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26. the ghosts of night, the dreams of day

Had a lovely day yesterday, drawing for the love of drawing rather than for work. I always love catching up with Urban Sketchers Yorkshire, my sketchcrawling buddies, too. We spent the day at the National Emergency Vehicles Museum in Sheffield. It was right up my tree. Loved the subject matter. I could spend another day, or ten, there. And, maybe even a night; apparently there are many ghosts in this former police and fire station. If you believe in that sort of thing, of course. I don't but I'm willing to have my mind changed.

 There was a very specific colour scheme too. Reds, blacks and a little yellow were the colours of the day. I managed to not take seventeen pencils cases, which is an achievement for me, and narrowed it down to just the three sketchbooks. I always try to take some tools that I wouldn't normally draw with at home. I try and play a bit more on sketchcrawls. It feels like the right place to do that as you often encounter subject matter you wouldn't normally choose to draw. The red Bingo dabber was an inspired choice of pens.

 Here's something I've noticed during October, as I'm participating in Go Sober For October, I do a lot more with my weekends. It's much easier when you're not factoring in a 'big night' or a hangover. That's just another benefit to being sober; doing more stuff with your time. Just look at how my blogging has increased in the last month!

 The museum holds a vast range of fire service related memorabilia that had previously been sitting in attics and local fire stations all over the county and amongst the exhibits were prisoner files from the last century. I found these the most fascinating of all, and below are my drawings of some of the mugshots from around the 1940s. It's funny how just by drawing somebody, spending that time studying someone, you can feel a real connection with them. I don't just want to now more about the faces I drew, I feel an empathy, sympathy, for them. Protective towards them even, like I knew them. I guess what I'm trying to say was that I was touched by them. Maybe I do believe in ghosts.




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27. Sketch-Day at Huddersfield Grammar


It made a nice change for me on Wednesday, to do a school visit where I was not only working with Y10 Art GCSE students, but where the day revolved around sketchbooks, rather than illustration workshops. I had a very keen group of about 10 girls and, along with their lovely art teacher Mrs Davis, we embarked on a SketchCrawl around the school. 



I showed them some of the work I had done in Brazil and Sitges, to get them in the mood. They got just as excited as me about the concertina format I've got so into lately and Mrs Davis is quite keen to create some with them. I was also able to show them a couple of sketches I had done on my journey there (immediately above and below), which went down really well.


Mrs Davis had bought each girl a new A4 sketchbook and a 0.5 fine-liner so, armed with these and some black brush-pens, we headed out. It was a bit chilly. I was well wrapped in anticipation, but many of the girls were coatless and one or two hadn't even put on their woolly tights. Brrrrr.... They were very good though and set-to without any serious complaint. 


Huddersfield Grammar School is a bit different. They are about to open a new-build extension, which is rather lovely, but the main section of the school was built in the 1860s, when they knew how to make things truly sketchable. We were spoilt for choice: the gorgeous stone windows, the decorated pillars, the Gothic porch, the stained glass...


We each managed two sketches before break. The girls were really up for it and did some really strong stuff. Above are a couple. Remember: this is straight in with black pen, no pencils, no rubbers. I drew alongside them, just offering little bits of input where they seemed to need it.

After break we took pity on them and headed indoors, first into the library, originally built as a rather fancy Billiard Room extension, in 1893, and then in the hallway with its oak staircase with torchere statuettes on the newel posts, Art Nouveau windows and a bank of beautifully decorated, brass light switches, which took several people's fancy.


I did a few quick drawings (the 'sorry's below were because we were sitting on the stairs just outside the staff room and teachers kept needing to get past), but I spent more time going round offering tips and guidance this time. It all seemed to go really well and everyone worked really hard. I love the carefully drawn grain above.


We had a late lunch and then headed back to the art room to finish off with something a little different. As everyone was so taken with my train portraits and the Drink-and-Draw series from Brazil, Mrs Davis decided we would attempt something similar. We all sat round a long table and I started them off with a 5 minute contour drawing. They found that quite hard, so we made it worse, by asking them next to do blind-contour drawings! There was a lot of giggling at the results, but it's a great warm-up exercise and creates some strong line-work. This was my contour drawing:


Then we handed out watercolour pencils - just 3 colours each: a dark blue or purple, an orange and a lighter blue. It's a great idea to limit your palette with watercolour pencil sketching and I wanted to demonstrate how it's so much more important to stay true to tonal values than colour: mad colours are fine, as long as the tones are right, but the reverse isn't true.

I did a quick demo of how to use water: quickly and boldly, once the sketching is done. It's a technique that takes a bit of getting used to, but I think some of them were quite surprised at the strength of their results and amazed at how well the crazy colours actually worked.


At the end of the day, I was slightly early for my train and reckoned I had about 20 minutes sketching time. There are some lovely buildings around the station, so I stood in the entrance and drew the sketch below. I just got it finished in time but, as I headed inside for my platform, I discovered my watch was slow and the train was about to leave! I made it by a whisker.


below are sketches I did on the way home of course. The lady opposite was very obliging and dozed in about as many up-the-nose poses as was humanly possible:


Thank you to Mrs Davis for inviting me to be part of your project and to all the girls for your hard work and enthusiasm. I believe that some of the sketches we did are going to be made into a colouring book of the school - it would be great to see a copy of that!

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28. No Teeth but an Eye for Art


I spent last Sunday painting in Sheffield with my Urban Sketchers Yorkshire chums. I ought to say right up front that, as far as I am aware, they all have plenty of teeth. It was our unexpected companions for the first draw of the day, in Fitzalan Square, who were dentally-challenged. I was warned that the area was wino-land, but I wanted to have a go at sketching the old, disused Post Office building:


To be fair, all three of the men were friendly, possibly too friendly. I was forcefully engaged in a very hands-on critique session with a man with matted dredlocks, beer-breath and, for some reason, wearing a paper hula-garland. I'd just finished the painting of the Post Office and the sketch was very wet. My new friend kept poking it, pointing out places in the sky where I should add in some birds, while I, in typical British style, tried subtly to wrest the sketchbook from him, without seeming rude.


We moved round the corner for sketch number two and left our companions behind. I loved this view from the traffic island, looking across the road to the tram stop. I was surprised though, it being Sunday, how many trams came through. And they stopped for annoyingly long periods, entirely blotting out my view. As soon as one going downhill had moved on, another coming uphill would arrive. I spent an hour doing the painting, but was only actually painting for 30 minutes, gritting my teeth and muttering for the other 30.


It was quite chilly (oh to be back in Brazil...), so we were all grateful for a lunch break at Zooby's cafe in the Winter Gardens. I was looking forward to a nice, hot coffee, but it was then that I discovered I had left my purse at home. There was an outside chance I had remembered it, but had it stolen, so I texted John at home and asked him to check. Being the sweetie that he is, he came all the way into town to bring it for me, so I wouldn't have to go without lunch.

For the next sketch-site we sat outside the Crucible Theatre. I was interested in the jumble of spires over this lovely old building:


It was getting pretty cold though. Various people peeled off. The remaining knot of us decided to go the the pub to draw and walked down to The Sheffield Tap at the station. It's an amazing pub. We've been sketching there before. It has one room with a really high-ceilinged and lovely, Victorian tiles, not to mention the massive mirrors, and the chandeliers, as well as all the shiny, copper, micro-brewing kit on display. You can even watch trains out of the windows - a visual feast.


I was experimenting with paint, trying to keep things wet and loose: lots of water and not too many colours - stuff I learned from sketching alongside people like Liz Steel in Paraty. No pre-drawing, no line at all. Quite a challenge, but I was pleased with the results, which seemed to conjure the atmosphere. 

We stayed quite a while in the pub (only drinking tea, honest...), sketching until nearly 5 o'clock so, when it came to the sharing at the end, we were whittled down to just 4 of us. I think we had at least 12 at lunch.


It was another fun day and actually dry for once. All that concentration takes it out of you though - by the time I got home, I was exhausted. 

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29. i wanna say, i wanna tell you

 On Saturday I got to be part of a lovely event in Covent Garden, which was brought about by Moleskine in collaboration with Urban Sketchers. I was absolutely stoked to be asked to contribute, to the event, in way of presenting a 'learning session' to anyone interested in Urban Sketching. I was surprised, to be asked, too, as I'm not normally recognised for that kind of sketching - although I am an active member of Urban Sketchers Yorkshire - I suspect I was invited because I am a prolific Moleskine user and fan.

And so, I found myself up at an ungodly hour and on the six o'clock train down to London.
Which is, of course, when I started drawing.

 My first stop, on arrival in the city, was a Timberyard café in Covent Garden, where I met the Moleskine team and the other three sketchers, Adebanji Alade, James Hobbs and Olha Pryymak, taking part in the event. This, too, was a privilege as I have admired these guys work, from afar, for years. Then we were joined by members of the press and bloggers to discuss all things Urban Sketching, before moving on to our venues.
James and I were based at the wonderful London Graphic Centre for the day. I'd never visited before, but it really is a must for pen/stationery/notebook geeks (you know who you are). If you're in London, and you are such a geek, don't miss this place. Three or four stories of awesomeness, I have no idea how I didn't spend a fortune. Well, I do; I was kept busy, drawing the day.

In the afternoon it was time for my Learning Session, in which I talked about my journey from being a secret private drawer to taking that leap, joining an Urban Sketchers group, and drawing outdoors and in public. I also discussed some of my coping strategies for making that move, how it has changed my drawing and how it's changed how I view the world (now EVERYTHING is a drawing opportunity). Then we took to the streets for some more sketching.

It was a perfect way to spend an afternoon. And, again, it is another reason I love 'sketchcrawling' - just getting in that zone with a bunch of people who are passionate about drawing, talking, not talking, but always sketching. There were sketchers of all ages, too. Above are a couple of my sketches of the youngest sketchers.

Now, I know what you're thinking, and, no, there aren't that many moose roaming the streets of London. This one was on the wall of a flower shop - the one that Emily is drawing above. I know it's not what you might expect of Urban Sketching, but that was part of my class; there are no rules when it comes to creating. Just get out and draw.

If you feel intimidated by the big picture, by drawing a whole scene or street or building, then start by drawing little bits of it. Just draw the signs, or the bins, or the windows, or the people. The rest will come. You can add the rest of the scene in later. If you want. But, if you are curious about drawing outside, stop putting things in your way. I speak from experience. I came up with so many excuses for not doing what I wanted to do, but finally letting go of that was the best thing.

I don't have all the drawings that I made, to share, here, as at the end of the day we tore them out of our books and hung them at the London Graphic Centre and the Moleskine shop. We didn't just tear up our sketchbooks though. No siree, we'd been drawing in Moleskine's new square Sketch Album which has perforated pages. Another great idea from Moleskine. Above are a couple of drawings by James and myself.

And, finally our day was finished. It was exhausting but exhilarating. There is nothing I enjoy more than talking about and sharing my love for drawing. I wish I could do this every day of the week. I guess I, kind of, do that online - which is great and all well and good - but, there is something about doing it with real live actual people!

As Adebanji finished his last sketch of the day, James and I went for a final coffee before I got my train home. But, as always with obsessive sketchers, a view from the window of Stanfords bookshop café proved to be too tempting. So, I squeezed one last drawing in before departing.

A big thanks to Moleskine and to Urban Sketchers for letting me be a part of this Moleskine Story, to the other artists and everyone who came along to sketch on the day. I enjoyed it immensely. Thanks y'all.

 Did, I say that was my last sketch of the day? I was lying. What else do you do on a train journey?

One observation I will have; if you are on the same train, in the same carriage, as a VERY drunk man then it's very comforting to be sat at the same table as a huge tattooed body builder. Even if he is wearing pink. Just saying.

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30. guess i'll have another round

I seem to have been spending a lot of time sketching in pubs over the last few weeks. It's kind of become one of those unintentional themes. An enjoyable one. What could make a better subject matter than a lovely old pub? And, I've been visiting quite a few. On Sunday evening I attended Pubscrawl in Sheffield; ten pubs turned into art galleries, or exhibition spaces, for the evening, hosting ten different artists. Such a great idea. Great to view art in these great British institutions.

The drawing below is from a Pubcrawl Sketchcrawl that myself and a friend hosted, here, in the High Peak. That day we took in seven or eight different pubs, drawing inside and outside of them. I drew this in the beer garden of our final stop.

So yeah, there's a definite theme going on. One that I'm quite happy to continue.


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31. me, myself and the Gents

Me, drawing, by Paul Gent
I'm very lucky to have met some really wonderful artists over the last few years. Artists from around the world. I've met them online, then met them in person. In many lovely parts of the world. Plus, as well as that, I regularly meet up with some brilliant artists closer to home.
Me, drawing, by Miriam Gent
These drawings, of me, were made by a couple of extremely talented friends, Miriam and Paul Gent. They were created, just a couple of weeks ago, on a local Sketchcrawl/Pubcrawl that we three planned (in the pub). It was so local it went through the streets we live on.
Me, drawing, by Paul Gent
It's amazing, when you look, what and who you'll find on your doorstep.
I couldn't love them more; the drawings and the Gents.
 

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32. Urban Sketchers Yorkshire: Derbyshire Sketch-Walk


Last Saturday was Urban Sketchers Yorkshire's August SketchCrawl day. This time we were out in Derbyshire, doing a sketch-walk between village pubs.

I can't take any credit for the success of the day, as it was organised by Andrea and Paul, members who live in Derbyshire. It was nice for a change for me to be able to relax and follow orders, rather than be the boss.


We met up at the Pride of the Peaks pub in New Mills, where those of us who'd had an early start to get there, treated ourselves to a cooked breakfast (yum). Well, we needed to build up the strength in our drawing-arms, didn't we?

We then went out into the sunshine to do our first sketch of the day, while we waited for all the idlers, who couldn't quite drag themselves out of bed, to join us. There are some great views in that area, because of the depth of the valley and the old, disused mill buildings:


I was peering over a wall by the bus stop, but it looks as though I was hanging out of a hot-air balloon! The group has been sketching there once before - we did a sketchcrawl in New Mills last summer - and I doubt this is the last time we'll visit either.

We set off from the pub at 11.00, on a beautiful walk down into the valley and along the canal to our next stop, the Soldier Dick pub at Furness Vale. There were some scenic places to sketch along the canal, but many of us treated it as more of a drink stop. 


There were more canal views at the next stop anyway, looking down into Buxworth Canal Basin:


The Navigation Inn at Buxworth was a great lunch stop and the sun was mostly still shining, although it had got really windy and I struggled to hang on to my book while doing the sketch above - the wind kept trying to grab it and throw it into the canal!


My final stop of the day was half an hour further down the valley at White Hough. The Paper Mill pub had gardens at the front and back, with views of the lovely Cracken Edge. I did the painting below and then the one at the top, again peering over a wall.


Unfortunately, we Sheffield-based people had to leave after that, for a final walk to Chinley, to catch our train home, but the locals carried on to another pub at Whaley Bridge, and the more intrepid amongst them climbed up Eccles Pike. I was sad to miss that, but enjoyed the train journey back through the hills with my sketch-buddies, sharing our work.  

A huge thanks to Andrea Joseph and Paul Gent for sorting out all the logistics and herding us between pubs. Another lovely day!

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33. SketchCrawling in Leeds



Yes, I know we only just had an Urban Sketchers Yorkshire drawing day, in Manchester, but a fellow-sketcher had organised an event last Sunday and, since the sun was shining and John was off doing something else, I jumped on a train and tagged along.


We had a lovely time, strolling round the city centre in the area near the museum, sketching all the gorgeous architecture. At last, I have actually managed to get outside and do a day of drawing buildings! 


I started with the civic hall and managed a couple of views of that from different sketching points. I did the one above before everyone else arrived, when the sun was still shining (my train was a bit early), then we all sat down for coffee at the museum cafe and I did another, while we waited for the rain:


It got really cold and windy (and I was in a skimpy sundress - brrrrrr). We thought it must surely pour down at any second, but somehow the black clouds didn't quite let go of their load and we got away with it. 

There was a church round the corner, with a great rose window I had to have a go at next:  



I fancied a change from my pen and got out my rainbow pencil. I really wished I had brought a bigger sketchbook though. I was struggling all day to fit things in.


There was an odd bit of time left before lunch: just enough for a 20 minute quickie of the museum itself. I grabbed my Inktense pencils. This is so very different to the last sketch I did of it, when I took my group there a couple of years ago.


We walked to the art gallery for lunch in their fabulous tiled hall cafe. That is well worth a sketch too, but we were too busy scoffing. Then it was off to George Street, where there is the most sketchable hospital ever. I loved the Gothic feel and the way it was so decorated:


This is just a tiny bit of it - it's a huge building with several of these towers. Unfortunately, I was sitting on the shady side of the road to get this vantage point and got quite chilly again. All my chums were sitting in a little garden outside the hospital itself, in the sunshine:


I joined them to warm up. It was lovely to sit together for our last sketch of the day too. 

I tried a quickie of our youngest sketcher, little Katie. Unfortunately, like most 3 years olds do, she got up and went to investigate something else, just as I started to draw, but I caught her pose with paint and did the line from memory (a perfect example of the usefulness of the colour-before-line technique):


There was a good view of the Town Hall clock tower from where I was sitting. It was peaking above the roofs:


Unfortunately, those black clouds were never far away and as you can see, by the time I was done and taking the photo, it was looking decidedly dodgy again:


We went to a cafe to share our work as usual and, as usual, we had a great time, nosying through each other's sketchbooks. After that, everyone else went home, but the sun had come out again, so I hung around for one last sketch of the hospital. 

There is a very heavily decorated entrance porch I wanted to try. I was disappointed though, as I overworked it. I should have stuck with a coloured line and kept more white paper in the front section I think:


I didn't really want to end on one I wasn't really happy with, but time was getting on and I was starving, so I headed back to the station and home, ironically, in glorious sunshine with almost entirely blue skies. Buxton all over again! 


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34. Urban Sketchers Get Wet (again) in Manchester


Yes, despite all this glorious, sunny weather of late, it poured down all day this time last week, for our SketchCrawl. At least it was still warm. I wore strappy sandals and waded my way through the streets of Manchester.


I seem to have an uncanny knack of picking the only REALLY rainy day of the month for our SketchCrawls, surrounded by beautiful, sunny days. June's squelchy day in Buxton was exactly the same, and so was our May outing, the last time we were in Manchester. The forecast was so awful, I nearly cancelled this time. 

I'm so pleased I didn't. About a dozen of us had a fantastic time and, in dodging the torrents, discovered some rather special, hidden spaces. First stop was the library, chosen mainly because it was actually open at 9.20am. Mostly it was a bit BIG and so quite hard to draw at that tender hour. So we just did a 30 minute warm-up, then sploshed our way round the corner, to the cafe at the Town Hall.


I discovered the The Sculpture Hall Cafe by chance, while researching whether we were allowed inside the Town Hall to sketch. It totally lives up to its name. Under an amazing, vaulted ceiling are leather sofas and tables draped in white linen, and its all watched over by the statues. A beautiful, very unusual place. 

I decided I wanted to fill my mini concertina sketchbook, so did this series of sketches across a couple of pages:  


Next stop was the Royal Exchange Theatre. I'd never been. What a surreal building! The traditional, and very lovely, Royal Exchange building, with its marble columns and gigantic circular windows above, is huge, like a cathedral, so big it actually encloses the ultra-modern theatre. It looks a little bit like an alien spaceship has teleported in! Apparently, the floor wasn't strong enough to take the weight of the new theatre, so they created this mad set-up to transfer weight through the columns.


I managed two drawings before we stopped for lunch. I really loved the three giant roof windows, so tackled a part of the central one:


I didn't think there was time to sketch the modern theatre, as it was visually pretty complicated, but I was struck by the contrast between old and new, so took a section of the view from where I was sitting, which incorporated both elements:


I didn't sketch them separately like this though. I carried on in my concertina book, so the end result was the long thin sketch at the top of this post. 

We lunched in Waterstones - cheap and cheerful (and big enough for us all to sit together). Stephan was showing us his Pentel brush-pen and let me have a try-out. It was lovely and fluid to use. I did this quick sketch of Mike:


The afternoon was spent at the John Ryland's Library. I had really fancied drawing the outside (it's a wonderfully Gothic building - dark stone and very twiddly) but no chance: still pouring. Luckily the inside was good too.

I had never been before but Lucie knew where to go - she took us straight to the Reading Room:


It was designed by Basil Champneys and is a mass of decorative detail. The space feels very like a church, with stained glass windows and another extraordinary vaulted ceiling. Like in a church, everyone was whispering and it was very peaceful, until someones mobile phone went off and played a silly tune VERY loud:


By lucky chance, there was an exhibition of Urban Sketching on in the Reading Room: a collection of really evocative drawings of the city, by the Manchester artist Anthony McCarthy.

We did the sharing session in the Ryland's Cafe - part of a modern wing, added during the recent restoration of the building. There were several new members again and it was so lovely chatting about what we all do and looking through the sketches. Here's me being very proud of my concertina sketchbook:


Oh, and guess what? The sun came out and the rain stopped, just as we finished our drawing time and started the sharing. Typical!

At least I got to walk back to the station with Stephan in lovely weather. I travelled back to Sheffield alone, so did my usual on the train:


Another great day out with smashing company. Thanks to everyone who came, especially given the weather conditions. If you'd like to join Urban Sketchers Yorkshire and come out to play with us sometime, just drop me an email or join our Facebook group.






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35. Being Sick and Sketching in the Park (Luckily, not Simultaneously)


So far this weekend, John and I have mostly been in bed. No, I know what you are thinking... nothing saucy (far from it). On Thursday night, during the private view of The Great Sheffield Art Show, I suddenly had to rush to the loo to be violently sick. Not, I hasten to add, an effect of the artwork, but of a very nasty tummy virus. I had my head in the loo once an hour, all night long. Lovely. John wasn't actually sick, but felt awful (at least that's what he said... or was he malingering?). Anyway, we both slept all of Friday and still felt decidedly delicate yesterday. 

Thank goodness it was this weekend though, and I was fit and well last weekend, as that was the weekend of my Broomhill Festival eventFor the last three years, the festival have asked me to run a SketchCrawl in the Botanical Gardens. 


Often the people who come are less experienced sketchers than at the Urban Sketchers Yorkshire SketchCrawls I run each month and my role is more to offer help and inspiration than to actually sketch. In previous years, we have had a fairly modest turn-out though, so I have done quite a bit of drawing too. This year, we had a lovely big group, so I only grabbed 10 minutes at the end to do the quickie above.

It was glorious weather and a really lovely group of people, so we all had a good time. They worked really hard too and several of them have now signed up for my regular SketchCrawls, because they want to try it again - result!

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36. SketchCrawl on July 19th - Mark Your Diary!


Urban Sketchers Yorkshire's day out in Buxton was great fun and so was the Broomhill Festival SketchCrawl last weekend in Sheffield's Botanical Gardens. Next time round we are going to spend the day in Manchester, so if you like sketching, do join us.



I am REALLY hoping for dry, warm weather (it is mid summer after all!) so we can draw outside, because we are visiting some beautiful buildings: Manchester's old Town Hall, the magnificent John Ryland's Library and then finishing the day with the gloriously unconventional Royal Exchange Theatre.

Anyway, the details are below if you would like to take part. Everyone is welcome, whether you are a beginner, a professional or anything in between. It is totally free. You can even bring your children, as long as they bring a sketchbook and draw alongside you.

1st stop and meeting place: outside Manchester Town Hall, Albert Sq at 9.20am
(sketching for 1hr 40mins, until approx 11.00)
(indoor meeting alternative if it's wet: Central Library foyer – access via Peter St)


2nd stop: John Rylands Library, Deansgate at 11.10am
(sketching for 2hrs until approx 1.15 – inside if wet)


1.15 - 2.00: lunch – both venues have a café, or bring a packed lunch if you want to picnic.
3rd stop: the Royal Exchange Theatre, St Ann’s Sq, at 2pm
(sketching for 2hrs until approx 4pm – inside if wet)


As usual, we will go somewhere nearby to share our work at the end of the day: either a cafe or a bar. We will be winding up about 4.45 I imagine. 

I will be catching the 8.04 train from Sheffield, if you want to join me, getting into Piccadilly just after 9am (it’s not the nearest station, but cheaper, as you can buy cheap singles). Meet me by 7.55 at Ritazza cafe on the station forecourt. If that’s too early, feel free to join us later.


If you can't make July 19th, but would like to hear about future SketchCrawls, just email me

Power to your pencil!

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37. Broomhill Festival SketchCrawl


Every year I do a drawing event in Sheffield's Botanical Gardens for The Broomhill Festival. Time has flown, as it always seems to, and the festival has come around again. I suddenly realised - my SketchCrawl event is this Sunday afternoon, June 22nd! 

So, if you fancy having a look at some of my sketchbooks and then spending the afternoon sketching with me, come along with a sketchbook at 2pm:


Crossing fingers for sunshine. See you there!

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38. USk Yorkshire Go SketchCrawling in Buxton


The forecast for Saturday was appalling: heavy rain from early morning through until the end of the day, with thunder and lightning a possibility. Perfect SketchCrawling weather, so I didn't really expect many people to turn out. Saturday was intended as a day of drawing outdoors too, capturing some of the beautiful architecture, but that was clearly not going to happen. 


There was already a small group huddled outside the Opera House when I arrived and, over the next 10 minutes, they kept coming until I counted 23. It was starting to spit already, so we went inside to our first 'Plan B' venue: the Pavilion Arts Cafe. 


From the upstairs, which we had all to ourselves, there were great views out over the Pavilion Gardens, but I was most tempted by the way you could peer down over a balcony in the centre and spy on people sipping tea on the ground floor. 


I stood up, leaning over the railing for my first sketch above, but kept worrying that I would lose the grip on my sketchbook and it would go flying down and hit somebody on the head, so I sat down for sketch two, which is probably why it is more controlled (and arguably less exciting). I was snapped half way through - don't you just love the sketcher's double-chin? So flattering. 


We stayed there until midday, when we got our brollies out and headed across town for lunch. By this time, a few more people had joined us. We were such a big group that I had to book out half The Cheshire Cheese pub. Thank goodness they could fit us in at short notice.

It took a while for them to serve us all though, so I did this sketch: 


I was so intent on what I was doing, I didn't even noticed my sneeky neighbour snapping me in action once again:


It was nice to have a long, lazy lunch actually - it gave us lots of extra time to chat, especially good for the new faces. We had quite a few first-timers. Ours is a very sociable group. I think it's a really important part of the day.

Once we were all fed and watered, we headed to the Cavendish Arcade: a lovely, tiled arcade, with a beautiful glass ceiling. I don't feel I did it any justice:


The last sketch-stop was The Dome - part of the University of Derby. It had actually stopped raining, so I spent my final 45 minutes in the car park outside, crammed into a corner against a grit-bin, where I was able to get this view:


We had booked the upstairs room of The Old Clubhouse pub for our sharing session. We pushed loads of table's together, but still struggled to get everyone round. 


As usual it was lovely looking through all the books. It was especially interesting because of all the fresh faces. Lots of holding up of sketches, and: 'Wow - who did this!' kind of thing.


After about an hour, everyone went their separate ways, but I had to hang around, as John was coming to pick me up. Because the day was over, the sun was now out and it was really warm. I sat on the wall outside the pub and managed this sketch before he arrived:


Thanks to everyone who took part on Saturday, especially for turning out (and sticking with it) on such a miserable day. Next month we are thinking of visiting Manchester again, this time for the John Rylands Library and the Royal Exchange. They are both beautiful outside as well as in, so I'm crossing fingers that we might actually get a proper summer's day, no umbrellas needed!


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39. SketchCrawling in the Rain


I discovered the monumental and slightly rusty underbelly of Castlefield a couple of months back, when I was invited a to run a SketchCrawl for SCBWI. On that day, we were supposed to be drawing inside MOSI, so I got less than an hour to explore outdoors with my sketchbook, but I was determined to go back and spend a bit more time, so chose it as the location for this month's SketchCrawl North meeting.


What I didn't know, was that the weather forecast was going to be heavy rain on and off all day, with the possibility of thunder and lightning at lunchtime. Great.

Come Saturday, four of us left behind the irritatingly blue skies and glorious sunshine of Sheffield and took the train to Manchester. It was already raining when we met up with a dozen others outside Deansgate station. 


Most of the group decided to opt for the warmth of MOSI, but a few of us tough-nuts braved it, sheltering under the railway arches. I love the strong contrasts you get, even in bleak, grey conditions. I managed the painting at the top, but the rain was getting heavier. It was splashing in under the arch so I had to keep moving further and further back. I just about got finished by the time we decided to give it up and get a coffee to warm up.

We headed for MOSI, where we discovered lots of our team in the cafe, luxuriating in soft sofas and painting the view out of the huge, picture windows. There was no soft space left, so I sat on the floor again (my poor bottom) and did the sketch above.


I had booked Dukes 92 for lunch, which had a huge table we could share. By now though our numbers had swelled to over 20, so we expanded to two tables, scoffing and chatting and watching Matthew draw his cooling food (as always). 

The sun was out now, so I decided to go back to the railway for another go at my beloved bridges. I braved a view that had me sitting out in the middle of the pavement so, naturally, it began raining again after about 30 minutes! I scurried back under my arch and tried to finish off the painting above, but soon retreated back to MOSI. 


I didn't want to draw the museum's exhibits, but I remembered this wonderful, Victorian window in the Air and Space building (the same iron and glass building I drew the outside of, from the cafe). 

I got lots of attention, including a little boy of about five: "How much do you sell your paintings for?". He told me he 'didn't paint as much as he would like' and that he 'liked collection art' (!)


I laboured too long over the window and was getting bored with all the detail. I looked at my watch - only about 5 minutes before I had to leave to meet the others back at Dukes 92 for the sharing session. I desperately needed to draw something less fussy, so I quickly sketched what was in front of me, which I think might be a microlight (no time to check), then rushed off. 


As usual, we all thoroughly enjoyed admiring each other's work from the day, sneaking a look back through all the sketchbooks and swapping sketching tips. 

I had a new sketching pen with me, which I was given by Super 5, one of the sponsors of the forthcoming Usk Symposium


I didn't get around to using it during the day, so did a quick trial in the bar, sketching a few people around the table, before lending it to various others to have a go. It's very smooth and glides beautifully across the paper in all directions. There's a raffle to win one if you are interested (deadline May 30th). It gives a subtly variable line as you can see in the sketch, which I think really adds life to a drawing. It's not as wide a variance as my trusty Sailor though. It depends what you are after.

Thanks to everyone who turned up on Saturday, despite the dreadful forecast, and especially to the new members and to those from the Manchester Urban Sketchers group who joined us. One of the lovely things about SketchCrawling is all the interesting new people you get to hang out with.

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40. Visit from a Parisian Sketch-Buddy


Until last week I'd never met Yves Damin, fellow sketcher and graphic designer, living in Paris, but I had admired his work on-line. Then a few weeks back I got a Facebook message, saying he was coming to the UK and would be visiting family in Sheffield. He asked if I would like to meet up, to do some Urban Sketching together. 

When Liz Steel came to visit once, all the way from Australia no less, we had a great time, so of course I said I'd love to meet Yves. I contacted the other members of SketchCrawl North too, so we would have a fitting welcome committee.

The weather forecast wasn't great, so we decided to meet the others in Caffe Nero, as there are big windows with views out over the city centre. As crazy chance would have it, Yves's Sheffield-based family live two minutes walk from me so, just before 9am on Friday morning, we took the bus into town together.

We sat at an outside table, because Yves said he would prefer that, and other people gradually joined us. It was a wee bit chilly, but we got coffee to warm our hands. 



But as time went on it got colder and colder. I managed the drawing above (in my Inktense pencils and white chalk) but, by the end, I was losing all feeling in my fingers (that's my excuse for the slightly wonky tower) so we went inside for the next one. Nice and cosy: 



But Yves was made of stronger stuff: Paris must be even colder than Sheffield! He continued to brave the outdoors:



While Yves was painting the town hall, I got a bit obsessed with the water-balls in Millennium Square:



We had a little break after that, because there was an Urban Sketching exhibition on at the Millennium Gallery: paintings and drawings from the Recording Britain project begun in 1939. The exhibition is on loan from London's V&A until November 2nd. It's really varied and contains some real gems, so I would definitely recommend it, if you haven't seen it yet.

Fully inspired, a handful of the group left the exhibition to squeeze in just one more quick sketch before Yves and I had to head back. Yves went outside again with Rich Wellswhile I sat indoors with Lucie Golton and Andrea Joseph, who drew the sketchers and people in the cafe:



This time we were in the warmth of the Winter Gardens cafe - another one with lovely, big windows into the world outside, so perfect for softie-sketchers!



We girls ate lunch before starting to sketch (a very nice roasted-veg and hummus roll - mmm...), after which there was even less time to get something done. As usual, the time constraint loosened me up nicely:



It was so lovely to have the chance to meet Yves and I was really pleased that so many of the group managed to get out to draw with us, despite it being a weekday. You can get a proper look at the sketches Yves did, if you take a look at his write-up of the visit.

Come back soon Yves (or maybe next time I'll see you in Paris!).

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41. the kiss

Here's a drawing that I made on a pubcrawl sketchcrawl that we, at Sketchcrawl North, did last year. I made it in my large Moleskine - the kind that has an A3 size double page spread. Increasingly, I've found that I really enjoy drawing on a bigger scale. Maybe it's a reaction to all those years of drawing tiny things in tiny books. I don't know. But, this is a biggie for me. Unfortunately, I don't have a scanner that can take this size page which is why it's taken so long to post it.

It's a drawing of a pub in Sheffield, called Fagans (obviously), that has this beautiful, and very British, mural by Sheff's own Pete McKee. I've wanted to draw this for ages and last November I braved the cold and finally did it. Now that I see it on screen I realise that it needs something more. I know exactly what it is it needs, so it may just get a bit more AJ treatment. In fact, it definitely WILL.

So, here's Part One. More to come.

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42. SCBWI SketchCrawl at MOSI in Manchester


I spent Saturday in Manchester, sketching in and around the fantastic Museum of Science and Industry (yes, this is me in action - thanks to Adelina Pintae for the lovely sketch):


The Society of Children's Book Writers and IllustratorsSCBWI, asked if I would run a sketchcrawl workshop day for them. The idea was to make it very much like the sketchcrawls I do each month with my Urban Sketchers group, Sketchcrawl North but, because SCBWI represents authors as well as illustrators, we incorporated on-the-spot writing too.

I kicked off with a talk in the Learning Loft, because the concept of sketchcrawling was new to many of the participants, in fact several of them had not done location sketching before, or not used a sketchbook in years. I took along lots of my sketchbooks, told them about Urban Sketchers, talked about reportage sketching and the various techniques I use. People were very interested in the contents of my kit bag, because I have got it down to a fine art now. I carry quite a range of art equipment, but can pack it all into a little zip-up case, just 10" x 6":


MOSI is spread over several buildings. Our first sketching spot was in the Air and Space building. I concentrated on a replica of an old tri-plane, although I was also very interested in the iron architecture behind:


I could have stayed there all day, but after an hour we moved on to the Power Hall. It was certainly a baptism of fire for the new sketchers. If our first venue was pretty tricky, the second spot was fiendishly so! It was all pumping pistons and spinning wheels. I got quite interested in the patterns that the various structures and machine elements made so, rather than concentrating on one machine, I went for a general view across one end of the room.


We had a lunch break up in the Learning Loft. It was a wide, bright space, up at the top of the main museum building, with fabulous views out over the surrounding area.  We spent 45 minutes sketching the views. I picked this one, down over the 'train' part of the museum, complete with working steam trains. This is the sketch I am doing in Adelina's drawing at the top:


We were intending to stay within the museum, but it was a lovely warm sunny day, so we went for a little walk instead, to a really good outdoor location, called Castlefield. The canal meets various railway lines as well as the road, so there are lots of different bridges in a small space, creating some great shapes and contrasts:


There are also canal boats and geese, as well as a lovely variety of old and new buildings. I made a mental note to take SketchCrawl North back there as soon as possible.

We went back up to the Learning Loft to share the work. As usual, it was fascinating to see all the different styles and approaches to the same subjects. The two writers who were with us didn't read out, but they also passed round their notebooks. They had both chosen to capture words and phrases, to take away a sense of the place, rather than write a narrative.

I enjoyed walking back to Deansgate station through the same area we had drawn in. It was very visually exciting. Even the grotty bits were interesting. I had a fun journey home too. the train was rammed. Luckily I got a seat and started to draw. 


A family, who were standing behind me, were all watching. Their little girl, about seven I should think, had her head just above my book and was fascinated. Incredibly, despite all the attention and all the little girl's questions ('Are you drawing that?'), the people still didn't appear to realise they were being sketched!

A big thanks to Anna at SCBWI for organising the event and for inviting me to lead it. I met some lovely people and had a great time.

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43. SCBWI SketchCrawl at Manchester Science Museum


I've been commissioned to do a SketchCrawl event in Manchester at the end of the month, for SCBWI - that's the Society of Children's Book Writers and Illustrators. If you are trying to get started as a writer or illustrator of children's books, it's an organisation that is well worth joining. They have regional groups all over the country and put on lots of events to advise and inspire.


SketchCrawling is an idea I introduced to SCBWI back in 2010, when I was keynote speaker at the 10th anniversary conference. I talked about it in my speech, because sketching is a key part of how I keep my love of what I do alive, despite it having been my job for 30 years now.


Because SCBWI represents authors as well as illustrators, the SketchCrawl event later this month in the Science Museum will not just be for sketching, but writing too - creating on-the-spot responses to what we see. There will be plenty to inspire and I'm sure the exhibits will be evocative enough to get the authors fired up.

If you fancy giving it a go, as a writer or a sketcher, it's open to non-members too. Drop Anna Violet an email to book your place.

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44. Sketchers-in-Residence at the Sheaf Valley Festival



On Saturday, I met up with some of my SketchCrawl chums, where we had a little stall at the Sheaf Valley Festival


It is an annual festival and is held in a fantastic location: an amphitheatre, right in the centre of Sheffield, cut into the steep hill behind the station, with great views down over the city: 


Just like last year, SketchCrawl North were invited to record the occasion in our sketchbooks and were given the stall for free, to help spread the word about Urban Sketching


We took it in turns to man the stall and, in-between, went out drawing the fun. There was plenty to go at. I especially enjoyed the challenge of sketching the dancers. 


Throughout the afternoon, there were performances by lots of different kinds of dancers - all ages, from quite young children up to adults, and all in fabulous costumes, like these majorettes:


The Son de America were particularly good to sketch, in their long, swirly skirts and I loved that massive sombrero:


But possibly my favourite was the Indian dancing, with it's very particular movements. The saris were glorious. One little girl of about 9 did a long and remarkably confident solo dance. She came over to see my drawing of her afterwards and her mum took a photo.


Our stall made a very handy 'base-camp': a place to chat, chill and eat cake between sketching bouts (we were opposite a way-too-tempting cake stall). There was also a massive stall (about 4 trestle tables, laid out end-to-end) celebrating different kinds of bread, all baked and donated by local people and businesses:


I am amazed, looking back through my sketchbooks from the day, that I managed so many drawings, as I seemed to spend quite a long time chatting. It was a really sociable day - more time than usual to talk to my fellow sketchers, plus and I kept bumping into people I knew.


At 3 o'clock there was a dog show. I remembered it from last year and so was really looking forward to it. There were all kinds of dogs, big and small: some beautiful, some cute, some bouncy, some hairy - almost all rather over-excited by the occasion. They had proper judges from Crufts (!) but it was still absolutely bonkers and really funny:


We were very lucky with the weather. Despite threatening clouds and occasional wild gusts which threatened to blow the stall away, we stayed dry all day and had some bouts of gorgeous sunshine to wallow in. 


The day finished off with live music. I have always had a soft spot for barbershop quartets, so especially enjoyed the Manor Tops. I gathered a crowd of children behind me while I was doing this sketch ('Can you draw me and my friend?' 'You're right good, you' 'How'd you draw that so fast?'):


It was a thoroughly enjoyable afternoon: local people, celebrating local talent and showcasing local produce and community groups, all having a good time, hanging out together in the sunshine - exactly what local festivals should be about. SketchCrawl North collected several new recruits over the day too. 

A big thank you to the organisers: a great success. I'm already looking forward to next year!

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45. four drawings, three places, one sketchbook

Four drawings, three places in one sketchbook.
And, a shedload of different pens and pencils.
Edale
Red marker pen, two red ballpoints and two red pencils.
Various green pencils.
Sheffield
Blue fine liner and blue brush pen.
Whaley Bridge
 (above)
Black fine liner, 3B pencil and various colour pencils
(below)
Blue, pink and yellow fine liners.
Blue, pink and yellow pencils.
All made in the small Moleskine sketchbook. I was never that interested in using such a small sketchbook before I got this. It took a few years of drawing before I bought it and I still wasn't convinced. It sat on my shelf for another year or so. Now I'm coming close to finishing this sketchbook - just a few pages left. I really must get a new one in because it's become one of my favourites. A sketchbook I wouldn't be without.

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46. Sketchbooks, Snow and Steamy-Windows: Endcliffe Park Cafe SketchCrawl


We had a SketchCrawl day last weekend, but we woke up to thick snow. We were supposed to be drawing in a local park in the morning, then capturing a performance by the Sheffield Oratorio Chorus in the afternoon. 



The concert was cancelled, which was quite ironic, since we were due to draw them last winter and were snowed off then too. I decided to give the park a go anyway. Even if nobody else turned up, the walk through the beautiful snow and the cosy park cafe at the end seemed reason enough, so I donned long-johns, multiple layers, walking boots, gaiters, silly hat etc and headed out.




The 6 inch deep snow made it quite a trek. I would have loved to draw the trees, all picked out in white, but it was really very chilly so, like everybody else that morning, I took refuge in the cafe. It was pretty chaotic in there: quite lively, quite well stuffed and very noisy.


Only 3 other sketchers made it. Colleen had headed off alone into the snow by the time I arrived (making me think of poor Captain Oates...). I huddled with Martin and Heather in one corner. John joined us after a bit, though without a sketchbook, so he didn't count. 


Drawing people in cafes is always quite a challenge; much more tricky than trains. People move, to chat, eat and drink (how very selfish of them). At least I had a nice big table to lay out my sketching bits, with no danger of losing my pencils in crevices...


When I had finished these sketches, I rewarded myself with a nice lunch and a mochachino (John got lunch too, though he didn't do any work, so I'm not sure he deserved any). Unlike some of my sketcher friends, I gobbled it up while it was hot and didn't wait to draw it: 


Then, reluctantly, we pulled our hats back on and started the walk back up the hill.

6 Comments on Sketchbooks, Snow and Steamy-Windows: Endcliffe Park Cafe SketchCrawl, last added: 4/9/2013
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47. side by side in idle talk

It seems wrong talking about Christmas at this time of year. Quite frankly, I don't want to even think about it until next December, (December the 24th to be precise), but due to all my recent technology issues I never got to post the drawings from our Sketchcrawl Christmas lunch/get-together. We met on a Saturday afternoon at the Harland Cafe in Sheffield. What a great little place. And, so cheap. I can't remember the last time I had a meal, dessert and a couple of drinks for less than a tenner. Plus, I had an extra portion of chips - which were amazing. But, this is what's known as going off on a tangent (it's the sort of thing I remember, though; good chips). Here are just a few sketches I made. I came home with absolutely tonnes of drawings. Some days are like that, though, right? Some days you're just unstoppable.  
 Anyway, I'd like to introduce you to a couple of our group;.
Harry has been drawing with Sketchcrawl North for longer than me. Despite being one of our youngest members he is a veteran. I think he'd been scribbling away since about the age of ten (ish). His work is great now, so I can only imagine what it'll be like in a few years time if he continues at this rate.
Now, I can't pretend I know this baby. He, or she, was sat on a table close by. On these sketchcrawl outings I try to take a few tools that I wouldn't normally use, to change things up a bit. I made this baby sketch with one of my lovely old calligraphy pens. I really must use them more. I pinched a blue pencil, from one of the group, to create his, or her, rosy cheeks.
And, finally, another of our regulars Jane, in her lovely jumper. It's so nice I drew it twice. Here and in the top drawing.

Thanks for all the recent response about resizing vs watermarking images, etc. As you might be able to tell, from this post, I still don't have a bloody clue what I'm doing.

Happy Christmas!

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48. SketchCrawl North: Leeds Royal Armouries




John and I got up early on Saturday and took our trusty 22 bus to Sheffield Station, where we met up with a small band of fellow sketchers, ready for SketchCrawl North's February SketchCrawl. I warmed up on the way:



Part way to Leeds, Suzie, a first-time 'crawler, jumped on the train to join us, then several more met us at the Royal Armouries, until we were eventually about 18 strong, including another couple of newbies (welcome guys) and our 3 regular, younger members: Josh, Tom and Harry.


If you have never been, the Royal Armouries is a fantastic museum which I would highly recommend: full of beautiful and fascinating stuff to draw, as well as talks and re-enactments all day long (and it's free!). 



Saturday was a gorgeous, sunny day and the museum towers above the Leeds canal, with full-length windows on all floors, so the views were pretty enticing too and several sketchers had a go. I was tempted, but stuck with the exhibits in the end. It's really easy to lose half your sketching time in indecision, especially in a museum, where there's so much to choose from, so I try to just go for it, with the first thing that draws my attention.


At lunchtime there was a Wild West, gun-slinging re-enactment outside, so we braved the cold to watch. 


Unfortunately, there was a bit of a crowd, so I couldn't see or hear much of the action (although the gun-shots must have been heard across Leeds!), but by climbing up on a seat, I was able to see over people's heads sufficiently to sketch some of the re-enactment team on the outskirts:


Then we had a spot of lunch together in the cafe, to warm up. After some soup and a blueberry muffin, I went back into the Oriental gallery to finish off this armoured war elephant I'd not quite got done before lunch. Almost everyone drew this elephant. It was the equivalent of the woolly rhino that we all fell in love with at the Weston Park Museum SketchCrawl


At the end of the day, we went back to the cafe for the sharing of sketchbooks. We popped them all on the tables and then passed them round and had a good nosy (I love looking in other people's sketchbooks!). As usual, there was some really inspiring stuff (you will be able to see some of it on SketchCrawl North's Facebook group, as people add their work) and everybody tackled things in their own way. Best of all, the newcomers all agreed that they had enjoyed themselves enormously and would come again!


This was a train sketch I did on the way - on the way home I was too tired!

If you are in our region and would like to join in on a SketchCrawl, please email me and I'll add you to the e-mailing list. It's all free and open to everybody: any age, any level of ability. It's about having fun together, sharing a love of sketching.






6 Comments on SketchCrawl North: Leeds Royal Armouries, last added: 2/20/2013
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49. i guess i'll call it sickness gone

Here's another sketchbook spread that, until now, had remained unposted. I made this some time last summer at my friend, and drawing companion, Lynne Chapman's house. Lynne was planning a workshop that she was giving at last year's Urban Sketcher's Symposium and used some of our Sketchcrawl group as guinea pigs.

I've made no secret that I've been finding it difficult to get into drawing for some time. Jeez, I've been banging on about it for months. It's funny though, it's only when I am out drawing with other people that it's not an issue. I actually enjoy that more than when I'm sat at home drawing, doing my own thing. Perhaps it's because I'm stretching myself. I dunno. But, I do know this; the little drawing of a typewriter, and the bike actually, have pleased me more than anything else I've drawn in quite some time. They were drawn in a totally alien way to how I would normally draw (water colour pencil was put on the page before I drew the shapes in) and that's exciting.

Maybe it's time for a change.

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50. 38th International SketchCrawl - slurping, munching & sketching our way around Sheffield City Centre




It was touch and go whether Saturday's SketchCrawl would happen: the snow was several inches thick the night before. Luckily it got no worse overnight, so John and I put our boots on and walked into town. Some SketchCrawl North regulars, living outside Sheffield, were upset that they couldn't get to us, but we still had a great turn-out: 22 I think. One person made it all the way from Loughborough.


We started off with a very leisurely sketch session over coffee at Cafe Nero in town. We sat upstairs, where you get some great views out over St Paul's Square to the town hall and the Winter Gardens, but I felt more in the mood for drawing people:


I had a few things to deal with that morning, so my sketches were all quick-fire ones, done in between phone calls. Just as well as, every time I chose a victim to draw, they finished their own sketch and changed position to draw something else!


We moved to the Millennium Galleries for the 2nd half of the morning, to give us a break from coffee. There is a good landscape painting exhibition on at the moment, Force of Nature. I'm a landscape sketcher at heart, so found it very inspiring, especially an Elizabeth Blackadder piece. There was a nice Graham Sutherland too, but it was in black and white, so I imagined what it might have looked like in colour:


Then it was time for lunch. We booked a couple of tables at the Frog and Parrot bar, where the waitress was very patient with us. 


Inspired by Lapin's dinner-table sketches from last year's Urban Sketcher's symposium, I drew the people around me, in fine-liner ink tinted with watercolour:


Our final destination for the end of the afternoon was the Showroom Cafe where I indulged in more coffee and a slice of Bakewell Tart for pudding. Unfortunately, I got so caught up with this watercolour of Debbie, that I completely forgot what I had just bought. By the time I got to it, the coffee was barely luke warm. Hey-ho: you have to suffer for your art. 


As usual, we ended the day by gathering together and passing the sketchbooks round. I do love the sharing bit - it's so exciting to see what other people have done with the same venues and it gives you so many ideas about new techniques to try. 

If you are interested to see some of the other sketcher's work, take a look at our SketchCrawl North page. If you would like to join us some time, we would love to have you. We go out each month, to different places each time, all around the region. Email me to receive my e-newsletter with all the details of future SketchCrawls. Or if you would like to set up a SketchCrawl group of your own, here are some tips.

3 Comments on 38th International SketchCrawl - slurping, munching & sketching our way around Sheffield City Centre, last added: 2/1/2013
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