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Viewing: Blog Posts Tagged with: BBC Radio 4, Most Recent at Top [Help]
Results 1 - 7 of 7
1. On Adapting Emile Zola: Notes from a BBC script writer

Why adapt Zola? What’s he got to say to us today? If the novels are so good why not leave them as they are – as novels – and forget it?

The post On Adapting Emile Zola: Notes from a BBC script writer appeared first on OUPblog.

0 Comments on On Adapting Emile Zola: Notes from a BBC script writer as of 11/23/2015 5:39:00 AM
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2. Amazon publishing a "concern"—Barnsley

Written By: 
Graeme Neill
Publication Date: 
Tue, 16/08/2011 - 15:46

Amazon's move into publishing is a "concern" and the business is close to being in a monopolistic position, according to the c.e.o. of HarperCollins.

Victoria Barnsley was the latest book trade figure to appear on BBC Radio 4's "The Future of the Book" segment on "The World at One", broadcast today (16th August).

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3. The Short Story Tradition Savita Kalhan







The recent announcement by BBC Radio 4 that the short story slots were being cut was met by an outcry by writers and listeners alike. The new controller, Gwyneth Williams, intended to axe them in order to make room for more news, specifically a longer World at One programme. She felt that the programme wasn’t long enough. In her words, “Stories now develop faster and need a fresh eye by lunchtime. Parliament sits in the morning now and WATO needs to cover emerging issues." Many people disagreed with her. Yes, current affairs are important, but is fifteen minutes every other day too much for a small slice of fiction?

A campaign began to save the short story slots. A petition was started and signed by almost 6,000 people the last time I checked. To sign – No More Short Story Cuts - please follow the link below.
http://www.ipetitions.com/petition/noshortstorycuts/

The campaign has already helped bring about a small U-turn. Radio 4 have said they will keep two short story slots instead of one.

Short stories suited radio, and Radio 4 championed them for many years. But why is the short story so suited to radio?

Maybe because the short story has its roots in oral tradition. Long, long ago, short stories were told before they were read aloud. They had their origins in fables and anecdotes in many cultures across the world. But the same is true of the intervening years and it’s even true of the present day. The short story has been around since before Aesop. Chaucer wrote a linked collection, The Canterbury Tales. The short story covers every genre from crime to science fiction, and every age group from toddlers to adults.

If you’re lucky to have had parents who read aloud to you as a child, you will probably have been read short stories, and before that stories told from pictures. In school you will have been taught how to write compositions for English exams. They were basically short stories. As you got older, those short stories may have become longer.

For me, listening to a short story on the radio is an oasis in the day. I won’t know where I will be taken or how far it will take me, or how much I will enjoy it, or become involved in it. But I know the voice in the story will transport me to a very different place, to a different experience, and that is something I look forward to.

I wasn’t one of the lucky ones whose parents read to them as a young child because my mother was illiterate, but, like generations before her, she retold the stories that had been hand

4 Comments on The Short Story Tradition Savita Kalhan, last added: 8/5/2011
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4. BBC in partial short story u-turn

Written By: 
Lisa Campbell
Publication Date: 
Thu, 28/07/2011 - 08:37

BBC Radio 4 seems to have performed a partial u-turn on its decision to cut the number of short stories it airs from three to one, going with two a week.

Listeners, authors and even celebrities such as Joanna Lumley and Stephen Fry are among 5,500 of those who signed an online petition opposing the move to reduce the number of short stories aired, which was borne out of Radio 4 controller Gwyneth Williams’s desire to extend the programme The World at One.

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5. SoA urges BBC short story rethink

Written By: 
Katie Allen
Publication Date: 
Tue, 19/07/2011 - 15:43

The Society of Authors has said it would be a "great shame" if the BBC goes ahead with its planned cuts to short story coverage on BBC Radio 4 and pleaded with the broadcaster to reconsider.

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6. The Importance of Bedtime Stories - Lucy Coats



Many of my friends laugh at me when I say that Radio 4 is too intellectual for me. And they laugh even more when I confess that I am a Radio 2 addict. I don't care. Even my picky teenagers admit they play some good music--and if I didn't listen to Radio 2 I wouldn't know about the really excellent children's book thing which is currently taking place on the Jeremy Vine show, (and I wouldn't be able to share it with you). There! You see? It is really a noble sacrifice I am making on behalf of the AABBA readers.

The bedtime story is in decline, according to Jean Gross, the Government's first 'speech chief' (whatever that is)--and it is affecting language and reading skills. "The next generation lack basic speaking skills because parents now spend less time talking to their children over family meals or reading them bedtime stories", she told The Times on her appointment as communications tzar last month. This is depressing, but probably true. Our lives as parents are busier and more pressured than ever. Some children will never be read to by their parents--ever. The ritual of a bedtime story--that precious time of sharing a world of imagination with your child--is more than likely to be replaced with watching tv or playing computer games or television or a cd--or nothing at all. It's easier for many pressured parents to let a machine take over the job--and what a loss that is for both child and parent. So, what is going on at Radio 2? How are they helping to address this problem? Listen carefully (so to speak) and I'll begin.....

All this week on the Jeremy Vine Show, listeners are being asked to choose their favourite bedtime story from a shortlist of eight, in turn chosen from a longlist of 36 last month. Each day Jeremy will read two extracts and then someone from the media will champion their chosen book--yesterday the author and journalist Guy Walters talked about Roald Dahl's Charlie and the Chocolate Factory and Bea Campbell supported Each Peach Pear Plum by Janet and Allan Ahlberg. The others on the shortlist are The Gruffalo, The Very Hungry Caterpillar, The Lion, the Witch and the Wardrobe, The Famous Five, Where the Wild Things Are and Winnie the Pooh. Jeremy gets a lot of listeners, and it will be fascinating to see which of these comes out on top--and how many votes are cast. Personally, I am throwing my hat into the ring for Each Peach Pear Plum--a book I have read probably hundreds of times without ever being bored. If asked to recommend a picture book for young children, it's the one I invariably pick. Well, I would, feeling as I do about the importance of nursery rhymes and poetry. Which one would you pick? If you feel as strongly as I do about the importance of banging the drum for bedtime stories, please do go and vote. And even if you are a dyed-in-the-wool Radio 4 listener, give Radio 2 a chance for the next few lunchtimes. Just this once. You never know--you might be converted.








7. A Great Loss? Radio and Children's Books - Lucy Coats


Next month marks the demise of Go4It, BBC Radio 4's specialist children's book review programme. Barney Harwood, the presenter, does a brilliant job, there are some great stories being read (currently Liz Kessler's The Tail of Emily Windsnap and Julia Donaldson's The Giants and the Joneses feature), some newsworthy topics being discussed (the Arctic and global warming). So why is it being axed? We are told that the audience is made up of the over-50's, and that therefore the 'target market' is not being reached. There are simply not enough listeners 'of the right sort'. If it doesn't work, and, for the present, leaving aside the fact that a) there are now many mothers who, having had babies in their 40's, are now well into their half-century and b) that the people who actually buy children's books for the 'target market' are generally adults, surely the BBC should be thinking about how to make it work. Books are an important part of the government's literacy strategy, and as a publicly funded body, the BBC should therefore be helping to promote books and providing their licence payers and their future licence payers with information on the subject.

But there is a problem. The weekly audience of 4-14 year olds on BBC Radio 7 is only 25,000--a small minority in the grand audio scheme of things. Children's radio programming will continue there--in the CBeebies 5-7am slot, which could be seen as a boon for early risers or, more negatively a graveyard, and books will continue to be featured on Big Toe. Radio 4 will feature Joan Aiken's Black Hearts in Battersea, Roald Dahl's Matilda, Erich Kästner's Emil and the Detectives and The Wizard of Oz at Christmas. But is it enough? Are the BBC thinking about what children really want, and more importantly how to provide it in a form they want?

For someone such as myself, brought up on a diet of Listen with Mother, listening to the radio is easy and natural. But today's children have so much going on that to sit down for a whole half hour and listen to a programme is, quite simply, an alien concept. A snatch of music here, five minutes on an i-pod there, gaming, downloads--the technology today's children are familiar with is all about fast and furious action. If books on the radio are ever going to work, they must be presented as cool and relevant. In the case of the Radio 4 choices, the books mentioned above are all wonderful classics. But why not introduce younger listeners to some modern classics in the making--by living authors who could be interviewed, could blog, could podcast--all things which kids can understand. Tapping into the 'celebrity culture' will be abhorrent to some readers here--and I'm not too keen on it myself--but if presenting books in this way hooks in more readers then why not? If the BBC wants books to work for those under 16, they must create a buzz about them--find different ways to use the technology which is out there. Don't tell me that there aren't the readers who are hungry for the next big reads, let alone the next good reads--Harry Potter and the current Twilight craze prove that there are. The radio is already linked to the computer--we just need some creative thinking to convince young listeners that books are right up there with the latest pop download. Answers on a postcard to Mark Damazer at the BBC, please.

7 Comments on A Great Loss? Radio and Children's Books - Lucy Coats, last added: 4/10/2009
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