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Carolyn Marsden, award-winning author of fourteen middle grade and young adult novels, (twelve out, two on the way,) has opened a new chapter in her career. She has turned from creating stories about children of other cultures, often in countries outside the U.S., to write about – and illustrate – her own bizarre multi-cultural past and how it led to her literary present. Here’s how she describes her latest book.

MEXICO, JUPITER, SUBMARINE: How I Became a Writer

Exploding volcanoes! Harrowing escapes! Ouija Boards and Gong Gong on Jupiter. UFOs, auras, and fairies. Jules Verne’s submarine, under the sea and on Mars. The Beatles as a Communist plot. And the way all of this led to my resplendent writing career.

As I began MEXICO, JUPITER, SUBMARINE, I tumbled into the unknown. With big pieces of paper, scraps of this and that, found objects, cheap paint, and glue, I set out to write and illustrate my odyssey. I loved the trial-and-error, the feeling of free fall. What I created made me laugh.

What made you want to write a memoir?

As a writer I always wanted to somehow make use of my wild and crazy childhood. But whenever I tried straight-out writing about that early life, the writing came off as self conscious.

Then I saw a trailer for David Small’s graphic memoir, Stitches, and thought AHA! that’s the way to go. Right away the idea of doing an illustrated memoir clicked for me. For years I’ve loved playing around with collage and it was natural to combine my art and my writing.

How was this experience – writing and illustrating -- different from writing a novel?

Writing a novel is a very serious and ofte

Hello, everyone! Happy almost autumn! I hope you all had a great summer. I did. I read (but not as much as I said I would), I wrote (put the finishing touches on my first YA novel, out next summer) and I went to the Galapagos. I will write about that amazing trip next month. Before Galapagos I went to New Orleans and ALA where I checked out the most important cultural sites:

“As a freelance writer, I often got paid for being weird,” she admits. “And it’s still true for many of my books and definitely true for my elementary and middle school visit presentations.”

You told me that with many of your books including IN SEARCH OF SASQUATCH you aim to engage reluctant readers. Which I'm sure you do! Where did the book come from? How did it move from an idea to a book?

I wrote a book called TALES OF THE CRYPTIDS in 2006 – an exploration of the evidence for and against the creatures of cryptozoology; mysterious animals that may or may not be real. Many of the legends seemed unlikely to be real, but a few were surprising in that credible evidence did exist to support the possibility of their being true, undocumented new species of animals. Sasquatch, also known as Bigfoot, was one of those surprises. I had limited space to share that evidence in CRYPTIDS so I set out to write a new book about it, and Erica Zappy at Houghton Mifflin Harcourt made it possible.

What was your process in researching and writing it?

I had done some great preliminary research for CRYPTIDS s

Hi, Everybody. It’s great to be back blogging on I.N.K. for another school year. I thought I’d start off the year by answering the most frequent question people ask me when they learn I write books for a living, “Where do you get your ideas?” The short answer is that sometimes my editors suggest my book topics, but more often they come from me, usually after percolating for quite a long time. They can spring from anywhere: a book, magazine, or newspaper article; a TV show; a conference I attend, even a conversation. Sometimes, the topic of one book I write suggests an idea for another book.

Specifically, the inspiration for my earliest book, A Whole New Ball Game, came from an item about the All-American Girls Professional Baseball League in the book First of All: Significant “Firsts” by American Women by Joan McCullough. Having grown up a baseball fan and studied women’s history in college, I was amazed that a professional women’s league had existed for 12 years and I’d never heard of it. I’d been working on Scholastic’s news magazines, writing one article or more per week, and I was anxious to find a subject I could research in depth. When I met with an editor about possible books I could write, she said she could hear the excitement in my voice as I spoke about the league. It wouldn’t be altogether wrong to say that the topic chose me.

After completing a project that was so meaningful to me, I had a hard time choosing what to write next. So I decided to get some perspective by putting together a timeline of women’s sports history. When I was done, I realized the timeline was actually a terrific outline for a book. Winning Ways: A Photohistory of American Women in Sports (published in 1996) looks at the relationship between women’s participation in sports and changing ideas about women’s roles in society from the mid-nineteenth century to the 1990s. As I was writing it, I wished I could take a deeper look at some of the topics I covered. Ultimately, I did, writing three other books whose content grew directly out of Winning Ways: My first picture book, Basketball Belles (published in 2011), looks at the first women’s intercollegiate basketball game, between Stanford and Cal Berkeley in 1896; Wheels of Change (published in 2011) examines the impact of the bicycle on women’s lives in the 1890s; and my as yet untitled second picture book, due to my editor very soon, will look at the phenomenon of Roller Derby in 1948, focusing on star skater—and notorious villain—Midge “Toughie” Brasuhn.

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