The Fall by Bethany Griffin. Greenwillow Books, an imprint of HarperCollins. 2014.
The Plot: A retelling of The Fall of the House of Usher by Edgar Allan Poe.
The Good: Did you not see what I said? A retelling! Of The Fall of the House of Usher!
OK, it's true that not every retelling or re-imaging is done well. And it's also true that there are many ways to revisit a story. So you need more from me, to let you know that this one is well worth the read.
The Fall is an emotional, character driven retelling, making the doomed Madeline Usher the main character.
It is Madeline telling the story, and it is fragmented. Madeline at eighteen, trapped, buried alive; Madeline at nine, when her family is strange but still together and alive. The story jumps back and forth in time, ending, as it began, with Madeline at eighteen. Along the way, the reader, along with Madeline, learns of the curse of the Ushers -- a curse on both the physical house and the bloodline. A curse that allows the family to continue, yes, but attacks each generation, physically and mentally attacking family members. They remain rich and well off and with a grand house -- but they are doomed and the house is decaying, as the family decays. As Madeline decays.
And let me say how much I loved that the telling is non-linear, because it makes the reader as unsure as Madeline is, as unaware of what is really going on. Doubting and believing, uncertain and sure.
And what is really going on? Madeline and her family are cursed, of course. Along with Madeline, the reader learn about the origins of the curse, and how it touches each generation, with hints of abuse and madness and incest, and how it twists and turns the people living in the house.
Or, maybe not.
One thing I liked about The Fall, and I hope I'm not alone in this, is that it may all be in Madeline's head. That she may be mad, yes, but not because of a curse. That Madeline sees things and interprets things because of both her own madness, but also because those around her are convinced there is a curse so she chooses to see the world, and herself, as victims of that curse. That some things may be things she made up, or she believes because her parents believed and she's been isolated with no one to balance anything.
Or, maybe yes, and there's a curse and even when Madeline seems mad it's the proper reaction to the situation she is in.
Another thing I liked was that The Fall doesn't veer far from Poe's story. OK, I admit, I haven't read the story in years and years. So I'm going more on memory of the story and the Vincent Price movie. But The Fall kept the focus tight: Madeline, her twin brother Roderick, his friend from school. There are also doctors treating Madeline and that may be new but if it is, it makes sense and it kept the story and plot tight.
And, finally, The Fall stays within the confines and setting of the original story, which was written in 1839. A year is never given, but there are coaches and servants and the time period is clearly "long ago" and "not now." What I love is how this setting is shown and created without much detail. Ask each reader of The Fall to sketch the house and its gardens and rooms, and each drawing will be different from each other. Madeline is telling the story and she is showing us her emotional truth. I love that Griffin trusts us, the reader, to not need those extra bits and doesn't give into the temptation of unneeded details.
And yes . . . I do plan on rereading The Fall of the House of Usher! So I'll revisit this review once I've done so.
Assorted links: Guest Post by Bethany Griffin at Uncorked Thoughts, talking Gender; review at The Book Smugglers; review at Wondrous Reads; review at Bookish.
Amazon Affiliate. If you click from here to Amazon and buy something, I receive a percentage of the purchase price.
© Elizabeth Burns of A Chair, A Fireplace & A Tea Cozy
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By: Nina @ Death Books and Tea,
on 3/23/2014
I covered the story for Publishing Perspectives here.
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By: Laura,
on 5/12/2012
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By: Lizzy Burns,
on 11/5/2014
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Blog: Death Books and Tea (Login to Add to MyJacketFlap)
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Title: The Dance of the Red Death
Author: Bethany Griffin
Series: Masque of the Red Death #2
Published: 4 April 2013 by Indigo
Length:
Source: publisher
Summary : Araby Worth’s city is on fire. Her brother is dead. Her best friend could be soon. Her mother is a prisoner, her father is in hiding. And the two boys who stole her heart have both betrayed her. But Araby has found herself, and she is going to fight back. Inspired by one of Edgar Allan Poe’s most compelling stories, “The Masque of the Red Death,” Bethany Griffin has spun two sultry and intricate novels about a young woman who finds herself on the brink of despair but refuses to give in. Decadent masquerades, steamy stolen moments, and sweeping action are set in a city crumbling from neglect and tragedy. A city that seeps into your skin. Dance of the Red Death is the riveting conclusion to the dark and fascinating saga of an unforgettable heroine.
Review: We pick up where we left Masque of the Red Death, so Araby has a dead brother, a dying best friend, and two boys that she loves who have also betrayed her. as people seek shelter at Prince Prospero’s place and Reverend Malcontent spreads disease, Araby and co must try and save the city, and themselves.
I really enjoyed Masque, but somehow, this wasn’t the same. The world was once again, gorgeously written in its full, crumbling glory. The world is distinctly Poe style, which I liked. The seven rooms in Prospero’s palace didn’t come in until the end though, which is a shame, because that was my favourite part about the story this was based on and I was really hoping that it would feature more.
Lots of things don’t come in until the end, really. There’s a lot of running around the city, but it’s hard to see where it all leads to sometimes.
Araby is a bit more forward in Dance, which I liked. Elliot has a hidden agenda. Will is ok, I suppose. No strong feelings about the boys either way. The love triangle was interesting, in terms of the secrets between them all, but I didn’t really care about how the love side of it ended up.
What I loved, as in obsessed over for a couple of days after reading it, in Edgar Allan Poe’s Masque of the Red Death, was the masquerade ball, and the rooms. I was disappointed with both of these in Dance. It all happens within thirty pages, so it was all crammed together and rushed.
As a series conclusion, it all felt a bit anticlimactic. I also don’t think everything was fully tied up-there’s room for more in Griffin’s world. Oh well.
Overall: Strength 3 tea to a disappointing, but still good on its own, conclusion to a beautifully set gothic series.
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By: Beth Kephart ,
on 6/7/2012
Blog: Beth Kephart Books (Login to Add to MyJacketFlap)
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Blog: Beth Kephart Books (Login to Add to MyJacketFlap)
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In a wall-to-wall session at the BEA, the season's top YA authors—Melissa Marr, Tonya Hurley, Siobhan Vivian, Jenny Han, Elizabeth Norris, and Bethany Griffin—gathered to talk about trendmaking, book writing, and teen readers.
I covered the story for Publishing Perspectives here.
1 Comments on Not Chasing Trends, Making Them: My Publishing Perspectives Story on the BEA's Buzz YA Authors, last added: 6/7/2012
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Blog: Laura's Review Bookshelf (Login to Add to MyJacketFlap)
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I recently read a Melissa Marr book and enjoyed it. This story will be interesting to read.