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Viewing: Blog Posts Tagged with: Waiting for the Biblioburro, Most Recent at Top [Help]
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1. The Story Behind the Story: Waiting for the Biblioburro by Monica Brown, illustrated by John Parra

Monica Brown‘s picture book Waiting for the Biblioburro has been receiving rave reviews since it was released this past August.  What inspired Monica to write a book about Columbian literacy advocate Luis Soriano and his donkey library? Here she shares “the story behind the story”:

I love librarians. Like me, (and I’ll bet you too if you are reading this), librarians are book people. Book people find joy between the pages of a book, but their passion doesn’t stop there. True book people must share books with others. They believe that placing books in young hands and sharing stories with young minds is meaningful. Luis Soriano is a book person. Luis first came to my attention when I read the New York Times article, “Acclaimed Colombian Institution has 4,800 books and 10 legs” by Simon Romero. Fascinated, I did some research and came across Valentina Canavesio’s short film Biblioburro—The Donkey Library. The story filled me with joy and not a little pride in the resourcefulness and passion of the Latino culture that Luis and I share. Growing up, Luis Soriano did not have the benefit of extensive formal studies and unlimited financial resources. What he did have was vision—and two donkeys named Alfa and Beto. For years, Maestro Soriano has delivered books in rural Colombia to children who don’t have access to libraries. Some don’t even have teachers or schools. But Luis, who received his school degree at 16, and then became a teacher and librarian, has made it his life’s work to change that.

When I wrote Waiting for the Biblioburro, I didn’t want to presume to tell Luis’s story for him, so I created a fictional story inspired by his, from the perspective of a little girl whose life he changes. I contacted Mr. Romero, the writer, and Ms Canavesio, the filmmaker, and through them, reached Luis himself. I knew as I was writing this book that I wanted Luis’s blessing–I was lucky enough to get it, and to get to know Luis over the phone and through emails. I also wanted to make sure that his foundation shared in the profits from this work, which my publisher made happen. When I first spoke to Luis over the phone and across thousands of miles, I was felt that I was in the presence of greatness—he is great man with a great heart. Luis shared with me his wish to sow the seeds of creativity and to cultivate dreams in the minds of children.

After talking with Luis, I felt inspired to write an imaginative rendering of Luis’s legacy—a legacy not only of literacy, but of sharing one’s own stories with the world. My story is about a creative little girl named Ana who loves books and reading, but who doesn’t have access to a library, books, or even a teacher. It’s her story of waiting, discovery, and finding a voice. I hope that Ana’s story, like Luis Soriano’s vision, will inspire us all to be literacy workers and activist librarians, teachers, parents, and friends. What would you do to bring books to children? Would you ride a donkey for miles, risking attack and robbery? Would you build a library with your own hands? Luis Soriano did. And we can too.

Watch the book trailer for Waiting for the Biblioburro here.

Monica Brown
July 7, 2011

A portion of the sale proceeds from Waitin

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2. On Traveling Libraries and Heroic ‘Book People’: Inspiring children’s books about getting books to people in remote places and difficult circumstances

Abigail Sawyer regularly reviews books for us here at PaperTigers, and she’s also, in her own words, “a lifelong library lover and an advocate for access to books for all”, so who better to write an article for us about “unconventional libraries” and the children’s books they have inspired. Abigail lives in San Francisco, California, USA, where her two children attend a language-immersion elementary school and are becoming bilingual in English and Mandarin: an experience that has informed her work on the blog for the film Speaking in Tongues. I know you’ll enjoy reading this as much as I have.

On Traveling Libraries and Heroic ‘Book People’: Inspiring children’s books about getting books to people in remote places and difficult circumstances

My sons and I paid our first-ever visit to a bookmobile over the summer.  For us it was a novelty.  We have shelves of books at home and live just 3 blocks from our local branch library, but the brightly colored bus had pulled up right near the playground we were visiting in another San Francisco neighborhood (whose branch library was under renovation), and it was simply too irresistible.  Inside, this library on wheels was cozy, comfortable, and loaded with more books than I would have thought possible.  I urged my boys to practice restraint and choose only one book each rather than compete to reach the limit of how many books one can take out of the San Francisco Public Library system (the answer is 50; we’ve done it at least once).

The bookmobiles provide a great service even in our densely populated city where branch libraries abound.  There are other mobile libraries, however, that take books to children who may live miles from even the nearest modern road; to children who live on remote islands, in the sparsely populated and frigid north, in temporary settlements in vast deserts, and in refugee camps.  The heroic individuals who manage these libraries on boats, burros, vans, and camels provide children and the others they serve with a window on the world and a path into their own imaginations that would otherwise be impossible.

Shortly after my own bookmobile experience, Jeanette Winter‘s Biblioburro (Beach Lane Books, 2010), a tribute to Colombian schoolteacher Luis Soriano, who delivers books to remote hillside villages across rural Colombia, arrived in my mailbox to be reviewed for Paper Tigers.  I loved this book, as I do most of Winter’s work, for its bright pictures and simple, straightforward storytelling. Another picture book, Waiting for the Bibiloburro by Monica Brown (Tricycle Press, 2011), tells the story of Soriano’s famous project from the perspective of one of the children it

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