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Viewing: Blog Posts Tagged with: Patrick Doyon, Most Recent at Top [Help]
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1. Review of the Day: The Sandwich Thief by Andre Marios

SandwichThiefThe Sandwich Thief
By Andre Marois
By Patrick Doyon
Chronicle Books
$14.99
ISBN: 978-1-4521-4659-1
Ages 7-9
On shelves March 1st

Injustice, that sweet universal quality, makes for great children’s books. Whether it’s a picture book or a young adult novel, if you can tap into a reader’s sense of unfairness you have yourself some children’s book gold. It’s the instantaneous gateway to identification. Adults too often forget how painful those early lessons about how the world is an unfair place feel. Children’s books tap into that feeling, while also giving kids a sense of hope. Yes, the world is a mad, bad place sometimes. But there are times when things work out for the best. And if its takes disgusting flavor balls in delicious sandwiches to reach that cathartic ending, so much the better. I wouldn’t argue that Andre Marois’s The Sandwich Thief is the greatest book on this subject I’ve ever seen (it could use a little work in the empathy department), but when it comes to tapping into that feeling of unbridled rage in the face of a cold, calculating world, this title definitely knows its audience.

There are upsides and downsides to having foodies for parents. On the one hand, they can seriously embarrass you when they overdo your school lunches. On the other hand, delicious sandwiches galore! Marin’s a big time fan of his mom’s sandwich constructions, particularly when graced with her homemade mayonnaise, but then one day the unthinkable occurs. Marin goes to take his sandwich to the lunchroom only to find it is gone! When it happens a second time on a second day Marin is convinced that a thief is in his midst. But who could it be? A classmate? A teacher? Everyone is suspect but it’s Marin’s clever mama who knows how to use her mad genius skills to out the culprit, and in a very public way!

SandwichThief2Writing a good early chapter book takes some daring. The form is so incredibly limited. It’s best to have a story that can be read in a single sitting by a parent, or over the course of several attempts by a child just getting used to longer sentences. In this book Marois sets up his mystery with care. There are lots of red herrings, but the author also plays fair, including the true villain amongst the innocuous innocents. The adults made for particularly interesting reading. For example, I loved the portrait of Marin’s principal Mr. Geiger, a man so rumpled and ill-fed you wonder for quite some time how he got his current position (he redeems himself at the end, though).

I like to tell folks that we are currently in a new Golden Age of children’s literature. This is, admittedly, a fairly ridiculous statement to make since few people can be aware of a Golden Age, even if they are already waist deep in it. Still, the evidence is striking. Never before have authors or illustrators had so much freedom to play around with forms, construction, colors, art styles, etc. It’s not a free-for-all or anything (unless you’re self-publishing) but ideas that publishers might have balked at twenty years ago are almost commonplace today. Take The Sandwich Thief as one such example. Here you have an early chapter book that draws heavily on the classic comic tradition. But speech balloons aside, artist Patrick Doyon makes every single page an eclectic experience. A French-Canadian editorial illustrator who had never made a children’s book prior to this one, in this book Doyon moves effortlessly between two-page spreads, borderless panels, sequential art, the works. You might be so wrapped up in the form that you’d miss how limited his palette is. Working entirely in orange, red, and black, Doyon’s talents are such that you never even notice the missing colors during your reading experience.

SandwichThief3Sadly, there are some aspects to this brand new book that feel like they were written twenty or thirty years ago (and not in a good way). When identifying the potential thieves in his classroom, Marin falls back onto some pretty broad stereotypes. We’re in an era when body acceptance makes old-fashioned fat shaming feel downright archaic. With that in mind, the identification of one student as “Big Bobby” whose “main hobby is eating” is particularly unfortunate. Add in “Poor Marie” whose mom lost her job and can’t afford to eat, and you’ve got yourself an odd avoidance of sympathy. Another reader of this book mentioned that the villains is of a similar lower-socioeconomic level, which is questionable. There are also a couple insults like “Numbnuts” floating about the text that will pass without comment in some households and be a major source of contention in others. FYI.

Winner of the Governor General’s Literary Award for Illustrated Children’s Literature, French Language, Marois and Doyon’s first collaboration is for any kid that comes in looking for a fun read with a mystery component. With its classy format and striking cover it may even appeal to the Wimpy Kid contingent. Hey, stranger things have happened. It’s a true bummer that the book dumps on so many people along the way but it may still appeal to any kid who craves a little justice in the world. Particularly if that justice comes with the taste of chalk-textured cat pee.

On shelves March 1st.

Source: Final copy sent from publisher for review

Like This? Then Try:

Professional Reviews: Kirkus

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It can’t really compare to the English language version, but the original French cover is pretty cute too:

SandwichThiefFrench

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5 Comments on Review of the Day: The Sandwich Thief by Andre Marios, last added: 2/10/2016
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2. Artist of the Day: Patrick Doyon

Discover the art of Patrick Doyon, Cartoon Brew's Artist of the Day!

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3. NFB’s Free McLaren’s Workshop iPad App is a Must-Download

McLaren’s Workshop is a free iPad app from the National Film Board of Canada (NFB) that provides access to over fifty films by experimental filmmaker Norman McLaren and allows users to create their own films with animation techniques used by McLaren. I was impressed when I previewed the app last fall at the NFB’s Montreal headquarters, and now that I’ve had a chance to play with it more extensively, I can confirm that it’s a no-brainer download for anyone with even the slightest interest in animation.

The fifty-one shorts on the app include all of McLaren’s best known works such as Begone Dull Care, Blinkity Blank, Le Merle, Neighbours and Pas de Deux as well as plenty of rarities dating back to the early-1930s. The colors are vibrant and lush thanks to film restorations that were done in 2006 for the DVD set Norman McLaren: The Masters Edition. In addition to the films, there are eleven documentaries in which McLaren and his colleagues discuss process, an illustrated biography, and an extensive essay by McLaren documentarian Donald McWilliams.

The app points forward to a new way of learning animation history in the 21st century, in which understanding a filmmaker’s work isn’t done through passive activities like reading a book or watching a film, but rather by making films of one’s own. McLaren’s Workshop contains three separate programs that allow the user to create animation using digital tools that approximate the techniques of cut-out animation, scratch-on-film, and synthetic sound, the latter of which will appeal particularly to those with a music background.

The cut-out workshop is free, the other two workshops are each a $2.99 in-app purchase. While pinching-and-zooming on an iPad doesn’t create the same visceral, sensory experience of manipulating paper cut-outs by hand or scratching onto film stock, the workshops are elegantly designed for simplicity and intuitive usage. They provide an excellent entry point to McLaren’s animation techniques for students and novices, although as you’ll see below, the tools are robust enough for professional filmmakers to have fun, too.

A couple other features worth pointing out: firstly, the app allows users to store McLaren’s shorts for up to 48 hours of off-line viewing, and additionally, during the first two months of the app’s release, users can upload their own films from the program directly to Vimeo accounts.

Start your weekend right and download a copy of McLaren’s Workshop on the Apple Store. And to get a little inspiration for what can be done with McLaren’s Workshop, check out these films made by top indie animators using the new app:

I Am Alone and My Head is On Fire by David OReilly (scratch-on-film)

Day Sleeper by Don Hertzfeldt (scratch-on-film)

Bon App by Regina Pessoa (cut-out)

Five Fire Fish by Koji Yamamura (scratch-on-film)

Barcode Transmission by Renaud Hallée (synthetic sound)

Cyclop(e) by Patrick Doyon (scratch-on-film)

(Disclosure: The NFB is a sponsor of Cartoon Brew.)

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