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Would you let your child loose with someone whom others might describes as threatening, morally corrupt, gullible, impudent, and very hungry for little people?

I’m guessing not.

And yet with picture books we do that more often than we might realise.

And our kids love us for it.

A great example of this is the newest board book from Gecko Press, a New Zealand based publisher I follow with great interest for they have a very particular eye when it comes to books which do things differently.

Help! The Wolf is Coming! by Cédric Ramadier and Vincent Bourgeau, translated by Linda Burgess, is a wonderfully thrilling and delightfully funny story about a wolf making its way threateningly towards us, the reader and listener. As it gets closer and closer we’re invited to do what we can to stop Wolf in his tracks and save ourselves from his clutches.

Prompted to turn the book to an angle, we cause Wolf to start slipping off the page. By shaking the book, we can rattle Wolf. But can we actually save ourselves, and more importantly, save our children?

Like Hervé Tullet’s Press Here, Help! The Wolf is Coming! pushes the boundary of what we take for granted as a book and how we can interact with the physical object in our hands. It asks questions about how we allow ourselves to play, to let imagination take over whilst we suspend reality. Both Press Here and Help! The Wolf is Coming! encourage us to do various things to the book and these actions appear to have consequences for what’s on the page.

On one level, we are in no doubt that what we’re doing doesn’t actually cause any reaction; A physical book is not like an app, where a tap or a swipe does change what happens. On another level, however, we as readers and listeners have great fun becoming omnipotent, able to shape the story and take control of the book, even if (or perhaps because?) what happens, happens inside us.

Help! The Wolf is Coming! not only tests the boundaries of what it means to be a book and engage with it. It also nudges up against themes which push boundaries. It’s about a wolf who is no doubt full of bad intentions. He’s all jagged edges, his mouth is blood red, his eyes stare strikingly out from the page. If we’re not careful, we are going to be eaten up. And yet I can guarantee this is a book that will be requested time and time again. Even though Wolf is a baddy through and through our kids will want to return to him. And why’s this? Why do we put ourselves through the worry and the fear?

Perhaps it’s all for the peal of laughter and delight that comes with the relief when we realise at the end of the book that we’re safe and in the arms of our loved ones. Just like the thrill of a circus ride, coming face to face with a threat, a big worry, or an enormous fear is all worth it if, in the end, we discover we’re safe.

That said, Help! The Wolf is Coming! will suit fans of Jon Klassen as the ending is potentially ambivalent. The door on the wolf may not actually be locked shut… and what then?

This book is sizzlingly good fun to share. It’s got an enormous appeal across the age ranges (don’t be fooled by the fact that is has been produced as a board book. I challenge you to give it to some 10 year olds and see how they react; I’d place money on a hugely positive reaction). Delicious desire, finely tuned tension, wit, power, giggles and exhilaration are all to be found in its pages. No wonder we’ve all returned many times to this book already.

And returning to wolves is something which Gecko Press has also done several times now. They’ve a whole slew of great books which explore that double edged wonderfulness of wolves – their capacity to simultaneously provide enormous excitement and terrible anxiety – and their ability to make us feel clever at their foolishness.

In addition to Help! The Wolf is Coming!, they’ve published I am The Wolf and Here I Come! (such a great book for children learning to get dressed and one which will end with adult and child heaped in a bundle of tickles and kisses and cuddles), I am So Strong, I am so Handsome (two wonderful books about hubris), Wolf and Dog (a fabulous, gorgeously illustrated first chapter book about heart warming friendship). Noting this apparent predilection for all things lupine I asked Gecko Press publisher Julia Marshall for her thoughts on her wolfish catalogue and why she thinks wolves, despite being threatening, morally corrupt, gullible, impudent, and very hungry for little children are so perfect for meeting in picture books.

Playing by the book: Help! The Wolf is Coming, I am The Wolf and Here I Come!, I am So Strong, I am so Handsome, Wolf and Dog…. what does your catalogue tell us about how you feel about wolves?

Julia Marshall, Gecko Press Publisher: Wolves can be so many different things in a book. The image of a pack of gray, slinky, shadowy wolves is terrifying, isnt it? But what our wolves have in common is that they are all a bit funny. They are busy trying to be frightening, though they are not at all. They are a bit bombastic, a little silly, and it is easy to get the better of them. And mostly they are very frightened themselves, poor things.

Playing by the book: What do you think young children love so much about these wolf characters?

Julia Marshall: I think children love to experience the frisson of fear, safely confined to the pages of the book (In I am The Wolf and Here I Come! on the back cover it says “Snap the book shut to keep the wolf inside”. And when I read it to a child I say: “And isn’t it nice that he has to stay there, all night!”). It is a bit like tickling – sort of nice-not-nice at the same time. But of course one should not take a wolf at face value. A wolf is a wolf, after all, and always a little unpredictable, and it is as well to know that.

Playing by the book: What other children’s books (in particular, picture books) with wolves in do you love?

Julia Marshall: I love Emily Gravett’s Wolves – it has my favourite picture book cover also. Old stories like Little Red Riding Hood and Romulus and Remus are very strong for me too. My favourite French wolf is Loulou by Grégoire Solotareff and I would love for that to be a Gecko Press book.

Playing by the book: Have you any more wolf books on the way?

Julia Marshall: We do! We have a new non-fiction book coming early next year about Wolf and Dog, which includes things about mummies and dinosaurs. It is a great book! I like its mixture of fiction and non-fiction and the humour that is at the heart of it.

Playing by the book: Ooh, great! That sounds right up our street. We’ll be keeping an eye out for it!

Inspired by Help! The Wolf is Coming! my girls and I set about creating our own interactive books with instructions for the readers to make magic happen. We each started with a blank board book: You can buy blank board books ready-made, your can make your own from pressed (ie non corrugated) cardboard, or you can recycle old board books by covering the pages with full sheet adhesive labels which you trim to size, which is what we did.

First we talked about different ways we can physically interact with books and what consequences that could have for their illustrations. Then we mapped out our interactions on a story board and then drew them into our board books.

Front covers and titles followed and now I can proudly present to you:

Here’s an excerpt from my 7 year old’s book:

I’m not going to give away the end of this exciting story, but let’s just say it doesn’t turn out well for Evil Emperor Penguin (yes, if you’re a fan of this fabulous comic you might recognise the lead character )

Whilst making our books we listened to:

Alongside reading Help! The Wolf is Coming! you could look up other wolfy books to enjoy together. Here are some of my favourite:

My thanks go to @AHintofMystery, ‏@jonesgarethp, ‏@chaletfan, @librarymice, ‏@ruthmarybennett, ‏@AitchLove, @KatyjaMoran, @kdbrundell, and @KrisDHumphrey for a stimulating discussion on Twitter around wolves in books for children, especially exploring the notion that wolves in picture books are often depicted as threats (as in many of the picture books above), whilst in books for older children are often depicted as allies (for example in Michelle Paver’s Chronicles of Ancient Darkness, or Katherine Brundell’s forthcoming The Wolf Wilder). Whilst there are exceptions to this generality, we discussed why there might be different relationships with wolves depending on the age of the readership: Wolves as a metaphor for growing sexual awareness – which has (mostly) no place in picture books and is therefore presented as bad thing, but as readers get older it becomes less threatening, wolves as a cipher for independence, growth and maturity, and / or our relationship with wolves shifting as we grow up, as we become bolder and more interested in (or at least less threatened by) unpredictability. No doubt there’s much more that could be unpicked here, but it was a really enjoyable conversation and I’m really grateful to everyone who chimed in.

Disclosure: I received a free review copy of Help! The Wolf is Coming! from the publisher.

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This time last week I was dismantling the book den I’d built out of books. This time next year, maybe I’ll be dismantling a CASTLE built from books: over on Twitter @storyvilled alerted me to a lovely little book by Bernard Clavel (the translation is not credited to an individual), illustrated by Yan Nascimbene with the enticing title Castle of Books.

Sadly both author and illustrator are now deceased. Clavel was a French writer for both adults and young people who began his working life as a pastry cook apprentice, not becoming a full time writer until in his 40s. Nascimbene was born in France but studied at the School of Visual Arts in New York. Specialising in watercolour, he illustrated over 60 books and 300 book covers. You can see lots of examples of his work here.

But getting back to my dreams of building a castle with books, Clavel and Nascimbene’s picture book is a quiet meditation on turning dreams into reality. Benjamin has always wanted to live in a castle whilst his father, a poet, is always looking for just the right word or turn or phrase to include in his latest work.

Living in a house packed to the rafters with books, Benjamin realises he has the bricks he needs for his castle on the shelves in front of him and so sets to work taking books from the back of shelves (behind the second row of books at the front) so that his father won’t notice what is going on.

Once the castle is complete his father visits and is delighted because he rediscovers just the books he was looking for to help him with his latest poem. gently removing those ‘bricks’ from the castle walls.

Without realising it, Benjamin has helped his father, by bringing books hidden from view out into the light (I recognised myself here for I definitely discovered some long forgotten favourites last week as I handled all my books).

A gentle flight of fancy, with subtle and soothing illustrations, Castle of Books (unfortunately out of print) is a charming vision of a father-son relationship, and a testament to the inspiration to be found in books.

I’m so grateful to @storyvilled, who blogs about books for children and young people at https://specsisters.wordpress.com/ for telling me about this delightful book. If you know of a book you’d think I like, please don’t hesitate to get in touch!

So I’m back online! And I’ve so much to tell you about…

So yes, I was offline because I was away visiting family in the Netherlands. This is where we were for most of the time:

This is the haul of books I brought back:

My favourite book of all those I brought back is Overzee (literally “Oversea”) by Annemarie van Haeringen, Tonke Dragt, and Sjoerd Kuyper. It’s a collection of three very short, modern myths, each linked by the sea. The first is about a pelican who rescues a boy lost in a storm, the second is about Noah’s ark, unicorns and narwhals, and the third is about the source of the sea – where indeed does it begin? Each story is magical and word perfect. You won’t be able to finish this book without your heart contracting a little at its verbal and visual beauty. I do hope that one day it will be translated into English. The stories are timeless.

On holiday M fell deeply in love with the Belgian comic series Suske and Wiske (variously translated in to English as Bob and Bobette, Wanda and Willy and, most recently Spike and Suzy). This strip was created by Willy Vandersteen and first published in 1945 (there are now over 300 books!). It features two children who get up to all sorts of adventures, some fantasy, some historical, some science fiction, and has a look not dissimilar to the most famous comic from Belgium – Tintin.

Whilst away I read a brilliant Dutch children’s book Crusade in Jea

The Last Giants By Francois Place (original title: Les derniers géants), winner in the picture book category of the 1993 Prix Sorcières, is a fictional account of a 19th-century naturalist whose discovery of a race of giants ultimately leads to their destruction, despite his personal sensitivity and respect for them.

In 1849 Archibald Leopold Ruthmore purchases a very unusual piece of scrimshaw; it appears to be a giant’s tooth intricately carved with all sorts of images, including a map showing a land of giants.

The hopeful explorer sails to Calcutta, before travelling on to Burma, where Ruthmore and his group of porters tackle water rapids and dense jungle. An attack by a head hunting tribe leaves Ruthmore’s entourage decimated. Those who survive desert their leader, but Ruthmore refuses to give up his dream, and continues on alone to eventually discover a mysterious valley inhabited by nine giants and giantesses.

They were covered from head to foot – including their tongues and teeth – with a dizzying maze of extremely complex lines, curves, twinings, spirals and speckles. Given time, one could discern recognizable images within this fantastic labyrinth: trees, plants, animals, flowers, rivers, oceans – a veritable symphony of the Earth that echoed the music of the nightly invocations.

Ruthmore lives with the giants for almost a year, taking meticulous scientific notes. He is generously welcomed into their society and responds with warmth and an open mind. Eventually, however, Ruthmore returns to “civilization” and publishes his findings. Having raised enough money to mount a return expedition, Ruthmore sets out once more to find his friends. But this time his journey ends in tragedy not triumph.

Deep within me, I could see how my stupid determination to reveal the secret of their existence had brought about this terrible calamity. My books had killed them more surely than a regiment of artillerymen. Nine Giants who dreamed of the stars, and a little man blinded by his lust for glory: that was our entire history.

A thought provoking book about the power of knowledge, the ethics of science, about what it means to be human, and mankind’s role in the greedy desecration of the earth, this is the first book I’ve read this year that I’ve wanted to buy multiple copies of just to give away to people (the last book I felt like this about was Patrick Ness’ A Monster Calls).

The story is beautifully and evocatively written. Indeed, when I first read it, I was so convinced by the text that I had to double check that this was a fictional work, not a republished 19th century account from a real explorer. Perhaps the fact that Warner Bros have optioned the film rights to this book tells you something about how thrilling the story is. The fact that that The Last Giants is also one of 3 Comments on Murderous books, and stories told on skin, last added: 3/20/2012