How to use this Page

*Picture book for preschoolers through second graders
*A creative cat as the main character
*Rating: Chester is such a great illustrator and author–who needs that Melanie Watt? If you haven’t read any of the Chester the cat series of books yet (with NO HELP FROM Melanie), then you must check one out. So cute and funny!

Short, short summary: Chester the cat has hidden his owner’s, author and illustrator Melanie Watt’s, supplies and has taken over the creation of the book with his red pen. Chester is trying to write a masterpiece. First he steals from Twas the Night Before Christmas, and then he goes through a series of exercises to break his writer’s block. Once he’s ready, he writes some stories about himself and mouse–always ending unhappily with something tragic happening to mouse! In the end, Melanie finds her art supplies in a terrible hiding spot. . .Kids and adults will get a kick out of this hysterical picture book.

So what do I do with this book?

1. This is such a cute book. I love how “Melanie Watt” leaves editorial notes to Chester on “yellow Post-it notes.” Children will LOVE this book, and they will love to leave their own notes to Chester. While reading it, let them have some stickee notes and they can jot a few things down to Chester about his illustrations, his stories, etc.

2. This book has a lot of reading lessons in it. For example, Melanie tells Chester he needs a setting. They both draw a jungle. She asks what type of story he plans to write, and he goes through several genres like humor, action, and romance. They talk about endings, problems, and characters. It is full of things writers need to think about and address when writing a story. You can start a discussion with your class on these topics, using Chester and his masterpiece as a starting point.

3. For fun, let children try to guess where Chester hid Melanie’s art supplies. See if anyone is correct by the end of the book!

Plot your story using the universal story form for structure and impact.

A Plot Planner mimics the universal story and is the framework for developing a gripping story. Rather than creating a dry, episodic list of scenes to cover, arrange your story by cause and effect to best engage the reader.

Think of the Plot Planner as the route or map of the journey you envision for your story. When you first plan your plot, your route is likely to be sketchy with lots of gaps and dead ends. These gaps will smooth over and fill in as you come to know your story and characters better. Along your story's route, the plot elements of dramatic action, characters, and thematic significance will rise and fall, like waves cresting. The flow of these elements is like the flow of energy the Chinese call “qi” (pronounced “chi”). The qi is the mainstay of life force, inherently present in all things.

Within your story, the energy undulates. Although every story has its own energy, a universal pattern of energy rising and falling repeats itself. The greater your understanding of this stable format, the better able you are to determine where and when to allow the energy to crest, to make your story most compelling to the reader. Allow the energy of your story to direct the flow of your scenes. The closer you can re-create this pattern in your presentation to the reader, the stronger and more compelling your story. A plot planner helps you map your story's energy and direction.

DESCRIPTION

All great stories have a beginning, middle and end.

1. The Beginning

The beginning usually encompasses one quarter of the entire story. Most of us start out strong in the beginning, but struggle to keep the momentum going.

2. The Middle

The middle is the longest portion of the project – one half of the entire story. It commands the most scenes, and is where many writers fall short. When the allure of the beginning is over, the story starts getting messy. Writers often know the beginning and the end of their story, but bog down in creating the middle. Crisis is the meat of the middle.

Place crisis – the scene of greatest intensity and highest energy in your story thus far – around the three-quarter point in your story, when your audience needs a recharge to combat fatigue, frustration, and irritation. Crisis is where tension and conflict peak – it is a turning point in your story. Crisis is developed through the scenes to provide the greatest impact in the energy flow of your story.

The crisis is the false summit of your case, where the audience can perceive the true summit. Here, your story’s energy drops after the drama of the crisis, giving your audience the opportunity to rebuild energy in anticipation of reaching the climax.

3. The End

The final quarter of your presentation represents the end, which comprises three parts: the build-up to the climax, the climax itself, and the resolution. The build-up to the climax represents the steps you take to lead the reader to envision how the story should end. The climax is the point of highest drama in your story, the crowning moment when the thematic significance of your story becomes clear to the reader. The resolution is your opportunity to fully tie together that significance and make your story complete.

PLOT PLANNER BENEFITS

A Plot Planner helps you visualize your story. Use a Plot Pl