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By: Zoe,
on 3/20/2012
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The Last Giants By Francois Place (original title: Les derniers géants), winner in the picture book category of the 1993 Prix Sorcières, is a fictional account of a 19th-century naturalist whose discovery of a race of giants ultimately leads to their destruction, despite his personal sensitivity and respect for them.
In 1849 Archibald Leopold Ruthmore purchases a very unusual piece of scrimshaw; it appears to be a giant’s tooth intricately carved with all sorts of images, including a map showing a land of giants.
The hopeful explorer sails to Calcutta, before travelling on to Burma, where Ruthmore and his group of porters tackle water rapids and dense jungle. An attack by a head hunting tribe leaves Ruthmore’s entourage decimated. Those who survive desert their leader, but Ruthmore refuses to give up his dream, and continues on alone to eventually discover a mysterious valley inhabited by nine giants and giantesses.
They were covered from head to foot – including their tongues and teeth – with a dizzying maze of extremely complex lines, curves, twinings, spirals and speckles. Given time, one could discern recognizable images within this fantastic labyrinth: trees, plants, animals, flowers, rivers, oceans – a veritable symphony of the Earth that echoed the music of the nightly invocations.
Ruthmore lives with the giants for almost a year, taking meticulous scientific notes. He is generously welcomed into their society and responds with warmth and an open mind. Eventually, however, Ruthmore returns to “civilization” and publishes his findings. Having raised enough money to mount a return expedition, Ruthmore sets out once more to find his friends. But this time his journey ends in tragedy not triumph.
Deep within me, I could see how my stupid determination to reveal the secret of their existence had brought about this terrible calamity. My books had killed them more surely than a regiment of artillerymen. Nine Giants who dreamed of the stars, and a little man blinded by his lust for glory: that was our entire history.
A thought provoking book about the power of knowledge, the ethics of science, about what it means to be human, and mankind’s role in the greedy desecration of the earth, this is the first book I’ve read this year that I’ve wanted to buy multiple copies of just to give away to people (the last book I felt like this about was Patrick Ness’ A Monster Calls).
The story is beautifully and evocatively written. Indeed, when I first read it, I was so convinced by the text that I had to double check that this was a fictional work, not a republished 19th century account from a real explorer. Perhaps the fact that Warner Bros have optioned the film rights to this book tells you something about how thrilling the story is. The fact that that The Last Giants is also one of
3 Comments on Murderous books, and stories told on skin, last added: 3/20/2012
Today I’ve my last review for this month as part of Gathering Books’ Award Winning Book Challenge, and again it’s a picture book which has won the Deutscher Jugendliteraturpreis (German Youth literature prize).
One, Two, Three, Me by Nadia Budde is a board book for the pre-school / nursery crowd. It is a quirky take on the “learn about the world around you” type of book with an exploration of colours, shapes, weather, locations, clothes, sizes and emotions/characteristics. Told in rhyme with naive, childlike drawings that reminded me a little both of Finnish illustrator Hannamari Ruohonen and Dutch illustrator Babette Harms, this is not your average toddler learning book, and is so much more fun for all that.
The choice of vocabulary is interesting (eg “gigantic, average, wee” when talking about size, or “spotted, plaid, pale” when talking about colours and patterns), and the animals modelling the cloths / locations / emotions etc are unusual: you’ll meet boars, cockroaches, rats, moose and a gnu!

The unusual lexical and illustrative choices made by Nadia Budde ensured that was this book inherently more interesting to read than many of its ilk. Whilst I wouldn’t be surprised if some parents felt happier with a more conventional approach, for example Kali Stileman’s Big Book of My World (which I reviewed here), the slightly anarchic slant taken by this book meant I loved reading it aloud, my enjoyment came across to J, and she too discovered a new book to love.
So now for a slightly geeky diversion, if you’re interested in translation. As a rhyming book, and a book where there is a close connection between the text and the images I was curious to find out how it had been translated.
Nadia Budde’s book is called Eins Zwei Drei Tier (One Two Three Animal) in the original German. A little rooting around has shown that not only has the translation been creative, Nadia Budde also must have redrawn some of the images for the English language version. Here are some images from the original book side by side with the corresponding images from the translated version.

German and English frontcovers. Note the different animal a
By: Zoe,
on 1/22/2012
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My blogging goals this year are twofold (1) to play a more active part in the online, book-celebrating community I so value and (2) to work on a more creative diet when it comes to playing and exploring with my kids. To help me with my first goal, I’m taking part in Gathering Books’ Award Winning Book Challenge throughout the course of 2012 (it’s not too late for you to join!), and today I bring you my first offering – a review of Invisible by Katja Kamm – Winner of the Deutscher Jugendliteraturpreis for best picture book in 2003.
Invisible is a wordless book about an afternoon spent in a seaside town full of interesting characters. Not only will you smile at the Kamm’s observations about the rich panoply of life, from nuns to peeing dogs, you’ll enjoy the tricks the pictures play on your eye; on each spread something appears invisible because it blends in with the background colour. Only the negative shape left behind gives a clue as to what has become invisible, and so it becomes a game to see if you can work out what that is before you turn the page.
The illusions are clever and witty, and the bright, bold, saturated colours give this book a fresh feel. The game is fun even (or perhaps especially) once you know what’s going on – there’s something delightful about being tricked, about falling for the illusion (in this way it reminded me a little of Tullet’s much acclaimed Press Here).

Image copyright: Katja Kamm
This spunky book might not appeal to everyone. There’s nudity (well, invisible nudity…), buxom punks, as well as an anatomically correct male dog doing what dogs like best to do on the pavement, and I do feel uncomfortable about the scene where the nuns are frightened by something in the (black) night – it turns out to be a black man. But it’s nevertheless a fun, original read that I’d definitely recommend to anyone interested in illustration or design: I thought Invisible was a breath of fresh air and am delighted to have discovered it thanks to Gathering Books’ Award Winning Book Challenge.
Of course the girls (and I) wanted to play at being invisible after reading this super book. Making an entire child (or mum) invisible is a little tricky, but I did show the girls how they could make a stamp or a sticker (appear to be) invisible.
I
Sounds interesting from an anthropological point of view. If you can, google some images of Burmese/Thai tattoos – they’re amazing (in a rather scary way, especially if you see how they’re traditionally executed).
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Wow Zoe. A powerful story indeed – how did M and J react to the not-happy end?
Off to see where I can check a copy out here in India. So miss the libraries of London
Also is the language – ‘a veritable symphony of the Earth that echoed the music of the nightly invocations’ – Amazon says it for ages 4 and up – isn’t the imagery a tad too complex for that age group?
Curious to know what you think!