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26. Desperate Characters/Paula Fox: Reflections



I read four books while I was away (beyond all that I read about Berlin). I reported on the first—If I Loved You, I Would Tell You This, Robin Black's crisp and smart debut short story collection—here. I'll be reporting on the others (The Paris Wife (hmmmmm) and The Coffins of Little Hope (a marvel!)) in days to come.

But this very early morning, I'm reflecting on the scouring brilliance of Paula Fox's Desperate Characters. It's a book I'd always meant to read, an author whose story I have followed.  That doesn't mean that I was prepared for the hard, bright smack of Fox's sentences, the relentless disintegration of a domestic arrangement that may or may not hold. We have Jonathan Franzen to thank for helping to bring Desperate Characters back into print and wide circulation. We have, in the Norton edition, his essay that suggests that the book is, "on a first reading," "a novel of suspense."

As the novel opens, Sophie Brentwood is bitten by a stray cat; Sophie's hand swells. Sophie should have the hand checked, but she is afraid.  She can imagine dire consequences—rabies, even death—but other underlying fears persist and complicate.  Three days will go by, and the wound will keep molting, oozing, disfiguring, haunting, and this is the running tension—this cat bite, this not knowing, this unwillingness to find out, this false hope that comforts lie elsewhere (in drink, in friendship, in secrets, in lashing out).  Into this strange, unsettling frame Fox inserts the fractures of a marriage in naked near stasis. Sophie and her husband, Otto, are childless.  Otto is abandoning a business partnership with a long-time friend, Charlie—bating him, hating him, feeling abandoned and abused by him. Brooklyn, finally, is scathing and scabrous and ill-equipped, in these late 1960s, to wrap this couple in a numbing sheen.

Sophie and Otto know too much. They see too much. They both despise excessively and love forlornly.  Is this all that marriage is? All it offers? Is there refuge among the refuse? In whose arms can one trustingly take shelter? Desperate Characters is a brutal book, a lacerating book, and if that makes it a hard book to read, it also makes it an impossible book to put down. I, for one, read the bulk of it while being jostled about during a long wait at the Berlin airport.

There are easy books, and there are hard books, and I will be honest: I prefer the latter.  I want to be tested.  I want to think.  I want to study a book and ask, in awe, How in the world was this made?  Desperate Characters has me asking.

2 Comments on Desperate Characters/Paula Fox: Reflections, last added: 6/22/2011
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27. Writer's Block and how to find a way out of it

Philip Pullman doesn't believe in it. "Carpenters don't get carpentry block." He argues that we shouldn't be so precious about what we do. Instead we should just treat writing like a job of work and get on with it.
James Kelman's advice boils down to the same thing. He says that the only way to defeat the blank page is to write even when it's the last thing you feel you are capable of doing. Even when all you can write is - I don't know what to write. The mind hates a vacuum and something will come out of it...not a very good something perhaps, but something all the same and writing always has to be better than not writing. Remember the wise words of the great short story writer Katherine Mansfield.

Far better to write twaddle or anything, anything, than nothing at all. 

And inspiration only strikes when you are already at the keyboard or have a pen in your hand.Jonathan Franzen has a different take on the subject. In a question and answer session at the famous New York creative hub, Gotham City Workshop, he says that it could be a sign that you're writing the wrong thing.
It happens when I'm trying to write something that I'm not ready to write, or that I don't really 'want' to write. And there's no way to discover my unreadiness or unwillingness except to try and fail.
I would certainly endorse that trying and failing bit. You can't write in your head. It only counts when paper is involved at some stage. All the thinking about a story won't tell you if it works: only putting one word after another can do that.
But I think perhaps we do need to give ourselves permission to have a break from a story that is being particularly difficult. If it is stuck then staying around may make the the mud thicker and stickier....but it has to be a real break: not writing doesn't count. You have to take the writer part of yourself off to a different world and a different story. Only then will you be able to see if you need a holiday or a divorce.

Click on the title of this post to read all of Franzen's Q&A session

2 Comments on Writer's Block and how to find a way out of it, last added: 5/24/2011
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28. Not perfection (and Jonathan Franzen on David Foster Wallace)

This is not my yard.  This is the perfect lawn of Chanticleer Gardens, where two of my books take place and many of my other books have been considered.  This is the lawn children tumble down, the lawn my own Chanticleer students once traversed as they made their way from prose poems to villanelles.

This is also not my life—this quiet, green perfection.  My life is more like last night—those 45 minutes of sleep that I finally got—or more like this morning, when, after deciding that further sleep was not an option, I turned on my computer only to experience a three-hour computer crash.  My email files have now been restored, thank you very much.  But it's 11:20 AM, and I have not dressed for the day.

What I have done, while wading through no sleep and no connectivity is to read and blurb a book, to talk to my father, and to read Jonathan Franzen's essay, "Farther Away," in last week's The New Yorker.  This is the piece my dear student brought to me on Tuesday.  This is the quality of work she finds inspiring.  And no wonder.  I share with you now the passage my student read aloud to me, on that gray day, in that dark and too-cold room, her voice the warmth, her presence the light.  It's Franzen reflecting on David Foster Wallace:

People who had never read his fiction, or had never even heard of him, read his Kenyon College commencement address in the Wall Street Journal and mourned the loss of a great and gentle soul.  A literary establishment that had never so much as short-listed one of his books for a national prize now united to declare him a lost national treasure.  Of course, he was a national treasure, and, being a writer, he didn't "belong" to his readers any less than to me. But if you happened to know that his actual character was more complex and dubious than he was getting credit for, and if you also knew that he was more lovable—funnier, sillier, needier, more poignantly at war with his demons, more lost, more childishly transparent in his lies and inconsistencies—than the benignant and morally clairvoyant artist/saint that had been made of him, it was still hard not to feel wounded by the part of him that had chosen the adulation of strangers over the love of people closest to him.
What we learn from our students.  What they yield.

2 Comments on Not perfection (and Jonathan Franzen on David Foster Wallace), last added: 4/24/2011
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29. Jonathan Frazen Writes About David Foster Wallace’s Suicide

For a limited time, The New Yorker will give Facebook fans free access to a Jonathan Franzen essay about his relationship with the late David Foster Wallace. Follow this link to access the essay.

Here’s an excerpt: “The people who knew David least well are most likely to speak of him in saintly terms. What makes this especially strange is the near-perfect absence, in his fiction, of ordinary love. Close loving relationships, which for most of us are a foundational source of meaning, have no standing in the Wallace fictional universe.”

What do you think about the provocative essay? Last week, we found a number of tax tips hidden inside The Pale King–Wallace’s unfinished novel about the lives of IRS agents.

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30. Jennifer Egan Wins 2011 Tournament of Books

Today A Visit From the Goon Squad by Jennifer Egan has won the 2011 Tournament of Books at The Morning News–a round robin competition that pits books against books every March.

A team of literary judges decided each round of the competition, and all the judges voted on the final two books: Jonathan Franzen‘s Freedom and Egan’s novel. Egan earned nine votes; Franzen earned eight.

Andrew Womack concluded the contest with this vote: “How fortunate to find two books in the championship so comparable—both spanning decades (or beyond) and heavily centered on music. For me, this decision comes down to pacing, and Franzen is the Pink Floyd to Egan’s Sex Pistols; by the end of Freedom I couldn’t take another meandering guitar solo, while I was dazzled by how much Goon Squad packed into such a compact space.”

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31. Jennifer Egan Wins 2011 Tournament of Books

Today A Visit From the Goon Squad by Jennifer Egan has won the 2011 Tournament of Books at The Morning News–a round robin competition that pits books against books every March.

A team of literary judges decided each round of the competition, and all the judges voted on the final two books: Jonathan Franzen‘s Freedom and Egan’s novel. Egan earned nine votes; Franzen earned eight.

Andrew Womack concluded the contest with this vote: “How fortunate to find two books in the championship so comparable—both spanning decades (or beyond) and heavily centered on music. For me, this decision comes down to pacing, and Franzen is the Pink Floyd to Egan’s Sex Pistols; by the end of Freedom I couldn’t take another meandering guitar solo, while I was dazzled by how much Goon Squad packed into such a compact space.”

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32. What Is the Future of the Book Review?

Friend of the blog Stephen Parrish passed along a PW link about Washington Post book reviewer Ron Charles and his popular (and funny) video reviews.

Here, for instance, is his review of FREEDOM by Jonathan Franzen:



It got Stephen (and me) to thinking... what is the future of the book review? Do you read reviews? And which kind?

Is Charles' embrace of a non-print format a further sign this is the end of the road for the print review? Or is he breathing new life into them?

53 Comments on What Is the Future of the Book Review?, last added: 3/16/2011
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33. Judging Salon’s Good Sex in Fiction Contest

Salon chose eight novel excerpts for its first Good Sex in Fiction Contest, and asked Louis Bayard, Walter Kirn, Laura Miller, and me to judge and discuss them. I ranked the Franzen highest, and also outed myself as a total pervert.

The problem with these excerpts is — and I didn’t entirely realize this until I started reading for the contest — that the sex I respond to most in fiction is really fucked-up. It’s definitely not that I want to experience the anonymous sexual assaults of Nicholson Baker’s The Fermata (though I confess, I did think that book was hot, in its autistic way), or get involved with a porn-obsessed televangelist as in A.L. Kennedy’s Original Bliss, or abduct a man and use him as my sex slave, as in Rupert Thomson’s The Book of Revelation, but those stories stay with me because they reveal something incredibly dark and twisted and, to me, true about desire and obsession. I like fiction, whatever the subject, that exposes the surprising longings its characters harbor in their heart of hearts. Mary Gaitskill’s “The Other Place,” in the latest New Yorker, is a perfect example, though it’s not actually about sex at all.

You can read the contenders, the winner (from my pal James Hynes’ Next), and our discussion over at Salon. For more distorted sexuality in fiction recommendations, see The Paris Review Daily’s latest advice column. I also love my friend Alexander Chee’s fabulously disturbing and complex Edinburgh. And finally, I re-recommend James Hynes’ piece on “The Dreamlife of Rupert Thomson.”

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34. Oprah Winfrey’s Double Dickens Book Club Pick

Oprah Winfrey picked a classic double header for her latest book club selection, choosing Charles DickensGreat Expectations and A Tale of Two Cities.

During her announcement, Winfrey noted: “I’m going old, old school … Normally I only choose books that I have read, but I must shamefully admit to you all that I have never read Dickens.”

Winfrey will use Penguin’s new $20 paperback containing both books and nearly 800 pages. Amazon noted yesterday they have free Kindle editions of both titles. Penguin offers a $7.99 digital edition that includes illustrations, author background, and historical information.

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35. Ten Writers Receive $50,000 at 2010 Whiting Writers’ Awards

Last night The Mrs. Giles Whiting Foundation gave ten writers $50,000 each for the  2010 Whiting Writers’ Awards–celebrating “exceptional talent and promise in early career.” The complete list (and bios) of the authors follows below.

During the ceremony at the Morgan Library & Museum Foundation president Dr. Robert L. Belknap told the winners not to worry about finding blockbuster audiences. “Perhaps they will become incredibly important to a readership that hasn’t even been born yet,” he explained.

Keynote speaker Peter Matthiessen reassured the nominees with tales of his own successes and failures. The great writer shared a rejection note with the recepients: “Dear Peter, James Fenimore Cooper wrote this book 150 years ago, but he wrote it better.” Matthiessen (pictured)  laughed as he recited the note from memory: “Right then, I could have used a Whiting.” Stay tuned for video coverage from the ceremony over the next few days.

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36. Should Tyra Banks Review Books in a Post-Oprah World?

Plenty of celebrities–from Kristen Bell to Elizabeth Banks–have tweeted about Suzanne CollinsHunger Games trilogy. But, not all of them have their very own talk show. That’s what sets Tyra Banks apart from all the rest. You can read Banks’ Twitter book review in the image embedded above: “Soooooo good!!!”

Shelf Life poked fun at the review: “That is especially impressive, since six o’s and three exclamation points is the highest possible score in Tyra’s rating system. (By comparison, she thought Twilight was ‘Soooo good!!’ and she broke with critical consensus by only giving the new Franzen a tepid ‘Soo good!’)”

Oprah Winfrey chose Jonathan Franzen‘s Freedom as this year’s book club pick. Could Banks review books in a post-Oprah world?  Some feel that with or without Oprah, publishing will go on.

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37. NaNoWriMo Boot Camp: Goals and Obstacles

Alright, men and women. Day Two of Boot Camp!

You have your novel idea. Now it's time to fill it page in and page out with various events that keep the reader's interest. How exactly do you do that?

Novels don't just spill themselves onto the page (or at least they shouldn't!). It's best to make sure that on every page, in every scene, and in the novel as a whole, every character has their own set of goals that they're striving for and obstacles in their way.

Goals and obstacles. Goals and obstacles. It's crucial to know what your characters want and what is thwarting them.

Step 1: What does your protagonist want? It could be to save the world, it could be closure on an especially difficult issue, it could be romance, it could be to finally figure out who the Cylons are no seriously this time. But even better if your protagonist wants more than one thing, and these things could very well be at odds with each other at times. The ultimate, most important thing they want should be achieved (or not achieved) in the climax.

Step 2: What is standing in your protagonist's way? Obstacles reveal the true personality of a character. Are they ingenious? Stubborn? Clever? The way someone deals with conflict and adversity shows a great deal about their true character. Placing roadblocks in front of your characters at (nearly) every opportunity will show you and the reader who they really are. The biggest obstacle in their way should be faced in the climax.

Step 3: What do they value the most? Your protagonist should be in conflict not just with the world, but also within themselves. The battles and travails along the way should reveal the things that they care most about and their true qualities. Best of all, they should have to give up something important in order to get the thing they want the most.

And don't stop with your protagonist! Every character should have their own set of goals, obstacles, and ultimate values.

Jonathan Franzen is a master of goals and obstacles. If you look at nearly every scene in FREEDOM, every character has a goal that they approach a scene with (and it's a goal that the reader clearly understands), and we read on to see if they will obtain it. Often they are blocked by not only another character, but also by themselves.

When in doubt while you're writing your novel: throw an obstacle in your protagonist's path. Your reader will thank you for it.

For further reading:

What Do Your Characters Want?
On Conflict
John Green and Dynamic Character Relationships
Sympathetic vs. Unsympathetic Characters
Setting the Pace
Character and Plot: Inseparable!
38. Jonathan Franzen Goes to Washington & Meets President Barack Obama

ABC News senior White House correspondent Jake Tapper caught Jonathan Franzen at the White House this afternoon. Here’s more from report: “Spotted leaving the White House Monday afternoon: Jonathan Franzen. Asked how his meeting with the president went, the celebrated author of ‘Freedom’ said ‘delightful.’”

Everybody in the literary blogosphere has been speculating what the President and the novelist discussed. This GalleyCat editor hoped they discussed one of the most popular passages in Franzen’s new novel, Freedom.

According to Amazon, 300 Kindle users underlined this passage in Freedom, the perfect election season quote: “He became another data point in the American experiment of self-government, an experiment statistically skewed from the outset, because it wasn’t the people with sociable genes who fled the crowded Old World for the new continent; it was the people who didn’t get along well with others.”

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39. Back!

Whew! Back in the office, where I returned to the sound of 421 queries simultaneously shouting "Hi! Hi! Where have you been?!" from my Inbox. Needless to say, query response time is going to be delayed for a while. Not least of which due to the monumental jet lag that led me to arrive at the office at 6:15 this morning since, hey, I was wide awake anyway!

Also, while away I entered the ranks of those who have read Jonathan Franzen's FREEDOM. Loved it. Seriously. That guy really knows human beings. Frankly I'm surprised he can walk down the street with that much awareness of what makes every single person around him tick. It's no wonder he loves bird watching.

But more on that when my brain knows what time it is.

Lastly, a major THANK YOU to the incredible lineup of guest posters for their amazing series of posts. I don't know that this blog has had a better week in its history. Thank you thank you.

42 Comments on Back!, last added: 10/22/2010
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40. National Book Award Finalists Announced for 2010

This morning the National Book Foundation (NBF) announced the finalists for the 2010 National Book Awards. Novelist Pat Conroy made the official announcement at the Flannery O’Connor Childhood Home in Savannah, Georgia.

Many were surprised to see Jonathan Franzen‘s critically acclaimed novel Freedom did not make the cut.  In a pleasant fiction surprise, Karen Tei Yamashita‘s I Hotel earned a nomination for  indie publisher, Coffee House Press.

The LA Times broke the news this morning. We’ve updated our original post with the NBF’s official list. Follow this link for more details.

Fiction
Peter Carey, Parrot and Olivier in America (Alfred A. Knopf)
Jaimy Gordon, Lord of Misrule (McPherson & Co.)
Nicole Krauss, Great House (W.W. Norton & Co.)
Lionel Shriver, So Much for That (Harper, an imprint of HarperCollinsPublishers)
Karen Tei Yamashita, I Hotel (Coffee House Press)

Nonfiction
Barbara Demick, Nothing to Envy: Ordinary Lives in North Korea (Spiegel & Grau, an imprint of The Random House Publishing Group)
John W. Dower, Cultures of War: Pearl Harbor, Hiroshima, 9-11, Iraq (W.W. Norton & Co.)
Patti Smith, Just Kids (Ecco, an imprint of HarperCollinsPublishers)
Megan K. Stack, Every Man in This Village Is a Liar: An Education in War (Doubleday)
Justin Spring, Secret Historian: The Life and Times of Samuel Steward (Farrar, Straus & Giroux)

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41. This Week in Publishing 10/8/10

Tento týden v publikování...

First off, thank you so much to everyone who entered the Guest Blog Contest Festival Event! There were actually so many spectacular entries that I decided to expand the number of contest winning slots. That's right folks, this blog is going seven days a week. Well. At least until I get back. So! Please come back tomorrow for the first guest blog post! I have notified the winners, but shant reveal them so as to preserve the surprise.

Also, there will be no Page Critique Friday this week or next as I'm out of the office. I'll be back on the 19th, enjoy the guest posts in the meanwhile.

Now then. Publishing news!

The biggest literary prize of them all, which you may know better as the Nobel Prize in Literature, was awarded to Peruvian Mario Vargas Llosa for "his cartography of structures of power and his trenchant images of the individual's resistance, revolt and defeat." He is the first South American to win the award since Gabriel Garcia Marquez in 1982. The US of A remains shut out since Toni Morrison's win in 1993.

In possibly just as big news, Jonathan Franzen had a tough week in the United Kingdom. First he discovered during a reading that the books that were printed were from an earlier draft and contained errors (HarperUK issued an apology). Then his glasses were stolen from his face. No. Really. Not joking. The perp was later caught, and Franzen didn't press charges. Don't miss Patrick Neylan's great roundup from the Guest Blog Contest.

The New York Post caught up with the owner of two of the most famous hands in the world: the hand model from the TWILIGHT COVER. (via GalleyCat)

In publishing economics news, the Wall Street Journal took a look at some of the factors behind declining advances in the publishing industry and their effect on literary fiction in particular. And a used book salesman who travels around scanning barcodes and trying to find profitable books talked about his profession and the unease and detachment he feels about his line of work.

And Malcolm Gladwell made some waves last week when he argued that social media is not an effective tool for social change. Writing for the New York Book Bench, Rollo Romig used Gladwell's article as a jumping off point to consider what social media and social change do have in common: narratives. And writing for Change O

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42. Jonathan Franzen Discusses ‘The Snatched Eyeglasses’ on NPR’s All Things Considered: UPDATED

Novelist Jonathan Franzen appeared on All Things Considered this evening to discuss the theft of his glasses at a book party. Follow this link to listen to the appearance. An excerpt: “Franzen told Kelly he doesn’t plan to press charges. ‘I’ve been laughing about the whole thing and observing the anguish secondhand,’ he said.”

We’ve linked to coverage of the theft–a prankster was arrested after stealing  the author’s glasses at a reading, but Franzen (pictured, via Greg Martin) won’t press charges.

The story has generated some controversy. LA Times staff writer Carolyn Kellogg called the story “the lamest book ‘news’ story of the year.” One-Minute Book Reviews editor Janice Harayda pointed out that U.K. taxpayers were complaining about the event in the comments section of The Bookseller.

One reader wrote: “How disgraceful! Not the fact that his glasses were stolen, but the fact that the police sent out a helicopter to try to catch the thieves! How much did that cost the tax paying public? Is this even newsworthy? Scraping the barrel Bookseller, you really are!”

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43. Jonathan Franzen’s Glasses Stolen; Ransom Note Left Behind

The literary blogosphere hummed with rumors all afternoon that someone had stolen Jonathan Franzen‘s glasses at a UK book party and left behind a ransom note.

After a flurry of Twitter posts, GQ had the first eyewitness account: “What happened next was more bizarre – a number of uninvited guests stormed the Pavillion, stole Franzen’s glasses from his face and left a ransom note. The police were called and were interviewing people outside. The note, seen by GQ, said the following:’$100,000 Your glasses are yours again!’ accompanied by a Hotmail email address. Franzen apparently has minus-eight vision so GQ can only suggest someone convert the ransom note to braille.”

You can follow all the excitement at the Twitter hashtag “Glassesgate.” Publishers Weekly has a great round up of the first flurry of Twitter reports.  We’ll keep you posted as the story develops.  Above, we’ve embedded a video of Franzen and his glasses in happier times. (Via Sarah Weinman)

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44. Australia, Freedom and the Power of Paperback

australia

It has been a very busy few weeks over here at BookFinds. To start, I was in the audience for Oprah’s Season Premiere and was part of the monumental show in which Oprah announced she was taking her entire audience to Austraaaaaaliaa! Yes, you heard that right. I am going to Australia for ten days with Ms. O and her audience of Ultimate Viewers. I make no secret of my love for The Oprah Winfrey Show and the Oprah Book Club in particular. I have read every single title and they have each had such a tremendous impact on my life at the time I was reading them. Well, sticking to that devotion, I am now reading Jonathan Franzen’s FREEDOM and have to say it might be one of the best books I have read all year! It questions how we look at our own freedom and challenges the belief that freedom is the path to happiness. I highly recommend you pick up this book because it will change the way you look at your world and make you see things in a completely different light. It is also a beautiful exploration into the way an ordinary life is actually extraordinary.

freedom

And finally, there was an interesting article in today’s Wall Street Journal about the perceived stigma of paperback originals. The writer points out that one book, in particular, that could change the way we look at paperback originals is David Nicholls critically acclaimed ONE DAY which was released in the US as a paperback original and has gone on to sell incredibly well.

oneday

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45. Franzen, FREEDOM and the Era of the Blockbuster

You may have heard from, oh, I don't know, the Time Magazine cover or the Vogue profile or the rave reviews or the Picoult/Weiner spat or the author video where Franzen says he doesn't like author videos or the fact that the President of the United States was spotted with it..... anyway, you might have heard that Jonathan Franzen has a new novel out today, his first since THE CORRECTIONS, and it's a pretty big deal.

I haven't yet read FREEDOM, but from the early reviews this novel is everything that our Internet-manic, high concept craving, supposedly dumbed down culture is not. It "[deconstructs] a family’s history to give us a wide-angled portrait of the country as it rumbled into the materialistic 1990s." (NY Times) It explores "the unresolved tensions, the messiness of emotion, of love and longing, that possesses even the most willfully ordinary of lives." (LA Times).

You can't exactly Tweet a summary of what this book is about. Whether you like Franzen's books or not (as you can probably tell: I'm a big fan), it's a novel that punches a gaping hole through the remarkably persistent idea that the publishing industry, and the culture as a whole, is only interested in high concept schlock and the lowest common denominator.

On the other hand, FREEDOM, in its bigness, in its You Must Read This To Be a Thinking Person in America, is already a novel of the times - the big books getting steadily bigger, accumulating hype with gravitational pull, and then there's everything else fighting for attention.

We seem to be a culture that is simultaneously craving books that fit our exact specifications at the same time that we want the shared experience of reading something, loving it, and sharing that experience with our friends (virtual and real life). Culture seems to be moving two contradictory ways - fracturing into ever-smaller niches at the same time that it's coalescing around a few massively popular books and movies. We normally think of the blockbusters in terms of James Patterson, Suzanne Collins, and Stephenie Meyer, but even in literary fiction you have your FREEDOMs and OSCAR WAOs.

And in a still further sign of the time, even though Franzen once said of his disdain for novels in e-book form, "Am I fetishizing ink and paper? Sure, and I'm fetishizing truth and integrity too," FREEDOM is available for sale as an e-book simultaneously with the hardcover.

What do you think? Will you be reading FREEDOM?
46. Obama’s Summer Reading

ObamaPresident Obama is taking a ten day vacation in Martha’s Vineyard with his wife Michelle and their two daughters. The President stopped in to the Bunch of Grapes bookstore in Vineyard Haven for some summer reading. He bought “To Kill a Mockingbird” and “The Red Pony” by John Steinbeck for the girls, as well as Suzanne Collins’ The Hunger Games.

For himself, he picked up the eagerly anticipated, highly praised and aptly titled “Freedom” by Jonathan Franzen. (This book does not go on sale for another two weeks but the store owner gave Obama an early review copy)

He even signed a copy of his book, “Dreams from my Father,” for a fourteen year old boy.

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47. This Week in Publishing 8/20/10

Lots of links! Let's get to them.

There were a few controversies this week in publishing. Firstly, if you have ever attended a conference with the fabulous YA Author Ellen Hopkins, you know that in addition to being a brilliant writer and storyteller she's also a terrific, honest, and inspiring speaker and devotes a huge amount of time to mentoring up-and-coming writers. So it was very distressing to hear that she was dis-invited from the Teen Lit Fest in Humble, Texas, due to a librarian's complaint. In the wake of the news about Hopkins, several additional writers subsequently withdrew from the event in protest.

Secondly, bestselling author Jody Picoult made some waves this week when she accused the NY Times Book Review of a white male literary fiction bias in the wake of Michiko Kakutani's rave about Jonathan Franzen's upcoming novel FREEDOM. While I leave it to you the reader to agree or disagree with this characterization of the NYTBR, PWxyz's Jonathan Segura recalled the Kakutani/Franzen spat of 2008: After Kakutani slammed Franzen's memoir THE DISCOMFORT ZONE, calling it, "an odious self-portrait of the artist as a young jackass: petulant, pompous, obsessive, selfish and overwhelmingly self-absorbed," Franzen shot back, calling Kakutani "The stupidest person in New York City."

And in further controversy (or is it?), industry sage Mike Shatzkin wrote a post that characterized print books, as "On a path to oblivion." The crucial takeaway: "Indeed, the insistence by some people that they will “never” give up the printed book — which leads to rather ludicrous glorification of the smell of the paper, ink, and glue and the nonsensical objections that the screen would be unsuitable for the beach (depends on the screen) or the bathtub (I can’t even imagine what the presumed advantage of the printed book is there) — must ignore the fundamental dynamic. Print books aren’t getting better. Ebooks are." No doubt there will be lots of reactions to this article, and we have already been discussing this in the Forums.

In further e-book news, Saundra Mitchell has a thoughtful take on a WSJ Journal article that speculates that ads and product placement could soon come to the e-book world, Apartment Therapy Unplggd surveyed the different e-reader apps on the iPad, and two new iPad-esque tablets seem to be on the horizon: one from Google (link via PubLunch) and one from HP.

Ever wonder if editors (or agents) have second thoughts after passing on projects? Well, of course

70 Comments on This Week in Publishing 8/20/10, last added: 8/23/2010
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48. Jonathan Franzen Doesn’t Like Author Videos

And he explains that in this author video.

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49. Jonathan Franzen on Cover of TIME Magazine

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According to MediaBistro’s GalleyCat, Jonathan Franzen has become the first living novelist to grace the cover of Time magazine in ten years. Novelist Stephen King was the last writer to hold to coveted spot, back in 2000.

Here’s an excerpt: “Franzen is a member of another perennially threatened species, the American literary novelist. But he’s not as cool about it as the otters. He’s uneasy. He’s a physically solid guy, 6 ft. 2 in., with significant shoulders, but his posture is not so much hunched as flinched. At 50 (he turns 51 on Aug. 17), Franzen is pleasantly boyish-looking, with permanently tousled hair.”

A complete list of all the authors that starred in Time cover stories follows below. Sarah Weinman reminds us that the online edition Lev Grossman’s cover story about Franzen is abridged. The online article explains: “This is an abridged version of an article that appears in the August 23, 2010, print and iPad editions of TIME magazine.”

Here is a list of author’s who have graced the TIME magazine cover.

Virginia Woolf (1937)
William Faulkner (1939)
Robert Frost (1950)
James Baldwin (1963)
John Updike (1968)
Norman Mailer (1973)
Alexander Solzhentisyn (1974)
John Le Carre (1977)
Michael Crighton (1995)
Toni Morrison (1998)
Stephen King (2000)
Jonathan Franzen (2010)

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50. Writing out of Loneliness

Memorialized this past week at New York University, David Foster Wallace, who recently died of an apparent suicide at the age of 46, was brought to fleeting life once more by those who knew him best—those who had received from him, learned from him, studied him, been sustained by him.

There is this line in the New York Times coverage that stopped me just now: "Mr. Franzen said he and Mr. Wallace, over years of letters and conversations about the ethical role of the novelist, had come to the joint conclusion that the purpose of writing fiction was “a way out of loneliness.”

I hold to that, too. I hold to fiction as a cure, or partial cure, or cause for hope, or essential distraction from the rain you wake up to, the doubts in your head, the daily desolation that you have not yet said what is most true, you have not yet crafted the story that reveals you. And therefore something waits. Therefore you must wake and you must write and you are not alone.

Your fiction is with you.

http://www.nytimes.com/2008/10/24/books/24wallace.html?_r=1&ref=books&oref=slogin

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