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By:
Roberta Baird,
on 11/4/2014
Blog:
A Mouse in the House
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Preparing to go to school was like getting ready for extended deep sea diving….
Come on mom, we’re going to be late!
My kid brother looked like a tick about to pop!
What’s wrong?
I can’t put my arms down!
Put your arms down when you get to school!
By:
Roberta Baird,
on 10/1/2014
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He smells.
– What’s his name? – Guess.
Fifi?
That ain’t a name for this mutt.
Rover.
She’s coming. She’s coming.
Hide him.
I love you, Miss Hannigan.
And you will love the paddle closet.
And this…
…will love the sausage factory.
– No, Miss… – What?
We love you, Miss Hannigan.
www.robertabaird.com
By: JOANNA MARPLE,
on 9/3/2014
Blog:
Miss Marple's Musings
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Patti Ann Harris. Kathryn Ault Noble,
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I’m back with another Wednesday series of interviews with published and unpublished illustrators whose work I admire. So prepare to be wowed by the skill and fascinated by their process and passions as we get a glimpse into their lives … Continue reading →
A portfolio sample from WAY back. Kind of a self portrait/studio scene. Certainly some bears in the background sketches (and even a decorated trash can) that recall my first story submission for
Practically Perfect Pajamas :) While I've never really done a book with
quite this much detail, there is something about it that I really love. Enjoy!
For some reason, I've been really interested in user interface design (probably because I'm a graphic designer and I'm practically inseparable from my iPad). And when I run across an especially bad design in a app, I really get an itch to "fix" it. Problem is, the vast majority of them are poorly designed.
Chess games being no exception. Additionally, though, I thought the subject matter would lend itself to some pretty fun visuals and illustrations.
By: melanie977,
on 7/26/2014
Blog:
Sugar Frosted Goodness
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It's always great fun to create a piece of work, simply for your own enjoyment.
Grabbing some time to experiment with new techniques also keeps your portfolio fresh.
Air Australia is a promo piece that I'm going to be using for my postcards and prints.
Please visit my portfolio to see more work.
By:
Roberta Baird,
on 7/25/2014
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A Mouse in the House
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How strange that Nature does not knock, and yet does not intrude! ~ Emily Dickinson
I’ve been working on a Halloween book for Pelican Publishing so I’ve been a little absent from the blog. I just popped in to say hello! Hello!
By: Heather Ryerson,
on 6/13/2014
Blog:
Illustration Friday Blog
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Isabelle Arsenault’s illustrated children’s books Migrant, Spork, and Virginia Wolf have been much praised and received numerous awards, including two Governor General’s Awards. Her children’s graphic novel Jane, the Fox, & Me was published in 2013. She lives and works in Montreal.
See more of her work: Portfolio | Blog
In our Early Theme Adopters series, we focus on bloggers creating great-looking sites with the most recent additions to our Theme Showcase. Today, let’s visit some of the sites that are already using Illustratr, a stunning, modern theme perfect for portfolio sites and blogs alike.
By:
Roberta Baird,
on 4/22/2014
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A Mouse in the House
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By:
Roberta Baird,
on 3/24/2014
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A Mouse in the House
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For in the true nature of things, if we rightly consider, every green tree is far more glorious than if it were made of gold and silver. ~Martin Luther
By:
Roberta Baird,
on 1/10/2014
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A Mouse in the House
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The Great Gitana… in color.
I’m learning to live with the lines and imperfections in an illustration, and trying some new techniques. There’s always something to learn.
By:
Roberta Baird,
on 9/12/2013
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A Mouse in the House
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He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for him like a flower and the incarnation was complete. ~ The Great Gatsby
By:
Roberta Baird,
on 5/29/2013
Blog:
A Mouse in the House
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Speaking of books, nice segue huh?
It’s going to be beautiful when it’s done. I’m really proud of what it’s shaping up to be, but sometimes you just have to take a break and sketch a bunny.
A bunny with a floral head dress. Because…. well she’s what popped out of my pencil!
By:
Roberta Baird,
on 5/1/2013
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A Mouse in the House
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Oh, how I would love to work in YA novels. I hope one day to get the chance.
But until then, I’ll keep practicing. Here’s a sketch, I started while waiting in the car for my daughter. Such fun inspiration to draw… and those tween kids are rich in expression!
www.robertabaird.com
By:
Roberta Baird,
on 3/13/2013
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Call me, don’t be afraid you can call me,
Maybe it’s late but just, call me.
Tell me and I’ll be around.
www.robertabaird.com
Most of the adults who sign up for my writing classes have the same goal: to get a book published by a traditional publisher. They're usually shocked to learn what a long, slow process book publication typically is, whether they're working on a picture book or a novel. To help cope with the wait, I recommend they work on building a portfolio of writing credits they can mention in their cover/query letters. On Monday, Esther shared links to information on how to get published in Highlights magazine. Highlights is a well-respected magazine that's been around for years, and an impressive credit to include in your writing portfolio. Unfortunately, that means they receive a huge volume of submissions, making them a tough market to break into. I like to remind my students that there are other children's magazines, many of them more open to material than Highlights or the Cricket Magazine Group, which publishes high-quality magazines for toddlers to teens.

One of my favorite lesser-known children's magazines is
Pockets, published by
The Upper Room, for 6 to 12-year-olds. Like
Highlights,
Pockets runs
an annual fiction contest. They also accept a variety of material, including fiction, nonfiction, poetry, puzzles, and activities. Although
Pockets is a Christian magazine, not all content is explicitly religious. I recall studying a sample issue years ago that happened to include a story that had won their fiction contest. It was a wonderful story about a girl learning to accept her new stepfather. I don't believe it mentioned God at all.
As it says
on the Pockets website:
"Each issue is built around a specific theme with material that can be used by children in a variety of ways. Submissions should support the purpose of the magazine to help children grow in their faith, though all submissions do not need to be overtly religious."
The magazine's
monthly themes are listed on their website, along with a submission deadline for each issue. To paraphrase something I heard Richard Peck say years ago, "A deadline is a writer's friend." When I first learned of
Pockets and their theme/deadline list, I submitted some theme-related puzzles. To my delight, they were accepted! That success led me to try my hand at writing a short story specifically for an issue focusing on "prejudice." They accepted that piece, and "The Cupcake Man" became my first published children's story.
Pockets also published my first children's poem. (Is it any wonder why I'm so fond of this magazine?)
Of course, the key to success when writing for
Pockets or any other magazine is to study several issues so that you can draft a submission that fits with the magazine's overall feel. You should be able to check out copies of well-known magazines like
Highlights and
Cricket at your public library. For smaller magazines like
Pockets, you can usually request a sample copy from the publisher. Instructions for doing so are often listed in the "Magazines" section of the annual
Children's Writer's & Illustrator's Market (Writer's Digest Books). You may be surprised by the number and range of magazines you'll find listed there. If you're a member of SCBWI, you can also download the latest
SCBWI Magazine Market Guide, which also includes general tips on writing for magazines.
Besides magazines, another good market for building your writing portfolio is the
Chicken Soup for the Soul series of books. Their upcoming titles are listed
on their website along with their submission deadlines. (Remember: Deadlines are our friends!) When Chicken Soup put out a call for the book
Teens Talk High School: 101 Stories of Life, Love, and Learning for Older Teens, I submitted a poem in two voices called "Questions," which they accepted. My Writing Buddy, Leanne Pankuch, recently had her
second Chicken Soup story published in Hooked on Hockey. Again, to place a story in a Chicken Soup book, it's important to study past issues, and also to carefully
read their guidelines. While Chicken Soup stories are nonfiction, they must read like well-crafted fiction--with a beginning, middle, and end; action; dialogue; conflict, a theme, etc.
By the way, all the markets I've discussed today pay for your writing. While it's not exactly a "
pot of gold," receiving payment for our work is affirming. And it has given many of my former students the confidence to say "I am a published author," even as they wait for their first book contract.
Don't forget: there's less than a week left to enter for a chance to win an autographed copy of JoAnn Early Macken's,
Write a Poem Step by Step. See
JoAnn's guest post for details.
Happy writing!
Carmela
Hey, remember that super-awesome Snow White book cover I did a while ago? Of course you do. But I'm sure you want to see it again here.
Well, I also had this other Snow White illustration started a loooooong time ago, even before the aforementioned super-awesome book cover, just lying around waiting to be finished. Sooooo I finished it! I had to tweak Snow White's look to match the cover, and add a corresponding border, and ta-daaaa!
I'm in the process of revamping my website (not a real re-design, mind you, just rebuilding it to give it a bit more functionality on my end) and a big part of that is rifling through all my portfolio pieces.
Isn't that the worst, though? I hate trying to decide what I want to be "out there", representing me to the rest of the world.
Along the way, I came across a simple illo I did for Illustration Friday a while back, and thought it might be fun to update it a bit: add some type, textures, etc. Then I ended up doing another companion piece to it.
Do you need a better way to share your published articles, stories and excerpts online? Contently has a free tool t0 upgrade your online writing portfolio.
On today’s edition of the Morning Media Menu, Social Times editor Devon Glenn discussed Contently’s new Portfolio+ network. Glenn also shared advice for making your portfolio look its best online. Follow this link to sign up for the new service.
Press play below to listen to the podcast. Here’s more from SocialTimes: “Writers, like designers, are asked to show samples of what they can do before they are hired … Contently’s design gives freelancers who might be overlooked on other sites a chance to show, not tell, what they can do. (It’s a phrase that writers hear a lot!) Writers can search for their stories online or enter them manually into the system. A flexible interface displays the images, text excerpts, and share counts for Web articles on one page that writers can adjust to suit their needs. Old-school journalists can also upload copies of their print work.”
continued…
New Career Opportunities Daily: The best jobs in media.
By:
Roberta Baird,
on 9/7/2012
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A Mouse in the House
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My imagination doesn’t requires anything more of the book than to provide a framework within which it can wander. ~Alphonse Daudet
By:
Roberta Baird,
on 8/7/2012
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A Mouse in the House
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It was said that Golvar came from gypsy stock, although no one knew for sure.
What was known about Golvar was that this was a mouse with a taste for gold.


By:
Roberta Baird,
on 7/13/2012
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A Mouse in the House
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Not all who wander are lost.
~J.R.R.Tolkien

Scholastic News, October 2011
By:
Roberta Baird,
on 7/6/2012
Blog:
A Mouse in the House
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ardour,
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Ardour, the snow maiden. Based on a character from the retelling of a fairytale written by Jonathan Keats.
By:
Roberta Baird,
on 6/29/2012
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A Mouse in the House
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Soft moss a downy pillow makes, and green leaves spread a tent,
Where Faerie fold may rest and sleep until their night is spent.
The bluebird sings a lullaby, the firefly gives a light,
The twinkling stars are candles bright, Sleep, Faeries all, Good Night.
~Elizabeth T. Dillingham, “A Faery Song”
A faery has to refresh himself somewhere…. wouldn’t it be fun to stumble upon one of these!
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Hm, every time I read these posts, I drool for a beautiful minimalist theme! But I chose my themes partly because navigation and interaction for visitors was transparent. I haven’t chosen many swoon-worthy themes because I feel that in the balance, visitors, especially from outside WP, won’t be able to navigate the site on account of the ‘hidden’ menus, though I realise they’re hidden to showcase the work. Am I completely wrong about this?
With Illustratr, your primary menu can actually still be visible near the header if you want it that way (that’s how the featured bloggers here use it). As for ‘tucked’ / hidden menus on other themes, it’s really a personal call — some visitors might find those less intuitive to find and use, though it’s also true they’ve become quite common of late.
Illustratr keeps popping up everywhere I look lately. Love the different looks you can get.
Would love to see a theme specifically geared for flip books.