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The new two-part Walt Disney documentary premieres tonight and tomorrow night. Share your thoughts on the film with the rest of the animation community.

Last week, I had the pleasure of attending the 99th birthday party of animator Willis Pyle. Pyle has had a cartoon career for the ages. On Pinocchio, he cleaned up Milt Kahl’s scene of Jiminy Cricket getting dressed while running to work. He was a key animator during the early days of UPA and animated on the studio’s first theatrical short for Columbia, Robin Hoodlum, as well as the first Mister Magoo short Ragtime Bear. In the classic UPA film Gerald McBoing Boing, Pyle animated the climactic scene of Gerald performing sound effects at the radio station.

I’m incredibly grateful that we still have living links to the Golden Age of animation like Willy, and attending his party made me wonder who else is still around. The list below is every animation industry veteran I can think of who is 85 years or older. I’m sure there are plenty of others too, and I invite you to help fill out the list. The growth and development of our art form owes much to these men and women.

• Bob Balser – 86 years old

Rudy Cataldi – 86 years old

Sam Clayberger – 87 years old

Stan Freberg – 87 years old

Ken Mundie – 87 years old (?)

Walt Peregoy – 88 years old (?)

Ray Favata – 89 years old

Gene Deitch – 89 years old

Charles Csuri – 91 years old

David Weidman – 92 years old (?)

X. Atencio (pictured right) – 94 years old

Martha Sigall – 95 years old (?)

June Foray – 95 years old

Bob Givens – 95 years old

Stan Spohn – 98 years old

Willis Pyle – 99 years old

Tyrus Wong – 102 years old

A couple days ago, I wrote about Bob Givens, the 94-year-old artist who designed Bugs Bunny in his debut short A Wild Hare. While I was writing that post, I ran across a couple items related to Givens that are worth sharing. The first is a newspaper clipping from the Alhambra Post-Advocate annoucing that 18-year-old Bob Givens had been hired at Disney.

The second is an ambitious gag “bulletin” about Ward Kimball and his two assistants David Swift and Tom Oreb. The drawing, which makes fun of the trio’s lack of “mox”, is signed by Givens, who had moved over to Warner Bros. when this was drawn in October 1939, along with two WB writers Rich Hogan and Dave Monahan. Typically, gag drawings were confined to colleagues at the same studio, but there’s a reason why Warner Bros. artists are making fun of their Disney counterparts. At the time of this drawing, Givens lived with Swift (as well as Hogan and some other artists) in a rented mansion in Los Feliz. If any Cartoon Brew readers are in touch with Bob, ask him to explain the joke about “mox.” Inquiring minds want to know.

Cartoon Brew | Permalink | One comment | Post tags: Bob Givens, Dave Monahan, Dave Swift, Tom Oreb

Seventy-two years ago today — on July 27th, 1940 — Bugs Bunny appeared in Tex Avery’s A Wild Hare. The Warner Bros. short is widely considered to be the first definitive Bugs Bunny cartoon, in which the character’s appearance, personality and voice gelled as a whole. It’s also the first time Bugs, voiced by the inimitable Mel Blanc, uttered his famous catchphrase, “What’s up, doc?”

All the major players involved with the production of A Wild Hare are dead except for one individual: 94-year-old Bob Givens. He was the character designer who redesigned the studio’s clumsy-looking rabbit character into the familiar design below. You’ll notice that Givens calls the character “Tex’s Rabbit” because they hadn’t officially christened him Bugs Bunny yet.

Bob can also claim responsibility for redesigning Elmer Fudd into the recognizable character that we know today. He speaks about working on A Wild Hare in this interview conducted by animation historian Steve Worth and animators Will Finn and Mike Fontanelli:

Bob Givens means a lot to me personally because he was the first animation artist that I ever interviewed. Who knows where I’d be today if Bob hadn’t been patient and encouraging of my interest in documenting animation history. I wish I could remember how I got in touch with him—it may have been simply by looking him up in the phone book—but when I first went to Bob’s modest bungalow home in North Hollywood, I was unaware of just how much of a key figure he’d been throughout the history of Golden Age Hollywood animation. I learned quickly though.

In 2001, a few years after our first interview, I had the honor of interviewing Bob a second time. This time it was onstage at the San Diego Comic-Con International where he was joined by fellow WB veteran Pete Alvarado. It’s doubtful that the event was recorded onto video, but this photographic memory remains:

Cartoon Brew | Permalink | No comment | Post tags: Bob Givens, Mel Blanc, Tex Avery, Warner Bros.