by
Carmen Ferreiro-Esteban
A year ago I blogged about my idea of writing a paranormal story with “a wise older woman as the protagonist. Something like Buffy, the Vampire Slayer with the mother as the slayer,” as I put it then. (http://onpublishing.wordpress.com/2010/03/05/good-writers-borrow-great-writers-steal-t-s-eliot/)
Since then the paranormal genre has continued to explode, both in book format and in movies/TV shows. But, to my knowledge, no one has yet created my character, a strong middle-aged single mother of two teens who is also a writer.
And so, finally a year almost to the date since my previous blog on the subject, I have written it myself. In the tradition of Dickens and Conan Doyle, I plan to publish my story in weekly installments at my blogs: http://carmenferreiroesteban.wordpress.com/ and http://www.notreadyforgrannypanties.com/search/label/Garlic%20for%20Breakfast.
Please join me there.

by Carmen Ferreiro-Esteban
I have stressed before, in this blog, the importance of the opening sentence, paragraph and page in any story.
With hundreds of manuscripts to choose from, agents and editors read submissions with one thing in mind: a reason to reject them. That is why your beginning must be perfect, a hook to grab the readers, reel them into your world and let them begging for more.
If you think you have it, the perfect hook, I mean, and your story is aimed at young adults, you may want to send it to the Dear Lucky Agent contest running now at the Guide to Literary Agents Blog (http://www.guidetoliteraryagents.com/blog/).
The contest is open from Oct. 21 through the end of Wednesday, Nov. 3, 2010, EST.
Three lucky winners will get: 1) A critique of the first ten pages of their work, by the judge, Tamar Rydzinski, an agent at the Laura Dail Literary Agency. 2) A free one-year subscription to WritersMarket.com.
Good luck and Happy writing.

A picture/photograph shows us what we have already seen, maybe in a slightly different way, or shows us the impossible and shatters our assumptions, startling us.

Music sets the mood by appealing to our senses.
A movie combines both to tell a story: the images that create the world the characters inhabit, the music that elicit feelings. It has also words (dialogue) that communicate what the characters think.
Pictures, music and movies do not ask much of us. To look or listen does not require much energy.
Books, on the other hand, do not have pictures or music to lure us in. They only have words. Only words to paint a picture, to create a song.
Books demand action on our part and complete immersion, because the words must be processed by our brain to be translated into images and feelings. To do so, the brain calls on our knowledge.
That is why reading is, I believe, a more personal experience. And at the end, the most rewarding.

by
Carmen Ferreiro-Esteban
To tease or not to tease that is the question. Whether to hook the reader on the first page with a teaser, the introduction of a later scene where the life of the protagonist is in jeopardy, or to trust the reader to give you time to build the setting, the characters, the conflict at your own pace?
The purist in me think it’s cheating to do the former, and yet …
In the old times, when Jane Austen, Charles Dickens and Bram Stocker weaved their classic tales, teasers did not exist. The writers took their time to tell their stories with detailed descriptions, beautiful prose and long paragraphs, seldom broken by dialogue. And the readers stayed with them.
But in our times of twitter, text messaging, and Netflix, readers, teenagers specially, are not so patient. They give you one page tops before tossing the book for the easiest thrill of any of the a fore mentioned devices. So to add a teaser to hook the reader seems to me, an inevitable evil.
Stephenie Meyer did so in her Twilight series, and no one will argue, it worked well enough. She called it a Preface, not a teaser. But in that, she’s wrong. For as Wikipedia tells us “A preface (…) is an introduction to a book (…) (it) covers the story of how the book came into being, or how the idea for the book was developed. (…)” (http://en.wikipedia.org/wiki/Preface).
Yes Ms. Meyer was wrong. But who is complaining? The teaser, by any other name, accomplished its mission: to hook the reader.
And so it is that after giving it a lot of thought, I have decided to start my new YA fantasy with a teaser, not because I don’t trust the intelligence of my readers but because I recognize the pressure this vapid, high speed culture sets upon all of us.
I leave you then with my teaser (see below) and the question every writer asks, Would you read more?
They talk in whispers around me as we do around the dead, out of respect, I guess, or out of fear that our words would bring them back. But I’m not dead. I hear them and could, if I so choose, answer the ladies’ questions and join them among the living. Instead I block their voices and retreat inside my mind, to Father’s room, to the moment I first saw Mother’s broken body lying still against the wall, and the King’s guards, dragging Nowan away.
“He killed the queen,” Father says.
His laborious breathing is in my ear, his hands heavy on my arms, restraining me as if he fears that, left unchecked, I would run to him, to the boy who just killed Mother. But his fears are unfounded. I will not protect Nowan. Not after what happened this morning, not after I learned his love for me was but a lie.
My eyes follow the boy. There’s blood on his white shirt, blood on his hands, and a stream of blood runs from his nose, but there is no hate in his eyes now, no will to kill, only despair.
I look away from him and run towards the hearth, towards the place where Mother lies, calling her name.
“I should have killed him,” Father says, his voice hoarse with hate. “I should have killed him long ago, the day he first defied me.”
I hold Mother’s body in my arms, so foreign already in the stillness of death, and wish he had.
0 Comments on Would You Read More? as of 1/1/1900
Great post. Beautiful photography. I haven’t checked this blog for a while and am happy to see that it continues to have something interesting to say.