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Viewing Blog: EspressoLatteMocha, Most Recent at Top
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Friendly advice on writing and publishing from three passionate authors.
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1. Good Writers Borrow, Great Writers Steal (T.S. Eliot) Revisited

by

Carmen Ferreiro-Esteban


A year ago I blogged about my idea of writing a paranormal story with “a wise older woman as the protagonist. Something like Buffy, the Vampire Slayer with the mother as the slayer,” as I put it then. (http://onpublishing.wordpress.com/2010/03/05/good-writers-borrow-great-writers-steal-t-s-eliot/)

Since then the paranormal genre has continued to explode, both in book format and in movies/TV shows. But, to my knowledge, no one has yet created my character, a strong middle-aged single mother of two teens who is also a writer.

And so, finally a year almost to the date since my previous blog on the subject, I have written it myself. In the tradition of Dickens and Conan Doyle, I plan to publish my story in weekly installments at my blogs: http://carmenferreiroesteban.wordpress.com/ and http://www.notreadyforgrannypanties.com/search/label/Garlic%20for%20Breakfast.

Please join me there.


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2. From Requiem for a King

He stopped when we reached the river bank, and letting go of my hand, parted the reeds so very carefully. I saw it, then, white and slender, a bird made of light. It walked in the water on its long, slim legs, perfectly balanced, as if dancing to a music it could only hear.

“It’s beautiful,” I whispered.

From Requiem for a King by Carmen Ferreiro-Esteban


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3. Contest for a YA Novel

by Carmen Ferreiro-Esteban

 

 

 

I have stressed before, in this blog, the importance of the opening sentence, paragraph and page in any story.

With hundreds of manuscripts to choose from, agents and editors read submissions with one thing in mind: a reason to reject them. That is why your beginning must be perfect, a hook to grab the readers, reel them into your world and let them begging for more.

If you think you have it, the perfect hook, I mean, and your story is aimed at young adults, you may want to send it to the Dear Lucky Agent contest running now at the Guide to Literary Agents Blog (http://www.guidetoliteraryagents.com/blog/).
The contest is open from Oct. 21 through the end of Wednesday, Nov. 3, 2010, EST.

Three lucky winners will get: 1) A critique of the first ten pages of their work, by the judge, Tamar Rydzinski, an agent at the Laura Dail Literary Agency. 2) A free one-year subscription to WritersMarket.com.

Good luck and Happy writing.


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4. How to Critique a Piece of Writing (Art)

by Carmen Ferreiro-Esteban

The following is the best advice I ever read about giving and receiving criticism.

I found it at the Eastern PA chapter of the Society of Children Book Writers and Illustrators website (http://www.scbwiepa.org/critiques.html).

I think it is perfect as it is, so, without further discussion, here it is.

GIVING CRITICISM

Criticism should be constructive not destructive. “I didn’t like the way you wrote (or illustrated) that” is never valid criticism. It always helps a fellow writer or artist to know the strengths of a manuscript or illustration as well as the weaknesses. A compliment offered first softens a “constructive” negative to follow. Try to tell your fellow writer or artist why something doesn’t work for you and offer possibilities for change. Always be encouraging. Not everyone will respond to a manuscript or illustration in the same way. Those receiving criticism should remember that any suggestion offered can be accepted or rejected. The author or artist has the final word on what stays.

Remember that you are in a critique group to get feedback. Often, your words or pictures can surround you so you can’t see flaws in your work. Try not to be too defensive when you’re criticized; be good-natured about it. All creators feel protective about their “children”.
A critique group can remain strong only when the sanctity of that group is respected. Thus, it is never okay to use the ideas or the research done by another member, to impose upon their contacts in the publishing world, or to reveal to others outside of the critique group the work-in-progress without the author’s or illustrator’s express permission.




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5. Dare to Read by Carmen Ferreiro Esteban

A picture/photograph shows us what we have already seen, maybe in a slightly different way, or shows us the impossible and shatters our assumptions, startling us.

Music sets the mood by appealing to our senses.

A movie combines both to tell a story: the images that create the world the characters inhabit, the music that elicit feelings. It has also words (dialogue) that communicate what the characters think.

Pictures, music and movies do not ask much of us. To look or listen does not require much energy.

Books, on the other hand, do not have pictures or music to lure us in. They only have words. Only words to paint a picture, to create a song.

Books demand action on our part and complete immersion, because the words must be processed by our brain to be translated into images and feelings. To do so, the brain calls on our knowledge.

That is why reading is, I believe, a more personal experience. And at the end, the most rewarding.


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6. Would You Read More?

by

Carmen Ferreiro-Esteban

To tease or not to tease that is the question. Whether to hook the reader on the first page with a teaser, the introduction of a later scene where the life of the protagonist is in jeopardy, or to trust the reader to give you time to build the setting, the characters, the conflict at your own pace?

The purist in me think it’s cheating to do the former, and yet …

In the old times, when Jane Austen, Charles Dickens and Bram Stocker weaved their classic tales, teasers did not exist. The writers took their time to tell their stories with detailed descriptions, beautiful prose and long paragraphs, seldom broken by dialogue. And the readers stayed with them.

But in our times of twitter, text messaging, and Netflix, readers, teenagers specially, are not so patient. They give you one page tops before tossing the book for the easiest thrill of any of the a fore mentioned devices. So to add a teaser to hook the reader seems to me, an inevitable evil.

Stephenie Meyer did so in her Twilight series, and no one will argue, it worked well enough. She called it a Preface, not a teaser. But in that, she’s wrong. For as Wikipedia tells us “A preface (…) is an introduction to a book (…) (it) covers the story of how the book came into being, or how the idea for the book was developed. (…)” (http://en.wikipedia.org/wiki/Preface).

Yes Ms. Meyer was wrong. But who is complaining? The teaser, by any other name, accomplished its mission: to hook the reader.

And so it is that after giving it a lot of thought, I have decided to start my new YA fantasy with a teaser, not because I don’t trust the intelligence of my readers but because I recognize the pressure this vapid, high speed culture sets upon all of us.

I leave you then with my teaser (see below) and the question every writer asks, Would you read more?

They talk in whispers around me as we do around the dead, out of respect, I guess, or out of fear that our words would bring them back. But I’m not dead. I hear them and could, if I so choose, answer the ladies’ questions and join them among the living. Instead I block their voices and retreat inside my mind, to Father’s room, to the moment I first saw Mother’s broken body lying still against the wall, and the King’s guards, dragging Nowan away.

“He killed the queen,” Father says.

His laborious breathing is in my ear, his hands heavy on my arms, restraining me as if he fears that, left unchecked, I would run to him, to the boy who just killed Mother. But his fears are unfounded. I will not protect Nowan. Not after what happened this morning, not after I learned his love for me was but a lie.

My eyes follow the boy. There’s blood on his white shirt, blood on his hands, and a stream of blood runs from his nose, but there is no hate in his eyes now, no will to kill, only despair.

I look away from him and run towards the hearth, towards the place where Mother lies, calling her name.

“I should have killed him,” Father says, his voice hoarse with hate. “I should have killed him long ago, the day he first defied me.”

I hold Mother’s body in my arms, so foreign already in the stillness of death, and wish he had.


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7. Publishing Seminar!

Come Join us at Mercer County Community College on

Thursday, August 12th from 7-9 PM for our informative Publishing Seminar!

Three Women, Three Authors, Three Approaches to Publishing

You finally finished “The Great American Novel.” Maybe you’re putting the final touches on that children’s book you’ve been penning. Perhaps you want to publish your memoirs for posterity.
How do you go from typing on your computer to holding the finished book in your hands? Join authors Mary Fran Bontempo, Carmen Ferreiro Esteban and Chrysa Smith in this two-hour seminar as they share their interesting, maddening, but ultimately fulfilling experiences about writing and publishing their books using traditional, print-on-demand, and self-publishing methods.
Tuition and fees: $65

We’d love to share our hard-won knowledge with you!  This seminar will give you essential information to help you to get your work published.


For registration and more information, click on the link below.

http://www.mccc.edu/pdf/tab_noncredit_fall10_w.pdf


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8. Setting: When Life Imitates Art

Summer weather in northern Spain, where I grew up, was unpredictable. Clouds often covered the sky, then rain followed turning the ocean a dark gray and the tranquil waters into angry waves.


But green or gray, I loved this ocean and the beaches of white fine sand in closed coves that marked the coast.

My favorite beach was called Aguas Santas. I still remember the first time I saw it. I was visiting my friend Felisa and it was her sister (three whole years older than we were) who took us there. We started early in the morning as we had to hike for almost an hour along the raised coast, then climb down the slippery steps carved on the wall of the imposing cliffs.

The sand was still wet by the receding tide when we reached the ground, but I barely noticed, my eyes caught in the beauty of the solitary arch that sat to our left. To our right several openings formed a tunnel like structure that called to mind the flying buttresses of a cathedral.

These arches had a mysterious, mystical quality for me, so it was only natural that when I wrote my first book Two Moon Princess, I made it into the portal Andrea, the princess of the title, uses to travel to another arch in northern California. The arch works as a gate only when the full moon rises.

When I first moved to the States from Spain, I lived in northern California and the beach I describe in the book reflects one of the many I remember from the Sonoma Coast. But for the arch. The arch I made it up.

Except it was really there, I learned later. A couple of miles north of where I was staying, there is an arch that closely resemble the one from my childhood memory. It is called Goat Rock Beach. If you don’t believe me, or if you do but want to see it, click here (http://en.wikipedia.org/wiki/Goat_Rock_Beach) and scroll down a bit.

The beach in Spain is now called The Cathedrals and you don’t have to hike to get there, you can drive and park at the top of the cliffs. But if you want, you, too , can stay at my friend’s house as it has now been made into apartments (handicapped accessible) (http://www.casafandin.com/).

Don’t forget to mention my name if you ever go there. And just in case don’t stand under the arch in a full moon or you may end up in California. Without suitcases.

Don’t say I didn’t warn you.

Happy summer!


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9. Pride and Prejudice and Two Moon Princess

My young adult fantasy novel, Two Moon Princess (Tanglewood Press), came out in paperback this week.

Many adults I’ve mentioned this wish me good luck, but they don’t even consider reading my book. They assume they wouldn’t like it because it’s marketed for young adults.

This assumption baffles me. To say a book is Young adult (YA) means teens can read it, but that doesn’t mean an adult cannot enjoy it too. Reading young adult books, I want to tell them, will help you keep in touch with your inner teen. This will not only keep you young but also, if you have teens, will help you connect to them.

I’m an adult and love young adult novels. I don’t think I’m the only one. But it seems to me that many people that like YA novels don’t acknowledge this. I’m not sure why.

There are several reasons that determine whether a book is considered young adult or adult reading. The age of the protagonist, the theme of the book, a requirement for, if not a happy ending, at least some hope at the end are some of these reasons. The quality of the writing and/or strength of the story is not.

Yes, I agree, some young adults books are shallow and poorly written, even those, maybe especially those, that become best sellers. But the same can be said of books aimed at adults.

As Don Marquis puts it: “If you want to get rich from writing, write the sort of thing that’s read by persons who move their lips when they’re reading to themselves.”

Two Moon Princess is a realistic fantasy. It is the story of a medieval princess that crosses to modern day California through an arch by the ocean. I love fantasy so it was only natural for me to incorporate some fantasy elements in my story. To my surprise, since my book was first published in 2007, I’ve also realized that many people dismiss fantasy as an inferior genre.

They couldn’t be more wrong. Many bright, interesting people like fantasy. Among them Albert Einstein. Yes, that Einstein, the one with the crazy hair who changed physics with his theory of relativity.

“When I examine myself and my methods of thoughts,” Einstein said, “I come to the conclusion that the gift of fantasy has meant more to me than any talent for abstract, positive thinking.”

And also, “If you want your children to be intelligent, read them fairy tales. If you want them to be more intelligent, read them more fairy tales.”

And I totally agree with Michael Dirda when he said:

Many readers simply can’t stomach fantasy. They immediately picture elves with broadswords or mighty-thewed barbarians with battle axes, seeking the bejeweled Coronet of Obeisance … (But) the best fantasies pull aside the velvet curtain of mere appearance. … In most instances, fantasy ultimately returns us to our own now re-enchanted world, reminding us that it is neither prosaic nor meaningless, and that how we live and what we do truly matters.

If you need some more convincing you can read the first chapter of Two Moon Princess at: http://onpublishing.wordpress.com/authors-writings/carmens/two-moon-princess-chapter-one/

And whether you agree or disagree with me, please come see me on Friday June 25 from 7 to 9 PM at the Doylestown Bookshop (16 South Main Street, Doylestown, PA 18901, Phone: 215-230-7610). And in the meantime visit me at www.carmenferreiroesteban.com.


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10. How to break into print: Contests and Workshops

Writing a query letter and sending it to agents and editors is one way to get your work read. But it’s not the only way.

Submitting to literary contests, can be another option.

The Guide to Literary Agents (http://www.guidetoliteraryagents.com/blog/Dear+Lucky+Agent+Contest+Fantasy+And+SciFi.aspx) is running one right now (from May 12 to May 26) for unpublished fantasy/SF adult/YA fiction novels.

To participate you must submit the first 150-200 words or your novel. If you are one of the three winners, the judge, Roseanne Wells (a literary agent at Marianne Strong Literary Agency) will critique the first 10 pages of your work.

Having finished a YA fantasy novel recently, the contest is just perfect for me. Not only because it gave me an excuse to postpone writing that dreary query letter, but because it forced me to polish my first page which I have also sent to the June Meet the Editors workshop (SCBWI Eastern PA chapter).

So don’t be shy and send yours too.

And if you happen to attend the workshop, please come and say hello.

Good luck.
Carmen Ferreiro Esteban


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11. What I look for in a critique

Writing is a lonely business. A critique group is the writer’s way to connect to others, to get feedback and discuss your characters as if they were real, without being sent to the loony bin or whatever name it has these days for doing so.

It takes courage to bring your manuscript to other people’s attention, even more so to receive their critiques with an open mind, without taking them as a personal attack and becoming defensive.

Yes, you love your story and you want everybody to love it too. But it’s rare the story that cannot be improved in a rewrite. The comments of other writers that see your work for the first time and come to it from different perspectives could be an invaluable help in creating a stronger piece.

This does not mean you must take all the advice offered. In fact, it may be impossible to do so, because sometimes the changes suggested by different members contradict each other. But if the majority agrees on some point, you may want to reconsider and change that particular part.

A negative critique can be overwhelming, especially for new writers. For me, the best critique is one that is balanced, one that offers both a positive evaluation and a carefully worded statement of the work weaknesses.

I like positive comments not only because I need praise, who doesn’t?, but because it is as important for me to know what is working in my story than what it’s not. A critique that only states what doesn’t work let me wondering whether there is anything at all I should leave as is, or, even worse, whether it’s worth to tell this story in the first place.

That is why I do not take a manuscript to be critiqued until I have a detailed outline and I know where I’m going with it. Too many opinions, especially negative ones, when the story is still a seed in my mind will break it for me. I take it when I have a first draft and want others opinions to consider and incorporate, if I think them appropriate, in my next draft.

On the other extreme, if you believe your story is perfect as it is, don’t bring it to a critique group, as you will probably resent any suggestions for change. If you think it is ready, send it to an agent/publisher instead.

Carmen Ferreiro Esteban


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12. Good writers borrow, great writers steal. T.S. Eliot

 

Vampires, angels, zombies and fairies have invaded the shelves in the teen section of the bookstores these days.

As a writer of Young Adult novels, I have read my share of them, and enjoyed reading them well enough, while calling it research. But after a while they all started to blend in my mind. The good guys were always young and beautiful, the bad ones, still young, but ugly. And not being either young or beautiful myself, this started to bother me.

Wouldn’t it be nice, I thought, to have a wicked and wise older woman as the protagonist? Something like Buffy, the Vampire Slayer with the mother as the slayer?

After bouncing the idea in my mind for several days, I presented it to my friends and fellow bloggers. They both liked the idea and even volunteer to co-author my story. Then, Mary Fran went to the bookstore and found a book which she thought had stolen our idea, and panicked. Wouldn’t we be copying if we wrote ours now?

I told her,”No, of course not. My story is different.” How could it not be when I had not read those other books?

It was only later that I remembered a surrealistic moment I experienced last year when reading Diane Gabaldon’s novel Outlander.

Both, Outlander and my young adult novel Two Moon Princess, involve time travel.

In Outlander, a nurse from 1945 England travels to XVIII century Scotland where she falls in love with a native.

In Two Moon Princess, a girl from medieval Spain travels to modern day California and then back to her world with the American boy she fancies.

But that is all they have in common, the time travel part. The story line, characters, voice and intended audience are totally different.

Yet, when I reached the last sentence in Outlander, I almost dropped the book. The sentence paraphrased eerily close the last sentence in Two Moon Princess. How could that be possible? I hadn’t read this book when I wrote mine.

So, maybe Mary Fran is right. Maybe my vampire book will not be totally original. But that won’t stop me from writing it. After all, according to Plato, there are only six basic plots, so any story we may tell has been told thousands of times already in a slightly different way.

We, writers are like children playing with dolls, dressing them with a new outfit and making them look new every day. And as long as we have fun doing it, why should we stop?

As I did in my previous blog ‘Rejecting Rejection’, I’m going to give you two sentences.—the two endings I mentioned above—and ask that you leave a comment telling me which one you prefer and why.

Please do, you’ll make my day.

#1. “And the world was all around us, new with possibility.”
#2. “Around us, the New World stood still, waiting.”

And in case you wonder which one was mine in the Rejecting Rejection blog, the answer is # 1.

So, congratulations to the winners. Oops, I said there will be no winners. So, I rectify congratulations to everybody that left a comment, and thanks so very much.

Carmen Ferreiro Esteban

Please follow my book reviews at http://carmenferreiroesteban.wordpress.com


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13. Shhh! I’m in the Library!
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By: maryfranbontempo, on 3/2/2010
Blog: EspressoLatteMocha (Login to Add to MyJacketFlap)
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Yesterday, I went to the library.   Even as I write the words, it almost sounds quaint, as though I were writing a period piece.

With the advent of the internet and computers, libraries, with their stacks of dust collecting books, can seem antiquated to the casual observer.  After all, who wants to spend time wandering through aisles, paging through books, when the world is a few key taps away on a computer?

Hey, don’t knock it until you’ve tried it.

I’ll be the first to admit that I couldn’t live without my laptop.  To be able to access all of the information available on the internet is a wonder indeed. But—and tell the truth now—how many times have you hopefully tapped a term into a search box, eagerly anticipating the answer to a burning question, only to spend the next half hour clicking through links, none of which was helpful?

Enter the ever-faithful library.   In the past few months, I’ve checked out books on writing, publishers and literary agents.  And though I didn’t always find exactly what I was looking for, I unearthed enough information to allow me to return to my computer and quickly find what I needed.

For some reason, to my mind, there’s still nothing like holding a book in hand, especially if it’s a reference book.  Being able to return to particular pages that I’ve marked with a sticky note is not only comforting to me, frankly, sometimes it’s just simpler, especially when I’m a dozen clicks away from the page on which I thought I saw something that interested me, but I forgot exactly where it was on my internet journey.

Granted, you may not find up to the minute information at your local library, but do yourself a favor and see if your local branch stocks books like Writer’s Market along with other writing/publishing references.  The info in the books changes regularly and most must be purchased; you can’t access the information online for free.  Borrowing a copy from the library saves money and allows you access to multiple sources.  Even if your library doesn’t have the latest version of the book, again, you’ll have access to some great information which you can then refine with a computer search.

On another note, most libraries have computer access.  You can use a library computer or bring your own laptop.  Take a few hours and work a plan to investigate publishers, literary agents or sources to send your writing.   Start with the reference books, then hit the library computer system to clarify info and develop a mailing or query list.  In addition, the library atmosphere will help keep you focused and on track.

In an age when instant information is all the rage, sometimes the key to getting things done is to simplify.  In that case, nothing beats a good reference book and the quiet, industrious atmosphere of an old-fashioned library.

Visit Mary Fran Bontempo at her website at www.maryfranbontempo.com.


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14. Springtime Thaw on March 20
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By: chrysasmith, on 1/30/2010
Blog: EspressoLatteMocha (Login to Add to MyJacketFlap)
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Bears aren’t the only warm-blooded animals to hibernate. It seems to me, after the Christmas holidays, my world goes into a short state of  hibernation.  Now some of it is of my doing—enjoying the cold weather, gray skies and fluffy, white stuff less and less as I get just a bit older. But some of it, for sure, is set into action by others. There are just these inactive periods when emails don’t get where they’re going, connections get lost because of winter sniffles, aches and pains, and the frenetic activity of ordinary days is lost, as the world slowly arises from its holiday slumber. At this time of the year, my world is the polar opposite of a great sports car—-it goes from 60 to 0 in an instant. Or so it seems.

So, not surprisingly then, our publishing seminar—-the really wonderfully attended event produced by MaryFran Bontempo, Carmen Ferreiro-Esteban and myself, has also gone into hibernation, and somehow that email to sign up for the spring semester, never arrived—-in any of our inboxes. So, just a little plug as we wind up once again to empower ourselves and others to get out there and ‘just do it’, we will in fact be offering another publishing seminar on Saturday, March 20th, from 10am-noon, somewhere in Central Bucks. As soon as we are assigned a location, we’ll let you know. And we promise to come, packing even more of experiences gained from the writer’s life with us.

Check the website for details as the date gets closer: https://www.cbcsonline.com/start_cbcs.taf.

Chrysa

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15. Wrapping It Up
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By: chrysasmith, on 12/9/2009
Blog: EspressoLatteMocha (Login to Add to MyJacketFlap)
JacketFlap tags:  philosophy of life, life, books, holidays, Uncategorized, persistence, publishing, writing, inspiration, Add a tag


It’s that time of year, isn’t it? Wrapping it up seems like a good headline to sum up this seasonal time of wrapping presents, wrapping up projects, wrapping up another 365 days. 

So, let me leave you with a bit of end-of-year news and wisdom.

1. Book signings are tough. Without celebrity status or an incredibly long list of devoted friends and family members, book signings can be excruciatingly lonely, boring and disappointing. So, instead, why not come up with a way your knowledge can help others? A talk, a seminar, a workshop is much more rewarding and often a better use of time. When you offer people something, you always gets more in return.

2. Keep the most important things, the most important in your life. It’s easy to lose yourself in all the flurry of activity that writing and publishing books bring with it. But every so often, life comes along and smacks us in the face with the realities of how we spend our time, and sometimes a lesson on how we should.  A child leaves for school, a husband struggles in a business, a parent passes away, a friend becomes ill, couples get divorced, families with kids at home become empty-nesters. These life passages seem to run faster all the time, leaving us square in the path of the cliche, where has all the time gone? Lesson learned: time goes by quickly—-make sure you’re making time for what is truly important in your life.

3. Trust in yourself. Know when to listen to the outer and inner critics. Some are valid; some are not. If instinct tells you to keep plugging, keep plugging. Myriads of editors, publishers, agents and others have been proven wrong over the ages. Proper persistence often pays off.

4. Enjoy the journey. You never know where writing is going to take you. It has taken me to places I’ve never been—introduced me to people I would have never met—exposed me to topics I would never have known anything about. It’s a journey, not a marathon. Plan to enjoy it. If you don’t, take some time to think about your path. Maybe it needs tweaking or a complete makeover. Either way, it’s progress toward where you should ultimately be.

Whatever your genre, whatever your denomination, whatever your status in life—-enjoy this wintery, slow-down of life—this pause to reflect on what is truly important in this life, and focus yourself once again for another 365 days of lessons to wrap, unwrap and maybe even re-gift.

Chrysa Smith

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16. Signed Books–The Perfect Gift!
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By: maryfranbontempo, on 11/12/2009
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dtownbkshopposter5-2
It’s hard to believe (and somewhat cringe-inducing, I know), but the holiday season is almost upon us and with that comes the dreaded buying of the gifts.

Hard as I try to maintain some Christmas spirit while searching for just the right thing to please my loved ones, the truth is that most of the time, I end up grumbling and muttering to myself while I wander aimlessly around countless department stores for hours on end, frequently coming home empty-handed.

If your search for holiday cheer leaves you feeling more like the Grinch than Clark Griswold, I may have a solution.

On November 27th, from 6:00 to 8:00 P.M., five local authors, including yours truly, Carmen Ferreiro Esteban, Chrysa Smith, Suzanne Zoglio and Sandy Cody, will bring their delightful works to the Doylestown Bookshop to ring in the holiday season in a Home for the Holidays celebration.

Signed books make thoughtful, inexpensive and personal gifts and the authors you’ll meet have scripted works for everyone on your Christmas list.

Each author targets a different audience with her work. For younger readers, The Poodle Posse series, penned by Smith, details the antics of three cuddly canines as they share their days with their loving but occasionally confused owner, Mrs. Flout. Young adults will enjoy Two Moon Princess, written by Ferreiro Esteban, which tells the fantastical story of a discontented medieval princess, eager to live life on her own terms, who lands in modern day California.

In Everyday Adventures, Or, As My Husband Says, “Lies, Lies and More Lies”, I laugh my way through the trials and tribulations of modern day womanhood, taking the reader along for the ride. Sandy Cody authors the Jennie Connors mystery series, Put Out the Light, Consider the Lilly and By Whose Hand, which explore the challenges facing a single mother as she learns to balance independence with family and career responsibilities. And Suzanne Zoglio will help both women and men Recharge in Minutes as she describes 101 ways to refuel any time/any place and how to Create A Life That Tickles Your Soul .

This year more than ever, we’re all in need of some good cheer. So get a jump on holiday shopping, find the perfect gift and do join us at the Doylestown Bookshop to say “Hello.” We’d love to meet you and start your holiday season off right. See you there!

Mary Fran Bontempo

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17. Rejecting Rejection
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By: carmenferreiroesteban, on 11/6/2009
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Let’s start with the obvious: Editors and agents are people. They come in all shapes and sizes and have different tastes. Their likes and dislikes are their own. Their rejection of your manuscript does not reflect on your writing, but in their inability to fall in love with it.

Agents and editors are flooded with submissions. They have the prerogative of being selective. They will only represent the stories they love.  

And that is their right.

Yours is to keep looking for the agent/editor that will fall in love with yours.

So keep that rejection letter in perspective. Don’t throw the manuscript away, but send it again. Because what one editor/agent hates, another will love. You just have to find the right one.

You don’t believe me?

Let’s do an exercise.

Here are two versions of a description of a lake up in the mountains of Spain, a setting in a young adult novel I’m working on.

One of the versions is mine (not necessarily number one). The other is a rewrite from a person in my critique group.

Once you have read them, please, leave a comment saying which one you like best.

There is not right or wrong answer. If you choose the one I wrote, I’ll be pleased. If you choose the other, you’ll prove my point: not everyone has the same taste. And its corollary: not everyone will love your writing.

And that is okay. Who would want to go to a party where every one is wearing the same dress?

Version #1

The water was black like the boy had said. Black and still, like a piece of night fallen to earth. A perfect circle from where I stood at the edge of the ridge: a full black moon trapped in the mountains.

Version #2

Black and still, like a piece of night fallen to earth, the lake formed a perfect circle from where I stood at the edge of the ridge: a full black moon trapped in the mountains.

Carmen Ferreiro Esteban

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18. Three Women. Three Authors. Three Different Approaches to Publishing
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By: carmenferreiroesteban, on 10/24/2009
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CC&MF@Borders09

 

 

 

I met Chrysa Smith at a book signing. We shared space and a blanket as the event was outside and the Pennsylvania weather unseasonably cold. In between talking with readers, we exchanged tips about writing and marketing and also our cards.

Mary Fran Bontempo I met later, a hot summer day at a Craft Fair. Together with Chrysa, we shared a tent and a good laugh or two, and by the end of the day, we were friends.

What we three had in common was a love of writing, and the determination to have our books known.

We had come to have our books in print by three different venues. I published my young adult novel Two Moon Princess through a traditional publisher. Chrysa self published hers, The Adventures of the Poodle Posse, for early readers. And Mary Fran used print on demand for Everyday Adventures a recompilation of her newspapers columns where she humorously ruminates about life.

As we talked with people that stopped by our tent, we came to realize that many would like to know of our experiences in the publishing world and thus the idea for our seminar was born.

Three Women. Three Authors. Three Different Approaches to Publishing is for all of you that have a manuscript finished but don’t know what to do next. It is a step by step guide to get your story into print by whichever venue you choose.

So if you are ready to start on the publishing trail but need a little push, this seminar is for you. Just check our sidebar to find out the one that better fits your schedule.

Carmen Ferreiro-Esteban

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19. An Unexpected Gift
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By: chrysasmith, on 10/5/2009
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See full size imageA friend once told me that he never got disappointed because he had no expectations. That’s an interesting theory and one I’ve come to adopt myself in light of certain unpredictable situations like cocktail parties and book festivals.  So, I wasn’t completely disappointed that sales were lower than low at the Collingswood event this month. And although I had gone there with some desire to sell books,  I came home with  empty pockets and a blessing—a bit of grace and wisdom which tends to show up in my life (and maybe yours) at the most unexpected of times, in the most unlikely places. This day, it showed up in the person of Thomas E. Pierce.

Pierce is the author of The Last Rose—A True Celebration of Eternal Life.  I was captured by the kindness of Thomas and his wife Lillian, as they offered to share their tent with me if the skies opened. But I was truly captivated as the author explained his book to me. Five years ago, you may remember the news story about the Baltimore Water Taxi that was struck with an unexpected gust of wind that flipped the boat over in Baltimore Harbor.  That day, Pierce lost his wife of 37 years and his 35 year old daughter.  As he so bluntly put it, “What’s an overweight, bald man in his 60’s supposed to do now?”

One of the many things he did was to write and write and write. He wrote about the events, his feelings and finally, what led to the publication of his book, his faith trail, which led him through the darkest of times, the unknown and the unexpected, as his life began to take on a whole new direction. He met with priests, old friends and with a ‘medium’ who brought Pierce visions of the past, the future and an uncanny  foreshadowing of names, numbers, coincidences and connections which seems to invisibly guide us to the place where we need to go.

So Tom, who brought his wife one yellow rose each month on the date of their anniversary, for 37 years lost her unexpectedly, in a most tragic way—and his daughter too. Yet today, he is happily remarried, to the first girl  who caught his eye as a school boy in Philadelphia—-the girl the ‘medium’ brought to his attention during their session. Lillian, who had moved west many years earlier, was newly widowed herself. She lost her husband after many years of marriage, and returned to New Jersey. The two reconnected, and Lillian actually had to leave early that day, for a school reunion with ladies she’s known for decades. Tom’s other daughter  Kathy, is married with two young girls—-seemingly, the lights of Tom’s life which keep him going and laughing.

So, Tom gave me a copy of his book and a reality check that day—something we all need when we tend to get caught up in the minutia of our lives. And I gave Emily and Kayla—his young grandaughters,  copies of my children’s books. Tom’s message is summed up in the line “All the kindness a person puts out into the world works on the hearts and thoughts of mankind.” He’s right. It worked on me that day, and reminded me to pass it on.

 

Chrysa Smith

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20. Starting Fresh
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By: maryfranbontempo, on 9/23/2009
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j0439450So here it is September again.

I find myself in an interesting place this year. For the first time since my children began their educations, I have only one child attending school this year. Unlike in the past, however, this time it’s not because two of them are too young to attend, it’s because they’re too old.

Actually, that’s not really true. The fact is that two of my children have graduated from college and my youngest is a sophomore at a local university. The two who’ve graduated haven’t yet found their niches, however, and going back to school is still an option for them.

Sometimes I wish it were an option for me. As I’ve watched my kids go off to college, I’ll admit I’ve been envious. Oh, to have nothing more to think about than reading, studying and what I’m going to eat for dinner–a dinner that, for better or worse (institutional meals aside), someone else made for me.

But for now, at least, going off to college and living in a dorm isn’t in my immediate future. (I really think someone could make a mint off of a university for adults; we would actually appreciate it.) So I’ll have to settle for pretending and once again tapping into the feeling that I get every September–that is, the feeling that a fresh start awaits.

When my children were young, we marked it by purchasing new school supplies and uniforms. They may not have enjoyed the process, but I did. Even as a kid I loved the smell of new copybooks and pencils. (I was weird, I know.) As a writer, the feeling has only intensified.

But it was always more than that. It was the sense of expectation, the knowledge that new and exciting possibilities were in store. And new challenges as well. I was always the type of kid who looked forward to learning new things. I still do.

This point in my life is fraught with different challenges–many which I never dreamed I’d have to tackle. But there is still a sense of possibility. Possibility that things will get better and that exciting, interesting challenges lie ahead. Once again, I find myself eagerly anticipating a “new” year.

Now, I’m off. I think I’ll go out and buy a new notebook and some number two pencils. A little inspiration couldn’t hurt.

Mary Fran Bontempo

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21. Julia long de vie
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By: chrysasmith, on 9/5/2009
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View ImageA friend invited me to see JULIE & JULIA.

Great, I thought, the perfect afternoon diversion from teaching a summer camp, talking about writing and working on my own new release. So, we went.  Little did I know that this decision would turn into several weeks of Julia talk, Julia cooking and an effervescent evening of celebration, that Julia herself (I’m sure) would have glowingly endorsed, with a nod, a wink and her signature signoff, Bon Appetit!

But before all the glitz and glamour, I didn’t get a break from writing. After all, Julia’s cookbooks are infamous. However, it was sure nice to know that the mother of television cooking shows and French-American cooking herself, was a many-times-over, shunned author. Her work was too complex, too large, too consuming—maybe too advanced or prolific for the dull mind of the average American homemaker. Little did they (the experts) know, as often happens, that she was actually a Renaissance woman—-a woman with vision, beyond the confines of what present day society and cultural norms dictated to her. She was, quite frankly, today’s woman—a woman with a broader mind, sense of adventure and as it turned out, visionary of what was to come, decades down the line: American homemakers cooking more complex dishes, using good, fresh ingredients.

I loved the struggle. I loved the message and I loved the relationship between the modern day Julie and the Donna Reed era Julia—the woman who would don pearls while serving, yet be so bold and brash as to question norms, stretch limits and tell others, only when absolutely necessary, where and when to get off.  I absolutely loved her. And to this day, she continues to roll around in my head as a new role model— to those of us who go for the gusto, stretch the limits, color outside the lines and refuse to be defined by others.

So, being utterly shameless, I borrowed the idea of hostessing a Julie & Julia dinner party for a group of friends—-friends who recently share something in common (besides liking to eat)—-friends who are all relatively recent empty-nesters. What better comfort to give than sharing and serving good food, good wine and good conversation?

And so it was. Seven of the twelve invited women enjoyed appetizers on the deck, then sat in my breakfast room last weekend, dining on Beef Bourguignon, bottles of French and American wine and fresh French bread. A realtor, accountant, teacher, postmaster, nurse, and two authors were united for a few hours, by a sense of loss, a sense of hope and companionship brought to them by the breaking of bread, the sharing from a bottle, the telling of stories. In fact, I believe it might have also inspired a few future dinner parties to come, because in the end, as purveyors of fine food understand, there is little that a good meal and friendship cannot heal.

Ah, la bonne vie!

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22. A Book by Any Other Cover
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By: carmenferreiroesteban, on 8/30/2009
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 When I write a book, the characters and the setting of the story become very much alive and real in my mind.

DSC_0308For instance, when I was writing Two Moon Princess I knew Andrea had hazel eyes and brown hair and didn’t care much about clothes. I also knew how the arch she crosses in the forbidden beach to enter our world looked like. Exactly like the arch I had seen in the Cathedral Beach in northern Spain while growing up. 

When Two Moon Princess was bought for publication I imagined a cover that would include these two images: A brown haired girl by the arch. 

Two Moon Princess coverBut the decision was not mine to make. And when my editor sent me a copy of the cover of Two Moon Princess, I realized the artist’s vision and mine were different. The cover was beautiful but totally wrong for my book. I had written Two Moon Princess for a young adult audience. The cover was definitely Middle Grade.

 

TwoMoon_final_ver4_lowresSo imagine my excitement at the new cover I just received for the paperback edition of Two Moon Princess. In this version, Andrea stands on the beach with the two moons of her world in the background. The arch is still missing, but I think I can live with that.

What do you think?

 

Carmen Ferreiro-Esteban

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23. Story
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By: carmenferreiroesteban, on 8/15/2009
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51Ag-J7X1hL__SL500_AA240_ 

 

 

 

 

I love stories. That is why I’m a writer. And the story behind Kings, an NBC show that just ended its first season, is one of the best I have seen on TV in a long time.

            It’s the story of David, the shepherd boy who defeated the giant Goliath with a sling. A story most of us know from reading it in the Bible when we were children, but retold in a modern setting.

            Kings takes place in a country called Gilboa (Israel comes to mind) caught in an unending war with its northern neighbor Gath.

            The giant Goliah is a tank. And David is the young farmer turned soldier that blows the tank in the pilot episode. He also rescues the king’s son and by doing so, is thrown into the web of intrigues of palace life, as he blindly at first, cautiously later, follows the orders of the king he worships. A king blessed by God to Whom he talks through rain and thunder. Until the day David comes. King Silas knows his time is over, but won’t step aside and will eventually defy God Itself to stay in power.

            Not only I find the story brilliant, the dialogue is smart and haunting.

            “We give up what we want when we want power,” King Silas tells his son, chewing the words and then spitting them in a pitch perfect delivery.        

            “The mother of the hero,” he tells David’s Mother.

            “The hero of my son,” David’s mother answers, returning her king’s stare unperturbed,

            “You can have whatever you want,” the king offers David, “even the proverbial half of my kingdom.” Then as the boy’s eyes fall on his daughter, “Half my kingdom it is.”

            There is not a simplistic distinction between good and evil in Kings. All the characters are written as complex human beings, from the wide eyed innocent Shepherd (David’s last name) to the queen’s nephew (a perfectly disturbing Culkin Macaulay of Home Alone fame).

            King is a fascinating story of greed and love, and trust and betrayal. It is storytelling at its best.

            If you write, if you want to write, or if you simply love a good story, watch Kings. It is available on line at NBC.com until September 20.

            And if you learn whether Kings has been renewed, please let me know.

 

Carmen Ferreiro-Esteban

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24. Ready or Not, Make a Decision and Go
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By: chrysasmith, on 8/4/2009
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View ImageAah, the joys of self-publishing.

I sit at the computer, nails tapping on the desk, thinking about book #2 in my series. It’s now at the printer, and pretty soon, at the point of no return.

Two minutes later, I sit at the computer, nails tapping on the keyboard. Book #1 has finally made its way onto Amazon.com—a year and a half after it was introduced. What took so long? Happily, school visits, book signings and fairs. But now, I wait the 10 day grace period, waiting for an email telling me how many thousands of books Amazon would like to order.

A minute later, my mind wanders back to book #2.  Am I printing the right quantity? Will history repeat itself? Will it be grander? Will the economy take history off course? My nails raised to my mouth, I try not to bite them, as I ponder the decision not to put a spine on a paperback once again. Actually, not really a voluntary decision. I fully expected to give the book a little backbone, so it could sit upon more bookstore and library shelves with ease. But after a commitment to myself and my ISBN number, to keep the second book priced as the first, I had no choice. Giving the book a spine doubled the production costs.  So, I now see why hardbacks and picture books are priced as they are. I now understand why authors charge what they do for school visits. Keeping the profits up is hard when keeping the prices down and the quality up.

So, three minutes later, I sit at the computer, nails in my mouth, hoping there are no production snags; hoping the books come off the press, into their shrink-wrapped blankets and into my warehouse, all in time for September school visits. Then my mind wanders off to the recent commitment I made for the next school year—free school visits within the region; nominal costs outside the region. Was that a smart commitment? With book #2 being almost double the page count, printing costs are up—even if the book does not have a spine. Profit margins are less, but there will now be two books, more familiarity and some repeat visits.

Two minutes later, I sit at the computer, thinking about the Doris Day song that comes to me whenever my mind spins endlessly around Monday-morning quarterbacking issues—Que sera, sera. At each point along the way, you are faced with decisions. You look at the facts–look at the options—weigh the info and make, what is hopefully an intelligent decision. Then, you sit back and let the cards fall where they may. Que sera, sera—what will be will be. 

A minute later, I sit at the computer, look at my nails and make an executive decision— what needs to be at this very moment is probably a manicure.  Aah, the joys of self-publishing.

 

Chrysa Smith

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25. In Search of The perfect Query. Or How Far Would You Go to Get Published?
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By: carmenferreiroesteban, on 7/26/2009
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Carmen Ferreiro Esteban

 

 

 

 

 

Dear Publisher to Be,

Zamparo, this guy I met last night over at the Emporium, asked me to contact you if something bad happened to him. He’s dead now, back at the hotel, so I guess that qualifies as bad, and that’s why I’m sending this e-mail to you.

He said you might remember him as you two met last month at the Writers Workshop in Philadelphia and, I quote, “you were impressed with the first chapter of his manuscript, Publish or Perish.”

I’m attaching the complete manuscript to you now as he instructed me to do. Afterwards I will send a press release stating that you have it.

From then on, its fate and yours will be in your hands. Meaning that once they—the men that killed Zamparo—know, they will try their best to stop you from reading the story that would uncover them was it ever to become public. So, it seems, your best protection would be to publish it as soon as possible.

I would if I were you.

You see, Zamparo’s death will give the book free publicity. And with him being dead and all, you will be making all the profit.  What is there to lose except your life? As it will be at risk if you don’t publish his manuscript.

Besides, Zamparo deserves to be heard. He was a nice guy, and he really wanted his book published even if he had to perish to make that happen.

As for me, don’t worry, I’m nobody, just a messenger that never existed but in your mind, and soon will be

Gone forever,

TM

For those of you who wouldn’t want to go that far to get your book published (dying is after all kind of irreversible), here is a link to the Preditors and Editors’ website where you will find expert advice on what an editor is looking for in a query: http://anotherealm.com/prededitors/pubquery.htm.

From my own experience:

The perfect query is the one that sells your book, whether it’s perfect or not is a matter of opinion.

Make your query professional, but not boring. 

Make it engaging, original, AND specific to your story. To do this, you may try to:

            Write the query in the voice of your character,

            Start with your first paragraph,

            Or ask the question(s) your book answers (this works best for non fiction).

And when you are absolutely, positively sure that your query is ready, send it to Query Shark (http://queryshark.blogspot.com/) for a critique.

Good luck and Good Writing

Carmen Ferreiro Esteban

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