We rarely see "Peace On Earth" alongside more traditionally revered holiday standards like "A Charlie Brown Christmas" or "How the Grinch Stole Christmas"�but we really should.
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Blog: Cartoon Brew (Login to Add to MyJacketFlap)
JacketFlap tags: Ideas/Commentary, Peace on Earth, Merry Christmas, Peter Jackson, Rewilding, E.O. Wilson, J. R. R. Tolkien, Ralph Bakshi, Anthropocene, MGM, Winsor McCay, Mel Blanc, Hugh Harman, Rankin Bass, David Brower, Add a tag

Blog: Cartoon Brew (Login to Add to MyJacketFlap)
JacketFlap tags: Classic, Hanna Barbera, Ed Benedict, Joe Barbera, Mel Blanc, Alex Lovy, Bill Hanna, Alan Reed, Carlo Vinci, Michael Maltese, Warren Foster, Add a tag
In November 1960, "LIFE" magazine published an article about the breakout success of Hanna-Barbera's seminal primetime animated series "The Flintstones." The piece featured three photos of the studio, but what they didn't publish is even more amazing. Photographer Allan Grant took 850 photographs for the piece. Amazingly
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Blog: Cartoon Brew (Login to Add to MyJacketFlap)
JacketFlap tags: Shorts, Classic, Warner Bros., Tex Avery, Mel Blanc, Bob Givens, Add a tag
Seventy-two years ago today — on July 27th, 1940 — Bugs Bunny appeared in Tex Avery’s A Wild Hare. The Warner Bros. short is widely considered to be the first definitive Bugs Bunny cartoon, in which the character’s appearance, personality and voice gelled as a whole. It’s also the first time Bugs, voiced by the inimitable Mel Blanc, uttered his famous catchphrase, “What’s up, doc?”
All the major players involved with the production of A Wild Hare are dead except for one individual: 94-year-old Bob Givens. He was the character designer who redesigned the studio’s clumsy-looking rabbit character into the familiar design below. You’ll notice that Givens calls the character “Tex’s Rabbit” because they hadn’t officially christened him Bugs Bunny yet.
Bob can also claim responsibility for redesigning Elmer Fudd into the recognizable character that we know today. He speaks about working on A Wild Hare in this interview conducted by animation historian Steve Worth and animators Will Finn and Mike Fontanelli:
Bob Givens means a lot to me personally because he was the first animation artist that I ever interviewed. Who knows where I’d be today if Bob hadn’t been patient and encouraging of my interest in documenting animation history. I wish I could remember how I got in touch with him—it may have been simply by looking him up in the phone book—but when I first went to Bob’s modest bungalow home in North Hollywood, I was unaware of just how much of a key figure he’d been throughout the history of Golden Age Hollywood animation. I learned quickly though.
In 2001, a few years after our first interview, I had the honor of interviewing Bob a second time. This time it was onstage at the San Diego Comic-Con International where he was joined by fellow WB veteran Pete Alvarado. It’s doubtful that the event was recorded onto video, but this photographic memory remains:
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Post tags: Bob Givens, Mel Blanc, Tex Avery, Warner Bros.

Blog: DRAWN! (Login to Add to MyJacketFlap)
JacketFlap tags: documentaries, Mel Blanc, animation, Add a tag
Man of A Thousand Voices: I’m watching this documentary on the legendary Mel Blanc.

Blog: Cartoon Brew (Login to Add to MyJacketFlap)
JacketFlap tags: Cartoon Culture, Mel Blanc, Voice Acting, Add a tag
What’s better than seeing the bodies of a bunch of voice actors? Seeing the insides of a voice actor. Reader Jeaux Janovsky found this video purportedly showing Mel Blanc’s vocal chords in action. Try not to get turned on.
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Post tags: Mel Blanc, Voice Acting