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Alafair Burke, author of All Day And A Night
Tell us about your latest creation:
ALL DAY AND A NIGHT
A murder case with ties to a convicted serial killer leads a young defense lawyer and an NYPD homicide detective into parallel investigations with explosive and deadly results in this superb mystery from “one of the finest young crime writers working today” (Dennis Lehane).
The latest story dominating New York tabloids—the murder of Park Slope psychotherapist Helen Brunswick—couldn’t be further from Carrie Blank’s world handling federal appeals at one of Manhattan’s most elite law firms. But then a hardcharging celebrity trial lawyer calls Carrie with a case she can’t refuse. Anthony Amaro, a serial killer convicted twenty years earlier, has received an anonymous letter containing a chilling detail about Brunswick’s murder: the victim’s bones were broken after she was killed, the same signature used in the murders attributed to Amaro. Now Amaro is asking to be released from prison.
Carrie has a reason to be interested. Her older sister, Donna, was one of Amaro’s victims. Determined to force the government to catch Donna’s real killer, Carrie joins Amaro’s wrongful conviction team with her own agenda. On the other side of Amaro’s case is NYPD Detective Ellie Hatcher, who, along with her partner, J.J. Rogan, is tapped as the “fresh look” team to reassess the investigation that led to Amaro’s conviction. The case is personal for them, too: Ellie wonders whether they got the assignment because of her relationship with the lead prosecutor, and Rogan has his own reasons to distrust Amaro’s defense team.
As the NYPD and Amaro’s lawyers search for certainty among conflicting evidence, their investigations take them back to Carrie’s hometown, where secrets buried long ago lead to a brutal attack—one that makes it terrifyingly clear that someone has gotten too close to the truth.
Where are you from / where do you call home?:
New York City
When you were a kid, what did you want to become? An author?:
Some days I wanted to be a writer, but I also wanted to be an actress, pop star, hairdresser, and an eavesdropping switchboard operator (I watched a lot of old movies). Turns out, I became a lawyer, working as a prosecutor for several years. It was through my work as a prosecutor that I got an idea for a book. That idea became my first novel, JUDGMENT CALLS (2003).
What do you consider to be your best work? Why?:
I really like my new book, ALL DAY AND A NIGHT. It bends genres, combining a police procedural, legal drama, and a psychological thriller into one novel. It also allows two very strong female characters to share the canvas.
Describe your writing environment to us – your writing room, desk, etc.; is it ordered or chaotic?:
I can write just about anywhere. I have a studio apartment that I use as a full-time office. I get it nice and tidy once a year right after I finish a book and find some downtown. Then it becomes increasingly cluttered until the next overhaul, but I always know where everything is.
My secondary office is a Mario Batali wine bar down the street called Otto. I find a quiet corner and write in the middle of the day.
When you’re not writing, who/what do you like to read?:
I read a ton of crime fiction.
What was the defining book(s) of your childhood/schooling?:
It’s hard to pick only one but I’ll say THE MIXED UP FILES OF MRS. BASIL E. FRANKWEILER by E.L. Konisburg. Before Harry Potter ever heard of Hogwarts, Claudia and Jamie lived secretly in the Metropolitan Museum of Art. To this day, I can’t go to that amazing museum (where coincidentally my husband works) without nursing fantasies of sneaking in overnight. I was also a big Encyclopedia Brown fan. Oh, and Amelia Bedelia. Mysteries and bad puns were the ultimate entertainment -
not much has changed for me thirty-five years later.
If you were a literary character, who would you be?:
Nancy Drew. I love to solve a mystery.
Apart from books, what do you do in your spare time (surprise us!)?:
I’m crazy about my dogs and golf. If only my dogs could play golf, that would be the perfect day.
What is your favourite food and favourite drink?:
A good margarita with fresh lime juice, on the rocks with salt, is hard to beat. I eat anything, but have a special compartment in my stomach for raw clams and oysters.
Who is your hero? Why?:
My husband. He’s a good person in every way.
Crystal ball time – what is the biggest challenge for the future of books and reading?:
Making sure that people have access to a diverse selection of reading materials
Facebook Page: https://www.facebook.com/alafairburkebooks
Twitter: https://twitter.com/alafairburke
Website: www.alafairburke.com
Bestselling author Mary Higgins Clark is collaborating with bestselling author Alafair Burke on a new novel called The Cinderella Murder.
The book, which is slated for publication in November, will feature characters from Clark's recent New York Times bestseller, I’ve Got You Under My Skin. Simon & Schuster, Clark's publisher, will put out the hardcover and the audiobook. Pocket Books will publish the paperback edition.
She has coauthored five books with her daughter Carol Higgins Clark, but this is the first time she has teamed up with an author from outside of her family. In addition, it is the first time that she is using characters from one of her books in a co-authored novel.
New Career Opportunities Daily: The best jobs in media.
By: Diana Hurwitz,
on 4/26/2013
Blog:
Game On! Creating Character Conflict
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Opening lines are difficult to craft well. That’s why they should usually be left until the revision layers. Why, you ask? Because you could spend a year of Sundays trying to craft the perfect sentence instead of writing the rest of the manuscript.
Opening sentences are crucial in Chapter One. They give your reader a taste of what is to come. They are worthwhile in the rest of your chapters if you are willing to invest the time. A good opening sentence raises a question or poses a challenge the reader can’t walk away from.
Closing sentences are equally important. They are what keep your readers turning the page to read one more chapter, then another and another until they reach the end. The final chapter’s final line should stick with your reader, offering them one last finger lick of deliciousness to polish off the fiction plate.
Let’s take a look at a few examples from books on my To Be Read pile. Which would you read first?
The Devil’s Bones, Larry D. Sweazy
Opening Line: “Tito Cordova sat on the porch steps, staring at the barren tomato field and empty migrant shacks across the road. Everyone had left for Florida, or Mexico, to spend the winter. He hugged his knees to his chest, trying to keep warm.”
Closing line: “Welcome home, Tito. Welcome home.”
We start with Tito; we end with Tito. The story comes full circle.
Never Tell, Alafair Burke
Opening Line: “It has been twenty years, but at three-fourteen this morning I screamed in my sleep. I probably would not have known I had screamed were it not for the nudge from my husband — my patient, sleep-starved husband, who suspects but can never really know the reasons for his wife’s night terrors, because his wife has never truly explained them.”
Closing Line: “George had said not all questions needed to be answered, but maybe some questions didn’t need to be asked. Maybe she was still getting to know herself after all.”
We begin with an unanswered question and end with the thematic statement that not all questions should be asked.
Dark Places, Gillian Flynn
Opening Line: I have a meanness inside me, real as an organ. Slit me at my belly and it might slide out, meaty and dark, drop on the floor so you could stomp on it.
Closing Line: I didn’t want to meet him, and I didn’t want to introduce myself. I just wanted to be some woman, heading back home to Over There That Way.
We begin with a ghoulish description. The ending sentence probably makes sense once you've read the book. It would have worked better for me if it had also been suitably ghoulish. However, both lines are in the main character's unique voice.
The Sounds of Broken Glass, Deborah Crombie
Opening Line: He sat on the steps of the house in Woodland Road, counting the bank notes he’d stored in the biscuit tin, all that was left of his mum’s wages. Frowning, he counted again. Ten pounds short. Oh, bloody hell. She’d found the new stash and pilfered it again.
Closing Line: He felt as if he were sleepwalking. Slowly he picked up the envelope, lifted the unsealed flap, and eased out a single sheet of paper. It was a letter of transfer. And his chief superintendent had signed it.
This book begins with backstory and ends with a line offering a view into the main character's future. The last line works better for me than the first, though the first line hints at a problem.
The Other Woman, Hank Phillippi Ryan
Opening Line: “Get that light out of my face! And get behind the tape. All of you. Now.'"Detective Jake Brogan pointed his own flashlight at the pack of reporters, its cold glow highlighting one news-greedy face after another in the October darkness.
Closing Line: Jane smiled as she picked up her tote bag. I have a story to cover. “They obviously made a mistake.”
The opening and closing lines are uttered by different characters but reference the eagerness of reporters.
Read through your completed manuscript. Write down the first and last lines of each chapter. Are they intriguing? Can you make them stronger?

From the acclaimed author of STILL MISSING comes a psychological thriller about one woman’s search into her past and the deadly truth she uncovers.
All her life, Sara Gallagher has wondered about her birth parents. As an adopted child with two sisters who were born naturally to her parents, Sara’s home life was not ideal. The question of why she was given up for adoption has always haunted her. Finally, she is ready to take steps and find closure.
But some questions are better left unanswered.
After months of research, Sara locates her birth mother—only to be met with horror and rejection. Then she discovers the devastating truth: her mother was the only victim ever to escape a killer who has been hunting women every summer for decades. But Sara soon realizes the only thing worse than finding out about her father is him finding out about her.
What if murder is in your blood?
Never Knowing is a complex and compelling portrayal of one woman’s quest to understand herself, her origins, and her family. That is, if she can survive…

SUMMARY:
WHO DO YOU LOVE?
One question, a split-second decision, and Brian Darby lies dead on the kitchen floor. His wife, state police trooper Tessa Leoni, claims to have shot him in self-defense, and bears the bruises to back up her tale. For veteran detective D. D. Warren it should be an open-and-shut case. But where is their six-year-old daughter?
AND HOW FAR WOULD YOU GO . . .
As the homicide investigation ratchets into a frantic statewide search for a missing child, D. D. Warren must partner with former lover Bobby Dodge to break through the blue wall of police brotherhood, seeking to understand the inner workings of a trooper’s mind while also unearthing family secrets. Would a trained police officer truly shoot her own husband? And would a mother harm her own child?
. . . TO SAVE HER?
For Tessa Leoni, the worst has not yet happened. She is walking a tightrope, with nowhere to turn, no one to trust, as the clock ticks down to a terrifying deadline. She has one goal in sight, and she will use every ounce of her training, every trick at her disposal, to do what must be done. No sacrifice is too great, no action unthinkable. A mother knows who she loves. And all others will be made to pay.
SUMMARY:
Defense attorney Paul Madriani is embroiled in a case as perilous as any he has ever faced: one that involves an angry killer who will stop at nothing short of vengeance, and two missing NASA scientists who are holding secrets that a hostile government desperately wants to purchase—in blood if they must.
Madriani’s daughter, Sarah, has evaded the man known as Liquida, who has stalked her all the way across the country. For her own safety, she is being kept under armed guard on a farm in Ohio.
But one morning, itching for a predawn run to shake off the tension that has grown in the hours she’s spent waiting for word from her father, Sarah slips from her ring of protection. What she doesn’t know is that at the same moment her assailant is outside, waiting patiently in the dark.
Meanwhile in California, two men in a parked car argue over million
Wow, it’ll be hard to decide which one to pick up first. I was just reading great things about Long Gone today. Enjoy!
I actually snagged a copy of LONG GONE at BEA, read it and LOVED it!! GREAT ENDING!
Have the Lisa Gardner on my TBR. Have to read Live to Tell first. I’m a bit behind with the series.
Enjoy!
Here’s my IMM
You have a nice list of books that you received this week in your mailbox.
Happy Reading,
Book Sniffers Anonymous