus "imagination." It's their grammar that's the weakness, they'll moan. And even worse, their time crunch. Oh, where is Verla's hammer-pounding smilie when I need it?
I think a lot of people look at writers like J K Rowling and imagine they can do the same -- produce a book that will capture the imagination of the world and earn them big bucks in a hurry. And few have even an inkling of an idea just how hard it is or how much of a long shot -- or indeed, how long it takes to develop skill.
I'm always amused by people who pursue a sport by buying all the kit -- expensive equipment, fancy spandex stuff, etc -- but skimp on the activity itself. Writing is the same. You can buy yourself a laptop, reference books, etc., join groups, go to conferences -- but at some point it all comes down to butt in chair, black on white. And yes, the T word too.
I have friends who have done similar things, Mike, and they are all still unpublished. It's weird to believe that without ever having studied literature or published in the tiniest of literary magazines that you have a shot at getting a novel published. But there is no shortage of folks who believe this, and there is no shortage of folks who will encourage them for the right price.
Sigh.
Right, Carrie, that unspoken T-word. It's much better to run around all the time going to conferences and joining countless groups and forums than to actually WORK at your writing. Forming your identity as a writer is what's important.
And random thought: why do so so many people put WRITER or POET or AUTHOR on their blogs when they have never published a single word? Just wondering. In keeping with that thinking, I'm going to put INTERNATIONAL SPY on my blog because I think it might be fun to be one.
(I know, I sound crabby. Rough week)
Well, it's good to know that, Marcia. I always imagined writers alone, too (and alcoholic, but that was only during the Hemingway phase) When I first started getting published, I got (snail) mail every once in awhile about conferences, but not to the extent that exists now. You could spend all your time shaping your identity as a writer and never manage to get a word down.
I have enough trouble with the butt glue situation as it is, and the distraction of groups would make me nuts.
And peacocks! I love Flannery O'Connor, and that's when I first started reading about them.
I know, Mary. We have friends who buy all this ultra sports equipment, then gain weight because I think the fun was all in the idea that they would lift weights or work on elliptical machines. It's so hopeful...sort of like writing. I guess it motivates them initially, but if they lack the T-word and the butt glue, and like Marcia said, the imagination, that's the end of it.
I may have mentioned earlier that I'm busy creating art for an upcoming art show in 2009 with the theme being growing up. I don't think there's been a time in my entire life where I've felt like I've had to grow up more than since I found out the big news (see previous post) but it's been fun meeting with the other very talented ladies involved in the show: Amanda Woodward and Davey Thompson and discussing how we've grown up in our lives and that the process never seems to stop.
I've only nailed down one sketch which I've started painting. Here's the painting as it stands thus far (it's about me moving to the city when I was 17 - feeling so out of place and in wonder yet scared out of my mind) -
I like the colors (blues) and the idea is great. When I was seventeen I came to the US for the fist time and I felt so lost like you in that painting. Good luck! Flor
Mississippi Beaumont is awaiting her 13th birthday. That's the birthday when the savvy comes for her family. Mibs can't wait to figure out her savvy. Her brother Rocket has electricity, and her brother Fish has a powerful weather savvy.
The other good thing about 13 is homeschooling. Until the kids learn to scumble their savvies, Momma thinks it's best to keep them home. No more Hebron Middle School, and no more snarky comments from Ashley Bing and Emma Flint.
Then they get word about Poppa. Mib's world comes crashing down.
While Momma and Rocket speed away to Salina, Miss Rosemary -the preacher's wife - comes on over with her kids Roberta and Will to take care of the Beaumont clan. Mibs' little sister Gypsy has gone and told Miss Rosemary that Mibs is turning 13. Miss Roberta is determined to whip up a birthday party at the church for Mibs, and she won't take no for an answer.
When Mibs awakens on her 13th birthday, a couple of strange things happen that make her think she has figured out her savvy, and she knows more than ever that she has to make it to Salina and lay her hands on her Poppa. At the church, Miss Roberta's husband is yelling at a Bible salesman, and Mibs starts to hear some other voices as well. She leaves the church and sees the Bible man's pink bus, with a Salina address on the side. She knows how she will get to Salina. What she doesn't count on are the other kids. Roberta, Will, Fish, and little brother Samson are all aboard Lester's Bible bus when it leaves the church parking lot, and makes a turn away from, instead of toward, Salina!
What follows is a road trip adventure of the best sort. Friendships, families and savvies are at the forefront, as the children try to get Lester to speed up his trip to Salina and avoid the police who are soon looking for them at the same time.
I have to say, that this little book may be my favourite of the year thus far. Countrified charm, magical realism, a dash of romance, and a family that left me envious, all make for an utterly charming read. Ingrid Law's Savvy is a sweet book that will leave readers wanting more. Fans of Horvath and Wiles take note!
Topher Bradfield at Book People in Austin, Texas sold me on this book. It at the top of the reading pile. Reading your review reminds me that I have to get to it.
Publicity and graphic design in the chemical industry - Hans Neuburg 1967 Contributions by Josef Muller Brockmann
Clap your hands if you love swiss design.
This is got to be one of the best books on graphic design in the chemical industry. Ha! this probably the only book on graphic design in the chemical industry. Most of the design work in the book is for pharmaceutical companies. Companies include J R Geigy and Ciba Aktiengesellschaft, both located in Basel, Switzerland.
The index in the back reads like the whos who of Swiss design. Designers include:Karl Gerstner, Herbert Leupin, Siegfried Odermatt, Hans Erni, Max Schmid, Fred Troller and Kurt Wirth amongst others.
Just look at the pictures above, the work is incredible. Anyone have any nominations for pharmaceutical/ chemical companies that have great design? Maybe we should put together a top 5 list. For example, the always fun top 5 favorite poisonous gas logos.
Hotel Astoria Lucerne was located in Luzern, Switzerland. As they claim in their promotional material, they were the “most modern Hotel of Central Switzerland”. After looking at this I brochure, I believe them. I’m not sure if the hotel still exists. I was able to find some information on a Hotel Astoria Lucerne designed by Herzog & De Meuron but, I’m not sure if bears any relation. I realize Herzog & De Meuron are modern day architects, but possibly they renovated the existing structure? Anyone have any info on this?
Love it!
OK, this is a fav!
Very cute. I like your use of perspective.
That is fabulous. Your whole portfolio is super fun and clever. What joy!
I feel like dancing…
LOVE the perspective on the elephant, Linda!
cute!
Ohhh Love this!!
You crack me up! Nice illustration and nice recovery. I’d like to see more about this raccoon.
excellent, love it