I don't understand how people can keep up the tweets. In the interest of sparing you the boring minutiae of my life, I took a hiatus from the blog. But I'm back!
With no news!
Well, a little. I went to a fabulous extravaganza called Vogue Knitting Live in New York a couple of weeks ago, where I practically swooned from the sheer sensory delight of being surrounded by yarns, knitted garments and knitters.
But you don't care about that. How's this? Amy, my pseudonymous book doctor, is, as we speak, poring over the last third of my book with an eye to jazzing it up, as requested by VERY complimentary agent. I await her sage counsel.
AND....I have finally, really and truly, in earnest, started my screenplay. It's fun, and funny and I'm grooving right along. Almost finished with the outline, next I have to write a "treatment" (yes, I am up on my Hollywood lingo).
Oh, and one more thing. Yesterday, I turned 60.
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Blog: Writer's Cramps (Login to Add to MyJacketFlap)
JacketFlap tags: knitting, yarn, 60, screenplay, Vogue Knitting Live, 60th birthday., hollywood, Add a tag
Blog: Plot Whisperer for Writers and Readers (Login to Add to MyJacketFlap)
JacketFlap tags: Memoir, screenplay, writing the crisis of a story, Plot Series: How Do I Plot a Novel, youtube channel marthaalderson, Add a tag
The Crisis of a story hits about 3/4 of the way through the page or scene count and marks the highest intensity scene in the entire beginning and middle of the story. On the plot planner, this highest point signifies the dramatic action plot though keep in mind it is the lowest point in the story for the character emotional development plot.
The crisis can be thought of as the climax for the antagonist.
I've got two new videos on the youtube Plot Series: How Do I Plot a Novel, Memoir, Screenplay. One talks about the scenes building up to the CRISIS and the next one discusses the CRISIS SCENE itself.
I am under a deadline for a new book that I have been patiently waiting to reveal while the negotiations for the contract are finalized. I am thrilled to be asked to write my passion and excited for the chance to tell you about it and am having a ball writing it but find that with that and everyone and their mother requesting
Blog: Plot Whisperer for Writers and Readers (Login to Add to MyJacketFlap)
JacketFlap tags: how to write a novel, screenplay, PostNaNoPlotPerfection, PlotWriMo, scenes versus summary, step-by-step revision of a memoir, Add a tag
If you are just joining us here at PlotNaNoPlotPerfection to perfect your plot, welcome! Begin at Day One (you have to scroll down) and work your way here.
Draft #1 represents a leap of faith; you write without worrying about the outcome. Well, perhaps you worry, but if you are following us here, you persevered. Congratulations!
In the Native American tradition, mouse medicine focuses on the attention to detail and runs in about 5- to 6-week cycles. NaNoWriMo writers devote fastidious attention to writing at highly concentrated levels. Like the mouse, when we are in the flow of getting the words on paper, we often neglect other areas.
As you begin winding down, let the words subside and your body return to rest.
Two years ago at this time, on my approach to the Santa Cruz mountains, I spotted a red-tailed hawk at the tip of a redwood tree, like an angel atop a giant Christmas tree. Halfway over the mountain, I cringed as something flew into my peripheral vision. Rather than crash, in a swirl of feathers, the hawk steered clear.
Hawks embody visionary powers and guardianship. I invite you to enter into the realm of expressing a higher vision of your story beyond the word level itself. Stand back. See the bigger picture and allow for new ideas.
Today:
- Continue listing the major events and scenes of your story -- it is not necessary to remember every single scene, just the big plot points for now. Remember, no reading the manuscript itself. The big, important scenes should pop out at you. Later when we work with these events in comparison to what you actually wrote, you will have a better sense of what to cut. Cutting, trimming, paring down the insignificant makes room for the scenes and events that truly drive the story.
- Start a second list. Write down any and all themes that pop up in each event. Do not strain for these theme ideas. If something comes to you, write it down.
abandonment
Blog: Plot Whisperer for Writers and Readers (Login to Add to MyJacketFlap)
JacketFlap tags: learning the craft, Cause and Effect, screenplay, le, How Do I Plot a memoir, banishing the inner critic, craft of writing a novel, Add a tag
Whether a romance writer, historical novelist, screenwriter or memoirist, all writers bog down at one time or another or two or three or five hundred.. In my work with writers, I have spotted 5 classic reasons writers falter when it comes to the craft of writing:
1) Writers Balk at Plot
At some point, however, every writer, even those who work out their stories on the page, requires some sort of structure in which to present their work. Plot is the interweaving of character emotional development, dramatic action and thematic significance. In other words, someone acts or reacts. In so doing, that someone is changed and something is learned.
2) Writers Concentrate on Their Strengths, Forgetting that Plot is not Merely Action-driven Nor is it Only Character-driven
The rhythm of story telling is in all of us right now, especially for those of us who were read to as youngsters and continue to read fiction today.
(PLOT TIP: The best way to becoming a better writer is to become a more voracious reader).
Natural born storyteller tap into this rhythm unconsciously and are able to weave all three plot lines without much conscious thought to structure. For the rest of us who have something to say and long to be heard or, in our case, read, our stories tend to turn out lopsided. Why? Because we get stuck either by concentrating on action only, forgetting that character makes up 70% of good fiction, or by delving into the inner-workings of characters with little regard for conflict, tension and suspense.
3) Writers Forget the Importance of Cause and Effect
The structure of story has remained essentially the same since the beginning of time. The elements that vary are the beat or tempo and the intensity. Take, for example, the best seller The DaVinci Code (dramatic action-driven story) by Dan Brown with its break-neck pace of action versus the more leisurely plot pace of the early 19th centur
Blog: Plot Whisperer for Writers and Readers (Login to Add to MyJacketFlap)
JacketFlap tags: Memoir, NaNoWriMo, plot whisperer, screenplay, contest for free plot consultation, santa cruz landmark, Santa Cruz Traveling Mystery Tour, Plot Series: How Do I Plot a Novel, Add a tag
Win a free one-hour plot consultation!
Correctly identify all 32 Santa Cruz iconic landmarks used as the backdrop in the filming of the Santa Cruz Traveling Mystery Tour
· Locals win an overnight stay at the Darling House in Santa Cruz on Valentine’s Day
· Out-of-towners win a 1-hour phone consultation with family expert Cathy Jo Cresss on sibling reconciliation and forgiveness and a 1-hour writer's plot phone consultation with plot expert to the stars Martha Alderson, aka the Plot Whisperer
More than 144 billion videos were viewed on YouTube last year. The number is expected to more than double this year.
My cohort on the Santa Cruz Traveling Mystery Tour is Cathy Jo Cress, author of the just released Mom Loves You Best; Forgiving and Forging Sibl
Blog: Plot Whisperer for Writers and Readers (Login to Add to MyJacketFlap)
JacketFlap tags: plot whisperer, rewriting tips, authentic details, screenplay, every word perfect, how to plot a novel, Memoir, Add a tag
Once you have your first, second, third + drafts written and you're set on the overall plot, major scenes and turning points, character growth and transformation, and have a sense of your overall theme, turn your attention to "every word perfect."
Oh, and now is a great time to grab your pen and pad of paper and follow along with the Plot Series:How Do I Plot a Novel, Memoir, Screenplay? to plot your next story. That way, when every word is perfect in the story you're finishing up now, you'll have the next one all plotted and ready to go... That's the plan, anyway... Hope you'll stop by...
Blog: Plot Whisperer for Writers and Readers (Login to Add to MyJacketFlap)
JacketFlap tags: screenplay, plot for writers, how do I plot a novel, How Do I Plot a memoir, Freedom for writers in Santa Cruz California, writing plot versus writing by the seat of your pants, Add a tag
As you write forward toward the Climax of your story, a little voice in your head whispers the need to go back and fix what you now know is awful, horrid or simply not working in the beginning. Over and over you silence the voice, stumbling to the End of the Beginning, the Halfway Point, the Crisis, the Climax, the Resolution.
Blog: Plot Whisperer for Writers and Readers (Login to Add to MyJacketFlap)
JacketFlap tags: Memoir, foreshadowing, screenplay, what to introduce at the Beginning of your novel, make every word count, Add a tag
Recent post about Foreshadowing talks how every paragraph, sentence, word in the Beginning (1/4) introduces or foreshadows the character emotional development, dramatic action, thematic significance.
The opposite is also true.
Anything you introduce in the Beginning (1/4), the savvy reader knows on some level is important to the overall story.
Therefore, be careful about every word you use. If you use dark and ominous words in the Beginning, the reader expects the story overall will be dark and ominous. If you introduce a gun, the reader knows violence is coming, likely even death by gunshot. If you introduce sweetness and light, the reader expects the story to reflect the same.
Of course, you can switch things up later and turn the tables, so to speak.
Just make sure you know what you're doing and why.
Make your words count, every single one of them...
For more on Foreshadowing and the importance of the Beginning (1/4):
Blog: Darcy Pattison's Revision Notes (Login to Add to MyJacketFlap)
JacketFlap tags: it was, set up, graphic novel, character, plot, dialogue, setting, action, opening lines, how to, novel revision, screenplay, philosophy of life, write novel, Add a tag
12 Ways to Start a Novel
First lines. We all obsess over our novel’s first lines, and rightly so, because from it the rest of the story must flow naturally and without a pause. Here are 10 strategies to use on first lines for your novel. I’ve illustrated them with the “100 Best Lines from Novels,” as chosen by the editors of the American Book Review. The number at the beginning of each quoted line indicates its position in the Best 100 List. This was inspired by an article by Susan Lumenello, “The Promise of the First Line,” (The Writer’s Chronicle, Volume 38, Number 3, December 2005. 57-59).
- It is. . .
This is. . .
These openings give a writer freedom and flexibility because anything can come after these words: abstract images, a synopsis, a setting, etc. To the reader, this opening signals authority. The possible downside is over familiarity with the opening, so that it reads as a cliche.
It was. . .
Quote | Author | Title | Year | |
---|---|---|---|---|
2. | It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife. | Jane Austen | Pride and Prejudice | 1813 |
8. | It was a bright cold day in April, and the clocks were striking thirteen. | George Orwell | 1984 | 1949 |
9. | It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair. | Charles Dickens | A Tale of Two Cities | 1859 |
18. | This is the saddest story I have ever heard. | Ford Madox Ford | The Good Soldier | 1915 |
22. | It was a dark and stormy night; the rain fell in torrents, except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the house-tops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness. | Edward George Bulwer-Lytton | Paul Clifford | 1830 |
24. | It was a wrong number that started it, the telephone ringing three times in the dead of night, and the voice on the other end asking for someone he was not. | Paul Auster |
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Blog: Writer's Cramps (Login to Add to MyJacketFlap) JacketFlap tags: final draft, screenplay, Add a tag
The box has arrived in its familiar Amazon packaging. Note: I usually buy books at the New England Mobile Bookfair, walking distance from home. Purchasing from Amazon makes me feel guilty (see previous post). But this time, it couldn't be helped.
2 Comments on No Excuses, last added: 12/27/2009
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Blog: Plot Whisperer for Writers and Readers (Login to Add to MyJacketFlap) JacketFlap tags: screenplay, the exotic and unusual world of the Middle of a story, how to write memoirs, territory of the antagonists, how to start writing a novel, Add a tag
(**Coming soon = 2nd Annual International Plot WriMo
The Middle of a novel, memoir, screenplay encompasses a whooping 1/2 of the scene and page count of the entire story. More writers lose their nerve in the middle of the Middle than in any other spot of the writing process. Two ways out: 1) Develop a list of all the antagonists that will interfere with the protagonist reaching both her long and short-term goals. (For a list of antagonists, go to: Dramatic Action Plotline.) Once you have the list in place, you'll likely find the need to introduce some of the elements earlier. CAUTION: do not go back and do it now. Make notes to yourself and attend to them in the next rewrite. 2) Develop the exotic, unusual world of the Middle. Once the protagonist moves from the Beginning into the Middle she usually enters a new world -- at least new to her. Let us see, smell, taste, feel, hear that world with the use of authentic details. Links for more on both the exotic world and the use of antagonists: First Draft versus Rewrites Writers Travel Two Journeys Meaning of Crisis and Climax
4 Comments on Middle: Territory of the Antagonists, last added: 12/12/2009
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By: Sandra de Helen,
on 9/27/2009
Blog: de Helen's bits (Login to Add to MyJacketFlap) JacketFlap tags: Blake Snyder, novel, memoir, writing, screenplay, Add a tag
Summer is ending and writing time is picking up. I'm at work on a new full-length play, using the methods described in "Save the Cat" by Blake Snyder (he died recently and suddenly from a pulmonary embolism -- the same thing I had in May, but I survived). "Save the Cat" is a book for screenwriters, but I'm convinced one can use those excellent methods for any piece of writing -- stage play, screenplay, memoir, novel or short story. Maybe for poetry although I'm no poet so can't say.
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30 Comments on Face-Lift 642, last added: 6/16/2009
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This is great advice! I'm not to the climax of my novel yet, but when I get there I will for sure be keeping this advice in mind. If you can't get the climax right, I think it will leave your readers way too underwhelmed.
Sarah Allen
(my creative writing blog)
Just wanted you to know how much I've enjoyed the plotting videos. I featured you on my blog today: http://bit.ly/gXrEKt
Thanks so much!
~Debbie
Hope you're not confusing the crisis and climax, Sarah Allen?
Thank you for your kind words, Debbie Maxwell! I just sent you a twitter message thanking you, too.
On wings of angels...