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Digital Painting/Illustration Illustration for Children
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By:
elenacaravela,
on 11/20/2014
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A tribute to a sweet little wild bunny.
When she was quite small, she managed not only to survive four curious cats, a trip through the kitty door (which seriously scraped the fur and skin off her back), a harrowing escape through the living room, then out the front door. Weeks later, she took up residence in our front yard. She was clearly the same little rabbit, because of the reverse mohawk on her back, which (we were relieved to see), healed very nicely. She seemed familiar with us, the frantic humans from the house who expedited her getaway. On several occasions, she allowed us to approach, and was so relaxed in our presence, that she settled down a couple of feet away and bathed like a cat,taking time to thoroughly groom.

We haven’t seen her for a while. We’re hoping that she is safe, and is more wary of the dangers of cats and cars and humans. Hoping even more, that her curious and trusting nature didn’t lead her into another disaster, like a suburban Peter Rabbit.
We’ll be watching out for her this winter, ready with some extra bunny nutrition to help her through the coming snow storms. Ironically however, it would be better if she didn’t return. Better if her survival instincts took her a few blocks over to the river,where it’s a little more wild and a possibly a little bit safer.
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By:
elenacaravela,
on 11/13/2014
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Oil on Canvas 9″x12″
Borrowing from my watercolor practice, a small gestural oil.
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By:
elenacaravela,
on 11/13/2014
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Oil on Canvas 9″x12″
Borrowing from my watercolor practice, a small gestural oil.
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By:
elenacaravela,
on 11/8/2014
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“Shadow portrait” Oil on Canvas 16″x20″
Hands are so very unique to the individual and so expressive, that they can rival portraits of facial features This painting happened pretty quickly. I found painting it as satisfying as painting any other sort of portrait. The masking tape was fun to paint as well;)
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By:
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on 11/8/2014
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“Shadow portrait” Oil on Canvas 16″x20″
Hands are so very unique to the individual and so expressive, that they can rival portraits of facial features This painting happened pretty quickly. I found painting it as satisfying as painting any other sort of portrait. The masking tape was fun to paint as well;)
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Oil, cold wax on canvas 32″x48″
Newest in the “Blood and Vapor” Series:Who lingers within you? Have you ever felt an ancestral presence? The inescapable tie of family:hundreds of individuals, yesterday and today, here and gone. A powerful resonance or inconspicuous vapor?
All of us; humbled and glorious, simply human.
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Oil, cold wax on canvas 32″x48″
Newest in the “Blood and Vapor” Series:Who lingers within you? Have you ever felt an ancestral presence? The inescapable tie of family:hundreds of individuals, yesterday and today, here and gone. A powerful resonance or inconspicuous vapor?
All of us; humbled and glorious, simply human.
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By:
elenacaravela,
on 10/22/2014
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Portrait of R 12″x12″ Oil on Canvas
For those of you working in traditional oil paint and solvents, this experiment might be of interest to you. For this painting I used the least toxic solvent and medium I know of: Weber’s Turpenoid Natural and Liquiglaze Natural. They work! The upside is breathing a lot easier. The downside is a gloppy and heavier feel to the paint. My brushstrokes are visible, which for this painting, is just fine. The Liquiglaze does speed drying time and does respond as other glaze mediums but, not quite as well (in my opinion), if one is interested in a smoother and multi layered glaze. I have not mixed these “natural’ products with their more toxic cousins. And I probably won’t take my experimenting that far. Right now, I am reserving the “naturals” for projects that seem simpatico with their effects and what I’m trying to achieve. Perhaps with more practice I will be able to do myself and the planet a favor and use the “naturals” exclusively. BTW, Turpenoid Natural is fantastic for cleaning and conditioning brushes!
Other projects however, do demand Gamsol or Turpenoid and galkyd glaze mediums. I have however, just purchased a tube of Gamblin’s solvent-free gel. I’ll let you know how that works for me when I give it a go.
Does anyone have any experience or opinions on the efficacy of the “natural” less toxic products?
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Portrait of R 12″x12″ Oil on Canvas
For those of you working in traditional oil paint and solvents, this experiment might be of interest to you. For this painting I used the least toxic solvent and medium I know of: Weber’s Turpenoid Natural and Liquiglaze Natural. They work! The upside is breathing a lot easier. The downside is a gloppy and heavier feel to the paint. My brushstrokes are visible, which for this painting, is just fine. The Liquiglaze does speed drying time and does respond as other glaze mediums but, not quite as well (in my opinion), if one is interested in a smoother and multi layered glaze. I have not mixed these “natural’ products with their more toxic cousins. And I probably won’t take my experimenting that far. Right now, I am reserving the “naturals” for projects that seem simpatico with their effects and what I’m trying to achieve. Perhaps with more practice I will be able to do myself and the planet a favor and use the “naturals” exclusively. BTW, Turpenoid Natural is fantastic for cleaning and conditioning brushes!
Other projects however, do demand Gamsol or Turpenoid and galkyd glaze mediums. I have however, just purchased a tube of Gamblin’s solvent-free gel. I’ll let you know how that works for me when I give it a go.
Does anyone have any experience or opinions on the efficacy of the “natural” less toxic products?
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By:
elenacaravela,
on 10/14/2014
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Ribbon Study Oil on Canvas 16″x20″ A study, for another ribbon themed piece.
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Ribbon Study Oil on Canvas 16″x20″ A study, for another ribbon themed piece.
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By:
elenacaravela,
on 10/8/2014
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11″x14″ Oil on canvas
I’ve been fussing with this painting for weeks. Lots of thin layers, lots of glazing. I’m still not quite sure if it’s done. Time will tell me…
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11″x14″ Oil on canvas
I’ve been fussing with this painting for weeks. Lots of thin layers, lots of glazing. I’m still not quite sure if it’s done. Time will tell me…
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By:
elenacaravela,
on 10/2/2014
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12″x12″ oil on canvas
I’ve been weighing thicker and looser oil painting technique against thinner and more exacting. The former seems to push my color intensity to match the density of the paint. Despite the thick paint, I’ve glazed in places, joining a technique I’ve used only with thin layers, with a near impasto. A wake-up for my senses, or at least a new passage and practice.
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By:
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on 10/2/2014
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12″x12″ oil on canvas
I’ve been weighing thicker and looser oil painting technique against thinner and more exacting. The former seems to push my color intensity to match the density of the paint. Despite the thick paint, I’ve glazed in places, joining a technique I’ve used only with thin layers, with a near impasto. A wake-up for my senses, or at least a new passage and practice.
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By:
elenacaravela,
on 9/25/2014
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That’s what I’ve been doing-falling and dancing, dancing and falling. I’m painting with a fervent urgency. In the past month, I have worked through eight oil paintings. Four I’ve discarded, four are still in play. I’ll share with you what remains viable when I finish.
The transition of seasons reflects my process, lately. I’m hoping that pruning work that fails to stretch me this fall will result in stronger work come spring. Hope the new season inspires your creativity as well.
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That’s what I’ve been doing-falling and dancing, dancing and falling. I’m painting with a fervent urgency. In the past month, I have worked through eight oil paintings. Four I’ve discarded, four are still in play. I’ll share with you what remains viable when I finish.
The transition of seasons reflects my process, lately. I’m hoping that pruning work that fails to stretch me this fall will result in stronger work come spring. Hope the new season inspires your creativity as well.
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A quick self portrait. It’s not particularly flattering but it is indeed, me.
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A quick self portrait. It’s not particularly flattering but it is indeed, me.
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This one is more tightly wound than I would like. I was so enchanted with the light on the hair and face, that I got carried away. I should have gone alla prima with this. Instead I blocked it in (thinly under painted hues and values), and kept refining to achieve more detail, in order to work all those little hairs. If I were to paint this again, I’d let go of the detail, keeping the painting looser, in order to capture the feeling of joy and abandon. Instead, the expression took a back seat to all of those tiny little hair highlights.
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This one is more tightly wound than I would like. I was so enchanted with the light on the hair and face, that I got carried away. I should have gone alla prima with this. Instead I blocked it in (thinly under painted hues and values), and kept refining to achieve more detail, in order to work all those little hairs. If I were to paint this again, I’d let go of the detail, keeping the painting looser, in order to capture the feeling of joy and abandon. Instead, the expression took a back seat to all of those tiny little hair highlights.
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By:
elenacaravela,
on 8/27/2014
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I’ve been oil painting almost exclusively lately, weighing different techniques against one another. I tend to paint tight more detailed work only when it feels right to me, depending on what I’m trying to achieve. But, I must say that working alla prima-direct to surface, wet into wet in one session, like the painting above, is loads of fun.
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I’ve been oil painting almost exclusively lately, weighing different techniques against one another. I tend to paint tight more detailed work only when it feels right to me, depending on what I’m trying to achieve. But, I must say that working alla prima-direct to surface, wet into wet in one session, like the painting above, is loads of fun.
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By:
elenacaravela,
on 8/19/2014
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Oil on Canvas 11″x14″
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Hops right off the page! Lovely!
nice and lovely.. both.. story and paintings…
What a face, and what an adventure! Do hope she is safe . . .
Nice story you have Elena. — seemingly, your friend left good photo and beautiful
paintings as well. I guess, your friend might have found a mate and made a den
somewhere. — and one day, may comeback together with the litter next year.
Some people will do anything to be the subject of your portraits! Actually, a narrow escape from death sounds both exciting and probably fair.
Wonderful painting Elena – sweet. What a story, you guys are such a loving family. We seem to have several rabbits each year come and stay in our yard, think because we have so much vegetation – two places where they sleep the ground is totally smooth and I’ve caught them sleeping with their back legs sprawled out behind them like a dog. So darn funny, except that they mow down my perennials each year – but they’re cute.
Oh what a great story Elena and such sweet portraits. We have lots of wild bunnies but they do not approach too close if we are around. I have a story about a new baby arrival that happened this summer. I will post it on my Garden blog the first Wed. in December if you want to read it.
Wonderful! I love them…
Hope she’s OK.
Beautiful! You’ve really caught the essence of ‘bunny!’
Cute. I love the loose brush strokes, has a lot of movement.
Beautiful paintings, Elena. I love the colors! What a sweet tribute to that precious bunny!