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By: Freya,
on 11/25/2010
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The Official BookBuzzr Blog
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Everything You Do Online Reflects on Your Book: Make Sure That Reflection Is Professional
Guest Expert: Phyllis Zimbler Miller
This month’s guest post is a natural extension of last month’s guest post “Do Your Offline and Online Book Promotion Activities Support Each Other?”
In that post I talked about how your book author website should present consistent information about your offline and online book promotion activities.
In addition, all your online book promotion activities should present you as a professional book author, regardless of whether your book was traditionally published or self-published.
Recently a book marketing consulting client asked me why he could not build a website himself for his nonfiction book the same as he had built for his business. I asked if he wanted my honest response.
When he said yes, I told him that his business site did not look professional. (And he agreed.) Then I added, as everything related to a book reflects on that book, he should have a book site that does appear professional.
And this advice about professionalism extends to everything you do online to promote your book.
For example, I’ve noticed typos in the Twitter profile bios of many people. Now this bio has a maximum of 160 characters. Do take the brief time to make sure you have spelled all the words in the bio correctly.
I always proofread my tweets and the comments I leave on blog posts before hitting “submit.” Now I know I may still occasionally miss an error, but I do try to ensure that whatever I write online is professional.
And this same advice goes for tweetchats or forum discussions or whatever.
Why is this so important?
You do not want to appear unprofessional and risk this reflecting negatively on your book.
And as you have spent a great deal of time writing your book, you should take the time to make sure you are not hindering your own book promotion efforts.
Bonus tip for customizing your Facebook and LinkedIn URLs rather than having those long URLs:
Facebook: Sign into your account. Then go to www.facebook.com/username and get your customized URL for your Facebook personal profile.
(Note that this profile must be in your own name and NOT your business name or you are in violation of Facebook terms. See my blog post )
Also, if you have a Facebook Page for business – formerly called a Fan Page – Facebook currently requires that you have at least 25 people who have “liked” your page before you can go to www.facebook.com/username and get a customized URL for your Facebook Page. But when you have at least 25 people, also get a customized URL for this page.
LinkedIn: Sign into your account. Then click on PROFILE (in navigation bar) and click on EDIT PROFILE.
On the right-hand side of the next screen click on CHANGE PUBLIC PROFILE SETTINGS.
Then you’ll see at the top of the next screen YOUR PUBLIC PROFILE URL and click on EDIT.
And, yes, having a customized URL instead of a long, awkward URL can reflect positively on yo
Guest Expert: Carolyn Howard-Johnson
This will be short and sweet. There are many ways to use a media release. These are the major ones. If your title is unique, you may think of others.
- Attach a media release to the outside of your media kit with a paper clip. It will tell an editor, producer, or other gatekeeper exactly what the big occasion is.
- Send a media release to total strangers through one of the many news release disseminators. Many are free. Find a list on the Resources for Writers page on my site. While you’re there, surf a bit through the other Resources for Writers pages.
- Keep a contact list for the media. Send your release to them.
- Keep a separate contact list for writers of newsletter editors, website masters, etc. on the Net. Send releases that fit their content needs to them, too.
- Put your releases on your Web site. Don’t take them down until they are really old, dead, and useless! (By the way, you should have a Media Room on your site. You do, don’t you?) For a sample of what a media room is like go to www.howtodoitfrugally.com. Be sure to explore the links and articles you’ll find there, too.
- Adapt your media releases as useful messages to send out to the e-groups (list serves) that you belong to. If you don’t belong to any, get started. Go to Yahoogroups.com and search around for some in your field of expertise.
Media releases can be about more than the release of your book. In fact, the release of your book is hardly news anymore—at least not to anyone but local editors and your friends. Think about what you’re doing, where you’re going. Your events. New Web site features. A new blog you’re writing. Make news for yourself by giving an award, giving a scholarship.
Also, media releases are changing. Since the advent of the net people are looking for content. So a release can be full of information other than a mere announcement. Maybe a new process or concept in your area of expertise?
The author is Carolyn Howard-Johnson, author of The Frugal Book Promoter: How to Do What Your Publisher Won’t, winner of USA Book News’ Best Professional Book, and Book Publicists of Southern California’s Irwin Award. Its sister book, The Frugal Editor: Put Your Best Book Forward to Avoid Humiliation and Ensure Success is also a multi-award winner. Her new booklet of word trippers is Great Little Last-Minute Editing Tips for Writers: The Ultimate Frugal Booklet for Avoiding Word Trippers and Crafting Gatekeeper-Perfect Copy. Learn more at: http://www.howtodoitfrugally.com.
Her complimentary newsletter Sharing with Writers is always full of promotion tips, craft, and publishing news. Send an e-mail wit
By: Freya,
on 9/23/2010
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Guest Expert: Phyllis Zimbler Miller
It helps to have a roadmap to follow when promoting a book, whether it is your first book or your 15th. And if you want to use social media effectively to promote your book, you need to go through some foundation stages before you even get to using social media:
Stage 1: Identifying Your Brand
Now before you say that’s easy – it’s the title of your book, let’s think this through a moment. The title of a book is usually not the brand of an author – even if that author ever only writes one book.
Your brand is what makes you as an author – and by extension the books that you write – stand out from the crowd. Here’s an example of what I mean:
Years ago a mystery bookstore owner told me that people would come into her store and ask for the next book in the alphabet mysteries series. What I at first found incredible is that fans of this series neither remembered the name of the author – Sue Grafton – or the very distinctive book titles, such as “A Is for Alibi,” “B Is for Burglar,” “C Is for Corpse.”
Sue Grafton has a very distinctive brand – alphabet mysteries. What’s your distinctive brand?
Stage 2: Your Book Author Website
Your book author website is your home base for all your book activities regardless of whether your publisher also gives you a page on the publisher’s website.
It’s important that you have a site that you completely control. This way you can make changes at a moment’s notice (for example, when you get a last-minute invite to do a radio interview or book signing). I recommend a self-hosted WordPress.org site for this (which can include a blog) (note that this is not the same as a hosted WordPress.com site).
Whether you have an existing site or are planning a new one, be sure that the site is up-to-date. In other words, do not have any outmoded web design elements such as a slow-loading Flash introductory page.
People today want their information instantaneously. When they land on your website, they want to know what is this book (or books) about, fiction, nonfiction, who’s the author?
You want also to be sure to have such elements as an email optin system that will enable you to keep in touch with your book fans.
Stage 3: Your Social Media Activities
Now you are ready to have an effective and active social media presence in order to connect with prospective fans. I recommend starting with one of these sites and then adding in the others:
• Facebook personal profile
• Facebook (business) page about your book or books
• LinkedIn profile
• Twitter account
And as you are a book author, you will also want to take advantage of the book promotion opportunities on BookBuzzr.
Be sure to use the same good headshot across all these sites to help in recognition. And you’ll want to learn as much as your time allows on how to effectively participate on each of these sites.
For example, it’s important to remember that Twitter is NOT about selling your book. Twitter is about sharing information and occasionally mentioning your book.
Of course, if you have a blog, which is definitely a good idea if you are a writer, then you can post the links to your new posts on all of the above sites.
(F
Getting Past the Arguments and Past the Gatekeepers
Guest Expert: Carolyn Howard-Johnson
An excerpt from the introduction of The Great First Impression Book Proposal: Everything You Need To Know To Sell Your Book in 20 Minutes or Less with seven basics to get you started.
Those who haven’t learned to write a book proposal are haunted by that gap in their knowledge. It lingers much like the first horror story your counselor told you as you roasted s’more over a campfire at summer camp, and it becomes more frightening every time the prospect of a new book looms.
Book proposals are not something that are going away any time soon. In fact, they have becoming more omnipresent. Once only writers of nonfiction needed to write proposals to get their ideas past gatekeepers, the editors, agents and publishers. Now some publishers ask their novelists to write them. That is especially prevalent for novelists under contract for more than one novel, genre novels, and novels that are part of a series.
Many writers are put off by books on proposals. “It takes a whole book to learn to write one?” they say. “First we have to read a whole book, then we have to write a proposal which is practically like writing a whole book and then we have to write the darn book?” They’re right. It all seems like too much.
And it may be. There are lots of books out there on how to write a book proposal and I recommend a few at the end of this short piece. But it is easy enough to learn all that you absolutely have to know in a nutshell and that’s what this article seeks to do for you.
It’s easy to make short stuff of the subject of writing book proposals simply because there is no one way to write a proposal. You need to know the basics but every proposal will vary with the project depending on the author’s style, the genre he or she is writing in, and the way he or she visualizes the book. In this article, I give you a detailed version of a proposal for a nonfiction book, one that works because it makes it easy on the agent or publisher to find what he or she needs and digest it. Obviously, those writing proposals for fiction (and keep it mind it is rarely required that the writers of fiction books use proposals) will need to adapt these guidelines.
So, what is a proposal all about and why are we so uncomfortable with them?
A book proposal is a marketing tool and a tell-and-sell document. Writers tend to be artistic or academic or reclusive and probably never pictured themselves hawking any kind of product, much less something that they’re so invested in. That doesn’t mean they won’t have to and it doesn’t mean they can’t learn to write a real kick-butt proposal. In fact, most already have the instincts for it, they just think that they must switch from real writing to brazen or boring. And know that once past the query letter, if your proposal doesn’t impress a gatekeeper, all is lost.
So I’m giving you the seven top rules for writing a great book proposal. For details you’ll want tosplurge on The Great First Impression Book Proposal: Everything You Need To Know To Sell Your Book in 20 Minutes or Less.
Rule #1: Don’t slide into your business-letter writing mode. In fact, don’t do that when you write business letters. Let your per