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Viewing Post from: Francis Ford Iowa
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Hi. My name is Daniel Kraus. I'm a novelist and filmmaker. When I was growing up in Iowa, I made movies with my friends. Many of them were remakes of movies I liked, like MISERY or THE GODFATHER. Others were originals. All of them were awful. Now, to lead up to the publication of my new book, THE MONSTER VARIATIONS, I'm blogging my old movies chronologically for your enjoyment. Let's feel the pain together.
1. The Godfathers: Part Two

At long last, here it is. The final Danman Production.



(Watch or embed the full YouTube playlist.)


Originally, this epic sequel clocked in at 2 hours and 40 minutes. Neither you, I, nor the internet had any interest in uploading that much crap, much less watching it. So I decided to recreate the so-called “Director’s Cut” that vanished circa 1998. By simply tightening, trimming, and reordering, I have eliminated 90 minutes.



You read that right. The version here is 70 minutes long and it breaks my heart. When I set out to shoot a feature-length film at the age of 18, this was how it was supposed to look. When I screened it for my stupefied friends, this was the movie I saw. It’s been 16 years, but The Godfathers: Part Two is finally done.



Although the first 30 minutes are too concerned with which gangsters are on which team, the rest of it is somewhat of a revelation. The torture scene, the seduction scene, the Russian Roulette scene, that blood-soaked finale—I’ll just say it. The kid behind the camera was starting to get it.

But it was too late: college had arrived. Like most of my friends, I packed my bags and a day later found myself sitting alone in an unfamiliar dorm room. I could sense it in the frat-house screams coming from across the street and the laughter booming through the wall: I was no longer the big fish. I was something much, much smaller.



The Godfathers: Part Two was my attempt to hold on. If I could keep Danman Productions together, then I still had a tether on my old life. I organized the script around which friends I had access to at college and which friends I could meet back in my hometown on holidays and weekends. It was massively complicated and I threw myself into it. The more elaborate the task, the less time I had to recognize that something big was ending.

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