Counting the Memorial Day weekend, I has been NINE days away from my day job. [Good gravy, my mind still hasn’t rebooted completely. “…I have been…”]
This week, my days were spent either sleeping or wandering Javits to discover what’s new in book publishing, and to immerse myself in BookCon, a fan-driven event designed to breathe life into a withering trade show.
I might have a show-and-tell later of some titles, but for now, some random thoughts:
- BookExpo America, the trade show component, is slowly withering away. Sure, the booths are lively, and there is lots of business being done, but it’s quite evident… Gone are the days when the children publishers and small press hopefuls were placed on the lower level. Ignoring the Chinese pavilion, I did the entire show floor in one day (with hours to spare). In the past, it would take me two days, with some power walking in the mediocre aisles.
- This is also evident in the shipping area. What once were endless tables of boxes crammed full of freebies waiting to be shipped home, now it’s rather sedate. Partly because publishers have shifted to digital copies and cut back on promotions. Which might have cut back on attendance. I would justify the out-of-pocket cost by balancing it with the free books I got.
- The China Pavilion (AKA BookExpoChina) saved Reed’s keister. China rented a huge chunk of show floor to showcase their publishers (as well as numerous banners and on-site advertising). It was so vast, it was quite peaceful, almost like a zen garden. It could easily have filled Hall 3-E by itself. In addition to the publisher displays, China also had a large museum exhibition at the main entrance of the convention center.
This is the entire top floor of Javits, just like NYCC. Note the large pink zone which denotes the China pavilion.
- There were quite a few national pavilions scattered throughout the show floor. Italy, Spain, Romania!, UK, a few UAEs, but nothing quite as epic as China. Except for Saudi Arabia, which is a regular attendee and has a nice display.
- BookCon Sunday seemed rather sedate. Saturday, all of the ticketed events rapidly “sold out”. Sunday, there were wristbands available for most of those panels.
- Had BookCon not been held, the Big Five publishers would not have had a major presence on the show floor. A few years ago, they were all in Hall 1-A, which were appointment-only meeting rooms. Those still exist at this show, but they were converted to event spaces during BookCon. One year, Random House’s entire presence on the show floor was a simple singing booth. A few desks, the schedule, that was it.
- Subtract China, subtract the big publisher exhibits, subtract the event stages and the food vendors, and the entire show COULD fit in the basement of Halls 1-ABC. Or the North Pavilion.
- Some major publishers did not attend. I noticed Taschen’s absence, which usually has a large display.
- There needs to be a centralized calendar for signing and events. Many publishers do not promote their booth signings online (either via the BEA website, or their own PR). I’d like to see a BEA blog just to promote the signings (and book giveaways). Also, how hard is it for a publisher to send a calendar file to Reed? Or to log into their exhibitor account and add the dates and times?
- The Big Five publishers (the conglomerates) can’t really display titles, since there isn’t enough space. (They will find space, at the American Library Association conference at the end of this month.) Everything is monitor displays with covers on rotation, and periodic author signings and book giveaways. Unless a client publisher had a nearby booth (such as National Geographic), those clients didn’t get any consideration from the distributing publisher.
- I’d like to see the Big Five decentralize their displays. Instead of the big tent model, why not follow Consortium’s lead and have each imprint or house in a booth? Have a meeting space nearby for talks, but create a “land” of related clients. Consider Penguin Random House: Penguin has about 20 imprints. Crown has 22 imprints. Knopf, about 8 (but major imprints). Random House Publishing…about 15. Plus Random House Kids, and 38 client publishers. 100+ booths. Probably 30,000 square feet of space would feature everything, and create a lot of excitement and buzz!
- DC, Archie, Kodansha, Titan, Dark Horse, Legendary, Vertical (all distributed via Penguin Random House) should sponsor a joint comics booth, similar to what Diamond offers to their clients. They DEFINITELY should host events, and this year was a wasted opportunity by DC to launch their “DC You” branding to a diverse audience (We Need Diverse Books…). Were any of the DC book execs here this year? Did they see (and hear) the crowds of teen girls? Random promoted the “Lois Lane” YA novel, while Marvel has a winner with the Black Widow novel. (That panel was packed!)
- Next year, BookExpo and BookCon will be in Chicago, which might increase attendance, as it’s not too far from New York City, and regional attendees will bolster attendance. After that? Who knows? If ReedPOP promotes the show effectively, we could see major crowds at BookCon Chicago.
- I haven’t had a chance to scan Google News and social media regarding BookCon. That will determine if it becomes a big event.
- Chicago will offer three days of BookExpo, and ONE day of BookCon, May 11-14, 2016. Located in the West Hall of McCormick Place, half of the space will be reserved for BookCon. (For those who are curious, the Microsoft Ignite event will overlap on the calendar, taking over the rest of the convention center.) (And no dates yet for C2E2.)
- Reed Exhibitions has already run their draw for 2016. You can view the current map here. Lots of space left! (The turquoise squares below. $5000 for a 10’x10′ booth.
- Did any of our readers attend? Would you attend?
It’s that time of year again! Publishers, retailers, and readers are gathering in New York City to explore and celebrate the latest in books!
From Tuesday until Sunday, the Javits Center will host thousands of attendees with a four-day trade show, and then a two-day consumer show on Saturday and Sunday!
Last year, Reed Exhibitions partnered with their pop-culture branch ReedPOP to organize what had previously been a half-hearted attempt to add some liveliness to otherwise dwindling attendance figures. This was a bit of a no-brainer…Lance Fensterman, the mad genius behind ReedPOP, once ran BEA.
So, what happened last year? The usual at BookExpo… famous celebrity authors promoted their memoirs, author breakfasts and lunches were attended, lots of business was done, tons of free books were shipped home.
BookCon…? Many of you will recall the inaugural New York Comic Con in 2006, a party so epic, the cops showed up. That’s what happened last year at Javits. 10,000 tickets sold out for the one -day event. The fire marshal forced attendees to wait in line to access the panel rooms downstairs. And while there wasn’t a room similar to Hall H in San Diego, BookCon still had their celebrity moment, as John Green, internet maestro, hosted a panel to promote the release of “The Fault In Our Stars” at theaters the next weekend. Here’s a sample of what occurred:
When Vilkomerson opened the panel up to questions from the audience, there was an immediate scuffling of chairs and shoving of tables as attendees – most of them adolescent girls – began crushing toward the microphone in the center of the room.
It was so intense, and so sudden, that a panic began to break out and Green himself began calling from the stage: “Stop. Stop! STOP!STOP!!”
He ordered everyone pushing into the line to, “Go back to your seats,” saying there were already more than enough people to close out the hour-long event.
and…
No doubt the biggest, funniest, and most emotional reaction during the BookCon panel came near the very end, when a young man wearing shorts that revealed his prosthetic leg got his turn at the microphone.
The lead male character, Gus (played by Ansel Elgort) has had one leg amputated due to his cancer, and the questioner first wanted to make a comment about the book’s famous love scene between Gus and Hazel.
“As an amputee myself, I just wanted to say thank you, John, for answering a lifelong question of mine, which is: whether, during sex, to keep my leg on or off,” the young man said, to deafening squeals of delight from the mostly female audience.
Green rocked back in his chair laughing, then brought everything to a halt by jumping off the stage to give the man a hug. When he returned to stage, Green said: “That [question] didn’t go the direction I expected!”
A woman who had a question immediately after that noted: “I think he’s got a roomful of dates already,” while Green scanned the crowd and pointing out various girls swarming him.
“He’s not going to be able to walk out,” Green said. “He keeps getting stopped!”
Is it any surprise that there will be a repeat this year, for “Paper Towns”?
What does this mean? Well, I’m not sure who will show up this year, but if it’s anything like 2014, it will be the bizarro-comic-con. How so? First, lots of teenage (and pre-teen) girls will be there, partly because of John Green, partly because they read. Then, there’s the focus of the the show… it’s part of a trade show, so there are no retailers (aside from the publishers themselves, if they wish to sell). Everything will be geared towards the Fall list, stuff due in September, October, and November. Certainly, authors will be there because of their backlist, but they will also have a new title to promote. Thus, no dealers selling first editions, signed copies, or variants. Nothing slabbed (or in this case, clam-shelled). There will be children’s book authors, and authors covering every genre and demographic. (Harlequin is a master of this, putting any Wednesday Crowd publisher to shame. Some of their paperback series are weekly.) Quite a few families as well, as BookCon sells a $5 kids ticket (ages 6-12) along with the $30/$35 Saturday/Sunday tickets.
As with last year, Halls 3D and 3E are reserved for the BookCon exhibitors. These grey booths above are exhibitors who will also be there during the trade show earlier in the week. (Diamond has their own aisle.) The blue section towards the back contains pop-up booths for publishers who are exhibiting over in Halls 3A-C during the trade show.
Here’s a big map of the entire BookCon layout. (It’s a PDF, otherwise, I’d insert it here.) Panels are in 1-A. 1-C hosts the autograph area, as well as the “stockyards” queue hall. 1-D is the events hall. It will be cleared after each event, and you need a wristband. (Just like NYCC.)
You’ve read this far, so I know you’re a power reader! What’s scheduled, you might ask? Well, here’s the comics-centric list! I’ll include events held during BEA as well as BookCon, since we have some industry insiders amongst our readership, and it’s nice to encourage comics publishers to exhibit as well as schedule signings and panels.
As always, this is just what’s available via the official websites. Many publishers will host in-booth signings as well, so if you’ve got a favorite publisher like Andrews McMeel or IDW, stop by their booths first thing each morning, and update your agenda. Also, times and situations might change.
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In-Booth Signing with Derf Backderf
Wed. May 27| 3:15 PM – 4:15 PM | 2827 Abrams
In-Booth Signing of Trashed by Backderf, Derf
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Marvel Presents: Star Wars
Wed. May 27| 3:30 PM – 4:30 PM | Downtown Stage
In 1977, a few months before the release of Star Wars, Marvel Comics debuted their very own adaptation of the film – which kicked off nearly a decade of stories set in a galaxy far far away, told in the Mighty Marvel Manner! Now, nearly 40 years after that historic debut, Star Wars has finally returned to Marvel with an acclaimed line of all-new comics and graphic novels! Marvel Editor Jordan White is joined by the superstar writer & artist duo of newly-announced series Star Wars: Lando, Charles Soule and Alex Maleev, to discuss all things Star Wars at Marvel!
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In-Booth Signing with Mo Willems and Tony DiTerlizzi
Wed. May 27| 4:00 PM – 5:00 PM | 2757 Disney-Hyperion
In-Booth Signing of Willems, Mo and DiTerlizzi, Tony
There’s also Thursday and Friday, but I don’t see anything of note for comics. Check your favorite publishers… they might in-booth signings planned which typically don’t appear on the show planner.
BookCon?
Well, the big event, as reported here many months ago, is the “Comics Are Awesome” panel!
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COMICS ARE AWESOME!
Sat. May 30| 11:30 AM – 12:30 PM | Room 1A10
Join comics superstars Ben Hatke (Little Robot), Jenni Holm (Sunny Side Up), Jeff Smith (Bone), and Raina Telgemeier (Sisters) as they talk about how comics work, how they make their own comics, and what makes comics so completely awesome. If you’re a fan of comics, don’t miss this great discussion – it’ll have amazing authors sharing their latest work and exciting art drawn right before your eyes!
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MARVEL Presents: Star Wars
Sat. May 30| 12:30 PM – 1:30 PM | Room 1A21
In 1977, a few months before the release of Star Wars, Marvel Comics debuted their very own adaptation of the film – which kicked off nearly a decade of stories set in a galaxy far far away, told in the Mighty Marvel Manner! Now, nearly 40 years after that historic debut, Star Wars has finally returned to Marvel with an acclaimed line of all-new comics and graphic novels! Marvel Editor Jordan White is joined by the superstar writer & artist duo of newly-announced series Star Wars: Lando, Charles Soule and Alex Maleev, to discuss all things Star Wars at Marvel!
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Meet Garfield!
Sat. May 30| 2:00 PM – 3:00 PM | Booth # 3119
Get your photo taken with with America’s Favorite Cat— Garfield! And pick up your FREE copy of Garfield The Big Cheese. Classic Comics from America’s #1 funny feline!
Cost: Free
Track: In-Booth Signing
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Jeff Smith and Raina Telgemeier Autographing
Sat. May 30| 2:00 PM – 3:00 PM | Autographing Table 5
A purchase from the WORD bookstore is required for this autograph session. However, purchasing the book does not guarantee an autograph as space is limited and on a first come, first serve basis.
Cost: Book Purchase Required
Track: BookCon Autographing Area
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Women of MARVEL: An In–Conversation with Margaret Stohl and Adri Cowan
Sat. May 30| 3:30 PM – 4:30 PM | Room 1A06
Join #1 New York Times bestselling author Margaret Stohl (Beautiful Creatures series; Black Widow: Forever Red) and Social Media Manager for Marvel Entertainment Adri Cowan as they discuss women tackling the superhero genre in new and interesting ways, the rise of female-followed protagonists by both male and female readers, and possible tricks for writing one’s way out of in-universe, long-standing character conflicts.
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Snoopy Photo Op
Sun. May 31| 11:00 AM – 1:00 PM | Autographing Table 4
Cost: Free
Track: BookCon Autographing Area
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Meet Garfield!
Sun. May 31| 11:00 AM – 12:00 PM | Booth # 3119
Get your photo taken with with America’s Favorite Cat— Garfield! And pick up your FREE copy of Garfield The Big Cheese. Classic Comics from America’s #1 funny feline!
Cost: Free
Track: In-Booth Signing
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MARVEL Presents: Max Ride, Dark Tower and More
Sun. May 31| 11:00 AM – 12:00 PM | Room 1A21
If the World’s Mightiest Heroes and the denizens of a galaxy far, far away weren’t enough for you, then Marvel’s got you covered! Jake Thomas (Editor, Empire of the Dead) and Mark Basso (Editor, Marvel’s Disney Kingdoms line) are on hand to discuss the myriads of non-superhero properties being given the Marvel treatment, along with author James Patterson (Maximum Ride), Marguerite Bennett (writer of Max Ride: First Fight), and Peter David (writer of Marvel’s Dark Tower: The Drawing of the Three)!
[WAIT, WHAT TH?! James Patterson?! On a comics panel? We have won.]
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Graphic Novels: In the Studio
Sun. May 31| 2:00 PM – 3:00 PM | Macmillan Meeting Room 3139 on the Show Floor
Jonathan Fetter-Vorm (BATTLE LINES), Pénélope Bagieu (EXQUISITE CORPSE), and Ben Hatke (LITTLE ROBOT) will share a behind-the-scenes look at how they create graphic novels, from idea to finished project. Moderated by Calista Brill, editor at First Second Books.
Ticketed Event: go to booth 3056 starting at 10 AM for a free ticket. Signed copies of panelists’ books will be raffled off.
PLEASE NOTE: Event will take place in Macmillan Meeting Room 3139 on the Show Floor
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Crafting Illustrated Stories for Kids: Julianne Moore in Conversation with Brian Selznick
Sun. May 31| 2:30 PM – 3:30 PM | Room 1A10
New York Times Bestselling author and Academy Award and Emmy winning actress Julianne Moore (Freckleface Strawberry) joins acclaimed and bestselling author and Caldecott Medalist Brian Selznick (whose novel The Invention of Hugo Cabret was adapted into Martin Scorsese’s Academy Award winning movie, Hugo) in conversation about the inspiration behind their beloved books and characters, their artistic process, and offer a sneak peek at their latest upcoming projects. Moore’s new Step Into Reading books Freckleface Strawberry: Backpacks! and Freckleface Strawberry: Lunch, or What’s That? are due out June 23, 2015. Selznick’s The Marvels, will be published on September 15, 2015.
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Author Panel: Write What You Know
Sun. May 31| 3:00 PM – 4:00 PM | Macmillan Meeting Room 3139 on the Show Floor
Maria Venegas (BULLETPROOF VEST), Adrian Tomine (NEW YORK DRAWINGS and KILLING AND DYING), Jamie Brickhouse (DANGEROUS WHEN WET). From Mexico to Texas to NYC, three authors with wildly diverse backgrounds and stories discuss how they drew from their own experiences to write a book that reflects their life. Moderated by Martin Quinn, Macmillan Sales Rep.
Ticketed Event: go to booth 3056 starting at 10 AM for a free ticket. Signed copies of panelists’ books will be raffled off.
PLEASE NOTE: Event will take place in Macmillan Meeting Room 3139 on the Show Floor
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Jenni Holm Autographing
Sat. May 30| 3:30 PM – 4:30 PM | Booth # 3119
Cost: Free
Track: In-Booth Signing
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Brian Selznick Autographing
Sun. May 31| 4:00 PM – 5:00 PM | Autographing Table 2
Cost: Free
Plus numerous guests!
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Adrian Tomine
Best Known For: Scenes from an Impending Marriage
Day(s): Sunday
Location: Panels
Adrian Tomine is the author of Scenes from an Impending Marriage, Shortcomings, Summer Blonde, Sleepwalk, 32 Stories, and the comic book series Optic Nerve. He is also an illustrator for The New Yorker, Esquire, and Rolling Stone, and his stories have appeared in The Best American Nonrequired Reading and An Anthology of Graphic Fiction,Cartoons, and True Stories. A graduate of the University of California at Berkeley, Tomine lives in Brooklyn, New York.
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Alex Maleev
Best Known For: Star Wars: Lando
Day(s): Saturday
Location: Panels
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Ben Hatke
Best Known For: Zita the Spacegirl
Book Title: Little Robot
Day(s): Sunday
Location: Panels
Ben Hatke is the author of the New York Times Best-Selling Zita the Spacegirl trilogy as well as the picture book Julia’s House for Lost Creatures. In addition to writing and drawing comics, he also paints in the naturalist tradition and, occasionally, performs one-man fire shows. Hatke lives and works in the Shenandoah Valley with his wife and their boisterous pack of daughters. His next graphic novel is the delightful Little Robot, which will be on sale in September.
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Brian Selznick
Best Known For: The Invention of Hugo Cabret
Book Title: The Marvels
Day(s): Sunday
Location: Panels, BookCon Autographing Area
Brian Selznick grew up in New Jersey and graduated from the Rhode Island School of Art and Design in 1988. He worked for two years after graduation at Eeyore’s Books for Children in New York City. His first book was published while he worked there.
Selznick has also designed theater sets and worked as a professional puppeteer. His first book, The Houdini Box, was inspired by a fascination with the famous magician. He has illustrated both novels and picture books for other writers, including the Sibert Honor books, When Marian Sang by Pam Munoz Ryan and Walt Whitman: Words for America by Barbara Kerley. His illustrations for Barbara Kerley’s The Dinosaurs of Waterhouse Hawkins won a Caldecott Honor Award in 2002; and in 2008, his groundbreaking book The Invention of Hugo Cabret was awarded the Caldecott Medal. It was nominated for a National Book Award and was the basis for Martin Scorsese’s Oscar winning film Hugo. His follow up illustrated novel, Wonderstruck, debuted at #1 on the New York Times bestseller list. His newest novel, The Marvels, will be published on September 15, 2015.
Selznick divides his time between Brooklyn, New York, and San Diego, California.
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Charles Soule
Best Known For: Star Wars: Lando [I’d say “Death of Wolverine, if we’re talking Marvel titles, otherwise, “Swamp Thing”.]
Day(s): Saturday
Location: Panels
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Jeff Smith
Best Known For: Bone
Book Title: Out from Boneville: Tribute Edition
Day(s): Saturday
Location: Panels, BookCon Autographing Area
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Jennifer L. Holm
Best Known For: Babymouse
Book Title: Sunny Side Up
Day(s): Saturday
Location: Panels, BookCon Autographing Area
Jennifer L. Holm is the New York Times bestselling and three-time Newbery Honor-winning author of multiple novels for young readers. With her brother Matthew, Jennifer created the graphic novel series Babymouse and Squish. Together they have teamed up for Sunny Side Up, a semi-autobiographical graphic novel from Scholastic coming in September 2015. Jennifer lives in California.
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Jonathan Fetter-Vorm
Best Known For: Trinity: A Graphic History of the First Atomic Bomb
Day(s): Sunday
Location: Panels
Jonathan Fetter-Vorm is an author and illustrator. His Trinity: A Graphic History of the First Atomic Bomb was selected by the American Library Association as a Best Graphic Novel for Teens in 2013. He lives in Brooklyn, New York.
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Jordan White
Best Known For: Marvel Editor
Day(s): Saturday
Location: Panels
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Margaret Stohl
Best Known For: Marvel YA: Black Widow
Day(s): Saturday
Location: Panels
Margaret Stohl is the #1 New York Times Bestselling co-author of the Beautiful Creatures Novels, which were also USA Today, Publishers Weekly, Los Angeles Times, Indie-Bound, Wall Street Journal and International Bestsellers. A graduate of Amherst College, where she won the Knox Prize for English Literature, Margaret earned a MA in English from Stanford University, and completed classwork for a PhD in American Studies from Yale University. Margaret was a teaching assistant in Romantic Poetry at Stanford, and in Film Studies at Yale. She attended the Creative Writing Program of the University of East Anglia, Norwich, where she was mentored by the Scottish poet George MacBeth. She currently lives in Santa Monica with her family.
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Marguerite Bennett
Best Known For: Max Ride: First Fight
Day(s): Sunday
Location: Panels
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Mark Basso
Best Known For: Editor, Marvel’s Disney Kingdoms
Day(s): Sunday
Location: Panels
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Pénélope Bagieu
Best Known For: Exquisite Corpse
Day(s): Sunday
Location: Panels
Pénélope Bagieu was born in Paris in 1982, to Corsican and Basque parents. She is a bestselling graphic novel author and her editorial illustrations have appeared all over the French media. She blogs, drums in a rock bank, and watches lots of nature shows. Exquisite Corpse is her first graphic novel to be published in the United States.
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Raina Telgemeier
Best Known For: Smile
Book Title: The Baby-Sitters Club Graphix #2: The Truth About Stacey
Day(s): Saturday
Location: Panels, BookCon Autographing Area
Raina Telgemeier grew up in San Francisco and moved to New York City, where she earned an illustration degree at the School of Visual Arts. Her most recent graphic novel Drama was published to rave reviews and quickly became a New York Times bestseller. Smile, her critically acclaimed graphic memoir based on her childhood, was a #1 New York Timesbestseller and winner of the Eisner Award for Best Publication for Teens, and received a Boston Globe-Horn Book Honor. Raina also adapted and illustrated The Baby-sitters Club graphic novels. Sisters, a companion to Smile, will be published by Graphix / Scholastic in Fall 2014. She lives in Astoria, New York, with her husband and fellow comics artist, Dave Roman.
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Sam Maggs
Best Known For: The Fangirl’s Guide to the Galaxy
Book Title: The Fangirl’s Guide to the Galaxy
Day(s): Sunday
Location: Panels
Sam Maggs is a writer, televisioner, and geek girl, hailing from the Kingdom of the North (Toronto). Despite her MA in Victorian literature, Sam’s writing focuses on geek culture and (sometimes) how it intersects with being a lady.
Sam’s first book, THE FANGIRL’S GUIDE TO THE GALAXY, a handbook for girl geeks, will be published by Quirk Books in May 2015. Named “Awesome Geek Feminist of the Year” by Women Write About Comics, Sam is an Associate Editor for The Mary Sue; talks pop culture on TV and movie screens; and her writing has appeared everywhere from the Internet, to books, to national newspapers. She loves YA lit, Pacific Rim, BioWare games, Carol Danvers, and Jeff Goldblum.
by librarian Jackie Reeve
Last Tuesday the Children’s Book Council held a 90-minute Children’s Author Speed Dating event at BookExpo America. This was a chance for librarians and booksellers to meet each other and almost 2 dozen teen and children’s authors. As an elementary school librarian (K-4), this was the perfect event for me to get started at BEA. And it was very much like a short first date with each author, complete with some awkward pauses and some great conversations cut short by that cursed buzzer. I loved it.
Nineteen authors were given three and a half minutes to pitch their upcoming books and themselves to a roundtable of excited book lovers. When the buzzer sounded the authors moved on to the next table, leaving each group with a taste of their process, their new work, and their personalities. But for me, that short little “date” was enough time to become enamored of some new books and some new authors. They were all just so lovely.
No one sits still for photos while speed dating, so I apologize to the authors in advance for any mortifying poses I captured. They don’t deserve such cruelty. From left to right, starting with the top row: James Dashner, Jane Hampton Cook, David A. Adler, Lisa Greenwald, Linda Urban, Laini Taylor, Susan Stockdale, Ashley Spires, Clete Barrett Smith, Maria Rutkoski, Jennifer Roy, Kate McMullan, Tahereh Mafi, Carrie Jones, Jeff Hirsch, and Laura Lee Gulledge.
We didn’t leave with any whole books, but I left with bookmarks and samples, a list of ARCs and galleys to track down at the Expo (I scored 6 of the 19), and several more titles to add to my book order for next year. Plus I was inspired to connect with some of the authors further, through their Twitter accounts and maybe even a visit to my school (budget willing). As exhausting as those 390-second bursts could be, this was by far my favorite part of the Expo. I would recommend it in a heartbeat to anyone who wants to connect with authors beyond a quick fangirl moment (“I loved your last book!”) in the autograph line.
Here is the complete list of authors we “dated”, with their websites and Twitter handles where available:
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Once again, BookExpo America, “the leading North American publishing event” took place at the Javits Center in New York City. Just like various comic cons, attendees and journalists love to analyze the zeitgeists floating around the exhibition hall, while others prefer to ignore the elephants in the room.
So, following in the grand tradition of industry analysts and bloggers (beware the Camel’s nose!), I will give you my opinions at what I experienced this year.
The biggest zeitgeist? E-books and digital content. BEA had a sizable section of the exhibition floor dedicated to e-readers, e-books, and all sorts of electronic devices. Google Books celebrated seven years of existence in a large booth amongst the regular publishers, and Amazon, in an interesting twist, announced they would start publishing actual books!
In the glory days of BookExpo, the exhibition floor would occupy both the upper level of Javits, as well as Halls B and C on the lower level (where small press and children’s publishers could be found). Now, in the new economy, everything has shrunk to fit entirely on the third floor of the convention center, with major publishers shrinking their public booths and expanding their “showrooms” accessible only by invite or appointment. So, what was placed in those empty halls downstairs? Blog World and New Media Expo NY. And the attendee shipping center. So, as publishers and bibliophiles worry if paper books will exist ten years from now, electronic publishing was downstairs in the parent’s basement, having fun while the adults upstairs had a nice quiet dinner party. (I would have snuck down, but BEA did a horrible job of letting BEA attendees know that their badges got them into Blog World.)
Here’s the map of the third floor exhibition space (where NYCC is held in October). (Click to enlarge.) On the far right, the “MR” booths are meeting rooms, private little clubrooms where the major publishers held their meetings away from the hoi polloi swarming the floor (no, I’m not bitter… if they want to hide their upcoming catalogs from show attendees, that’s their perogotive… besides, there’s lots of other stuff I can spend my money on). On that map, you can see the various pavilions (childrens, remainders, gift shop…) showcasing specific markets.
Most noticeable… no graphic novel pavilion. That actually vanished a few years ago, once DC moved their distribution to Random House, and Random House minimized their public presence. That pavilion was always anchored by Diamond Book
BookExpo America/Writer's Digest Books Writers Conference...
Contrary to what some of you who were fooled by the Publishers Weekly April Fool's Day piece might think (you know who you are), BookExpo America is being held as planned at the Javits Center in New York May 28-31.
The coolest BEA event is happening before the show gets started, however. It's the BookExpo America/Writer's Digest Books Writer's Conference which takes place Wednesday May 27 (which is also my brother's birthday. Jim, if I forget to call you this is my excuse.)
What so cool about it? Speakers include Karin Slaughter, Donald Maass, Christina Katz, and a host of WD authors and editors (myself included). Plus there will be 66 (!) agents on hand for an exciting afternoon Pitch Slam (also known as Chuck Sambuchino's Lawn and Garden Scotch Fest. We won't actually be serving Scotch but it's an idea I am in favor of).
Agent Janet Reid said on Twitter: "I found one of my biggest juiciest projects at this conference last year. Damn straight I'll be back in 09!" So if you have a big juicy project our event might be a good place for you. There will be plenty of agents who handle children's material on hand including Michelle Andelman, Michael Bourret, Andrea Brown, Debbie Carter, Vivian Chum, Rachel Downes, Jennie Dunham, Stephany Evans, Mollie Glick, Jenny Rappaport, Jessica Regel, Elana Roth, Michael Stearns (who said in this space "the only things that should be pitched are baseballs"), Gretchen Stelter, Joanna Stampfel-Volpe, Jennifer Weltz, Tina Wexler, and Christine Witthohn.
If you can't make it you'll have the opportunity to vicariously enjoy the event through blogs and Twitter. (More details on that closer to the conference).
Edward A. Zelinsky is the Morris and Annie Trachman Professor of Law at the Benjamin N. Cardozo School of Law of Yeshiva University. He is the author of The Origins of Ownership Society: How the Defined Contribution Paradigm Changed America which looks at how defined contributions (IRAs, 401(k) accounts, 529 programs, FSAs, HRAs, HSAs…) have transformed tax and social policy in fundamental ways. In the article below Zelinksy turns his sight towards health care reform.
The financing of medicine has emerged as the central domestic issue of the 2008 presidential campaign. Hovering over this debate is the memory of the failed health care initiative spearheaded by the then First Lady in 1993. Senator Clinton’s supporters suggest that Senator Clinton has learned from that earlier, unsuccessful experience. Her opponents contend otherwise. (more…)
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Very interesting stuff. I’m very fascinated by this whole Book-Expo-trade-show-and-Book-Con-fan-festival endeavor, so thanks for this analysis:
A few thoughts or follow-up questions:
“Had BookCon not been held, the Big Five publishers would not have had a major presence on the show floor.”
Is this a confirmed truth–as in, actual statements from these “Big Five publishers” to the effect that “if BookCon did not exist, I would have reduced my show presence with a smaller booth, fewer staff, etc.?”–or is this an educated guess based on prior observation and experience? If the former, that would seem to be another big deal validation for BookCon, another measure of its success.
“Next year, BookExpo and BookCon will be in Chicago, which might increase attendance, as it’s not too far from New York City, and regional attendees will bolster attendance.”
Is a Chicago vs. New York location that much more likely to be an attendance booster? Point taken about that site being more convenient to Midwest regional attendees, but there is surely a set of Northeastern regional attendees who might not make the trip. Perhaps more impactful, I imagine some of these New York based big publishers might at least consider reducing the scope of their participation if only to be able to send fewer staff, and that’s gotta have some impacts to attendance. Anyway, didn’t Book Expo used to exhibit in Chicago for a while before it alighted in New York for these past years? Is there any historical trend on Chicago-vs.-anywhere-else attendance or exhibitor data that might make for interesting predictions for next year? (Taking into account the general ebbs and flows of any industry, separate from trade show geography, that might also be at place, of course…)
Hi, Tommy!
Regarding an actual statement? Nope, nothing official or publicly known. It’s all based on observation.
2011 had the meeting rooms on the show floor.
http://www.comicsbeat.com/wp-content/uploads/2011/05/BEA-20111.jpg
2010 was when the meeting rooms were downstairs in 1-A and the smaller panel rooms.
http://www.thebookseller.com/blogs/robust-bea-hums-after-mid-week-move
2012 was the first “power reader” initiative.
2013 it ramped up a bit, 2014 was the first Book Con.
As for Chicago… it’s a direct flight from NYC. 2.5 hours.
As for reluctance of publishers travelling… There is none.
They do it (at least) twice a year for the American Library Association conferences, held in Chicago and elsewhere. (Consider also specialized library and educational conferences, as well as regional book festivals.)
Here is the historical data for the annual (big) conference:
http://www.ala.org/conferencesevents/past/pastannualconferences
Note that there hasn’t been a show in NYC since 1996.
Eastern seaboard, Chicago, San Francisco have the best attendance.
Via http://www.exhibitionaudits.org, I found some audited data.
2014 18702 NYC
2013 19132
2012 19960
2011 19950
2010 21028
2009 18042 NYC (through 2015)
2008 17851 L.A.
2007 29045 NYC
2006 23555 DC
2005 28953 NYC
2004 Chicago
2003 LA
2002 NYC
2001 Chicago
2000 Chicago
1999 LA
Very interesting stats, Torsten!