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In central Africa, the World Food Program is shifting from aid in kind to cash and vouchers in the refugee camps that it runs. The hope is to create benefits for the surrounding host-country economies as well as for the refugees, themselves.
In West Gonja, Ghana, the UN Food and Agricultural Organization is investing in cassava processing and marketing, in the hope of stimulating incomes, employment, and welfare in one of the country’s poorest regions.
In a small-scale fishery in the Philippines, the government hopes to introduce new regulations to ensure the fishery’s long-term sustainability. The long-term gains are clear, but in the short run, nobody knows what limiting access will mean for an economy in which most fisher households are poor, and income from fishing is vital to these as well as other poor households with whom they interact.
These are classic situations in which local economy-wide impact evaluation (LEWIE) methods can be incredibly useful. These methods model the way local economies function, and can be used to simulate how these economies might behave under shifting conditions. In cases such as those mentioned above, impacts depend critically on how local economies adjust. For example, if local supply responses around refugee camps or in the cassava-producing communities of West Gonja are low, policies that simulate demand could raise prices and harm people they intend to benefit, with collateral damage on other linked sectors and household groups.
For those designing or evaluating a policy or program, LEWIE methods can highlight impacts not only on those directly affected by the intervention, but also the spillover impacts around them. Policy makers and donors want to know what sorts of complementary interventions might be needed in order to make sure that their programs are successful. Often, answers are needed before programs and policies are put into place. LEWIE methods were designed to provide such answers. The stakes are high, and as always, time and resources are limited.
We find that LEWIE often has impacts far beyond what we anticipate when we begin an evaluation. Often, it reveals benefits missed by other approaches. Documenting likely impacts beyond those affected directly by an intervention ex-ante can tip the cost-benefit scale in favor of funding the intervention. More and more, governments and donors want to know that a development project not only benefits targeted households and sectors but also creates positive economic spillovers—and they want to know what can be done to enhance those spillovers. Documenting impacts beyond the treated can be critical in order to garner political and institutional support for projects and policies.
The natural tractor, by Marwa Morgan. CC BY-NC-ND 2.0 via flickr
Here’s a recent example: Our LEWIE of LEAP, Ghana’s flagship social cash-transfer program, found that each cedi transferred to a poor household increases local income by as many as 2.5 cedi. (A summary of this evaluation can be found at the UN-FAO’s From Protection to Production website.
Ghana’s President John Dramani Mahama, opening the Pan-African Conference on Inequalities last April, stated: “LEAP has had a positive impact on local economic growth. Beneficiaries spend about 80 percent of their income on the local economy. Every GH1 transferred to a beneficiary has the potential of increasing the local economy by GH2.50.” His goal was clear: to demonstrate that social protection and economic growth can be complements. It appears that LEAP accomplishes both. Read the President’s speech.
Understanding LEWIE is basic to designing rigorous and innovative RCTs. Development projects are likely to create spillovers within treated localities as well as with neighboring ones. LEWIE gives us a way of thinking about these spillovers so that RCTs capture them and avoid control-group contamination and other problems that often raise questions about the validity of experimental results.
Most practitioners and policy makers do not construct LEWIE models or carry out RCTs, but they often find themselves involved in designing interventions and coming up with strategies to evaluate their impacts. Insights from LEWIE studies, which have been carried out for a wide variety of interventions in diverse contexts, can inform their work, at a time when more and more donors include “local economy impacts” in their list of evaluation criteria. LEWIE changes the way we think about impacts, direct or indirect, on people who are so vulnerable that we cannot risk being wrong.
Headline image credit: Highway Fruit Stall, by flöschen. CC BY-NC-SA 2.0 via Flickr
I haven't posted an image for Illustration Friday for quite a while now but this illustration of mine fitted the theme so nicely I thought. Ink drawing with colour work done in Photoshop.
5 Comments on Illustration Friday - Jump, last added: 5/1/2012
Today, 29 February 2012, is a ‘leap day’. To understand more about the leap phenomenon, and the significance of 29 February in history, we turn to The Oxford Companion to the Year: an exploration of calendar customs and time-reckoning.
29 February
Leap Day. In the modern form of the calendar, which dispenses with the Roman names of days, this is leap day, inserted every four years to make up the difference between the common year of 365 days and the solar year; by happy accident the sequence of leap years inherited from the Romans coincides with years AD divisible by 4. Since the true difference is some eleven minutes less than six hours, Pope Gregory XIII ordered in 1582 that leap day should be omitted when the year was divisible by 100 but not by 400; the years affected, in those countries that accepted the reform (which Great Britain did not till 1752), were 1700, 1800, and 1900. There was a 29 February again in 2000, but will not be in 2100.
Persons born on 29 February are humorously said to have a birthday only once in four years; on that basis Rossini, who was born on 29 February 1792, would have waited till 1804 for his second birthday, since 1800 was a common year. In practice, however, they have birthdays in common years on the 28th. By the legal rule noted under the 22nd, anyone born on either 29 February or 1 March 1948 in England (though not Scotland) came of age on 28 February 1969; but since the Act that abolished that rule also reduced the age of majority, persons born on 29 February 1952 came of age on 28 February 1970, but those born the next day not till 1 March.
Western saints such as Oswald of Worcester who died on 29 February used to be culted on that day in leap year and 28 February in common years; this was a last relic of the Roman reckoning, which made the last day of February pridi Kalendas Martias in either case. By contrast, the Orthodox church, which uses the forward count, celebrates John Cassian on 29 February in leap year and not at all in common years, reputedly as punishment for being last to arrive when the saints came to ask Christ for work. In Mytilene this is the shirkers’ feast, and Cassian holds the keys of idleness.
An old Scotswoman in the nineteenth century, asked by a small boy why this day occurred only once in four years, consulted the ‘funtin-heid’, her Bible, which fell open at Job 3: 3, ‘Let the day perish wherein I was born’, and deduced that Job had been born on 29 February; the Lord had not altogether abolished that day, but done what he could for his servant by suppressing it three years out of four. That was mere fancy, but we read in a near-contemporary that in the second century AD the Athenians gratified the multimillionaire Herodes Atticus – or rather yielded to his unrestrained emotionalism and much-resented power – by removing from the calendar the day on which his daughter died.
29th February
A day added to the year,
laconic or luminous.
The extra day can be seen
and touched, like any other.
Its hours are not difficult to count,
the weather varies but is weather,
no alien manifestation.
Lovers who marry on this day
have the usual eggshell hearts,
the lewdness of fish.
Children born on this day
are as fierce as any others.
Those who die on this day
must find new ways of being,
and on this day
singing still builds
the upstairs room of the sky.
This is the day
the year keeps for herself
but offers to you,
her breath fo
This Day in World History - In Roman times, Julius Caesar instituted a calendar reform based on a solar year of 365 and one-quarter days. To accommodate the quarter day, the Julian calendar added an extra day to every fourth year, creating leap years. Unfortunately, a solar year is really a few minutes shorter than 365 days and 6 hours. The Julian calendar’s overestimate meant that over the course of a century, more or less, the beginning of each of the four seasons moved back a day. By the late 1500s, the spring equinox fell on March 11, rather than around March 21.
0 Comments on Use of Gregorian calendar begins as of 1/1/1900
Today we bring you our weekly sampler of the cool youth media and marketing gigs. If your company has an open position in the youth media or marketing space, we encourage you to join the Ypulse LinkedIn group, if you haven't yet, and post ... Read the rest of this post
I did this for Illustration Friday this week... Also, this is the logo for this month's April Fool contest. The Anti-Valentines day contest was well received, but there were alot more crafty entries than illustrations, so I'm hoping my artist friends will be more in evidence with this one!
Sketched in pencil (long work meeting!), scanned, colored in photoshop.
2 Comments on Leap - and the new contest..., last added: 3/10/2008
My submission for Illustration Friday's "Leap" is from one of my Marisol Greeting Cards and it stems from my having worked in an office when I was younger. It takes a leap to live as an artist and believe in yourself.
27 Comments on Illustration Friday: Leap, last added: 3/16/2008
Wonderful idea! I love this :) Too bad I don't have enough confidence and know-how to take such a big leap of faith! Great illo, Val!
Alicia Padrón said, on 3/1/2008 11:05:00 AM
Awesome!!! It has a very surrealist feel to it too. Great!
Emila Yusof said, on 3/1/2008 1:38:00 PM
Stunning! I totally agree with you! Takes a lot of courage to be on the outside!
Lois said, on 3/1/2008 4:55:00 PM
I'm so glad you are not working there anymore! Cute idea with the gift certificate for one hour in it.
Ellen Byrne said, on 3/1/2008 6:18:00 PM
AMEN!
andi butler said, on 3/1/2008 11:00:00 PM
absolutely beautiful, Val! While I'm not surprised, I'm always impressed with every illustration you create! Still want to live in one of the housed you've painted! Take care!
a : )
Tony LaRocca said, on 3/2/2008 10:48:00 AM
Give one to your boss so everyone gets to go home early!
tusen said, on 3/2/2008 5:08:00 PM
Great concept! I'm sure every office could use it :)
bog_art said, on 3/2/2008 8:57:00 PM
I totally understand you.. I am the kind of person who really likes to go out if the day is nice.. the times I have been working in an office I feel like I am in a cage like your draw.. PS: Wow.. I didn't know that salty technique that you used in your last post.. :D
isay said, on 3/3/2008 1:55:00 AM
great take of the topic!
Ursula Shaw said, on 3/3/2008 10:22:00 AM
Wonderful! Love the certificate that goes with it.
Gillian said, on 3/3/2008 10:49:00 AM
It certainly is a leap and I bet you're glad you took it. Great styling on this - I love that cage.
princesstomato said, on 3/3/2008 11:26:00 AM
val, this is brilliant :)
we are so lucky to be able to do what we love, aren't we!!! :)
teri
Jan said, on 3/3/2008 12:21:00 PM
Thank you. For this illustration.
doodlestreet said, on 3/3/2008 7:45:00 PM
How perfect it is a bird cage and we stretch our wings as artist so we can see if we can fly on our own.
Hey, where do I get one fo those little 'get out of JAIL free' cards!! Hhahha...not that I'm sayin' work is like jail...okay, maybe I am. OH NO!
J. E. Morris said, on 3/3/2008 8:02:00 PM
What a great concept. Love the feet flying out of the picture. There are time that I wished my boss had given me a get-out-of-work-free card!
sketched out said, on 3/4/2008 1:09:00 PM
Super clever and oh so true! It's so encouraging to see someone become successful after taking that leap.
Thanks, I needed that.
Janice said, on 3/5/2008 7:43:00 PM
Lovely idea... and aint it great to be free! (so to speak)
Dot said, on 3/5/2008 9:50:00 PM
your stuff is always so interesting!
studio lolo said, on 3/6/2008 12:13:00 AM
You're preachin' to the choir sister! Great job and concept, and hurray for you for making it on the 'outside!' Wonderful illo Val;)
Kstyles said, on 3/6/2008 8:28:00 AM
Great take on the theme Valerie.
atomicvelvetsigh said, on 3/6/2008 8:41:00 AM
brilliant and beautiful! now that's a leap i need to take as well i guess.. (see im still doubting)
im so buried at work i almost couldnt hop thru all my fave artists at IF.. and more.. not able to draw and paint as much as i would like to..
lil kim said, on 3/7/2008 2:41:00 AM
heheh. so THAT's why the caged bird sings!
johanna said, on 3/10/2008 11:02:00 AM
so true. i took this leap recently too. it's a bit scary sometimes but i'm happy with my decision. i love your illustration, valerie! :)
imwithsully said, on 3/11/2008 7:15:00 PM
Great minds think alike. I just posted a birdcage illo this morning before I saw this one. Cool work!
M. Patrizio said, on 3/14/2008 4:44:00 PM
I love it too!
suana said, on 3/15/2008 9:13:00 PM
You have a beautiful way of depicting situations and little adorable spaces!
I just finished this illustration to go with a poem a friend wrote to submit to Highlights magazine. How could I not post it this week? I'm actually going to get to the studio at some point today or tomorrow to paint something else for this word. Still, I wanted to share this one...especially for my good pal Ms. Froggie!
Good thing they help each other and it's not about the 'last frog standing' :-).
Tony LaRocca said, on 3/2/2008 10:49:00 AM
I hope one of them doesn't have to go to the bathroom...
rizal said, on 3/2/2008 11:56:00 AM
Great work. Love the frogs' expressions. Great too they are helping each other to the top. hihi. :)
imwithsully said, on 3/2/2008 12:00:00 PM
ha! ha! I would not want to be the head on the bottom of that pile. how in the heck did you think of that. Did you have a pile up once? Hope you didn't have to kiss any of them!
van dyke said, on 3/2/2008 3:20:00 PM
Hmmm...a pile of frogs on top of one's head. I like that they presumably leapt to get there. I am enjoying the one frog helping the other up. Good job.
Sandra said, on 3/2/2008 6:28:00 PM
This is just wonderful. Your frogs are very expressive. Thank you for the good wishes for my daughter.
rebecca woodward said, on 3/2/2008 7:35:00 PM
Oh my!... what a nice work of art and so charming for this theme. You have such talent!!!
SENTA said, on 3/2/2008 8:55:00 PM
Very cute!
Amy said, on 3/3/2008 9:20:00 AM
Haha, I love the subject, and I especially like the dangling frog. :)
Michael said, on 3/3/2008 10:38:00 AM
Thanks for visiting!
Great texture in your work. Fantastic concept...
Bee said, on 3/3/2008 11:03:00 AM
This is great! Love all the different frogs and their colourings. Although I think I would feel a bit uneasy (as your character does) with all this going on on my head!
atomicvelvetsigh said, on 3/3/2008 12:28:00 PM
this is a wonderful illo! i luv the concept and how you rendered it beautifully..
btw i like the new header so much!
Ammon said, on 3/3/2008 1:32:00 PM
Great image. I like how the frogs are interacting.
princesstomato said, on 3/3/2008 1:38:00 PM
FROG PILE! hehehe terrific painting, sweetie!
teri
DesigningFairy said, on 3/3/2008 2:27:00 PM
frog heads! very fun.
JO said, on 3/3/2008 5:00:00 PM
Your illo is so perfect for the poem, love this.
Dharma Designs said, on 3/3/2008 8:36:00 PM
I LOVE the frogs - and the poem!
Jules said, on 3/4/2008 5:56:00 PM
This is so precious! It almost makes the thought of having a frog on my head bearable LOL.
AscenderRisesAbove said, on 3/5/2008 9:56:00 AM
very cute. i wonder if they would hold still long enough to be heaped upon each other
ascenderrisesabove.com/wordpress
Janice said, on 3/5/2008 7:39:00 PM
this is great... love the cropped human face as well.
Dot said, on 3/5/2008 9:53:00 PM
great frogs! very nice take on the theme.
lil kim said, on 3/7/2008 2:31:00 AM
very cute - love all the frogs and their expressions. I like the one riding piggy back (or is it froggy back?)
RyanLoghry said, on 3/7/2008 7:35:00 AM
Wow, terrific frogs, and that's a great story too. Nice work.
Laurel Neustadter said, on 3/9/2008 7:58:00 AM
This is so cute! You must have great drawing skills - I am sure those frogs didn't pose for you!
What a gift all illustrators give to children when they create art that inspires and motivates! Thanks for the link... I took the virtual tour and enjoyed every minute of it. When I am next in the area, and I hope that is sooner rather than later,I will make it a priority to view the works in person.
Haha, sneakers everywhere lately! These are really great. Wonderful background too.
cool shoes!
lovely style
Fantastic. Love the colours and textures.
great sneakers :)