Bestselling author and lit diva Cynthia Leitich Smith is hosting me over on her blog, Cynsations. Check out my guest post on Violence in Teen Books.
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Blog: Cinda Williams Chima (Login to Add to MyJacketFlap)
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Blog: Cinda Williams Chima (Login to Add to MyJacketFlap)
JacketFlap tags: Toni Buzzeo, Cynthia Leitich-Smith, Sibby Falk, Kathleen Blasi, writing, writers, NESCBWI, Young Writer, Cindy Lord, Add a tag
I spent the weekend at the awesome New England SCBWI conference. Mostly fielding reactions like, “You drove ALL the way from OHIO? Don’t they have conferences in Ohio?” (Typical East Coast attitude.)
It was rather rash. You see, eleven hours in the car didn’t sound so bad three months ago, at registration time. It looked kind of misty and romantic, like a far-away, blurry photograph of yourself. I thought, “Road trip! I’ll be driving through the Berkshires in May; how lovely!” And it IS lovely. But still a long way. Even with the Rent soundtrack blasting through the speakers.
I ran into Paula Kay McLaughlin at the luncheon buffet. She lives in Connecticut, but I first met her at the Central Ohio SCBWI conference, where she was busy explaining why she’d driven all the way from Connecticut to Ohio for a conference. “Don’t they have conferences in Connecticut?”
This is Kindling Words East territory, so of course I saw lot of my writing buds from there, including Kathleen Blasi, Sibby Falk, and Toni Buzzeo. Some of us still smell like woodsmoke. Kathleen and Sibby and I celebrated by getting lost in the twisting roads surrounding the Fitchburg Courtyard by Marriott. As Sibby said, “Lock the doors! I think I hear the banjos starting up.”
Here are Carolyn Scoppettone, Libby, and Kathleen in happier times.
Made lots of new friends at dinner Friday night
and rubbed shoulders with Cindy Lord at dinner Saturday night. Maybe some of her Newbury-worthiness will rub off on me.
Lest you think I spent my entire time eating, Cynthia Leitich-Smith’s keynote was incredible. That girl has the Native-American equivalent of chutzpah. She told the story of her journey into print. She was living in Chicago and working as a lawyer when an epiphany hit—she wanted to be a children’s writer. At this point she had absolutely nothing on the page. So she and her husband both quit their jobs and moved to Austin. Two years later, Cynthia published her first book.
Cynthia and I put our heads together after her interview on Sunday. Actually, I was hoping some of her chutzpah would rub off on me.
In Liza Ketcham’
Blog: Through The Tollbooth (Login to Add to MyJacketFlap)
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This week on the tollbooth we're talking about our favorite author websites. (I'll give a listing of who's doing what on which day at the end of my conversation with Cynthia.) As anyone in the children's book world knows, Cynthia's site, Cynsations - http://cynthialeitichsmith.blogspot.com/- is like the popular girls' table in the cafeteria: if you go there and sit quietly, you'll hear EVERYTHING. Who's who, who's not. What's in, what's on the horizon.
Well, the last time I went there, I saw that Cynthia was giving out four ARCs of her new book ETERNAL.
Now, I don't read a lot of vampire books. (As in none before this?) But as a writer, it's impossible in this day and age not to be curious as to why they're such a sensation.
"How does Cynthia DO this, anyway ...?"
Turns out, Cynthia does it by doing what she wants. But there's nothing arbitrary about it. After reading a lot about vampires and vampire literature, and what's being published today, and finishing ETERNAL, and asking Cynthia a lot of questions about which she was endlessly gracious, I realized that only when a writer is firmly grounded in a disciplline can she strike out into new territory in the way Cynthia did. (So that vague idea that maybe I could write a bunch of these and get rich and famous was out, btw.)
Cynthia knows her vampire history. But, as she gently informed me, she doesn't write "vampire books," as I called them. "I consider my novels Gothic fantasies set in a multi-creature-verse," she said. "When I say 'multi-creature-verse,' I'm talking about a fantasy world populated with a variety of types of beings. In my case, these include humans, angels, vampires, shapeshifters, and ghosts."
Oh. So.
Okay. I know when I'm in over my head. I decided to back up and start at the beginning, asking questions that a total neophyte might ask in the hopes of gaining some kind of clarification. Here's what I learned:
Cynthia: I began my writing career by taking the age-old advice: write what you know. I crafted daily life stories of mostly middle class, mixed blood Native families of the mid-to-southwest.
Me: What would a writer need to know about the vampire realm in order to write a book about it?
Cynthia: I think it depends on the writer and to what extent it matters whether she needs to “earn her monster.” Not every genre in which the vampire mythology appears has as intense conventions or as high reader expectations in that regard.
Within Gothic fantasy, though, I would recommend taking a look at the old stories. Think about what they reflected of the time, what they reflect of this time. Consider the early literary treatments, including short stories that preceded the novel Dracula, up to present day. M.T. Anderson’s Thirsty (Candlewick) is a required read. So is Annette Curtis Klause’s The Silver Kiss.
Me: One reviewer said that "the traditional vampire conventions include the role of human characters and the sexualized experience of the vampire bite." But your book involves the relationship between Miranda, a vampire, and Zachary, her guardian angel. Is this a departure from those conventions, and if so, why did you choose to write it this way?
Cynthia: Big picture, the vampire is largely—though not entirely—about “the penetration” and “exchange of bodily fluids.” When Stoker Dracula says of Jonathan Harker, “this man is mine,” boy, he’s really saying something (and to the audience of 1897, no less). But an unwanted bite also is an assertion of dominance, a form of sexually-charged, potentially fatal violence. A vampire who, say, enthralls a potential victim is roughly analogous to the date rapist who slips something into a drink.
Me: Are there limitations as to how far a writer can go in terms of the horrific?
Cynthia: It’s a judgment call. I’m not going to tell other authors where to draw the line.
Me: You told one interviewer that your themes are redemption, gender, and the dark "other." What did you mean by this?
Cynthia: I’ll let readers of Eternal discover for themselves how the first manifests. But redemption is not an uncommon theme for recent books that touch on vampire mythology. It was a driving force behind Whedon’s “Angel” series.
Me: This is the second book that takes place in a world you specifically created. What are some of the conventions of your world?
Cynthia: The setting is contemporary, a multi-creature-verse. It’s essentially our world with humans, vampires, angels, ghosts, and shifters (among others?) in the mix. Everyone knows that vampires and shifters exist—though they’re generally believed to be scarcer than they are.
That's as far as we got. I'm very grateful to Cynthia for explaining things as clearly as she did. She's working on a third book in the series now. I know that I'll go to that book as a much better informed reader than I was before. Thank you, Cynthia.
As for the sceduled for rest of the week on the Tollbooth:
Tuesday: Carrie Jones on her favorite author websites
Wednesday: Helen Hemphill
Thursday: Sarah Sullivan
Friday: Tami Brown
Thanks for joining Cynthia and me.
What a profound comparison. I can only hope I will have a glass of wine in hand when I draw my last breath : )
I love how you explain the romanticism of the road trip. It's never as awesome as it sounds.
-Holly
堅決的信心,能使平凡的人,成就不平凡的事。......................................................