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Last week I wrote about how camping out - in both reality and fiction - inspired my new book Wild Thing Goes Camping. Equally important, I realised, was the idea of dens and secret hiding places.

There’s something really powerful for a child about a den or a secret place. There’s all the fun of finding or building one. There’s also the thrill of having a place that nobody know about: a place totally under your control, where nobody messes with your stuff, which is totally private from the grown-ups.

I’d already used the idea once before in Sam and the Griswalds – where a tree-house in Sam’s garden provides an important refuge and meeting-place.

In Wild Thing Goes Camping, five-year-old Wild Thing disappears into the back garden with some of the clean laundry.  When big sister Kate, Gran and Dad go looking for her, they are rather taken aback when a head pops out of the ground at their feet.

"No need to shout," she said. 
It was a bit of a shock seeing my sister come out of nowhere like that.  "What are you doing down there?" I demanded.  "And... where is the rest of you?"
"In my new den, of course," said Wild Thing.  And she disappeared again, under the sheet.
Dad gave a roar of annoyance.  Then he knelt down and grabbed a corner of the sheet - and pulled.
Wild Thing gave a howl.  "Stop!" she bellowed. "That's my roof!"


It turns out Wild Thing has made a potato trench in the back garden into a den for herself and her worms. She makes a sheet into the roof and purloins Gran’s new handbag as a “worm house”.

Of course, Dad forbids her from building more den.  But like children before and since, Wild Thing is not about to give up her pursuit of a place of her own!

Here are some of my own favourite books with secret dens. They cover the entire age range: a secret space, after all, may be just as important to a teenager as it is to a small child making a den behind the sofa.

I’ve had to search hard, though, to think of recent examples. Is this because there are fewer forgotten and hidden places in today's intensely developed world?  Or because modern children have less freedom to explore outdoors?  Or perhaps because today’s children take refuge online – not in dens?

1) Sally’s Secret- by Shirley Hughes Classic picture book writer-illustator Shirley Hughes produced this wonderful story about a small girl making herself a house at the bottom of the garden. The joy is in the details – the doll’s tea set, the leaf plates, the tiny cakes. At the end she decides to share it, and invites the next door child to tea.

2) Tilly’s House – by Faith Jacques  A servant doll that runs away from a dolls’ house and creates her own home in a wooden crate in an abandoned green-house. Although about a doll, it taps into a child’s own desire to make a little place of their very own. The special pleasure of this story, again, lies in the very detailed illustrations, and in seeing how discarded and unwanted every day human objects (sponges, bottle tops, wrapping paper, an old glasses case) can be transformed into the furnishings for a doll. 

3) The Hollow Tree House - by Enid Blyton Enid Blyton may not have been a great stylist. But her enormous popularity was not for nothing, and one of her strengths was her ability to hook-in to a child’s fantasies. It’s not surprising, then, that many of her books feature secret hide-outs. The Hollow Tree House is about two children who, with the help of a friend, run away from their abusive relatives and make their home in a huge, hollow tree in the woods.

4) The Magician’s Nephew - by C.S.Lewis  Sometimes a secret place may be the way into another world.  Polly has made a "smuggler's cave" in the attic of her terraced house. It is, of course, when she shows the attic to her friend Diggory that they travel too far along the rafters, stumble into Uncle Andrew’s study, and end up as part of an experiment which sends them out of this world, and eventually into Narnia…

5)  The Dare Game - by Jacqueline Wilson Jacqueline Wilson is a contemporary author who seems to have a direct line to a child's fantasies.  In this book, her most famous character, Tracy Beaker, bunks off from school and discovers an empty house.  It becomes a place where she can escape from her troubles, but also form new friendships.


6) The Secret Hen House Theatre - by Helen Peters  This is a recent book, whose old-fashioned setting on a Sussex farm has not stopped it making a big splash.  Helen lives with her three siblings and widowed dad, whose long working day leaves little time for his children.  Then one day she stumbles upon a dillapidated old hen house.  For Helen, it represents not just the chance of creating her own space, but a way of fulfilling her dreams of being an actress...



7) Jenning’s Little Hut- by Anthony Buckeridge  Jennings and his boarding-school friends build their own shelters down by the pond.  These vary from Bromwich Major’s subterranean “elephant trap” with resident goldfish to Jennings and Darbishire’s own Ye Old Worlde Hutte with its periscope, duckboards, and front door mat made of bottle tops!

8) Peter’s Room- by Antonia Forest  In this neglected classic, Peter Marlow turns the loft above the coal shed into a hide-out, complete with stuffed hawk and antique pistols. This adult-free space then becomes the venue for a teenage fantasy game that gets dangerously out-of-hand.

9) The Hunger Games - by Suzanne Collins   Katniss and Gale have a secret shelter where they meet while poaching in the woods. Later, during the Games themselves, Katniss and Peetah take refuge in a cave by the river. For victims of an oppressive, authoritarian regime, the possibility of a space of their own is every bit as important as it is to younger children trying to dodge their parents.

Any suggestions for number 10? ------------------------------------------------------------------------------------------------------------
Emma's series for 8+ Wild Thing about the naughtiest little sister ever (and her bottom-biting ways) is published by Scholastic. 
"Hilarious and heart-warming" The Scotsman

 Wolfie is published by Strident.  It is a story of wolves, magic and snowy woods...
"A real cracker of a book" Armadillo 
"Funny, clever and satisfying...thoroughly recommended" Books for Keeps

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Earlier this month Jutta Bauer received the Hans Christian Andersen Illustrator Award at the at the international IBBY (International Board on Books for Young People) congress in Santiago de Compostela, Spain. Interested to find out more about this German illustrator I tracked down one of the books she has illustrated – When We Lived in Uncle’s Hat By Peter Stamm.

Just as the book arrived I found out that Tutti Frutti Productions, a UK theatre company whose work is aimed specifically at family audiences was about to start touring with a stage version of When We Lived in Uncle’s Hat. Such a lovely coincidence ensured we read the book straight away, and were then quick to buy tickets for the production which is touring to a theatre local to us in a few weeks’ time.

The auspicious signs didn’t end there – upon reading the book for the first time with M and J I experienced a rather strange sense of deja-vu – as if the book had been written for me, right here, right now.

When We Lived in Uncle’s Hat is a series of cameo descriptions of different homes a family has lived in, in their search for the right place for them, the home that would suit them all. They try living in the forest, on the church roof, in a hotel and even on the moon, amongst many other places, before finally ending up in a house that makes the perfect home for them. The book closes with the lines:

Now our house has four corners.
And our year has four seasons.
We moved here four years ago…
So … this is where we’ll live for a very, very long time.

This book spoke to me as I too have moved very many times in my life – on average staying in any one place for only three years. But it just so happens that this month we’ve been in this home, where we are now, for four years. A funny case of life mirroring art, but one which further endeared me to this book.

The structure of the book opens up lots of opportunity for flights of imagination and connective moments of empathy. What different places could you live in? What would it be like to live in given circumstances? For example, at one point the family find themselves living under a bridge, where “it smelt strange and the names of people we didn’t know were written on the pillars.”

The simple illustrations using a lot of coloured pencil (in addition to watercolour and collage) didn’t immediately grab me. Perhaps my expectations were too high given her recent accolade? They did, however, intrigue me. I imagine there were some interesting editorial discussions as a result of the content: several illustrations include German words, and these have been left in German in the English language translation, and there is also a (very small) drawing of a naked woman sunbathing – not something I imagine would be welcomed with open arms by most English publishers of picture b

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