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Viewing: Blog Posts Tagged with: brake, Most Recent at Top [Help]
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1. Break and Other Br- Words

by Anatoly Liberman

This is the promised continuation of the previous post.  As I said last week, break is an old word.  In the foggy days of Proto-Indo-European, it may have begun with the consonant bh (or simply bh), pronounced as in Modern Engl. abhor or Rob Hanson.  For our purposes, the difference between b and bh matters not at all, because today we are only interested in observing how many words referring to breaking begin with br-.  The subject of this essay is: “To what extent is classifying break with sound imitative (onomatopoeic) words justified?”

Moo, meow, and, admittedly, oink-oink are sound imitative.  But once we leave the animal world and exclamations like phew and whew, assigning words to onomatopoeia is always problematic.  Thus, each member of the set—crack, crash, crush, creak, croak, and cry—looks like any other word beginning with kr-, for example, craft, crawl, and creep, but in their entirety they produce the impression of belonging together and suggest a rather obvious sound effect.  The same holds for initial gr-: compare groan, growl, grumble, grunt, and possibly grind.  Numerous words signifying grouchy people, as well as grim and gruesome things, also begin with gr-.  Labeling them sound imitative will not take us too far, since they have well-developed bodies and not only heads.

Modern scholars have no idea how language originated (or rather they have many ideas that cancel one another out; the usual cliché is “shrouded in mystery”), but in the existing languages words are conventional signs, that is, when we look at a word, we usually do not know its referent in the world of things.  If we possessed such knowledge, explanatory and bilingual dictionaries would not be necessary: anybody would be able to look at a “sign” like bed or ten, or give and guess what it means.  Moo is fine (presumably, no dictionary is required for translating it), but oink-oink is obscure: perhaps it is a soothing exclamation like tut-tut, a verb like pooh-pooh, a noun like tomtom (a drum), or the name of a disease like beriberi.  I am not sure that pigs go oink-oink, and anybody can notice that the canine language is represented by several dialects: compare bow-wow, barf-barf, and yap-yap.  And yet, crash, crush, crack, and so forth rather obviously have something to do with onomatopoeia.  People seem to have begun with the sound imitative complex kr and added a syllable, to make the words pronounceable.  This may be a bit of a stretch, but the etymological principle behind my statement is (if a pun will be allowed) sound.

Old English had the verb breotan, which also meant “break.”  It has been lost, except for its cognate brittle “liable to break, fragile.”  Breotan lacks attested cognates, and its origin is unknown.  But the fact remains that, like break, which had many cognates, it also begins with br-.  Though today burst contains a well-formed group bur-, its most ancient form was brestan (in such groups vowels and consonants often play leapfrog—this process is called metathesis: compare Engl. burn and German brennen; the German verb has preserved a more ancient stage: the original form was brannjan; the Old English for run was rinnan alternating with iernan

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2. Break and Brake

By Anatoly Liberman

Like a few other essays I have written in the past, this one has been inspired by a question too long for inclusion in the “gleanings.” Are break and brake related? Yes, they are, but the nature of their relationship deserves a detailed explanation. Break is an ancient word. It has cognates in all the Germanic languages, and Latin frango, whose root shows up in the borrowed words fragile, fragment, and refract, is believed to be allied to it (the infix n may be disregarded for reconstructing the protoform).

The grammatical system of the Germanic (and other Indo-European) languages depended on vowel alternations of the type we still have in break ~ broke, rise ~ rose ~ risen, drink ~ drank ~ drunk, give ~ gave, and so forth. Vowels were arranged in non-intersecting sets and resembled parallel railway tracks. Occasional shunting was allowed, but each move required special dispensation. The principal parts of break in Old English were brecan (infinitive), bræc (preterit singular; æ, as in Modern Engl. man), and brocen (past participle). All the highlighted vowels were short. At that time, verbs like break (so-called strong verbs, which displayed such alternations) had four principal parts, because the preterit singular differed from the preterit plural (the modern language has retained this distinction only in be ~ was ~ were ~ been), but three will suffice for comparing break and brake. In the history of English, vowels have been shortened and lengthened so often, and so many later changes have interfered with the ancient system that the original state is hard to observe from the perspective of the modern language. The vowel of the infinitive underwent lengthening and diphthongization; this accounts for today’s sound shape of break. The past plural form has disappeared altogether, and the extant form broke has the vowel of the past participle, also lengthened and diphthongized.

While I am at it, I may mention that in Middle English the ending -en was usually shed (compare English and German infinitives: break versus brechen), but after a good deal of vacillation past participles retained it (so in broken, spoken, given, and so forth, though we have come ~ came ~ come, as opposed to German kommen ~ kam ~ gekommen). Yet when we are bankrupt, we go broke. From an etymological point of view, broke is the same word as broken. Also, those who can afford it wear bespoke suits; recently, bespoke has spread to computer technology. Bespoke is a variant of bespoken.

The system of vowel alternations, as in Old Engl. brecan ~ bræc ~ brocen, that is, e ~ æ ~ o, is called ablaut (a term coined by Jacob Grimm, the elder and the more famous of the two brothers, who did many things in addition to collecting folk tales), and each vowel represents what is technically called a grade of ablaut. If bræc had not been lost, the modern past tense of break would, most probably, have been brake (compare spake, the archaic preterit of speak). No reflex of bræc has survived, but

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