Technically this is about the last ten weeks, since the last decent post about this was before  Fresher's week and we're also one week into the holiday, but uni term length has already got me seeing life in eight week blocks. My first time at university has been a hectic couple of months, but something I want to share.

University life

It's brilliant. The texts we're doing (read about them here)  have all gotten better with studying, and all my tutors this term have been helpful.  There's been a lot of socials and chances to meet some lovely people. My college full of people who are extremely friendly, and we have some beautiful surroundings- just look at my library!

Theatre

Oxford has a lot happening on stage,, way more than I could ever fit in! But the shows that I've been to see (The Nether, the Queer Cabaret, Much Ado About Nothing, Jealous of Herself, The Last Five Years, Trojan Women) have all been high quality, that I liked for different reasons. Also, I'm writing for the Cherwell from time to time- it's exciting to be writing for more of a community (I still love this little blog though!)

Reading

I took eight books up for fun with me thinking I could do one a week. Hahaha. I got about halfway through The Republic of Thieves, and a little way in to Frangine. The thing is, when most of your time is spent reading, the last thing for relaxing is more reading, especially when there's shows to go see and people to be around and  the chance to not be solitary for once. So not much reading for the blog happened.   Now it's the holidays, there is much more time for reading. So this will  stay a book blog. Just not a busy one (though it hasn't been such for a long time).

Dancing

You may have noticed from my twitter that I really enjoy swing dance, and I knew when I went to uni I wanted to carry that on and maybe take up another style. Well, I trialled for the dancesport team which would do ballroom and latin, but I didn't get in. I also trialled for the rock and roll team, and I did get in! It's more energetic than I thought it'd be, and different in style, but there's also the chance to do acrobatics, which are a lot of fun, and competitions, which will happen in February.  Me on an official sports team... never thought that would happen!

YA Salon - 7th December

I had a day in London last week, where I got to catch up with a lot of friends- two hadn't seen since starting university, and then, later in the evening, many bloggers and authors I hadn't seen in some time. It was my first time at a YA Salon, and at this one, the focus was the book I'll Be Home For Christmas, an anthology where £1 of each sale goes to Crisis. It was a fun evening, with a fiendish Christmas in literature quiz, and the trial of  book blind dating, where a panel of authors answer questions, the person asking chooses one of them, and that author  gets to tell us about their story). The addition of mince pies and mulled wine made the night even better.

What next?

Poltergeist Theatre’s production introduces new perspectives to the characters. I liked how Hero and Claudio, who are traditionally the couple who conform to society’s gendered expectations, are the ones whose genders are played with, keeping the genders and pronouns they have in the text, whilst being played by actors and wearing clothes coded to another gender. The editing of the play blends this all together, as Claudio’s rant at the alter focuses more on the infidelity he believes Hero to be guilty of, and is less directly misogynistic, which might have felt weird coming from someone in a skirt. In addition, I enjoyed the addition of a redemption arc for Margaret when she realises her complicity in the shaming of Hero.

The cast was very strong. Alice Moore’s Beatrice was sharp and had a wide range of comic facial expressions, and Adam Goodbody’s Benedick was the least cocky I have ever seen him, even vulnerable in his love at times, and together, they make a touching couple. Benedick’s other important relationship, his friendship with Claudio. Is also well played, from their camaraderie at the beginning to seeing the conflict of issuing or receiving the challenge to the duel. Georgia Figgis plays Claudio in many states-excited in love, drunk, angry, upset- and the sadness she brings makes you feel sympathy for him, at least until he very convincingly rages again. Another standout for me was Lillian Bornstein’s Don Pedro, who looked utterly heartbroken after Beatrice refuses his marriage proposal.
Design wise, it’s tied together well. Both Georgia Bevan’s costumes and Adam Marshall’s lighting revolve around winter greens and rich purples, set against the white snow and plainer bases to the costumes. The transitions between scenes often resemble fast-forwarding in a video, keeping with the video theme in a stylised and polished way. Many a time a character is seen with drugs, a glass, or a bottle, which seems to motivate some of the more extreme reactions. The music, an original soundtrack by Alice Boyd, is melancholy, and the haunting rendition of Sign No More is particularly beautiful.
One thing emphasised in the marketing was the use of live-streaming and television. The major use of the live feed is when policemen Dogberry and Verges, perform to a handheld video camera, which shows on screen. This is an inventive way of allowing their actors, Imo Allan and Marcus Knight-Adams, to double as villains Conrad and Borachio, but the scene where the constables capture the criminals, repeatedly passing the camera between them, did seem a little clumsy. The television is also used in other parts of the play, to be played with, or for comic effect or for exposition. Its use would be greatly improved by ensuring that the audience could always see what was happening on screen- either by having a second screen that the actors didn’t interact with, and was only there for the audience, or simply by having the actors moving around instead of sitting or standing still in front of it.

The other thing that was conveyed in the marketing was the edgy perspective they would take on the play- the “death” of Hero and Benedick’s challenge to Claudio are emphasised. I was expecting a darker tone than what I normally expect from a Much Ado-but this production went beyond my expectations. Yes, there are moments of pure comedy, such as the scene when Benedick is tricked into believing Beatrice loves him, and the unexpected audience participation, but it’s a lot darker than something often played as a rom-com is. The editing of the script focusses on the sad, angry, and tense moments, and even the very last line -drawing attention to the Prince’s failure to find a wife- leaves you with a sombre mood.

If you’re going hoping for a cheery, fun, or romantic night, this is play not for you. However, if you’re going for Shakespeare performed very differently, or something to play with your mood, or a uniquely brilliant interpretation of a classic, Poltergeist’s Much Ado is one to watch.




Another edition of this review may appear on the website of the Cherwell

First, to anyone at YA Shot in Uxbridge today, have a great day! Second, if anyone here's going to be at the UKYA Blogging Awards at Uxbridge tonight, yay! I'll see you there.  On with the post!

photo from CILIP website

It seems to to come round quicker and quicker every year, Yesterday, the nominations for the CILIP Carnegie and the Kate Greenaway medals were released. Due to my being at uni now, I sadly don't have the brilliant booklet my school librarian produced which had all the blurbs of the books recommended, so this post is based upon a)the bits I've heard from social media over the year and b)when I googled the things with interesting titles. But here- a list of the books that I am glad to see on the list, and would totally bump up a reading pile if I ha
d time to do any reading for pleasure right now.

• Crush by Eve Ainsworth. I've heard people say how well written Ainsworth's characters are in both this and 7 Days, so  even with the heavy subject, it should be good.
• Chasing the Stars by Malorie Blackman. Othello in space with a girl as the lead? I've had this on my pile at home for ages, but the concept of this is great and so is Blackman.
• Twenty Questions for Gloria by Martyn Bedford. I like thrillers when I read them, I just haven't really read that many. I should though. 
• What's A Girl Gotta Do? by Holly Bourne. I'm sorry, I haven't read any in this feminist trilogy/series (not sure which...) but so many people say good things about it.
• Why I Went Back by James Clammer. Myth and magic and mystery? And maybe a better version of Skellig? 
• Monsters by Emerald Fennell. The atmosphere of  an Enid Blyton story (which I loved when I was little) plus murder? Yep.
• The Bone Sparrow by Zana Fraillon. From the blurb, the story of a refugee in a detention centre, and a girl with a notebook of family history, it looks beautiful. 
• Wolf by Wolf by Ryan Graudin. Alternate history and fantasy and a badass main character. Looking forwards to it.
• Radio Silence by Alice Oseman. So many people have told me to read Oseman's work. Some day, hopefully.
• Unboxed by Non Pratt. Loved Remix and Trouble, hoping for more good things. 
• Salt to the Sea by Ruta Sepetys. Again, loved Between Shades of Grey, and hoping for another book of similar quality. 
• Jolly Foul Play by Robin Stevens. Murder Most Unladylike and Arsenic for Tea were just fun reads-mystery, friendship, and a Chinese main character. I should catch up on this series.

• All Of The Above by Juno Dawson. About finding your identity, and with some pretty good poetry.
• George by Alex Gino. A middle-grade story about a transgirl, which just left me feeling happy.
• London Belongs to Us by Sarra Manning. I read this book about my favourite city in on sitting and it's full of great characters and adventure. 

For some people, due to their personality and their surroundings and other things, this is easy. For others, it's difficult.  But there's  books about it, both by showing characters who do so, or by helping you deal with it yourself.  (I'm sorry this preface was not meant to be  this serious in tone but it just happened that way).

Simon vs The Homosapiens Agenda by Becky Albertalli
Will I ever write a post about lgbtq books that doesn't feature Simon? Probably. But today is not that that day. Cute, with some excellent points about coming out in the emails between Blue and Simon, and overall giver of happy feels.

All of the Above by Juno Dawson
This one proves that labels aren't always necessary, which is an important thing to note if you're trying some on for size. In addition, overall giver of intense feels, and a few pieces of brilliant poetry.

Read Me Like a Book by Liz Kessler
Featuring a few queer people in varying stages of outness to themselves and society, I liked following Ashleigh's journey, and the way it resolved. In addition, loved seeing other people's different issues in life, issues I don't see much in YA.

This Book Is Gay by Juno Dawson 
Non fiction, an advice guide, written in a fun friendly style not just about coming out, but about love, sex, friendship, discrimination, and other things for everyone.

This post was kind of a mix of everything and I know I missed off books at some point. Comment below- what books would you recommend with coming out as a theme?

Also, if you are coming out today, at all, or especially for the first time, remember only do so if you're safe and happy to do so- and may it all go well!

So this past few months, many exciting things have been happening for me, which have been better documented on instagram and twitter. I had another packed Edinburgh Fringe, full of brilliant comedians, poets, and theatre pieces. I've had some great times with my friends, which is just as well because we're now scattered across the country and the continent,  because we're all off to uni! I can't believe I was in Year 8 when I started this blog and I now I've got a place at my first choice university to study Classics and French, but hey, time flies!

• The Poems of Catullus, translated by James Minchie. My copy of this is falling apart, so I put it in a binder ring. I love most of Catullus' works-it's often funny or emotional or both- he crosses the line a lot though!
• Juvenal's Satires, translated by Peter Green. Using anecdotes, it reads like a long list of complaints about Roman society, pointing out all the various moral failings that have come through.
• En Attendant Godot (Waiting For Godot) by Samuel Beckett. It's a play of two men who are waiting for Godot. They contemplate life, meet a handful other people, and wonder why they do so. It feels like Rosencrantz and Guildernstern, a lot of talk, less things happening, good to study, probably boring to watch.
• Supplement au Voyage de Bouganville (Supplement to Bougainville's Journey) by Denis Diderot, I liked the depiction of Tahitan society, and also the way it contrast Tahitian and European society and ideals.
• The Poems of Propertius, translated by H. E. Butler, of which I read Book 1. Mostly love poetry, describing his relationship with Cynthia, but there's a couple of poems for friends too.  
• Essais (Essays), of which I read Des Cannibales by Michel de Montaigne, Again contrasting  European society with another. I liked the challenge of reading the 16th century French.
• The Satyricon by Petronius. A pair of lovers go wandering around the continent, meeting the weirdest of society. Ends abruptly, though probably due to losing the text, but the various episodes, satirising different figures in society, are...interesting.
• Cicero's Defence Speeches, of which I read Pro Caelio. Here Cicero is trying to defend Caelius against charges of violence andmurder, which he does by presenting Caelius as a young man of outstanding virtue, even if he has made some mistakes, and by presenting Clodia Metelli, whose evidence would be important to the case, as a whore. It's funny in some places, misogynistic in many more, and is basically blaming a woman for anything a man does wrong.
• The Aeneid by Virgil. Following Aeneas, a Trojan noble who flees Troy after its defeat, as he wanders, searching for a new place for his people to settle down. A fair bit of travelling gives way to some really graphically battles. I have a lot of love for Camilla, the warrior woman who's featured in book 11.
• Phedre by Jean Racine. The mythological story of a queen who falls in love with her stepson and the husband/father's rashness is presented here in a play. I enjoyed the rhythm of this as I read this aloud, and I liked how it didn't completely villainise Phedre (ok, the blame all shifts on to the Nurse but I feel Phedre gets presented in a worse light in Euripedes' and Seneca's versions so it's nice she gets a little more sympathy here)

Supplementary Books 

I am aware that my timeliness is terrible. I saw this show eight months ago, I wrote this review eight months ago, I found it again tonight.  
I saw it at Edinburgh, and it's now playing at Soho Theatre as part of the Pride festival. 

Title: This Much (or A Act of Violence Towards The Institution of Marriage)
Writer: John Fitzpatrick
Director: Kate Sagovsky
Performed by: Moving Dust
Cast: Lewis Hart, Simon Carroll-Jones, and James Parris
Seen at: Zoo City

Review:Gar is in a long term relationship with Antony, and they're thinking about marriage , but meets Albert on an app. This leads to a romantic drama exploring the meaning and importance of marriage.
I saw this in the programme. I loved the title and the picture and thought maybe if I have time. I then saw this being promoted on the Royal Mile- three men in wedding dresses standing on plinths- and thought, yes, I have to see this. I didn't really know about the play though.
The drama progresses well. Something's always happening, there's twists, tension and anger is mixed with lighter moments, and aside from the ending which seemed a little abrupt, it flows well.
The actors work together well, and the deepness of relationships came through physically in interacting with each other.
The direction and scene setting was brilliant. They use lightweight boxes which are stacked in various ways to create different scenes, and which hold the smaller props. I think everything there was used at least once, with varying degrees of creativity. The scene changes happen in full view, accompanied by disco music and carried out with the emotion present in the scene. I loved watching them as it added unspoken aspects to the personalities.
There's only three or four lines of seating on three sides of the stage so it's a very intimate show. It's made more so by full nudity, (unexpected for me, expected for anyone who takes note of online warnings) but the close setting was good for really feeling the emotions coming off the play. And for those, wow. It cycles through a full range of feelings and situations you find in a relationship- the excitement of meeting someone new, the ease of living together, the hurt of a betrayal, what happens next- and the closeness of the venue means you see all the effects the events have on the characters, even the really subtle ones.

Overall:  Strength 4 tea to a very exposed realistic play.
Links: twitter | company | Soho Theatre tickets

A Dark Inheritance: When Michael Malone discovers his supernatural ability to alter reality, he is recruited by an organization dedicated to investigating strange and paranormal phenomena. He joins in hopes of finding his father, who mysteriously vanished three years earlier. Michael's first task is to solve the mystery of a dog he rescued from a precarious clifftop -- a mystery that leads him to a strange and sickly classmate and a young girl who was killed in a devastating accident. Stakes are high as Michael learns to harness his newfound ability and uncover the deadly truth about his father's disappearance.

Alexander's Army: After the success of his first assignment from the UNICORNE agency, fourteen-year-old Michael Malone is given another unexplained mystery to solve. When UNICORNE detect strange goings-on in a comic book shop, Michael is sent to investigate- a task which is made all the more difficult by allies he can no longer trust, and an enemy he can't actually see.

A Crown of Dragons: Michael, a special agent for the secretive UNICORNE agency, embarks on his most dangerous mission yet: investigating the artefact his father was researching before he disappeared. But the truth is darker than he could’ve imagined. His father is lost in an alternative reality, and Michael is the only one with the power to save him...


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I was incredibly looking forwards to seeing these. The comedy of the Handlebards that I'd seen before, plus one of my favourite shows (Much Ado) plus one of the plays I knew had many murders (Richard III) all combined to make me think I must see these shows somehow.
Both shows are imbued with the Handlebard style-brightly colour coding the actors, easy to remove and/or alter accessories, inventive ways of holding props to symbolise characters on stage when a scene needs more than four people on stage, audience participation, and epic levels of multiroling, energy, and enthusiasm.
The four actors are all new to being part of the Handlebards, and work together well. Liam and Paul play lovers in both plays (Richard and Anne and Benedick and Beatrice) and in both play off each other well, especially in Much Ado when both believe the other to be in love with them. All four of them have an extensive range of physical movement and  voices and facial expressions that differentiate the characters, which is necessary when most of them are learning about 20 characters each.
The music was good.  In Richard III, Richard's theme music is overdone in part one of the play (the same music and choreography each time means it loses its effect), or maybe it seems that way  due to the fact the theme was the only music in part one; part two had much more musical accompaniment (and occasional musical feature) so the recurrences seemed more integrated. It is especially performed well on a mop bass with jazz-style singing. Much Ado About Nothing has a lot more music, which is used throughout for scene transitions, comedy, and where the script calls for singing. They all sing and play their instruments well.
On to each performance specifically. I only knew that Richard III was about a lot of murder to become king; and  I was very pleased with how easy it was to follow. I think the multiroling helped with this a lot. With most Histories, I often see most the cast being men who are all named after parts of England and who all look the same and are very easy to mix up. but here, the huge differences between characterisation made it easy to tell what's happening. Despite all the murder, it's played pretty much as a full-scale comedy- timing, music, Richard's movements, the murder weapons.... oh and the ghosts. That was a most wonderful scene involving lots of bedclothes and wooooooing and the opposite of what you'd expect the souls of the dead haunting their murderer. The whole audience was laughing throughout this scene, and the whole play. It was a brilliant atmosphere and a great night.
Much Ado about Nothing was sadly not as good as I was hoping. It may be because we all studied it and loved it and know it, that it was easy for us to notice little slips and where they cut or shortened some of our favourite bits, such as Beatrice's "double heart for his single one" line, and Benedick's   listing of what he wants in a woman, which relates to his longer speech after his tricking scene. I am also used to seeing this performed at pretty much breakneck speed (like at their Richard III speed), and this felt comparatively slow in parts.  I think what they had in mind would have been brilliant, but the fact that  some things just didn't go as planned, such as scene changes and parts of the set starting to fall down, got in their way. They really did do their best at whatever the circumstances threw at them-Beatrice's temporary deafness being a highlight of their improv. In addition, the Watch scenes were good, I loved Stanton's ballet-dancing Claudio, and Matt made an absolutely adorable Hero.I think as they perform more, they'll get used to what they want to do and they'll get quicker, and I'd like to see Much Ado later on in the run if I can.
All this said, this is a great company. They're learning not only two plays, but multiple roles within the plays, plus cycling to wherever they need to go. Also, we did see them on the first public performances. The overall style of their acting, the huge comedy/comedic potential, the running gags both within plays and across plays, and the sheer amount of energy and connection they have with each other and the audience make the well worth coming to see.

In Amsterdam she meets moody, unpredictable Ethan, and clever, troubled Theo. Two enigmatic boys, who each harbour their own secrets. In a beautiful city and far from home, Kitty finds herself falling in love for the first time.
But will love be everything she expected? And will anyone's heart survive?
I wanted to read this because it kept getting flagged up in chats for featuring bisecusl boys, and I'd been meaning to read things by Keren for a long time. Keren reading short story from Ethan's viewpoint made me want to know more about him and therefore I started on this.
It did seem a bit wandering regarding Kitty and Ethan's story, to start with (probably because I'm generally less interested in people working out who they like until there's bigger conflicts involved). I did like seeing the development of Theo's relationship with Sophie, which is told partially by flashback partially in the present too. I also liked seeing all the relationship strands between Kitty, Theo and Ethan converge and how that all panned out. The building and breakdown of relationships in this book are tumultuous, but good to read about.
I really enjoyed reading about different cultures - Jewish and Dutch. I especially liked that Keren provided characters with different attitudes to aspects of their culture, offering a range of characters within such an under-represented group.
The side characters made a good group. My favourite was Rachel, Kitty's sister, who was funny, and a good support for Kitty.
There's a lot of things our main trio have to deal with. Family relationships, working out friendships, health issues, fitting in when moving abroad... A lot is happening here, and I quite liked seeing how Theo and Kitty fit in after the move.
Part one is the climatic event, part two is before, part three is after. I liked this structure, as it catches your attention immediately, and establishes characters.
I loved the ending. Kitty's discussion with her friends is good for reminding all of us of some lessons in life. Characters' justifications for the way they wanted things were realistic, especially Ethan's (last paragraphs of chapter 44) and while the strands unpacked within the novel are tied up, there's still an openendedness for the future.
Strength 4 tea to a story that is not about love, but is about relationships, romantic, familial, and friendshippy, and overall about life.

Author: Leah Thomas
Series: N/A
Published: Bloomsbury Children's Books
Length: 344 pages
Source: Publisher
Other info: This is Leah Thomas's debut. A sequel,  currently Nowhere Near You, should come in 2017.

Summary: Ollie and Moritz are best friends, but they can never meet. Ollie is allergic to electricity. Contact with it causes debilitating seizures. Moritz’s weak heart is kept pumping by an electronic pacemaker. If they ever did meet, Ollie would seize. But Moritz would die without his pacemaker. Both hermits from society, the boys develop a fierce bond through letters that become a lifeline during dark times—as Ollie loses his only friend, Liz, to the normalcy of high school and Moritz deals with a bully set on destroying him.
A story of impossible friendship and hope under strange circumstances, this debut is powerful, dark and humorous in equal measure. These extraordinary voices bring readers into the hearts and minds of two special boys who, like many teens, are just waiting for their moment to shine.

Review: Ollie is allergic to electricity-contact with devices means he'll have a seizure, or it will short out. Moritz was born without eyeballs and he has a pacemaker. And they live on opposite sides of the Atlantic. Still, they form a friendship, writing letters to each other, talking about their present and past.

I got sent this by the publishers. I didn't know what to expect, but the blurb looked good.
The story is told through the letters between Moritz and Ollie. Both write totally differently, reflecting their contrasting personalities. I think Ollie's style was more engaging, it is, for the most part, more enthusiastic, while Moritz is more controlled. However they're both styles that make you want to read on to learn about the characters, as they tell you about their struggles to interact with society, and their attempts to make it work.

Most of the book is telling us about the lives of the boys, separate from society for different reasons, but trying to interact. We meet friends like Liz, Fieke, and Owen, who help our main characters develop. I really liked watching Moritz and Ollie change, especially Ollie, as they both become more confident to do things on their own. Favourite moment- Moritz being taught how to read ink on paper.

When we do learn about their history, which seems quite late considering its focus in the blurb, for me, it's very out of the blue. I liked that we got a lot of coming of age and different stories, and this ending... I didn't see it coming, and it's a bit of a genre shift. Then again, I guess all the references to Daredevil does bring in some elements of it early...  I still prefer the friendship/growing up differently element of this story.  However, I did like the very ending, and the fact that you wonder about the stories of the other people who would be involved. I didn't see it coming, and There's a lot that could be written, in fanfic or by Thomas, or can be left open to your imagination.



Overall: Strength 4 tea to a story about an unusual friendship between two characters you love to watch.

Links: Amazon | Goodreads |  Foyles

2015 Reading Stats

Best In Books

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So, I'm still snowed under with work because fitting everything around a personal statement that needs to be in in two days, four hundred characters shorter than it currently is while still conveying everything I want it to, is making me lose the will to live. Still, I need a break, and I thought I'd do a little post. And it's Bisexual Visibility Day (at least for the next three two hours-it took me a long time to write this). I could do a thoughtful post of what I want or don't want in bisexual representation in fiction/the media, or other analyses. But as I'm kind of tired, so here's a few of some of my favourite bisexual (using my definition of characters  "has the ability to be attracted to 1)people of our own gender and 2)people of other genders") I've encountered in books.



Micah and Drystan from Pantomime by Laura Lam (my review here)
They're really intriguing people-we meet them in a circus,  in book two, they're magicians, Drystan's funny, and Micah's genearlly awesome.  Also, their relationship is adorable (if only Laura hadn't done -that- to Aenea!!!)

Kitty and Delilah from Hollow Pike by James Dawson (my review here)
The last time I read Hollow Pike was a few years ago, and my memory is kind of hazy, but I remember loving how  Kitty stands up for herself,  while Delilah is eternally sweet, and they make a brilliant couple.

Professor Lyall from The Parasol Protectorate by Gail Carriger
I think I remember Akeldama saying that Lyall was bi... If he is, he makes this list- werewolf beta who gained a professorship from studying sheep breeding, makes sarcastic remarks and

Magnus Bane from the Infernal Devices/ Mortal Instruments series  by Cassandra Clare
Once again, another character whose sarky comments make me love them. Also, his magic, his adventures, and his fashion sense.

Olivia, Orsino, and Viola from Twelfth Night by William Shakespeare
OK, it's not officially stated, but Orsino does fall for Viola while he believes she's a man, Viola's soliloquy never says she's rejecting Olivia, she just seems to be "argh we're all in love in a A loves B loves C thing", and I don't think  Olivia would have minded too much to have married Viola (believing her to be a man), then later found her a woman, having already fallen in love.

I've also read other books featuring bisexual characters- Far From You, Grasshopper Jungle, Adaptation... I can't make my mind think of them right now- but I wouldn't be putting them on this list because the characters weren't as memorable. And sorry for such a short post! I hope to be able to concentrate on blogging soon... *needs sleep first*

You may have noticed from Twitter and Instagram, I'm at Edinburgh Fringe!! I'm having a brilliant time and I've seen some wonderful shows. Now, I've promised reviews to all the plays I've seen, and they are being written. But formatting and dealing with pictures does not work on my phone, so I'll post the properly formatted theatre reviews when I'm back at home. In the meantime, my reviews are uploaded to the Fringe ticketing website, so you can look at them there. 

 Author: Alex Sanchez