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Viewing Post from: Red Paper Design
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Design Project Management specialising in children's educational and trade titles.
1. Illustrator’s roughs

Although I like seeing finished artwork when it comes in, I get more excited earlier in the process, on receipt of roughs. I think it is because though the final artwork is usually very accomplished it is in the roughs that the draftsmanship can be seen.

So here are a few recent examples:

Nick Hardcastle:

Bleak House

Bleak House

Bleak House

Bleak House

Mike McKeever:

Monkey King

Monkey King

TAW 15

Monkey King

Sonia Kretschmar:

TAW20

Under the Bridge

TAW16

Under the Bridge

Jamel Akib:

taw38

The Young Ghost

Adam Hunter Peck:

Country of the Blind

Country of the Blind

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