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Viewing: Blog Posts Tagged with: hindu, Most Recent at Top [Help]
Results 1 - 7 of 7
1. When gods become shelterless: rituals and reconstructing temples in post-earthquake Nepal

With the devastating earthquake in Nepal on 25 April 2015, not only humans but also gods became shelterless. The famous Car Narayan or Fourfold Vishnu Temple in Patan is one of the many temples that completely collapsed. It was constructed in the classical Newar “pagoda” style with two pyramidal roofs and an inner ambulatory by a local ruler, Purandara Simha, in 1565.

The post When gods become shelterless: rituals and reconstructing temples in post-earthquake Nepal appeared first on OUPblog.

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2. Is yoga Hindu?

Given that we see yoga practically everywhere we turn, from strip-mall yoga studios to advertisements for the Gap, one might assume a blanket acceptance of yoga as an acceptable consumer choice.

Yet, a growing movement courts fear of the popularization of yoga, warning that yoga is essentially Hindu. Some Christians, including Albert Mohler (President of the Southern Baptist Theological Seminary), Pat Robertson (television evangelist and founder of the Christian Coalition of America), and the Congregation for the Doctrine of the Faith of the Roman Catholic Church, warn about the dangers of yoga given the perceived incompatibility between what they believe is its Hindu essence and Christianity. Some well-known Americans, such as Mohler, add that yoga’s popularization threatens the Christian essence of American culture. Hindu protesters, most notably represented by the Hindu American Foundation (HAF), criticize yoga insiders for failing to recognize yoga’s so-called Hindu origins and illegitimately co-opting yoga for the sake of profit.

Protesters rely on revisionist histories that essentialize yoga as Hindu, ignoring its historical and lived heterogeneity. By the end of the first millennium C.E., however, a variety of yoga systems were widespread in South Asia as Hindu, Buddhist, Jains, and others prescribed them. Following the twelfth-century Muslim incursions into South Asia and the establishment of Islam as a South Asian religion, even Muslim Sufis appropri­ated elements of yoga. Therefore, throughout its premodern history, yoga was culturally South Asian but did not belong to any single religious tradition. Rather than essentializing premodern yoga by reifying its content and aims, it is more accurate to identify it as heterogeneous in practice and characteristic of the doctrin­ally diverse culture of South Asia.

Antoinettes Yoga Garden. Photo by Robert Begil. CC by 2.0 via Flickr.
Antoinettes Yoga Garden. Photo by Robert Begil. CC by 2.0 via Flickr.

The history of modern postural yoga, a fitness reg­imen made up of sequences of often-onerous bodily postures, the movement through which is synchronized with the breath, also problematizes the identification of yoga as Hindu. That history is a paragon of cultural encounters in the process of constructing something new in response to transnational ideas and movements, including military calisthenics, modern medicine, and the Western European and North American physical culture of gymnasts, bodybuilders, martial experts, and contortionists. Yoga proponents constructed new postural yoga systems in the twentieth century, and nothing like them appeared in the historical record up to that time. In other words, the methods of postural yoga were specific to the twentieth century and would not have been considered yoga prior.

In short, recent scholarship has shown that the type of yoga that dominates the yoga industry today—modern postural yoga—does not have its so-called “origins” in some static, “classical,” Hindu yoga system; rather, it is a twentieth-century transnational product, the aims of which include modern conceptions of physical fitness, stress reduction, beauty, and overall well-being. Hence recent scholarship on yoga, both historical and lived, attends to the particularities of different yoga traditions, which vary based largely on social context.

Nevertheless, protesters against the popularization of yoga, in strikingly similar ways, are polemical, prescriptive, and share misguiding orientalist and reformist strategies that essentialize yoga as Hindu. Interestingly though, the two protesting positions emerge as much from the cultural context—that is, consumer culture—that they share with popularized yoga as from a desire to erect boundaries between themselves and yoga insiders. For example, protesters participate in the same consumer dialect, assuming the importance of “choosing” a fitness regimen that fits one’s personal lifestyle and serves the goal of self-perfection. The protesters positions, in other words, are as much the products of the social context they share with postural yoga advocates as popularized yoga itself.

Image Credit: Yoga. Photo by Matt Madd. CC BY-NC-ND 2.0 via Flickr.

The post Is yoga Hindu? appeared first on OUPblog.

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3. Mahatma Gandhi is assassinated

This Day in World History

January 30, 1948

Mahatma Gandhi is Assassinated


The 78-year-old man was walking to a prayer meeting with the support of two grandnieces. A man stepped out of the crowd and greeted him. The old man returned the salutation when, suddenly, the other man pulled out a pistol and shot three times. Half an hour later, Mohandas Gandhi—the leading figure of India’s independentce movement and the leading exponent of nonviolent resistance—was dead.

Born in India, Mohandas Gandhi was trained as a lawyer and first began a movement for social change in South Africa, where he had lived and worked for a time. That campaign aimed at overturning laws that limited the rights of Indians living in South Africa. The effort, based on his belief in nonviolent resistance, won some concessions from the government in 1913.

He launched his first civil disobedience movement in India in 1919, protesting a British law that required military service of all Indian men. For most of the next three decades, Gandhi was the spiritual and political leader of India, pushing for reform, boycotting British goods, protesting violence between Hindus and Muslims, and eventually pressuring Britain to grant Indian independence.

That campaign finally succeeded in 1947, though Gandhi’s hope for a united India was dashed when Britain, bowing to pressure from the Muslim League, split the area into two states—the chiefly Hindu India and the mainly Muslim Pakistan.

Religious violence followed, as members of the two faiths attacked and killed each other. Gandhi pleaded for an end to the violence and for the Hindu majority to grant tolerance to Muslims. That plea led his assassin, a Hindu fanatic, to kill the Mahatma, or “Great Soul.” A reporter who had been Gandhi’s friend wrote, “Just an old man in a loincloth in distant India: yet when he died, humanity wept.”

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4. Authors of One Interviews: Melissa Studdard and Scott Lutz

 Hopefully by now you have had a chance to read the latest story from the One series. For the Love of All is written by a best-selling, award-winning author along with a counselor who happens to be a talented author, as well as an outdoor enthusiast.




I want to thank Melissa and Scott for sharing such a beautiful story and taking the time to do this interview. Let’s jump into the first question:
MM: What inspired you to write this story?
Scott: A chance meeting that turned out not to be chance at all. In the summer of 2011, during a silent mediation, walking, and writing retreat in Taos, New Mexico, I met a traveler who seemed to be on a journey similar to mine. Brought together by forces beyond both of us, we discovered a connection of remarkable depth and intimacy. What followed was an intense recognition of each other that was so stark and clear, even though we had never met before – at least not in this lifetime. Almost immediately, we began to realize a series of synchronicities so profound and frequent that they were undeniable, pointing us toward relationship, collaboration in writing, and united purpose in matters close to our hearts.
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5. Major Announcement

Trestle Press announced today its newest ongoing series, Mark Miller’s One. The series will feature a variety of authors telling true-life stories of faith and inspiration. We expect this groundbreaking series to be emotionally charged as it is sure to cross the boundaries of many beliefs. One will be an spiritual anthology of real stories about how faith works on this one planet we all share.



 “It is a privilege to take the lead on a totally new concept for Trestle,” series frontrunner Mark Miller said. “I want to thank Trestle for giving me this opportunity. As One develops, I don’t want to be beating anybody over the head. We’re not trying to change beliefs. I only hope we can open some eyes. Maybe we’ll help people realize that no matter what we believe, we are all part of this one Earth.”

Mark Miller is the author of The Empyrical Tales, available in paperback from Comfort Publishing 0 Comments on Major Announcement as of 1/1/1900
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6. All hail goddess English?

By Dennis Baron

Global English may be about to go celestial. A political activist in India wants the country’s poorest caste to improve its status by worshipping the English language, and to start off he’s building a temple to Goddess English in the obscure village of Bankagaon, near Lakhimpur Khiri in Uttar Pradesh.

English started on the long path to deification back in the colonial age, and in many former British colonies English has become both an indispensable tool for survival in the modern world and a bitter reminder of the Raj. In 1835, Thomas Babington Macaulay recommended to fellow members of the India Council that the British create a system of English-language schools in the colony to train an elite class of civil servants, “Indian in blood and colour, but English in tastes, in opinions, in morals and in intellect,” who would help the British rule the subcontinent.

The philologist William Jones, who visited India almost 50 years before Macaulay, had a much more positive view of Indian language and culture. “Oriental” Jones, as he was sometimes called, praised Sanskrit as “more perfect than the Greek, more copious than the Latin, and more exquisitely refined than either,” and he demonstrated that Sanskrit, Latin, and Greek all shared a common Indo-European ancestor. But Macaulay didn’t think much of India’s ancient linguistic heritage, and he told the Council, “A single shelf of a good European library [is] worth the whole native literature of India and Arabia.” Macaulay argued that British support for India’s traditional Arabic and Sanskrit schools gave “artificial encouragement to absurd history, absurd metaphysics, absurd physics, absurd theology.” In their place he recommended English-language schools that would civilize India, as European languages had already civilized Russia: “I cannot doubt that they will do for the Hindoo what they have done for the Tartar.”

Today Indian nationalists shun Macaulay for his condescending, Eurocentric view of language and culture, but the Dalit activist Chandra Bhan Prasad wants millions of India’s Dalits (the former untouchable caste, before caste discrimination was outlawed), to learn English and let their local languages “wither away.”

Prasad celebrates Macaulay’s birthday, Oct. 25, as “English Day.” But to make English more attractive to ordinary Dalits, he’s created Goddess English, whose image is modeled on the Statue of Liberty, though the goddess wears a floppy hat instead of a crown, carries a copy of the Indian Constitution (the days of the Raj being long gone), and holds aloft a fountain pen. Prasad argues that “Universalism [is] central to the soul of Goddess English,” while India’s indigenous languages are both divisive and discriminatory. For him, speaking English is the way for Dalits to exchange their hereditary poverty for high-status jobs in science and IT, which is why his statue of Goddess English stands on a personal computer.

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7. The Beatles, Orientalism, and Help!

By Gordon Thompson

At the July 29, 1965 premiere of the Beatles’ second film, Help!, most viewers understood the farce as a send-up of British flicks that played on the exoticism of India, while at the same time spoofing the popularity of James Bond. Parallel with this cinematic escapism, a post-colonial discourse began that questioned how colonial powers justified their economic exploitation of the world. Eventually, Edward Said’s Orientalism would describe the purpose of this objectification as “dominating, restructuring, and having authority over the Orient” (1978: 3). In effect, Said and others argued that portrayals of the non-Western other—of which Help!, written by Marc Behm (who had also created Charade, 1963) would be an example—attempted (consciously or otherwise) to justify the myth of European racial superiority. Perhaps Behm, director Richard Lester, and the Beatles saw their film as in the satiric tradition of the Carry On film comedies popular in Britain and parts of the Commonwealth. But for Britain’s growing population of South Asian immigrants, the film would have been one more example of the dominant white culture twisting the identity of an economic underclass to serve the end of dominating it.

Most Westerners have never quite grasped the importance of the Hindu deity Kālī (presented in Help! as “Kāīlī”) and associated her with eighteenth and nineteenth century Indian organized-crime families (Thagīs, the root of the English word, “thug”), some of whom had worshiped her. As the goddess of time, Kālī also represents death, that great leveler of social classes and a figure both honored and feared. British governments fighting crime families profiled Thagī practices, such that for them mother goddess worship joined the list of criminal characteristics. Perhaps they also distrusted any religion that elevated a non-subservient feminine identity to the divine, and Kālī is anything but subservient. Subsequently, Kālī and Thagīs have presented irresistible conflated subjects for novels and films, even as recently as 1984 in the film Indiana Jones and the Temple of Doom.

The culturally naïve world of the Beatles in 1965 experienced its own loss of identity control as others attempted to manipulate them, a growing disaster to which they contributed. Earlier that spring, a dentist had surreptitiously spiked Lennon and Harrison’s coffees with LSD at a dinner party in an attempt to ingratiate himself. And the Beatles’ extensive use of marijuana on the set of Help! had rendered them extras in their own film. However, early in the filming, the Indian instruments in one scene attracted George Harrison who would have already been aware of the interest in Indian music floating in the British air that spring and summer. A number of other musical compatriots had already been inspired by Indian music, from the Yardbirds (“Heart Full of Soul” in May) to The Kinks (“See My Friends” in July).

Over the next few years, Harrison would more deeply embrace Indian culture, especially music and Hinduism, and renounce the use of psychoactive drugs. Ironically, youthful Western audiences in the sixties created their own Orientalist vision of Indian culture by creating an association between Indian music and drugs and sex. Of course, their purpose was not to support British eco

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