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1. The Best Way to Tell a Story

Finding the Best Way to Tell a Story

First drafts are for finding out what story you are telling. Second and subsequent drafts are for finding the best way to tell that story.

I finished a second draft yesterday and someone asked what I concentrated on in that draft. Basically, refining the story and exploring options for telling it.

Specificially, I worked on these things:
http://www.flickr.com/photos/vasta/113193711/
Facts: I had several experts in child behavior read the mss and saw that there were several checks on the reality of my situations. I’m dealing with kids in foster care, so I had to look up state laws, read manuals for foster parents, etc. Then, replot with that in mind.

Plot: There were major plot holes that needed to be addressed. The climax of a major subplot had to be totally overhauled because of the factual corrections. Smaller plot holes had to be filled.

Transitions: Often there were abrupt changes from scene to scene, without enough details for the reader to follow when/where/what.

Character: Motivations were unclear. I added more internal thoughts, backstory, and discussion of events. It’s a delicate balance to keep the story moving, yet make it clear. This draft, I concentrated on making it clear. If my readers want me to be more delicate on the next draft, I can do that.

Villain: The villain was too cut and dried and needed some softening.

Voice: OK, I’m doing that hard thing of alternating voices. So, I had to make each voice distinctive and stay consistent within each voice. I’m sure there’s more to do here with consistency, but this is a good start.

Setting: There’s still some work to do on portraying this specific school and community, but it’s pretty good now.

Clarity: Above all, I tried to get the story out of my head and onto paper with more exactness and completeness.

So, the first draft blocked in the major elements, this draft refined them. I’ll need at least one more draft to refine and to add highlights.

Plan for Third Draft

Specifically, I want to work on consistent voice, refining the language, clearing up any remaining plot problems, keeping a balance of action and internal motivations, making sure Darcy-the-author stays out of the story and the kids are really kids, cutting about 10,000 words (It’s about 60,000 right now and I think 50,000 would be better), and keeping the pace taut.

I already want to start on the consistency of the voice, but I think I’ll try to wait a couple days, so I have fresher eyes. But I won’t let a lot of time pass, or I’ll lose momentum, especially with the holidays.

Related posts:

  1. 4 Ways Weather Affects Your Story
  2. Voice Trumps Everything
  3. Outline scenes

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2. Revising in the Home Stretch

Revising in the Home Stretch

I know what method of working has made the first 2/3 of my mss better. I’m just getting tired.

Don’t get Lazy Now! I’m on the last third. I know that I must rewrite a major scene for a subplot/secondary character climax. But much of these later chapter are in good shape. By now in the story, so much is set, the stakes are established, character arcs and plot arcs are underway, the scenes are focused and full of tension. My inclination is to avoid the work!
http://www.flickr.com/photos/e06158/2956432732/
But I think it’s still essential to question everything! Runners know you can’t stop until you’ve actually crossed the Finish Line.

Questions I’m still asking myself:
Is this scene essential to the story line?
Is there a better way to present this scene?
Is there a better way to set it up?
Can I raise the stakes?
Is the dialogue snappy enough?
Could the reader possible be confused at any point?
Are the emotions still building?
Are the characters’ actions exciting?
Can I improve the language at any point?
Are descriptions static or full of emotions?
Can I connect scenes in any way?

Of course, each scene presents new challenges, so these are only a few of the concerns at this point. The main problem is to not rush this last section, to slow down and take each scene very seriously, as if this scene might prevent the entire book from working well. It’s very, very hard. I want to be finished! But I’m trying to keep to the working method that worked and trying to keep myself focused and working.

Related posts:

  1. Omit Scenes
  2. Goal disaster in Novel Revision
  3. Compress Novel



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