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Viewing Blog: Sergio Ruzzier, Most Recent at Top
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A Picture Book Blog
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26. Children’s Book Week is this week!

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27. The Good Girl’s Soliloquy

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28. A Letter for Leo

In the works…

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29. Happy National Library Week!

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30. “This friendship-not-fear tale is a natural for storytime or laptime.”

A great review of Bear and Bee on the Bulletin of the Center for Children’s Books:

Hungry little Bear would love some honey, which he’s kindly being offered, but he’s afraid of upsetting the dangerous bees. He thinks he knows what bees are: they are “terrible monsters. They are big and they have large teeth, and they have sharp claws, and they never share their honey!” The kindly critter offering honey points out that Bear is the one who’s big, with large teeth and sharp claws (“Poor me! I am a bee!” cries Bear), and then reveals himself to be an actual bee—who does indeed share his honey. Oversized fears are something kids can definitely relate to, and the book gently and tacitly addresses the topic while making an excellent layered joke that’s easily within youngsters’ grasp. They’ll enjoy knowing from the start what silly Bear doesn’t, and his moment of wrong-headed self-identification is preschool comedy gold. Ruzzier’s cozily uneven, very handmade lines are filled with opaque planes of soft digital color over full-bleed backgrounds to make a simple but warmly welcoming landscape. As usual, he has some subtle otherworldly touches (the botanicals are a little Seussian, and the bear’s imagined bee is pretty Martian), but those elements are counterpointed by the everydayness of both characters’ footwear (Bear in simple sandals, Bee in gym shoes) and their childlike gestures (Bee expressively deploys all four arms). This friendship-not-fear tale is a natural for storytime or laptime, especially if followed up by a nice honey-touched snack.

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31. The New York Times!

Children’s Books

Animal Error

‘Bear and Bee’ and ‘Have You Seen My New Blue Socks?’

From “Bear and Bee”
By PAMELA PAUL
Published: March 13, 2013

Sergio Ruzzier’s illustrations always manage to be soft and fluffy and kind toward children — without slipping into saccharine gauziness. In two new picture books, one written and illustrated by Ruzzier, the other written by Eve Bunting, Ruzzier’s spare pen-and-ink pictures charmingly enliven animal stories in just the way preschoolers like.

BEAR AND BEE

Written and illustrated by Sergio Ruzzier

48 pp. Disney-Hyperion Books. $14.99. (Picture book; ages 2 to 6)

HAVE YOU SEEN MY NEW BLUE SOCKS?

By Eve Bunting

Illustrated by Sergio Ruzzier

32 pp. Clarion Books/Houghton Mifflin Harcourt. $16.99. (Picture book; ages 3 to 7)

Both tales concern befuddled yet lovable animals, trying to bumble their way out of confusing circumstances. The pleasure for young listeners is getting to laugh at these characters, while at the same time feeling at once superior to and affectionate toward them. Isn’t it comforting to know that other creatures forget things, make mistakes and generally have the wrong idea?

For example, children derive great pleasure from those moments when a grown-up who can’t lay hands on his hat or keys or gloves finds the missing object close at hand. In “Have You Seen My New Blue Socks?,” observant readers will notice halfway through that the hapless green duck is wearing his sought-after socks inside his shoes; they’ve just kind of sunk below the heel. (Come on, it’s happened to you.) This isn’t the only story to make much of this particular silly-goose premise; another new picture book, “Mister Whistler,” by Margaret Mahy and Gavin Bishop, concerns a man whose lost train ticket is held all the while between his teeth.

[...]

In this bighearted landscape, everyone wants to help and no one is made to feel stupid or foolish — even at the inevitable moment of epiphany. As they did in their earlier book, “Tweak, Tweak,” Bunting and Ruzzier work together well, capturing preschool fears and uncertain sentiments but, in the end, making it all O.K.

While “New Blue Socks” is about mishap, “Bear and Bee” is about misunderstanding. [...]

When Bee points out that Bear actually fits this description, the stunned beast is forced to confront reality. “Poor me!” he wails. “I am a bee!” Ever the busy helper, Bee points out the error in Bear’s thinking. All is cleared up, honey is shared, friends are made. On the surface, this is a simpler tale than “Have You Seen My New Blue Socks?” though young readers who still haven’t completely distinguished their bears from their bees may be as mystified as Bear. But it does all get sorted out, sweetly, in the end.

Read the whole review on the NYT’s site.

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32. March 12th: Ignatius of Loyola and Coca-Cola, Blizzard of ’93 and Bear and Bee

Things that happened on March 12th:

1622: Ignatius of Loyola and Francis Xavier, founders of the Jesuits, are canonized as saints by the Catholic Church.

1894: Coca-Cola is bottled and sold for the first time in Vicksburg, Mississippi, by local soda fountain operator Joseph Biedenharn.

1993: The Blizzard of 1993 – Snow begins to fall across the eastern portion of the US with tornadoes, thunder snow storms, high winds and record low temperatures. The storm lasts for 30 hours.

2013: Bear and Bee by Sergio Ruzzier is published by Disney-Hyperion.

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33. At Books of Wonder

Yesterday I was at Books of Wonder in Manhattan for the first signing of Bear and Bee and Have You Seen My New Blue Socks? Thanks to all the nice people who came by and to all the staff! If you want to get a signed and doodled copy, you can get it from BoW’s website, clicking on the titles of the books in this post, above. Here’s what I saw as I entered the store.

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34. World Read Aloud Day

worldreadaloudday

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35. Bear and Bee activity sheets!

Click here BearBee_ActivitySheets  to download for free four activity sheets, courtesy of Bear and Bee! Feel free to make as many copies as you wish and share with your friends, students, patrons, etc.

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36. First signing for Bear and Bee and the Duck!

 

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Books of Wonder

18 West 18th Street NYC

Sunday March 10th 1pm-3pm

Picture book lovers get ready for a fun-filled afternoon featuring 6 picture book creators presenting their new works for you and your children. Beginning at 1pm, NANCY CARPENTER, award winning illustrator of over 30 picture books, and author EVA MOORE share their new title Lucky DucklingsNY Times bestselling author & illustrator, BRETT HELQUIST, introduces one seriously cranky farm animal in Grumpy Goat; author & illustrator LITA JUDGE shares the journey of a beloved Red Hat; author & illustrator STEVE LIGHT lifts off with Zephyer Takes Flight; author & illustrator SERGIO RUZZIER will delight with two new picture books — Bear and Bee, the story of a very hungry bear who has just woken up from hibernating, and Have You Seen My New Blue Socks, a charming, rhyming tale; and NY Times bestselling author & illustrator DAN YACCARINO powers up to introduce his new picture book, Doug Unplugged. Picture book fans will smile and laugh as this talented cast of picture book creators bring their books to life for young readers and listeners. Beginning at 1pm, the authors and artists will present their new books, answer questions from fans, and sign copies of all their great titles! Ages 3-6. Sunday, March 10th, 1-3pm.   

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37. “Bear!” says Bee. “It’s Read Across America Day!”

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38. Where was Eddie Hemingway?

I share a studio in Gowanus, Brooklyn, with four other authors/illustrators: Sophie Blackall, Brian Floca, Eddie Hemingway, and John Bemelmans Marciano. Do I need to say that they are all lovely and talented? Good.

Anyway: earlier today, Pen & Oink published a post about a recent studio visit. Among the many nice pictures, they also published a panoramic photograph of the studio itself, with everybody feverishly working at their desk, except for Eddie. Where was he when Robin Rosenthal took the picture? I finally solved the mystery: he must have been photoshopped out! Here’s the original photograph before it was retouched.

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39. Thumbnails, sketches, and more at 7-Imp

Please tale a look at Julie Danielson’s new post, with roughs, sketches, and finished art from my two new books.

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40. New site! New blog!


I've moved! Please come visit my new website and blog: ruzzier.com



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41. The four-star constellation of the Duck!

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42. The Sendak Fellowship

I originally wrote this piece for the March/April 2012 SCBWI Bulletin.

Among the very first books that I ever touched, were the five Little Bear books by Else Holmelund Minarik and illustrated by Maurice Sendak.  The bittersweet episode in which Little Bear thinks his mother has forgotten about his birthday was especially fascinating to me as a young child.  The story is touching and beautifully told, but what really got into my guts, and stayed there forever, are those perfect ink drawings.  The disappointment you could see on Little Bear’s expressions; the different personalities of Hen, Duck, and Cat; the melancholy of the humble birthday soup: all this is illuminated by Sendak’s pen in such a sensitive manner. The last time I took a good look at those drawings was years ago, but if I close my eyes I can still see them so clearly.

 

As an adolescent, I began imagining for myself a future as a visual storyteller of some kind.  Looking around for inspiration, I encountered Hieronymus Bosch, Alfred Kubin, Elzie Crisler Segar, George Herriman, Wilhelm Busch, and other artists in various fields. Since I didn’t go through any kind of formal education to speak of, these people and their work were fundamental in my artistic progress, for better or worse.  But when I sat down at my table to learn how to use that wonderful drafting tool that is the dip pen, I knew what to keep near at hand: Maurice Sendak’s drawings.
In Italy, where I was born and grew up, most of Sendak’s books were not nearly as popular as they were in the United States and elsewhere in the world.  Only when I moved to New York in the mid nineties did I fully understand the range and importance of his work.  I began collecting his books, which kept me company on my path to the profession.
One day in February of 2011, opening the mailbox to clear it up from the usual utility bills and advertisements, I found a curious item: a letter.  It was addressed to me, and bore the letterhead The Sendak Fellowship.  I opened it, expecting to read a request for a donation to a children’s literacy program or something of that nature.  Instead, the letter was an invitation to spend four weeks in Connecticut, in a house a few steps from Maurice Sendak’s, in the fall.  I would be given a studio where to work on my projects, if I felt like it.  In fact, there was no obligation to produce anything specific, or anything at all.  In addition to this, and to me most importantly, I would have a chance to meet Maurice Sendak.  Maurice Sendak!  I said yes, but I was scared.
The notion that Sendak actually knew my books enough to invite me to his place was unsettling.  I have always been afraid that one day I’ll hear a knock at the door and some stranger in a uniform, an Art Police officer, will notify me of my lack of qualifications and therefore my inadequacy to be in this business.  I will have to surrender my pen and nibs and my India ink, my watercolors and my paper.  Something like this might happen one day, and I was afraid the time had come.  Sendak himself was to notify me personally.
A few months before the fellowship began, I learned the names of the three other fellows who would be in Connecticut with me (four illustrators are invited each year): Denise Saldutti, Frann Preston-Gannon, and Ali Bahrampour. I was very familiar with Bahrampour’s picture book, Otto. The Story of a Mirror, a wonderful, truly original book.  I thought: if he is also being invited, maybe I don’t have to be too afraid.  After making that first book, he seemed to have disappeared from the children’s book world, so they couldn’t possibly want him out, as he already was out.  I began to think that the Sendak Fellowship must have been some kind of rehabilitation center for picture storytellers.  And for me, it was.
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Everything in my stay was delightful: the convivial atmosphere; the incredible kindness and efficiency of Dona McAdams and Lynn Caponera, who organize the program; my studio, with windows that looked into the woods, populated by birds, frogs, toads, turtles, chipmunks, deer, and very long and fat earthworms.  In that studio, I was able to draw and think freely, with no deadlines or pressure of any kind, just for the pleasure of it.
The main reason why I draw and tell stories is to be in that state of grace and intimate isolation you reach when you are completely immersed in your creation.  We all know it is often a delusive state, but still.  In that world that you are building, you want to be honest, you want to be true to yourself.  But when you make picture books for children, there are so many hurdles, taboos, things that you are not allowed to show or tell.  You get used to this notion; you come to accept it as a given; you censor yourself.  And you produce books that are not as good as they could be.  You forget why you are doing this.
Sendak reminded me that it doesn’t have to be that way.  He is a very warm, sweet and witty person, but also very honest.  He told me what he liked in my books and what he didn’t like. His main concern was that some of my choices were too safe and tame.  “You need to be brave,” he said to me. I tried to blame the publishers, and he did acknowledge that today’s industry, at least in the United States, is not as favorable and nurturing as it was forty or fifty years ago.  But that, he told me, should not be an excuse.  He is completely right, and I already knew that. But talking with him, while walking in the woods with his dog Herman, made me remember why I draw and tell stories.

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43. The four-star constellation of the Duck!

A new star was discovered today. It's called School Library Journal, and joins Kirkus, PW, and The Horn Book in the ever brighter constellation of the Duck.
















A small green duck has lost his new blue socks. He looks for them in his toy box and consults his friends the fox and the ox. He does not find them among other socks on the rocks, but his peacock friends help him find them. The short, repetitive rhyming sentences are a good fit for beginning readers, and the large trim size allows plenty of space for the watercolor and [pen] illustrations to provide clues to solve the humorous mystery. This is a whimsical delight for children whose parents clamor for phonics-based books.Laura Scott, Farmington Community Library, MI

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44. Julie Danielson interviews me on Kirkus














http://www.kirkusreviews.com/features/catching-sergio-ruzzier/

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45. Booklist: "Bear and Bee is wrapped in cuteness."

Bear wakes up hungry from hibernation, and the only food source in sight is a beehive. When the bee on top of the hive offers up his honey, Bear says, “But what about the bee?” See, Bear doesn’t actually know what a bee is—it’s certainly not the creature he is talking to—and his preconceived notions about bees include that they’re “terrible monsters!” with “large teeth” and “sharp claws.” [...] These two unlikely friends [...] are charmers [...]. This story about snap judgments is wrapped in cuteness, making it just right for the pre-school set. — Ann Kelley

How bees look in Bear's morbid imagination.

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46. Moon, Have You Met My Mother?

There was a thread on Twitter about Karla Kuskin recently. That made me feel a bit nostalgic. I consider myself very fortunate to have met her and chatted with her.

Here are a few pages from her big collection of poems. It was incredible to be picked as the illustrator.

 

 

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47. Booklist: “Bear and Bee is wrapped in cuteness.”

Bear wakes up hungry from hibernation, and the only food source in sight is a beehive. When the bee on top of the hive offers up his honey, Bear says, “But what about the bee?” See, Bear doesn’t actually know what a bee is—it’s certainly not the creature he is talking to—and his preconceived notions about bees include that they’re “terrible monsters!” with “large teeth” and “sharp claws.” [...] These two unlikely friends [...] are charmers [...]. This story about snap judgments is wrapped in cuteness, making it just right for the pre-school set. Ann Kelle

How bees look in Bear’s morbid imagination.

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48. The Maurice Sendak Community School



My friend Robin Rosenthal, talented designer and illustrator, emailed me a couple of weeks ago with some exciting yet still unofficial news regarding a new Public School in Park Slope, Brooklyn, NY. 
She, and other members of the pre-PTA, were trying to get all the necessary approvals in order to name the school after Maurice Sendak. 
Today, it's official: PS 118 will be named The Maurice Sendak Community School.
I believe this is the first school named after him (who was born in Brooklyn in 1928), and I am very curious to see how many others will follow in the next years.

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49. The Horn Book gave Duck another star!


It's Duck's third starred review after PW and Kirkus.
Bunting and Ruzzier team up again (Tweak Tweak, rev. 5/11), this time with rhyme and rhythm and imaginative illustrations that will bring inevitable comparisons to Dr. Seuss. [...] The reader or lap listener will enjoy pointing out the socks, as Ruzzier has hidden them in plain sight. The best way to experience this droll book is by reading the jaunty rhyme aloud. “I will ask my friend the fox. / ‘Have you seen my new blue socks?’” Later, Mr. Ox says, “Did you look inside your box? / Did you ask your friend the fox? / I may have seen your new blue socks— / I saw some socks down on the rocks.” It’s hard to resist, especially when the cartoon illustrations are so captivating in their absurdity. Duck’s expression is all in the eyebrows—such angst over a pair of socks has never been conveyed so well. Blues, teals, and greens are the background for the child-friendly, offbeat details Ruzzier has planted in the illustrations, including underwear, dog bones, and a painting ox. An accessible vocabulary and easy-to-sound-out words make this a perfect book for the newest reader, especially one with a grand sense of humor.  - Robin L. Smith

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50. A sample for a new book idea


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