"What's your book about?"
Ever heard that line, only to resort to a spread-out, strung-together diatribe about the contents of your novel? Thirty minutes later, the friend who uttered the question has dozed off and you're still explaining the intricacies of chapter one.
When my new critique partner asked that very question, I knew I couldn't make that mistake.
So, I grabbed an idea from a college writing class from 30 years ago and narrowed my response. Short. Sweet. To the point.
I used a log line, a scriptwriting technique used to entice agents and producers to pursue your script.
Consider it an elevator speech for your book.
A log line is a spot on, short explanation that includes information about the protagonist, the protagonist's goal, and the antagonist. Keep these additional questions in mind while writing a log line for your book:
- What genre is your novel?
- What makes your main character stand out?
- What kick-starts the conflict?
- What happens to the protagonist if she fails?
A log line can be particularly helpful when attending a writing conference or pitch session, when time is of the essence and a you need to give the agent or editor a clear vision.
So, I'll ask the question once again.
What's your book about?by LuAnn Schindler. Read more of her work at her website.
In Monday's post we covered Steps 1-5 of Final Stages of Editing; today we'll finish up and focus on the remaining points. Final Stages of Self-Editing Steps 6-10:6. Check formattingNow it’s time to check the formatting of the manuscript.
Are your paragraphs all indented with proper punctuation?
Did you use the Show/Hide function in your word processor to check the inner workings. For instance, years ago the proper spacing between sentences was two spaces. Now, the protocol is one space between sentences. The Show/Hide function displays a dot for each space.
Is your manuscript double spaced?
Did you use the correct formatting for dialogue?
7. Get your manuscript editedWhen you think it’s perfect, have it edited before you start submitting it. Yeah, yeah, yeah, I know, you think this step is overkill, and it will cost money. You’re right on the second part, it will cost money, but it will be money well spent.
No matter how many times you self-edit, and how many times your critique group goes over your manuscript, there will be errors. Ask around for a reputable editor.
8. Create a log lineA log line or pitch line is a one sentence description or your manuscript. This may take a bit of trial and error.
9. Create a synopsis A synopsis is a short description of your story. Your writing should be tight and focused--leave out the fluff. The content should be self-edited and proofread before sending it off to an agent or publisher. You are trying to grab the reader's attention and let the reader know that you are grammar literate.
Basically, the synopsis should briefly let the editor know what the book is about: the beginning of your story, your main character/s needs or wants, how he strives to reach his goals, the obstacles/conflicts in his way, and how he overcomes the conflicts moving forward to the final outcome.
I read an interesting article recommending that your synopsis should be created using your detailed outline.
10. Create a query letter or proposal A query is a sales pitch. It should be three paragraphs and only one page long. The first paragraph quickly and interestingly describes the story; it’s the hook. The second paragraph tells a bit about you, your qualifications for writing the book. And, it’s a good idea to include a bit on how you intend to help market the book. The third paragraph is the conclusion; keep it short.
11. Final Step: SubmissionsOkay, your manuscript is polished and shiny, now it’s time to submit. But, hold on . . . check each publisher’s guidelines before you submit.
In fact, don’t just check the guidelines, you need to study them, and follow them implicitly. If a publisher asks for submission by mail only, don’t email your submission. If the word count on an article or story is up to 1000 words, don’t submit a story with 1150 words.
There is just so much involved with self-editing, and as I keep learning new tricks I'll pass them along.
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2 Comments on Final Stages of Self-Editing Part 2, last added: 4/21/2010
My log line for Arm Farm, my first young adult novel is:
Natalie is studying forensic sciences to solve a cold case but quickly finds herself a victim in her own investigation.
The advice I live by is to make the short pitch a one-liner. Once you have the listener hooked you can then elaborate.
Thanks for letting me share. What is your most recent one?
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