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Ingredients of a typical day in my house

Thanks to everyone for the comments on last week’s post. It was fun to see what you’d like to hear more about. I think I take some of those topics for granted and assume people are tired of hearing me chatter about tidal homeschooling and whatnot. I really appreciate your feedback and look forward to diving into the topics you raised.

I’m coming up bust on the most pressing question, though—details on the washi tape in that photo. I can’t remember where it came from! I’ll see if I can track it down.

I finished reading Ace, the Very Important Pig to Huck and Rilla last week. They really enjoyed it, although they didn’t find it quite as engrossing as our last pig book, Charlotte’s Web. I mean, it’s kind of hard to compete with Charlotte. But Ace is fun and funny and was a lighthearted, enjoyable read. It works really well as a readaloud, too, which can’t be said about every good book. It’s a funny thing that some truly wonderful books just don’t take off when I try to read them aloud. That happened with The Gammage Cup, which is a huge favorite with my older kids—all of Carol Kendall’s books are winners. For sheer enjoyability, her writing style ranks up there with L. M. Montgomery and Elizabeth Goudge, as far as I’m concerned. Delicious prose and endearing, quirky characters. But…I think the very thing that makes her prose so magical—long, complicated sentences with rich description, and a lot of interior life for the characters—renders it difficult to the listening ear.

My older girls tore through Gammage and its sequel, The Whisper of Glocken, on their own. (The Firelings is my personal favorite of Kendall’s books, but I think my girls would vote for The Gammage Cup.) But as excited as I was to begin reading it to Huck and Rilla, and as excited as Rose and Beanie were for them to experience it, we bogged down after a couple of chapters. Then came a busy week and we didn’t make time for it at all, which is generally a good indicator that I haven’t picked the right book. It doesn’t happen often, but it does happen, and I never have qualms about abandoning a book that isn’t making them beg for more. I’d rather they read it alone, later, and really enjoy it. I’m sure that’s what will happen with Gammage, because it’s so darn good.

Anyway, long story short (ha!), we had fun with Ace—lots of great voice fodder among the animals. Yesterday I again faced the exhilarating, momentous decision of The Next Book. I mean, this is just a huge event in my life, over and over. My next read, our next read—oh the agony of decision!

I didn’t dither overlong this time around…a particular favorite had been on my mind, and it’s one I’m not sure I ever read aloud to the other kids. I think most of them beat me to it.

From the Mixed-Up Files of Mrs. Basil E. Frankweiler by E. L. Konigsberg

Actually, I’ve always thought of this as sort of a private book, one meant for solo immersion. But…it felt right. Huck may be a little young to care much about the quest Claudia is going to undertake. But he’s into it so far—the big sister/little brother dynamic, the exciting running-away plan, Jamie chewing up Claudia’s instruction note and having his teeth turn blue. Rilla, of course, is enchanted. Running away to an art museum (as Jamie ungrammatically puts it, to Claudia’s disgust)—well, if Rilla could live anywhere but home, an art museum would likely be her pick. She’s impressed with Claudia’s good sense.

I had to decide whether to let Rilla meet the Met as I did, through this book, or to show it to her on YouTube. Would a glimpse of the vastness of the building and the extent of the collection enhance her mental picture of Claudia and Jamie’s adventure, or  is it better to create that picture completely in your own imagination? If you’ve not been to Manhattan yourself, I mean. In the end, conversation made the choice for me. We finished our chapter today and Rilla had questions, and next thing you know we were all watching Sister Wendy tour the museum.

I haven’t been to the Met since the 90s. I’m a bit NYC homesick now.

"These stories kept me up way past my bedtime and still hold places of honor on my bookshelf."

Attempting to catch up on notes about things I’ve recently read and enjoyed…

Of all the curiosities that had been pitched out of Fooley’s balloon, the painting was the only one to fall into the Watercress River. When it had been fished out, nobody knew what it was, but fortunately Fooley had listed in his book the names of the curiosities, and when everthign else was checked off—like the family tree, the poem, the hourglass—it was obvious that the remaining item was a painting. The bath in the Watercress had done it no good. Though the colors of the squares, triangles, circles, and shields were clear enough, and the interconnecting black lines intact, the piece of parchment looked as though inky fingers had daubed it. But daubs or no daubs, the Periods (and therefore the ordinary villagers) adopted the painting for their own. Ever since Fooley’s time, a painting was a pattern of colored shaped connected by black lines, following the classical example.

The Gammage Cup by Carol Kendall. Kendall is one of those writers whose voice I just plain enjoy. She’s a quirky storyteller with a taste for misfits. This novel is about the Minnipins, a tradition-loving people who live in small villages in an isolated mountain valley. Their distant ancestors settled here after escaping from terrible enemies about whom little is known, now, except their names: The Mushrooms. A few centuries ago, one of the Minnipins journeyed over the mountains and back via hot air balloon. Most of Fooley’s souvenirs—and memories—were scattered when he crash-landed back at home, but the remaining fragments have been carefully enshrined in a village museum and in the customs of his descendants. (You can tell them apart from the rest of the villagers by their names, which are taken from a scrap of paper that survived the crash and is now presumed to be a list of the friends Fooley made on his journey: Ave., Co., Wm., Eng., etc. “The Periods,” as these folk are reverently called, run the village.)

Folks in the village like things to be done just so, and they have little tolerance for eccentrics like Gummy the poet or lively Curley Green, who recklessly paints images of things from real life, in disregard of the proper classical style. (My kids love Kendall’s work, but her character names drive them up a wall.) When Muggles, the reluctant heroine, and her misfit friends begin to suspect the terrible Mushrooms are preparing for another attack, they have to persuade the rest of the villagers that the danger is real. Instead, they get kicked out of the village.

This is a fun read, somewhat formulaic but Kendall’s unusual voice makes the formula feel new. Beneath the storybook action is a quiet exploration of intellectual honesty; the villagers—especially The Periods—tend to do things just because that’s the way they’ve always been done, without pondering the origins of the customs. Muggles, though fearful of the social consequences of coloring outside the lines, can’t help but ask questions.

There’s a sequel, The Whisper of Glocken, which Rose and Jane have beat me to. They enjoyed it.

The cover of the current paperback edition is perfectly dreadful. I tried not to look at it too much.

Here’s my old post about Kendall’s wonderful The Firelings, which also takes a look at the relationship between custom and reason.

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