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Viewing: Blog Posts Tagged with: G. Neri, Most Recent at Top [Help]
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1. Illustration Friday: "Craving"


A portrait of the artist as a multitude of cravings. As the saying goes: you are what you eat.


My effort with acrylic paints were slightly better this time. However, I was rather annoyed with the whole thing for a while into it. I have so much more of a grasp on drawing, but I'm still figuring out a lot of things with acrylics (and painting, in general). I had enough gumption to stick with it and I'm pretty happy with the outcome.


I think acrylics was a good medium to use on this subject, partly because of all the creamy frostings involved. By the end of it, I did have a better understanding of the medium and how I work with it:


1. I much prefer the heavy bodied Liquitex paints I have rather than the Grumbacher tubes which are more "runny." The Liquitex feel more like the thicker oils I was more used to in college.


2. The extender I have is pretty useless.


3. I'm beginning to like the quicker drying time - it serves my impatience well, allowing me to rework areas almost immediately and to utilize dry brush effects that I like.


4. I really need to invest in some better paint brushes.



I also fell back on the "easier for me" expressionistic color palette rather than taking the time to mix more natural colors. But the, sweets tend to be more colorful anyway. So, it works.


Anyway, my family arrived home from camping today. My oldest daughter made me a portrait of her own from nature as a present as today is my birthday.






13 Comments on Illustration Friday: "Craving", last added: 6/11/2009
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2. A change of pace...

I spent some time playing with the acrylics in the studio today. Like chalk pastel – it’s a love/hate relationship. This is just a little experimental work to try and figure out the medium. Being a detail person, I also wanted to try something a little looser and painterly. I’d welcome some constructive criticism. I don't consider it a "finished" piece - just exploratory.



Some of my problem with acrylics has to do with the fact that I’ve done very little painting since college (when I used oils). Acrylic is a different ballgame. I don’t like the consistency of the paint – compared to oils. I like the Liquitex heavy body paints a little better than the Grumbacher ones I have (which are more runny and thin).

I’m coming to terms with the quick drying time – like it on the painting itself, but hate it on the palette. I’ll have to invest in one of those stay-wet palette things and see how that goes (I hate buying things that require refill purchases all the time).

3 Comments on A change of pace..., last added: 7/10/2008
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3. G. Neri


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 Writer’s can be an odd bunch. We hear voices in our head and see incredible stories in the ordinary. When asked to explain the writing process, some of us are eloquently complex, others simplistically matter-of-fact. G. Neri is among the latter. He calls himself “a reluctant writer, writing for reluctant readers,” and has said writing for teens from a first-person point-of-view appeals to him because, “I couldn’t turn a phrase if it had power steering. But using a teen’s voice, particularly an inner city voice, I could tell stories rough and raw and straight from the heart.”

But there’s nothing matter-of-fact about Neri’s debut, Chess Rumble, a 2008 ALA Notable Book, or his second Middle Grade novel, Yummy: The Last Days of a Southside Shorty, due out this spring. These two, very different tales, have common denominators, they feature male protagonists and take place in the inner city. As librarians and parents, alike, implore publishers to produce more “boy” books, G. Neri has created two that just may bring more males into the readers’ circle.

BBS: The term “boy” book. Love it or hate it?

Greg Neri: I use it but I don’t like to refer to young adults as boys. I don’t mind it if it’s for a middle grade book.

BBS: Chess Rumble is a free-verse novel, Yummy, a graphic novel. Do you believe using those styles makes your books more appealing to male readers?

Greg Neri: I’m trying to re-think the notion of what a book means to urban teens. Many teens can make it through high school without ever having read a book of fiction. But that’s because to them, books are big, full of words, and told in a voice that is alien to them.

Most of these kids are now born into a more visual society, so I think playing with graphic novels and illustrations and using voices and characters that you don’t see often in literature is a big plus for reluctant readers in the city. I see my books as gateway books to Jane Austen.

BBS: Have you found that being of mixed ethnicity has been a plus, negative or non-issue as a children’s author when it comes to marketing your books or yourself?

Greg Neri: I think it’s good because people can’t quite tell what I am. I’ve passed for black, Latino, Italian, Arab, Israeli and so on. I think that makes it okay to talk about more cultures. I am a multicultural writer, literally.

BBS: What types of books have yet to be written targeting young multi-cultural readers?

Greg Neri: I think the possibilities are endless. The more bold, the better. I’d like to see more multicultural books move away from the noble, perfect example of a (insert ethnicity) person’s life and into more colorful, robust works.

BBS: Booklist says Chess Rumble “will have particular appeal among reluctant readers and young, inner-city teens.” Was your audience a conscious thought as you penned the novel?

Greg Neri: Absolutely. I found my niche and that’s urban teen fiction for boys. That being said, I’ve been surprised how universally it’s been accepted. Even white middle-class girls that have nothing in common with Marcus’ life, totally get it.

BBS: How has your experience as a film maker and digital media producer made being an author easier? More challenging?

Greg Neri: Easier because I went through the Hollywood game as a filmmaker. The book business is set up in the same way, but much less ruthless.

Hollywood is full of sharks because that’s where the money is. It’s a joy compared to that world. Almost everyone I’ve met in books is incredibly supportive and positive.

BBS: Looking beyond the obvious reader (inner city, African Americans, young males, reluctant readers), tell us what makes Chess Rumble a good read for any reader ages 9-13?

Greg Neri: I’d like to think it’s a good story, period. It has fantastic illustrations by Jesse Joshua Watson, a unique voice and really, there’s nothing else quite like it out there. We’ve had a great response from students, teachers, and librarians, and very good reviews all around. We were also very lucky to get the approval of the American Library Association who named Chess Rumble a Notable Book for 2008. Isn’t that enough?

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The Buzz on…Chess Rumble

“This book will become a standby pick for reluctant readers, who will be pulled in before they know it by the story’s quick pace and the authenticity of Marcus’s voice and experience.” —SCHOOL LIBRARY JOURNAL

“Marcus tells his story in street slang, in a conversational first-person voice. . .The acrylic black-and-white illustrations are particularly effective at capturing natural expressions and the concrete-gray inner-cityscape.” - Kirkus Reviews

On the horizon

If someone affiliated with a gang shoots and kills someone else, then later ends up a victim of violence himself is that person a killer or victim?

Greg Neri tackles this weighty topic in his next book, Yummy, the last days of a Southside Shorty through the eyes of Roger, a young man trying to process the life and death of Yummy, a neighborhood boy.

Based on a true incident, this graphic novel illustrated by Randy DuBurke will be released by Lee & Low later this year.

Recommended for readers ages 10+

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