How to use this Page

Trees are so much a part of our daily lives, whether we take them for granted or find ourselves fighting for their survival: so it is perhaps unsurprising that there are many stories from all over the world that feature trees, woods or forests as a central theme or ‘character’… … Continue reading ... →

I’m always on the look-out for new information and new takes on the Amistad story. One recent one is Marcus Rediker’s The Amistad Rebellion: An Atlantic Odyssey of Slavery and Freedom in which the focus and viewpoint is on  the captives. And now there is a  film based on the book coming from filmmaker Tony Buba. The following description and preview has me very intrigued.

This film, made by Tony Buba, is based on Marcus Rediker’s book about the famous slave revolt of 1839, The Amistad Rebellion: An Atlantic Odyssey of Slavery and Freedom (Penguin, 2012) and is about a trip made by historians and a film crew to Sierra Leone in May 2013. All of the Amistad rebels were from southern and eastern Sierra Leone, so the filmmakers went to their villages of origin to interview elders about surviving local memory of the case. They also searched for the long lost ruins of Lomboko, the slave trading factory where the Amistad Africans were loaded onto a slave ship bound for the New World. This hour-long documentary chronicles a quest for a lost history from below.

I’m always on the look-out for new information and new takes on the Amistad story. One recent one is Marcus Rediker’s The Amistad Rebellion: An Atlantic Odyssey of Slavery and Freedom in which the focus and viewpoint is on  the captives. And now there is a  film based on the book coming from filmmaker Tony Buba. The following description and preview has me very intrigued.

This film, made by Tony Buba, is based on Marcus Rediker’s book about the famous slave revolt of 1839, The Amistad Rebellion: An Atlantic Odyssey of Slavery and Freedom (Penguin, 2012) and is about a trip made by historians and a film crew to Sierra Leone in May 2013. All of the Amistad rebels were from southern and eastern Sierra Leone, so the filmmakers went to their villages of origin to interview elders about surviving local memory of the case. They also searched for the long lost ruins of Lomboko, the slave trading factory where the Amistad Africans were loaded onto a slave ship bound for the New World. This hour-long documentary chronicles a quest for a lost history from below.

One Crazy Summer by Rita Williams-Garcia. Amistad, an imprint of Harper Collins. 2010. Reviewed from ARC from publisher.

The Plot: 1968. Delphine Gaither, 11, is the oldest sister, the responsible one, who is in charge of Vonetta (age 9) and Fern (age 7) as they travel from Brooklyn to Oakland, CA to visit Cecile, the mother who left them shortly after Fern's birth.

In One Crazy Summer, the three girls learn not just about their mother and about themselves, but also about the larger world. The world of 1968 is one where grown ups argue with children about whether they use the word black or colored; a seven year old is taken to task in public for having a white doll; and poetry is not just words on a page.

The Good: I love the Gaither sisters! I love how they stick up for each other in public, yet get mad at each other in private. I love how they have this thing where they don't just finish each others sentences -- when taking on someone, they converse as if one, a solid family unit.

Williams-Garcia brings 1968 alive. Take this passage about the girls and how they watch TV, where they look "to find colored people on television. Each week, Jet magazine pointed out all the shows with colored people. My sisters and I became expert colored counters. We had it down to a science. Not only did we count how many colored people were on TV, we also counted the number of words the actors were given to say. For instance, it was easy to count the number of words the Negro engineer on Mission Impossible spoke as well as the black POW on Hogan's Heroes."

The words are those used at the time (colored, black, Negro); the story involves something (television) that today's kid can relate to; and it shows how few people of color were on TV and how they were utilized in those programs. All entertaining; yet also informational. Most importantly, it conveys something about 1968 and about these three girls. Cecile may be the parent who is now a poet, who works with the Black Panthers. Grandmother "Big Ma" and their father have raised them to think how "they" will look at you, to "make sure they don't misbehave or be an embarrassment to the Negro race." Big Ma and Papa have also taught them pride and taught them to judge the world they are in.

Because the girls are visiting an unknown mother, they serve as "outsiders" to the world they encounter, where the Black Panthers at the People's Center provide free breakfast and summer camp. Oh, they have some knowledge, of course, just not the day-to-day life experience. So, too, the reader is introduced to the Black Panthers.

Cecile. Cecile is not a dream mother out of a book. There is the whole abandoning her daughters; even when the girls arrive for a month's stay, Cecile continues to act as if she doesn't want them around and doesn't care about them. Let me add, how much I love their father who took the chance and risk of sending these girls to be with the woman who left him. I love nuanced portrayals of adults, especially those who do