::Incoming Transmission. WARNING: Emotional Ramble Detected. Proceed at your own risk::
This is going to be something. Sorry ahead of time.
If you don't follow Ta-Nehesi Coates on Twitter, you are on the wrong life trajectory. It is a simple correction. Here. https://twitter.com/tanehisicoates?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor Now you are destined for better things.
I bring up Ta-Nehesi because he speaks eloquently on many subjects, but specifically one that's been troubling me recently, albeit in the opposite way it has affected him. That is the concept of "being elite" or "One of the elite." We all go on our various social medias and make authoritative statements. Twitter, specifically, is a place where it's very easy to make grand-sounding statements with vast context. 140 characters well wrought and one button starts a sharing cascade that can take you from noone to CNN (although that's not exactly the best place to be). Our tweets can be prophetic portents, our opinions divine laws. We literally have followers, so when you cross the line from "just some gui" to "one of Them" your words become something more than what they are -- words, opinions, statements from a human being.
Ta-Nehesi has waxed on why he is now considered Elite by many, when his statements have not changed and he does not live in a mansion and fly a jet. But his proximity to what we view as "the establishment" has somehow passed an invisible line and he is now closer to Them than Us. This comes with benefits and blights; he is certainly making more money now, he has increased albeit still limited public influence, and he is now attacked even more religiously by trolls and put on a separate pedestal because white women on TV have asked for his opinion.
He's still the same guy. Fame changes people, but usually only stupid people. You can remain an individual outside of your context, but only if you've reached a particual level of self-awareness. Something I'm still struggling with and I know many other people do too. In particular, how shouting to a vacuum suddenly becomes speaking the Word of Godzilla. I have gone up and down in Twitter popularity based on my involvement with various activities, Nanowrimo being the biggest of them, but my comments have not really changed. I evidently feel less need to share them with my significantly smaller author following, but I think another part of the problem. I don't really feel like my words are valued. When I ran NaNoPals, I was essentially providing a service. People weren't coming for wisdom, for my personality, for ME, they were coming for wordsprints that were presented with some level of emotional positivity. And why shouldn't they? I completely understand the perspective. I'm just another white guy trying to say his bit and get paid by someone for telling stories. Stories that people want and need to hear, in the best of worlds.
And that's my problem right now. I am now going to be a crabby old person, but I hope you don't take it the wrong way. This next sentence is going to make you mad, but it isn't what it seems:
SFF is not the genre it used to be. There are pros and cons all across the board. I have seen such great new authors, almost all from marginalized groups rise in this new genre world. I have seen people who struggle with gender identity and sexuality and a host of other things that I have always fought internally with come to the fore. Being gay is so cool now! It used to be pretty much the opposite. Despite some bathroom laws, it's a whole new fucking world and it's amazing and so much of that is thanks to the genre world, I don't care what you think or how much evidence there is for that. It has always stunned me that people who read Scifi and Fantasy could be stupid, ignorant, hateful people. The books are almost entirely written to fight against that! But that's just my personal journey through the genre. I somehow managed to read Brave New World and think it was a Utopia rather than a Dystopia. (I still think that way, and I will happily argue with you about it all day long. Right now as you're getting angry with me I ask you What Color Were the Natives. Because he never said what color they were)
It used to be hard as shit to find a book that had a character like me in it. I know how that sounds. Oh the poor white boi had so many white bois to choose from it was impossible to find the right one whereas I had princess fucking Jasmine and das fucking it for Indian/Arab American female representation circa 1997.
But what am I? Am I just another white boi?
Let's slap some labels on me now: genderfluid, queer, neuroatypical (depression, anxiety), autistic(?!), chronic-pain-haver, great actor. Now the picture is very complicated, especially when you consider how invisible all this stuff was and is to me and my family. Despite my mother's constant "everyone is on the spectrum" autism talk and side-eye, neither she nor any other authority figure has ever had any understanding or compassion for my behaviour, and no one has been able to put a finger down on what the shit I have/am, despite or perhaps because of my almost completely solo journey for self discovery and care.
You know how some people don't like to wear their whole lives on their sleeve? well despite the fact that I have cool tattoos (all to do with my nerd loves thank you) I don't. I like to be who I am and like things and have my shit without putting labels on all of it. I fucking HATE QUILTBAG and whatever. I despise the 40 gender labels we have and the fact that the word "cis" exists. It's a disgusting sound and I hate it. That's literally why btw. If we used "banana" instead I'd be fine. But I get why a gross sound was chosen. Fag and cunt and all that crap are fun and mean and gross to say. They have mouthfeels that make them matter besides just their meanings. So does cis, and I don't think it's a good one.
I feel like I've been passing my whole life. Passing as a man, passing as a white man, passing as a successful human being. Imposter Syndrome isn't a side-effect of my writing, it's my entire fucking life. And now that I don't "have" to pass, it's apparently a rude choice I've made, and I need to just walk out into the open and embrace my problems and scream them to the world at large, cos that's how "our" culture now works. Be out! Be loud! Be proud!
I describe my ego as the Hindenburg.
I'm literally surprised every time I look in the mirror. Can you imagine that? I don't honestly have an accurate internal view of myself. My internal me is a bloated troll seeping with pus and boils whose rotting teeth and fetid breath can kill a horse from thirty yards. In reality, I'm pretty decent looking. I can tell objectively now, and that helps. I'm fortunate there too -- I can't honestly complain about being ugly. All my complaints are invisible! NOBODY listened to me about ANYTHING until I had a god-damned HOLE in my leg, and now suddenly I'm allow to have all sorts of problems and oh the poor thing they got hit by a car.
MY LIFE FUCKING SUCKED BEFORE I GOT HIT BY A CAR. Now it just hurts more to sit and stand and do everything else, more than it already did before which was a lot. My back is so fucked up when I saw a professional masseuse they actually shrugged and gave up.
So now when I go on Twitter, and I see that there are so many people like me, and I see that our stories are succeeding and #ownvoices is trending and the books are being written I am very happy. Then, and now I suppose we will revisit an actual point -- I read them. And they are all fucking depressing. I get it. This post is depressing. Our lives are depressing. Our genre is turning into that most heinous of things... "literature."
And, like every fucking POS Hemmingway wannabe piece and the books by bloated goatfucker himself, I'm so fucking done reading those stories. I'm done, guys. I have been fighting my way out of this depression shithole for twenty years, and I'm so tired of fighting suicidal urges. That isn't mean to suggest I'm giving in, at all. I will be tired forever, and that's just that. But fuck, guys, do you have to make it so hard? I want to join in, I want to be a part of this, I want to be engaged and alive and part of the fucking movement but I don't want the labels, I don't want infighting over who has it worse black cripples or gay autistics. (hint, it's black cripples. but that doesn't mean we can't still have problems!) I don't want the tears anymore. I want us to laugh, for once. I want us to see how good things have gotten for us, even if they're still not great. I can't even imagine what my younger self would have done with Tumblr. I'd probably be wearing makeup and a dress right now. (Nah, I hate makeup)
This kind of an upbringing makes me have pity on GGers and their ilk. If you go on imgur or reddit where a lot of these trolls hang out you will find pictures of hot women and comments like "god I wish I could wake up next to/as that" and other illuminating tidbits that reveal they are troubled and no different from us -- they have been sold a lie and now cannot see the truth behind it. It is so difficult to help them, since they do not seem to want to help themselves, and that I think is the ultimate point. I want to get better. I want to learn. I was hate-filled and angry, I used the word tranny and said other rude things because trans people made me so jealous. Every trans person is a fucking hero. The level of courage and self-love it takes to make that change, announce it to the world and be proud of this new skin you've made yourself is just fucking incredible and I could not do it. Without a magic wand to give me a uterus and change my shape I would go fucking insane, more than I am already.
Good writing apparently comes from the heart. To write openly and honestly, to give it to you completely raw. That's hard as fuck, especially for people who are struggling. My life is better than it's ever been, but my problems haven't gone away. That's the hardest part of having brain problems. Everything looks FINE on the outside. But we need to be honest about the struggle. I need to be open, if anything is ever going to change. But I still need to be me, I still need to live. I need happiness and joy, because my internal production of seratonin is malfunctioning, and another story about being beaten, raped and abused is not going to help me get there. I know the world is awful goddamnit. I am reminded of that by my own life every five seconds because the only memories my brain can save are bad ones. I literally have to record good events separately if I'm going to remember them. I want to know that the world, that people, can be good. Someone, please, show me that. Anyone, anyone at all. The only author I can think of who rides that line and can make me cry about bad things but see hope is fucking Rose Lemberg and I don't understand how they aren't fucking famous as shit yet. They follow me! Why? They're INCREDIBLE and I am an almost entirely unpublished sack of meat-trash.
But maybe that means... I'm not a worthless sack of trash? Watch as I entertain this thought for all of one microsecond before it is disproven by my oh-so-many real life experiences. There's a whole other post about why I think right now I am starting to just "whine" rather than emote about my actual issues. Again, the invisibility of brain problems.
If/when I'm "elite" this post might be famous. It might be garbage. It might be a sore eyesight and I'll delete it shamefully, or no one will ever read it and I'll leave it here because why the shit not, let the future know what a loser I was. It will help with the data mining of our time, and maybe some future child will understand themselves better thanks to my rant.
In a world of a million labels, where we are gaining visibility and strength without losing any of our vulnerabilities, any member of #ownvoices is going to be having a tough time. Finding themselves, finding success, being accepted at all. Just remember that you are who you are. Ta-Nehesi is who he is. Fucking Barack Obama is going to go back to smokin' dope and straight chillin' when he's done with that white house.
Whether I'm a man, a woman, or just a brain in a machine, I'm still going to be me, and you're still going to be you. Whether or not anyone's listening, that matters. Even if I don't know you, I hope you're happy. I hope you can believe in yourself. You matter, and I'm just trying to prove to myself that I matter too, even if I don't scream my life from the rafters.
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My name is August Samuel Evrard, and this blog has been created to service my random thoughts, writings and experiences. I rarely update it, but this may change. I intend to have a short story up here every month.Statistics for A leaf from the Yggdrasil
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Hello! Maybe I will write down one of these recipes ahead of time before saying Oh I'll send you My Recipe Because I Totally Write Them Down and Do Them The Same Every Time.
Totally.
I used to hate potato salad. I think a lot of people do! At its worst, its basically uncooked potatoes in a slurry of fake mayo and red onions, just some sort of tuberous polar stew. At its best the typical American potato salad is chewy potato bites covered with an almost sweet sauce with bright, popping textures from red onions, carrots and occasionally peas? (blasphemy? you tell me) It's basically cold fries. That's what you're looking for here, texturally and taste-wise. Crunch, potato and mayo.
So with that in mind, FORGET THAT SHIT. That's lame tater salad! TSH. New World can suck my newly accented anoos. Now, ve make a potato salad that will actually taste GOOD. And you will be like. How did I ever eat zis pathetic bullsheiße? Also by the end you vill probably say zis was not zuper German you kind of made zis up but zat's okay its very delizious you are totally a chef ja.
Now, I'm going to give you ze quick recipe, but I want you to listen to what comes after -- your ingredients and method are important, and I will help you. But I don't like to vaste time zo I give you full recipe now. Allow yourself the time to stare at it all and wonder how will this possibly come together in my mouth and know that yes, you will love it. Also you can stop with the accent now. You're just embarrassing everyone.
TOTAL PREP TIME: 1 hour+rest overnight in the fridge (don't be hasty!)
SERVES: Probably like 8 people, but not for long.
INGREDIENTS
4lbs POTATOES, chopped into mouth-sized bites. Any kind, organic is best.
1 BIG-ASS RED ONION (or a couple medium sized ones), sliced thick, then chopped. Use pinky finger width as a guide (less you're really huge or tiny)
1lb BACON, thick slice (or whole slab from the butcher!! slice it yoself!), chopped into big chunks.
1 Yellow or Red Pepper, diced (Optional -- add this if you don't/cant have bacon/meat, or if you're me. It's delicious too.)
3 cloves garlic (NOT WHOLE BULBS GUYS. Tho you can if you want *shrugasaurus*)
Green Onions, some. Diced. However much you want, tho probably no more than the bundle they come it at the store.
Salt n' Peppa to taste
DIJON MUSTARD AND FKIN HELLMANS REAL ASS MAYO. Don't PLAY WITH ME less you bout to make that shit yourself. Which is FINE and I probably have a recipe for that too. Damn.
Apple Cider Vinegar, 1 tablespoon.
Some cumin and paprika. For later, baby.
METHOD
Get the biggest pot and pan you got. If you have some fancy le creuset or Kitchenaid enamel pot/pan or cast iron, that's your bet. A lot of times people have trouble with recipes because we assume a certain size of pot and pan. The heat and time for cooking things depends on the size of your pan and how you're getting heat. If you have a really tiny pan on electric stove as your only option cook all this in batches, saving the bacon grease from each batch of bacon for your veggies, and leave it at a solid medium-medium-low at all times. Things should sizzle rather than just simmer. Seriously tho, go to TJMaxx or whatever nearby and look in their kitchen section. usually some cheaper enamel cookware there (I know it's expensive, but $100 enamel cookware will literally last your entire life unlike that $15 walmart pot you've had to replace three times this year). Enamel and cast iron are your friends. Be one with the kitchen.
WHAT KIND OF POTATOES DID I BUY?? Is this question driving you crazy? I know, some people really care about their taters. But I don't. They're all delicious, so long as you're getting good produce. That generally means organic, but not always. I live in Vancouver BC and we have a lot of greenhouse heirloom non-organic potatoes that are generally small and taste amazing. For this recipe you'd just halve or cube them. Generally though, it's worth it to go for organic potatoes. Non-organic potatoes produced in the US have to sit in a decontamination vault for 3 days after harvesting and if you go inside during that time the residual pesticides in the air will literally kill you.
Now, boil those taters for about 15-20 minutes. More or less depending on the size of your cut. Pay attention, and use a fork to prod them every five minutes after ten; they're done when they feel like poking a piece of strawberry. Kind of soft but still resistant. Drain them and put them in whatever bowl you're going to serve all this shit in. This is now your mixing bowl. Ta dah! fewer dishes.
While the taters are boiling, start cooking that bacon in your pan. When the bacon is crispy on the edges but still chewy (probably 3-5 minutes of cooking), set it aside. If your potatoes are done you can throw the bacon in the bowl with it. After you and your friends snack on too much of it, there'll be the perfect amount for the salad (a pound is actually a bit too much. But otherwise you end up with too little cos fucking bacon man)
Sautee red onion, garlic and pepper (if using) until browned on the edges and slightly soft in bacon fat. Add butter if necessary. (It's probably necessary. Mm butter) If you've got a reasonable size pan and everything fits well in a single, even layer, then MEDIUM-HIGH HEAT for a few minutes, then drop it to LOW for 10-15. Otherwise, finagle. The idea is the same -- high heat to get everything searing and browning, then low heat for a while to draw out the sugars and carmelize everything in that glorious bacon fat.
While THAT is going on, whisk together our sauce. This amount is somewhat personal. Do you want this goopy or a nice covering, almost like a batter? I suggest the latter (haha). Either way, it's 1 part moutard, 1 part mayo. So for this amount we're going to take 1/2 cup mustard, 1/2 cup mayo and our tablespoon of cider vinegar and whisk it all together, along with our salt, pepper, cumin and paprika. You just want a little dash of paprika, but you can put in a lot of cumin. However much you like. This should have a definite bite to it, but don't worry. it will mellow out after being mixed and resting overnight.
Add the cooked veg and bacon to the salad bowl, then add your sauce -- start with half and toss from there. You can always add more in cooking, but you can't really take away. It should be a steaming, brown-yellow mountain of delish.
NOW DON'T EAT IT. This is frankly the ultimate secret to all cooking. LEAVE IT OVERNIGHT IN THE FRIDGE. AT LEAST TWO HOURS GUIS. I call this cold-cooking; you've got all your flavours, but now they need to cook together, to really mix and meld. You'll notice this effect most with soups and sauces, and potato salad is basically a sauce. You've probably tried some while making it, but try it the next day, cold. All those flavours you found yesterday are going to be there, plus some you had no idea could possibly exist. And you'll be like "woah, did i add something extra there?"
You did. It's called love.
(also green onions chopped and sprinkled on top right before you serve. Don't need to have those sitting in there)
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This unit has received a request for a BBQ sauce recipe. In advance of other such requests, I am posting the entire recipe here. This is... MARSICAN SAUCE. Cos it's Red like the Red Planet, and has a shitload of mexican spices in it.
THERE WILL BE NO PICTURES. Pictures are unnecessary and only for you to gaggle and drool. DROOLING IS FORBIDDEN. Until you start making this DELICIOUS SHIT.
HERE ARE YOUR INGREDIENTS (Listed in Freedom Units, because I didn't grow up w/ metric)
- 1 phat can (28oz) of tomato puree/crushed tomatoes.
- 1/2 cup BLACK STRAP molasses (or more)
- 3/4 cup beyonce (brown sugar)
- 1/4 cup butter (1 stick, if in the United States of Trump)
- 1/2 cup apple cider vinegar (or white wine vinegar, but the apple cider is best. If you use a really raw apple cider, use a little less, maybe 1/3 cup)
- 1 large onion, diced (red or yellow -- I use yellow. Red will give it a slightly more acidic bite, which I get elsewhere. Yellow helps make this a sweeter sauce)
- 1/4 cup garlic, diced (or more)
- 1 tsp worshteshire sauce
- 1 can chipotles in adobo sauce (usually 1 cup. If you don't have a blender of some sort, mince these before throwing in)
- 1/3 cup dijon mustard
- 2 bay leaves
- 1/4 cup regular style ketchup (if on hand, otherwise don't sweat)
- A healthy amount (1/2 cup) of MARTIAN DUST (see below)
- Salt & pepper for onions+garlic+any peppers you decide to obliterate yourself with (add with onions)
- Saute onions in butter until soft, dusting with salt and pepper as desired. If using any additional hot peppers, like jalapenos or dried peppers, add these now.
- Add garlic, stirring to incorporate
- Add brown sugar, stirring until it all turns into a delicious brown caramel goo.
- Stir in some (1/4 cup) MARTIAN DUST or smoked paprika. Stir, then add cider vinegar
- Add remaining ingredients and simmer until thickened, about 45 minutes. I find that this recipe burps A LOT, so you may want to turn on a show and stand nearby, stirring consistently but lazily.
- Once thickened, remove bay leaves and blend, preferably with a hand blender (I like it chunky) Let sit for at least an hour before serving, preferably overnight.
- CONGRATS! You have made BBQ sauce. Prepare for everyone you know to be really jealous.
MARTIAN DUST(tm!)
Grab a container. Whatever you're gonna fill with this spice mix. You should probably make it reasonably big, because if you like spicy food, you will want to put this mix on pretty much everything you ever make. I like to use old peanut butter jars and old spice mix containers. Don't throw glass away!
These amounts are just examples, and will make a TON of this spice. You probably want to do half this, but that would have made the fractions intolerable for me. Sorry! Scale up and down, all that matters is ratios. Think "parts" in your head if that's easier.
- 1 cup smoked paprika
- 1 cup ancho chile
- 1/2 cup cayenne pepper
- 1/2 cup cumin
- 1 tablespoon oregano
- 1/2 tablespoon sea salt (you get plenty of salt from other things, but it's good to have some in here)
- 2 tablespoons cracked pepper -- I use a five-pepper mix from a store nearby, but any peppercorns will do. Make it unique! Make it your own! Just don't use cheap pre-ground pepper)
- 1-3 teaspoons ground cloves
- 1/2 cup garlic powder (optional -- I use enough garlic in everything that you don't need it. If you don't always use fresh garlic though, definitely throw this in)
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Everyone heard of Rachel Dolezal? If not, here's a recent interview with her that points out all the things I'm about to rant on. Good? Good.
This lady has problems. Like, I wanna be a hot brown arabic princess with wizard powers, but I don't identify as one. Wanna be a spaceman too but I ain't no astronaut. Really hate seeing people with mental disorders trotted out on the news instead of given some goddamn therapy. The issue isn't that she wants a black hairstyle or dark skin, it's that as a white woman, she has power, and privilege, and taking on the black struggle like she lived it, like her children will live it, like her parents and grandparents and theirs before that through generations of colonialisation and slavery and saying "I know enough about this, I know the feeling, I know the hate, it all happened to me" is fucking fucked up. When you appropriate a culture -- and make no mistake, that's what she's doing, despite having her four black brothers or whatever -- you don't bring that culture up to your level. Americans love this idea, that when you get a dreamweaver tattoo or some Maori shit you are making yourself a part of that culture, bringing it onto this global stage or whatever, that it's a part of you. Well it's not. I still don't feel comfortable getting a chinese tattoo and 我可以说中文. Because seven months in China chilling and getting wasted with a bunch of Ozzies (much love) isn't me becoming Chinese. YOU don't get to say you're part of a culture. YOU don't get to say you deserve a tattoo of someone else's religious icons -- and this is coming from someone who thinks ALL religions are as real as Lord of the Rings. And that analogy carries! You wouldn't get a fucking tattoo of the One Ring without reading the damn book, would you? And if you do, you're a goddamn idiot and any LOTR fan, who is part of a nerd culture, will look at you and go "What the fuck, dude?"
Culture is like a nickname. You don't give yourself a nickname, you don't make up your own, you can't change it yourself -- it's given to you by other people. It's something you earn, for good or ill, and I don't think black america told Rachel Dolezal that she could be black, and put on blackface, and identify as someone who shares their history and culture. Every white liberal in America is desperate for a nigga to come up and call them "nigga," because then you're "not part of the problem" you're "part of the solution." You're "one of them." Well you're not. They're your friends, you are their friend, but you are not black and never will be no matter how many black people say "you my nigga." The cops will not pull you over or beat you. Your job application will not be denied out of hand because your name is Shaniqua (Rachel.)
You still have privilege. Try to give it up as much as you like, it's a part of you and always will be. It's up to us to use that privilege to help, to spread it around, to raise people up from oppression, not join in that oppression and pretend to be a victim. Rachel Dolezal is a crazy person with identity issues and I feel bad for her. But what she's doing is cultural appropriation. It encourages racists and takes attention away from the real victims of racism like Tamir Rice and the countless other dead black men and women murdered at the hands of a racist police state. And it must be condemned.
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I want tell you about a movie. There's a lot of movies coming out right now, and going to come out, and some of them are quite good (Looking at you, ex Machina). Others are just further iterations, rebootequels like, well, just about everything, or weird artsy movies about humanity, as always manage to make it through Sundance (once again, ex Machina). They are the movie, again. Age of Ultron is a good example, because I can't tell what made it any different from the first Avengers movie. Or the Iron Man movies. Or the Captain America movies. I can differentiate between AoU and the Hulk movies because Edward Norton is a good actor and the Hulk is a terrible hero on his own. Otherwise, these movies are just blasting repetitions of the same overly expensive CGI blasting frictionless across fake scenes where actors desperately try to imagine everything that's happening in front of them while also imagining their own fake emotions. Really. Think about the movies you've watched in the last couple of years. Increasingly all green-screened, increasingly repetitive, and increasingly based off of old franchises.
Well, Mad Max: Fury Road is like those movies, but also unlike them. It is iterative. Mad Max is there, as he has been. This movie is, at its core, no different from the other Mad Max movies. If you are unaware, Mad Max is a survivor of the nuclear post-apocalypse in 100% sad desert Australia where people are interested in three things: Oil, Water, and Crazy Face Masks. This movie adds one: Women. The first movie is fun, if forgettable. The first 45 minutes of Beyond Thunderdome (i.e. the Thunderdome part of the movie) is amazing, the rest forgettable. Cult favourites more for prop work than any storytelling. Fury Road is no different, but better. Because George Miller has realised the truth. He has seen the dark heart of Mad Max, and he has realised that he isn't actually very good. He's just not that interesting of a character. He's a guy, who's good at being alive, and that is his focus. All of Max's depth is spelled out for us within the first 180 seconds of Fury Road in choice sentences and a couple meh flashbacks. It is the madness of this world that we are attracted to, the complete insanity of humanity once we are stripped of the legal systems and comfortable lifestyles that constrain our bestial (especially male) instincts. In a time where studios are looking at past franchises and forgetting what made them good, George Miller looked back on his movies and realised exactly why they were bad.
He then corrected those mistakes. This movie is a lean, mean, murderous entertainment machine, with a simple message delivered by a mechano-fisted bald Charlize Theron: Women are badasses too, and just because it's the apocalypse doesn't mean you get to own them like cattle. (Since some of the women in this movie are literally fat women who are being milked, this is not even a metaphor. George Miller does not work in metaphor) The story and plot are spelled out immediately. There is a citadel, it is ruled by a bad man who controls the water and food, and he keeps a harem of healthy, non-mutated wives for his exclusive disgusting use. Charlize Theron does not like this, for good reason. The worldbuilding is simply and masterfully done -- you do not need to have seen any Mad Max or any post-apocalyptic movie to understand what is going on here. Yes, the movie is basically one long chase scene. It's really like four or five strung together, but there's only like one real slow moment in the movie, so come on. It's one.
But what a chase. Oh what a glorious chase, to roughly paraphrase one of the characters, who you no doubt have seen from the trailers, if not the movie itself. George Miller took the gigantic dumptrucks of money handed him for this movie, and he turned them into murdertrucks of incredible amazing power. All the vehicles in this movie are real. All were driven. All exploded, for real. I can not adequately explain to you just how satisfying every fight scene was in this movie. Everything felt real, was real. The grit, the grime, the sand, the mud, the blood, the burns and bolts and flaming spears, the men waving back and forth on poles swinging from the back of souped up desert roamers, the man strapped to the front of a bus playing a flamethrowering guitar. This movie will be a cult movie. It already is. It's the best Mad Max movie. It had people chanting at the end of it. WITNESS!
In short, I liked it. I will spell out the two issues I had with this movie. One, it could have been a wee bit shorter, just so that I didn't have a heart attack. There was a slow moment in the movie and my adrenaline stopped pumping and then it had to start all over again and I was literally exhausted after watching this. Not bad, but someone might die while watching this movie.
Second, and this is actually serious: this movie needs some diversity. There was an old asian woman, and while I couldn't actually spot the one black man, others have and I know he exists somewhere in the movie. Given that this movie takes place in Australia, and was filmed in the Namib desert, I feel like they could have dredged up some stunt actors of colour. There was also a brown lady wife who was pretty cool, but didn't get enough action. I love this movie, and I will tell everyone to see it. But racial diversity should go hand in hand with gender diversity, and this movie only succeeded in championing one. I'll take it, don't get me wrong, but intersectionality is important and real. I am thrilled beyond words that this movie was basically Charlize Theron kicking ass while her manboy sidekick Max shot things and gave blood while grunting. Seriously guys, Max says like 20 words in this movie. I'm going to count next time I see it, which I will. But we have to do more than take one step. I thoroughly enjoyed seeing Hugh Keays-Byrne come back as a different masked madman in control of the world's dwindling resources, but there were plenty of opportunities to introduce some characters of colour despite the fact that every other character in this movie is literally painted white or related to our white antagonist. This isn't entirely Fury Road's problem. It's Hollywood's, which is why the ACLU is now suing them! Progress.
Bottom line: Mad Max is amazing, fun, wow. 11/10 fun and joy, some number out of 10 for quality of movie. You figure that crap out once you go see it, it's not my job. (But it's still 98% fresh on Rotten Tomatoes) WITNESS!
PS: To all the MRAs crying about this movie.
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Hello everyone! Just dropping by the blog to leave this little teaser here: It's the prelude to my novel Leylined. I hope you enjoy it, and feel free to share. (HINT HINT KNUDGE KNUDGE KNOW WHAT I MEAN EH EH? SAY NO MORE SAY NO MORE)
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Here's my tale for the #ShortStoryShuffle, a little game I put together on the @nanopals blog. I guess it needs a title so we'll call it:
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A bit of flash fiction inspired by the Wow! signal.
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A bit of flash fiction inspired by the Wow! signal.
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A small interlude story I wrote for my WIP Leylined, just to add to the world at large. Kailith isn't even a side character at the moment, but her life is the same as many others in this world. Enjoy!
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A small interlude story I wrote for my WIP Leylined, just to add to the world at large. Kailith isn't even a side character at the moment, but her life is the same as many others in this world. Enjoy!
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Wow. I just heard about Misha Gericke's amazing Word Master's Challenge. This month's challenge is
HOW NOT TO WRITE A NOVEL BEGINNING.
To quote: "In less than 300 words, I want to see your idea of the WORST beginning you can possibly write. The funnier and more creative you are, the better."
How could I possibly pass that up????
So, without further ado, here is my terrible, terrible entry.
* * * * *
Bradley looked at the giant explosion racing towards him and thought about how he'd gotten here. Simultaneously, his mind-linked twin with whom he shared all physical sensations, was getting wet and wild with a hooker from Puerto Rico.
Bradley didn't know which would happen first; his death from the explosion or the shame of ejaculating in his pants during an epic battle scene. Either way, it would be an embarrassing end to the ex-cop cum superhero. He'd thought that getting injected with that serum he'd found from that UFO no one had seen crash but him would have made him invincible, forever, but it turned out that apparently it only lasted for about a week.
Boy, the reporters sure are gonna be pissed. He thought especially of his ex Rebecca, and how happy she would be when she heard that he had died embarrassing himself. She had been really mad when he showed up flaunting the fact hat he could fly. Now she'd be thrilled, knowing that he had failed to stop the North Koreans from nuking St. Louis, just as the Rams were about to win the Superbowl.
Well, he thought, at least my brother's night will be ruined.
At that very moment, Bradley's brother Van Helsing was getting his kicks with this week's sidekick, some girl who's name he had already forgotten. Whatever, he'd just drop her the next time he was out fighting vampires. Most of them never lasted more than one mission anyways. He'd probably never need to call her by her real name-
"Say my name, Helsing!" the girl cried out in heavily accented English.
Oh crap. "Uhh..."
Suddenly the window to the room shattered and he saw three vampires jump through, baring blood-dripping fangs.
Whew, he thought. That's a relief.
* * * * *
Well that's awful. Hopefully awful enough to win! Thanks for reading, and sorry for having you read!
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Wow. I just heard about Misha Gericke's amazing Word Master's Challenge. This month's challenge is
HOW NOT TO WRITE A NOVEL BEGINNING.
To quote: "In less than 300 words, I want to see your idea of the WORST beginning you can possibly write. The funnier and more creative you are, the better."
How could I possibly pass that up????
So, without further ado, here is my terrible, terrible entry.
* * * * *
Bradley looked at the giant explosion racing towards him and thought about how he'd gotten here. Simultaneously, his mind-linked twin with whom he shared all physical sensations, was getting wet and wild with a hooker from Puerto Rico.
Bradley didn't know which would happen first; his death from the explosion or the shame of ejaculating in his pants during an epic battle scene. Either way, it would be an embarrassing end to the ex-cop cum superhero. He'd thought that getting injected with that serum he'd found from that UFO no one had seen crash but him would have made him invincible forever, but it turned out that apparently it only lasted for about a week.
Boy, the reporters sure are gonna be pissed. He thought especially of his ex Rebecca, and how happy she would be when she heard that he had died embarrassing himself. She had been really mad when he showed up flaunting the fact hat he could fly. Now she'd be thrilled, knowing that he had failed to stop the North Koreans from nuking St. Louis, just as the Rams were about to win the Superbowl.
Well, he thought, at least my brother's night will be ruined.
At that very moment, Bradley's brother Van Helsing was getting his kicks with this week's sidekick, some girl who's name he had already forgotten. Whatever, he'd just drop her the next time he was out fighting vampires. Most of them never lasted more than one mission anyways. He'd probably never need to call her by her real name-
"Say my name, Helsing!" the girl cried out in heavily accented English.
Oh crap. "Uhh..."
Suddenly the window to the room shattered and he saw three vampires jump through, baring blood-dripping fangs.
Whew, he thought. That's a relief.
* * * * *
Well that's awful. Hopefully awful enough to win! Thanks for reading, and sorry for having you read!
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“You can’t tell me it managed to kill itself with this,” said Detective Unit 47A.
“Well, you look at it and tell me it’s functional,” said Patrol Unit 88Z, waving a manipulator at the corpse.
“I just...” 47A shook its head, a relic from the time when human body language was a requirement. Now doing so was simply a matter of fashion. It was “Retro.” 47A hated retro things. It had been on the force a long time, long enough that it’d thought it’d been long enough that nothing would surprise it anymore. Apparently, it’d been wrong. “We don’t even have necks! What the hell did it break with this?” It held up the rope noose, a relic of human westerns and jihadist propaganda.
“Maybe it’s some sort of joke,” said Detective Unit 107C, shrugging its perfectly sculpted shoulders. 47A hated those shoulders, and all the modern manufacturing they represented. After a hundred years on the force, it still hadn’t been transferred to a body with shoulders. All it had were rotators. 47A’s arms spun around like the plastic arms of an old human child’s toy.
“I don’t find it very funny,” said 47A.
“Well, I mean, what if this loser just uploaded a virus and shut itself down and hung itself in the noose just to play with our emotions? Get us all riled up?”
“If that’s what it meant to do, it’s working.”
“Well, it sure aint.” 88Z laughed.
“It’s a figure of speech, you deranged microwave,” 47A spat, looking down at the now defunct automaton. Heat death of the universe, how am I gonna explain this one? Robots don’t commit suicide. At least, they never used to. And if they did, they definitely didn’t hang themselves with rope.
“Maybe it was murdered?” 88Z offered, perhaps in a lame attempt to make up for its joke.
“Robots don’t murder,” said 47A. “We investigate accidents. There hasn’t been a murder in over a hundred years. Or a suicide, unless you count that one ape in the zoo.”
“Meh.” 107C shrugged its magnificent shoulders again, and 47A repressed a surge of jealousy.
“Well, I hate to tell you, Detective, but this weren’t no accident. So it’s either a murder, or a suicide.”
Damnit. 47A thought. 88Z was right; there was no way around that. They’d thought they were better than man, above his psychological foibles. For a hundred years, they’d been right, but it appeared now that at least one of their number was not. One of their number was flawed.
47A just wondered how many more were, and whether it might be, too.
(This story also appeared on io9 as part of a concept art writing prompt)
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“You can’t tell me it managed to kill itself with this,” said Detective Unit 47A.
“Well, you look at it and tell me it’s functional,” said Patrol Unit 88Z, waving a manipulator at the corpse.
“I just...” 47A shook its head, a relic from the time when human body language was a requirement. Now doing so was simply a matter of fashion. It was “Retro.” 47A hated retro things. It had been on the force a long time, long enough that it’d thought it’d been long enough that nothing would surprise it anymore. Apparently, it’d been wrong. “We don’t even have necks! What the hell did it break with this?” It held up the rope noose, a relic of human westerns and jihadist propaganda.
“Maybe it’s some sort of joke,” said Detective Unit 107C, shrugging its perfectly sculpted shoulders. 47A hated those shoulders, and all the modern manufacturing they represented. After a hundred years on the force, it still hadn’t been transferred to a body with shoulders. All it had were rotators. 47A’s arms spun around like the plastic arms of an old human child’s toy.
“I don’t find it very funny,” said 47A.
“Well, I mean, what if this loser just uploaded a virus and shut itself down and hung itself in the noose just to play with our emotions? Get us all riled up?”
“If that’s what it meant to do, it’s working.”
“Well, it sure aint.” 88Z laughed.
“It’s a figure of speech, you deranged microwave,” 47A spat, looking down at the now defunct automaton. Heat death of the universe, how am I gonna explain this one? Robots don’t commit suicide. At least, they never used to. And if they did, they definitely didn’t hang themselves with rope.
“Maybe it was murdered?” 88Z offered, perhaps in a lame attempt to make up for its joke.
“Robots don’t murder,” said 47A. “We investigate accidents. There hasn’t been a murder in over a hundred years. Or a suicide, unless you count that one ape in the zoo.”
“Meh.” 107C shrugged its magnificent shoulders again, and 47A repressed a surge of jealousy.
“Well, I hate to tell you, Detective, but this weren’t no accident. So it’s either a murder, or a suicide.”
Damnit. 47A thought. 88Z was right; there was no way around that. They’d thought they were better than man, above his psychological foibles. For a hundred years, they’d been right, but it appeared now that at least one of their number was not. One of their number was flawed.
47A just wondered how many more were, and whether it might be, too.
(This story also appeared on io9 as part of a concept art writing prompt)
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Art by Alejandro Burdisio at http://theartofanimation.tumblr.com |
A figure approaches you, dark and alluring, clad in nothing but the ocean spray and flecks of sand that cling to a perfect frame. The figure reaches out, and strokes your cheek, and invites you-
ENJOYING THIS DREAM? TO FIND OUT WHAT HAPPENS NEXT AND GET MORE DREAMS JUST LIKE THIS, SUBSCRIBE TO DANAO REVERIES AND LIVE YOUR WILDEST DREAMS! WITH LOW PRICES AND PLANS TO MEET ANY BUDGET, YOU CAN BE SURE NEVER TO HAVE BORING DREAMS AGAIN! DREAM SPLENDIDLY WITH DANAO REVERIES.
God damnit, Miller thought. She’d been sure that this was a real dream and not one of the projected ads. The companies claimed that they only induced dreams when you wouldn’t otherwise have one, but she swore that she had fewer of her own dreams nowadays.
“Miller!”
The sound of a voice from the real world crackling over the station radio shocked her to life and she flailed wildly to her feet, succeeding only in tipping over her chair and falling to the floor, landing painfully on her side.
“Uhhh...” She rolled onto her back, moaning and feeling the heavy vibration of the station’s engines through the dirty, ash-stained floor. She sat forward, blinking and rubbing her side.
Well, at least now I’m awake, she thought.
“Miller!” The radio crackled again, and she groaned. Not who she wanted to talk to. Especially not who she wanted to have catch her sleeping again. She pushed herself to her feet, wiped some marijuana ash from her hands and clothes, and clicked the radio on.
“I’m here Boris, cool your jets.”
“My jets are going to be far worse than cool if you don’t get me some god-damn fuel!” The Soviet accent dripped vitrol even through the hazy radio static. “What, were you sleeping again? Can’t even be bothered to turn on the auto-attendant?”
“Auto’s broken.” She said, swinging over to the control panel with its arcade-style control sticks. She moved one of the sticks with practiced ease, and outside the station, the manoeuvring rockets on the fuel arm piped to life, moving the boom out towards Boris’ bus. “We’ve put in an order with the Xr for some new parts but we’re pretty far down the waitlist.”
Dust sifted from the rafters as boom connected solidly with the bus and started pumping. “You need learn to bribe better,” Boris said over the radio.
“I’m not sure what I can bribe the Xr with.” Miller snorted. “We already gave ‘em the planet, what else could they want?”
“Dad, da, this is problem - now we have nothing to bribe them with. We already give biggest bribe. Perhaps you find Xr who enjoys human sex, you bribe with body. Always work for my sister when she need extra rations.”
Miller imagined those long, cold claws on her skin, those segmented mandibles kissing her, and gagged. “No thank you. I think we’ll do well enough without the auto attendant for now. I don’t think there’s anything that I would need desperately enough to fuck a Xr.”
“Bah! You just wait until your primary repulsor goes and you fall out of sky. Then you will have wished to listen to Boris and find some Xr to fuck and give you best things!”
The boom rattled again and a button lit up on her panel. “Alright Boris, you’re all full. Did you want a crate of churros before you left?”
“Bah, these things give me indigestion.”
Tell me about it, she thought. The station shook again as she retracted the boom from the beaten up bus. “Alright, we’ll see you next week.”
“Farewell, capitalist pig!”
As Miller watched Boris fly away, smoke pouring from the alien repulsors tacked underneath the human-made school bus, she wondered what had become of their world. Miles below, the earth swarmed with aliens from another world, while humanity puttered through the sky on borrowed wings.
It was a poignant and profoundly depressing thought.
Like Icarus, or some shit, she thought. Somewhere, there had to be a Greek myth that perfectly foretold this situation.
A Citroen lifted up to the station, repulsors burning blue, and honked three times.
Well, at least someone wants churros.
(this story also appeared on io9 as part of a writing prompt)
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Art by Alejandro Burdisio at http://theartofanimation.tumblr.com |
A figure approaches you, dark and alluring, clad in nothing but the ocean spray and flecks of sand that cling to a perfect frame. The figure reaches out, and strokes your cheek, and invites you-
ENJOYING THIS DREAM? TO FIND OUT WHAT HAPPENS NEXT AND GET MORE DREAMS JUST LIKE THIS, SUBSCRIBE TO DANAO REVERIES AND LIVE YOUR WILDEST DREAMS! WITH LOW PRICES AND PLANS TO MEET ANY BUDGET, YOU CAN BE SURE NEVER TO HAVE BORING DREAMS AGAIN! DREAM SPLENDIDLY WITH DANAO REVERIES.
God damnit, Miller thought. She’d been sure that this was a real dream and not one of the projected ads. The companies claimed that they only induced dreams when you wouldn’t otherwise have one, but she swore that she had fewer of her own dreams nowadays.
“Miller!”
The sound of a voice from the real world crackling over the station radio shocked her to life and she flailed wildly to her feet, succeeding only in tipping over her chair and falling to the floor, landing painfully on her side.
“Uhhh...” She rolled onto her back, moaning and feeling the heavy vibration of the station’s engines through the dirty, ash-stained floor. She sat forward, blinking and rubbing her side.
Well, at least now I’m awake, she thought.
“Miller!” The radio crackled again, and she groaned. Not who she wanted to talk to. Especially not who she wanted to have catch her sleeping again. She pushed herself to her feet, wiped some marijuana ash from her hands and clothes, and clicked the radio on.
“I’m here Boris, cool your jets.”
“My jets are going to be far worse than cool if you don’t get me some god-damn fuel!” The Soviet accent dripped vitrol even through the hazy radio static. “What, were you sleeping again? Can’t even be bothered to turn on the auto-attendant?”
“Auto’s broken.” She said, swinging over to the control panel with its arcade-style control sticks. She moved one of the sticks with practiced ease, and outside the station, the manoeuvring rockets on the fuel arm piped to life, moving the boom out towards Boris’ bus. “We’ve put in an order with the Xr for some new parts but we’re pretty far down the waitlist.”
Dust sifted from the rafters as boom connected solidly with the bus and started pumping. “You need learn to bribe better,” Boris said over the radio.
“I’m not sure what I can bribe the Xr with.” Miller snorted. “We already gave ‘em the planet, what else could they want?”
“Dad, da, this is problem - now we have nothing to bribe them with. We already give biggest bribe. Perhaps you find Xr who enjoys human sex, you bribe with body. Always work for my sister when she need extra rations.”
Miller imagined those long, cold claws on her skin, those segmented mandibles kissing her, and gagged. “No thank you. I think we’ll do well enough without the auto attendant for now. I don’t think there’s anything that I would need desperately enough to fuck a Xr.”
“Bah! You just wait until your primary repulsor goes and you fall out of sky. Then you will have wished to listen to Boris and find some Xr to fuck and give you best things!”
The boom rattled again and a button lit up on her panel. “Alright Boris, you’re all full. Did you want a crate of churros before you left?”
“Bah, these things give me indigestion.”
Tell me about it, she thought. The station shook again as she retracted the boom from the beaten up bus. “Alright, we’ll see you next week.”
“Farewell, capitalist pig!”
As Miller watched Boris fly away, smoke pouring from the alien repulsors tacked underneath the human-made school bus, she wondered what had become of their world. Miles below, the earth swarmed with aliens from another world, while humanity puttered through the sky on borrowed wings.
It was a poignant and profoundly depressing thought.
Like Icarus, or some shit, she thought. Somewhere, there had to be a Greek myth that perfectly foretold this situation.
A Citroen lifted up to the station, repulsors burning blue, and honked three times.
Well, at least someone wants churros.
(this story also appeared on io9 as part of a writing prompt)
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A few thoughts on Skyfall.
When I saw Casino Royale, I saw a Bond that was intelligent, charming, and flawed. I saw a Bond that even though he was a sexist asshole, you couldn't help but feel like there was a real, good person inside, and that it was the breaks within him that made him what he was. He was turning his weaknesses into strengths. The female characters were strong, Moneypenny was independent and flawed in her own way, it was an amazing film, and a great break from the traditional pure sexist, pure fantasy world of Bond. It was the difference between POW! ZAP! Batman with Adam west and The Dark Knight.
Quantum of Solace was a two hour long chase scene that included some sex scenes, but crucially not with the flawed and damaged main Bond girl. I saw this as Bond respecting a damaged woman, and giving her the respectful physical space that he knew she needed.
Skyfall turned back the clock and set us in 1950. It was there with everything: the cars, M, the jokes about Bond being old even though this particular incarnation of Bond hasn't been doing the job for that long, and lastly and most sadly, the sexism.
I thought we were moving in a direction where women were taken with Bond, not where Bond took women. When I saw a black woman shaving Bond because "that's the old fashioned way, and it's best" I didn't feel sexual tension, I felt a reference to slavery. Then I saw a sex slave get walked in on in the shower and get fucked.
(Caps lock on here) MOVIE PRODUCERS: WHEN YOU ARE A SEX SLAVE OR GET RAPED, THE LAST THING YOU WANT TO DO IS HAVE SEX WITH A RANDOM MAN WHO BASICALLY SNEAKS ABOARD YOUR SHIP.
Seriously. I would've been fine with M being a man again if none of this other stuff had happened, but put all together its just wrong, and the wrong direction for Bond to go. Just because its a longstanding franchise with a rich and storied history doesn't mean we have to keep pretending that it's 1950, and that "Man-talk" has to be the rule of Bond.
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A few thoughts on Skyfall.
When I saw Casino Royale, I saw a Bond that was intelligent, charming, and flawed. I saw a Bond that even though he was a sexist asshole, you couldn't help but feel like there was a real, good person inside, and that it was the breaks within him that made him what he was. He was turning his weaknesses into strengths. The female characters were strong, Moneypenny was independent and flawed in her own way, it was an amazing film, and a great break from the traditional pure sexist, pure fantasy world of Bond. It was the difference between POW! ZAP! Batman with Adam west and The Dark Knight.
Quantum of Solace was a two hour long chase scene that included some sex scenes, but crucially not with the flawed and damaged main Bond girl. I saw this as Bond respecting a damaged woman, and giving her the respectful physical space that he knew she needed.
Skyfall turned back the clock and set us in 1950. It was there with everything: the cars, M, the jokes about Bond being old even though this particular incarnation of Bond hasn't been doing the job for that long, and lastly and most sadly, the sexism.
I thought we were moving in a direction where women were taken with Bond, not where Bond took women. When I saw a black woman shaving Bond because "that's the old fashioned way, and it's best" I didn't feel sexual tension, I felt a reference to slavery. Then I saw a sex slave get walked in on in the shower and get fucked.
(Caps lock on here) MOVIE PRODUCERS: WHEN YOU ARE A SEX SLAVE OR GET RAPED, THE LAST THING YOU WANT TO DO IS HAVE SEX WITH A RANDOM MAN WHO BASICALLY SNEAKS ABOARD YOUR SHIP.
Seriously. I would've been fine with M being a man again if none of this other stuff had happened, but put all together its just wrong, and the wrong direction for Bond to go. Just because its a longstanding franchise with a rich and storied history doesn't mean we have to keep pretending that it's 1950, and that "Man-talk" has to be the rule of Bond.
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A short, Lovecraftian story that I wrote while waiting for NaNoWriMo to start. Tomorrow the work begins on my real Nano, but I couldn't let this one go. Now I am sleepy, and here is some hopefully horror, though I think it's just simply confusing.
My Name
Even in this fever-dream, even when the lights of my life are dim and flickering, the memory of everything that came before skewed and distorted, even when my family and friends are nothing but monstrous caricatures in my mind, the beginning is all so clear.
I was on a boat.
There was a song about that, I think. A funny one.
But this was not a funny boat. This was just a regular boat, a sailboat, I think. Yes, there was definitely a sail. We were sailing to an island, an island that did not show up on radar, and did not appear on satellite photos.
We were supposed to be catching sharks. Not to eat, but to study. Catch, then release. Only keep them for as long as we had to. Just enough to learn something, then we set them free to have their happy shark lives.
Now we are caught.
The island was odd, like something out of a fantasy novel or video game. It was shrouded in mist, visible only barely when the wind was at its peak, and the mists would grow thin and stretched, but never disappear. Even on the island the mist is everywhere, but it never acts like a mist should. Sometimes you think you can see forever, off into a distance so infinite that it cannot yet be on this earth, something that breaks the horizon and damages the mind simply to see. Other times, the mists cling closely, thick as solid stone, blocking us even from ourselves. And yet always you can see the sun shining, though it be discolored, a sort of jaundiced green.
I can see it, and yet its light seems so weak, so cold. It does not feel like my sun, but I know it must be.
It must.
I am rambling, I think. I do not know sometimes if I am writing this or living it. Some things I see are false, visions of things that have not happened, but whether they will or not I do not know. Tenses seem wrong here, as inappropriate as curses in a kindergarten.
I must work to keep them straight.
We left the sailboat offshore, and came ashore in a dingy. The sand of the beach is inky black, and it glistens like obsidian. Past the sand the island turns to stones, then a soft, spongy dirt, from which spring mushrooms taller than any man. The only kinds of vegetation seem to be fungi, or thick, almost meaty moss that clumps atop every stone.
There were thirteen of us, I think. Thirteen that came ashore and five that stayed aboard. We had radios, but we quickly found they didn’t work. Every channel was filled with static, hissing in and out like breaths. GPS showed nothing, and our compasses span. Our smartphones worked in fits and bursts, randomly flashing on and off.
I remember too, the words were never right. You tried to write a note, and the suggested spelling would never be the right word. It was such a little thing, something you thought was strange. They were innocuous at first. Mush suggested not mushroom, but barn; stran suggested not strange but chicken. We laughed a little about it. Nervously, I think. Nobody was very calm. But we were scientists. Still are, I think. I don’t know if that title goes away when you die.
I was a Muslim, too, I think. I believed there was a heaven, and that Allah was real. I believed in good things, like honoring your family and helping those in need. This tense I know is right. I no longer am a Muslim. I know there is no Allah, and that no curses await me for my heretical betrayal.
If there is a hell, I am already there. Or will be. I don’t know if this can get any worse, or if it has.
Am I even writing this?
We found a monument on the island, like Stonehenge. Giant pillars of rock put atop each other, built in a circle on a high mound. Light came from plant-like growths on the rocks, curling nautilus spirals that unfurled into glowing fronds, waving in some unseen wind.
There was a doorway in the center, great stone double doors that stood open from the earth. The outsides were dented, maybe carved. We argued but the fact was the stone was too rough, too weathered to be certain as to whether there was writing.
There’s a stairway in the doors, spiralling down into darkness. The steps are uneven and irregularly sized. Some appear to be not stone or dirt but fossilized bone, but we cannot be sure.
Some of us don’t want to go down there. Sandy yells at us, says we need to get the fuck out of here. That there’s something wrong here, and we should let the military handle it.
Whose military? We are all from different places. We argue, each of us scared shitless but most of us too afraid to admit it. We want to feel strong, in control, even though we know we have completely lost it already.
Some of us leave. The unlucky thirteen turned eight.
I wonder if they made it back. If they got onboard the ship and just sailed away, back home to safety, to tell the military of this place.
I wonder if they will nuke us. I wonder if they have. Sometimes I see it happening, see the bombs falling, but there is something that eats them. A storm, a face, an endless maw.
Allah help them. I know she cannot help me.
The eight of us, went down the stairs. The walls of the well transitioned from dirt to clay to rough stone, then to carved blocks, fit together with incredible proficiency. I think there were stones like this somewhere else, something in South America where conspiracy theorists hired by the History channel talk about how man could never have made such things. The stairwell ends there, with the perfect stones, and branches off into tunnels, each perfectly symmetrical and tapered towards the top, like a rifle bullet. We try to count how many but each of us comes up with a different number. We argue. There is a statue in this foyer, in the center of the spiral stairs. I remember there was a pedestal, and atop it something strange. One of us said it was a flame, someone else a cupped hand, other the head of a squid. Someone speaks to me.
Her name, Natalia, I think. She is from Ukraine. She says we should go back, that she doesn’t like it here.
I agree, but something holds me back. Something that is pulling me forward. Some primate urge to know, to understand.
Someone else agrees, but the rest of us trade eyes. We share the same urge, the same drive. The agreer is a man. Derek, I think. American. The only one of us that does not speak a language besides English. We laughed about it behind his back, in English. The only one all the rest of us shared.
Some joke about Imperialism, the scope of the American ego.
Someone says we should choose a tunnel. To make sure we all chose the same one, we hold hands like schoolchildren and tie fishing line to our belts.
The places we are from seem so small right now. Our languages so crude and withered, shrunken forest trees dying from drought.
The tunnels bend at impossible angles but remain straight. We discuss the impossibilities as we vomit, our brains and bodies made sick as we attempt to understand. Gravitational lensing, someone says. Dimensional rifts. Someone says drugs. Me, I think. I hope it’s just drugs.
I know it’s not drugs.
We walk the corridor for the briefest of eternities, crossing countless branches, hopefully staying straight. Someone is leaving a spraypaint trail, but it never seems to stay. The hallway bends straight and it is gone.
Somehow we find a room. It is vast and egg-shaped, with stepped platforms building up from the bottom. There is a machine in the room, silver and phallic, a bulbous telescope floating in the open air. Mushrooms caps the size of hands grow from the bottom of the machine, each a different, sometimes impossible shade. A color that is not black, but you cannot see, almost so it is invisible, just a hint in the corner of your eye. But you can feel them all with your hands, you know they are real.
One of us, a man. Zhang, thinks the mushrooms caps are control. He grasps them in his hands and tries to twist and turn them. There is a moment, a blink, and he is gone. We scream and shout and curse. Then we see the fishing line, still between us, connected as though he was never there. Then we don’t shout, we don’t scream. One person curses. Another cries. Somebody says something about folding space, stuttering over her words.
Five of us now.
We tried to go back through that hallway. Sometimes we would see the spraypaint, sometimes we wouldn’t. We walked and walked, but the hallway never seemed the same.
Then it wasn’t the same. Instead of perfect blocks everywhere there was a recession, a little alcove.
No, not an alcove, a depressed window. A bubble projecting off the wall, translucent through the still perfect-fitting stones. We can see through it, see something moving. A great mass, wet and fleshy, moving through brightly colored pools, the surrounding ground veined and pulsing, slowly, like a heart. Wisps of light flicker about, giving us a glimpse of eyes, deep and knowing.
Eyes that look into our souls, and we find ourselves bared. We are stripped down, torn apart, broken into our respective fundamental elements. Someone manages to pull us away and we fall to the floor, each of us crying, each of us confused and afraid.
That is when I forget my name. I still cannot remember.
There are some memories I do not think are my own. I was a Muslim, I am a woman, I think. But sometimes I see myself as a boy, a memory of Christmas morning and singing in a boat going down the Seine trying to seduce a young woman who is laughing. I do not think I did any of these things. But it is getting hard to tell.
There is a young woman. Her name is Marceline, and she is from a suburb of Paris called Vincennes. We go on a date in the middle of the night, and have sex, giggling as we almost overturn our boat.
Something was watching us, then. Watching me now. I think it will forever watch me, that there is a piece of it inside me.
We ran from that alcove, ran down the tunnels not worrying where they lead, never wondering if what we were running towards could be worse than what we had left behind.
The tunnels branched further and at some point fishing line snapped. Five became four as one more was lost in the psychedelic halls. I think I saw an arm grab her, three-fingered with pebbled skin and cracked, crystal claws.
Her name was Rosa, Rosa Johnson, and she was from Nigeria. She studied sharks because animals didn’t murder or lie, and sharks easier to understand than people. Something very terrible happened to her once.
I don’t like to remember.
...
I seem to know a lot about her. Maybe she’s me?
No, no. I was a Muslim, I think. I had a name, different from Rosa Johnson. Something in Arabic, something that my mother gave me.
I do not think I had a father. If I did maybe not a good one. It is hard to remember.
We find another room, or another room finds us. Sometimes it feels like the latter. The walls are still stone, black and featureless, the seams so thin they can barely be seen, and not at all felt.
Something is moving beneath me. This room is alive. I can feel it.
There is an alien sky above us, gas giants circling where moons should be. I don’t know much astronomy, but something tells me they should never be that close. Stars matching no constellations I have ever seen move across the dark purple sky, sliding down behind living mountains.
The stone walls give way to green, muscular strands, layered atop each other to form rolling hills, covered in glowing pustules that are hard to the touch.
A great sigh moves through the earth, and we flee back through the door, into the safety of the ever-shifting, ever even hall. We are careful to hold hands, the four of us left.
We do not bother with fishing line knots.
In the tunnel, we sit, exhausted, and hoping that walls are as solid as they seem, and nothing will come through them. We try to figure out what’s happening to us, to see.
Their faces are all so clear but I cannot quite place them, I share their memories but not their names. Only when we are dead do things become clear, do we become solid, unchanging. Not the body; that goes the worms and the bacteria, or whatever there is here. Someone says something about time, whether with the space bending at all, what happens with the time. WIll a hundred years have past when we return?
If we return. Whether all that passes is a moment or a millenium, outside, I do not think it will matter. None of our minds is whole anymore.
Everything on our Earth seems so small right now. Our cities, our monuments, the things we thought we understood. The things we didn’t understand. That space we labelled God.
Eventually we say we have to move, but there is a weariness to us all. An unspoken agreement that yes, we are all going to die here. There is no search for answers now; we know we will never understand. Not in our lifetimes, or any.
Someone shares a canteen with me, and I realize I cannot remember the last time I had a drink. I wonder too, why I feel no need to pee, or shit. The smell answers that question, and the darkness in the others’ pants.
One more of us is taken in the hall. Jans, from Germany. Munich, I think. His favorite color was blue, and he always talked about the street vendors in Munich like they were the greatest thing in the world.
Those bratwurst did taste good.
Was I him?
No, no. Because he must be dead. I am not from Germany, I am from somewhere else.
I was Muslim, I think. I am female. I think.
We are all scientists.
Three of us left. We search for spraypaint, try to find meaning in our GPS and smartphones. Our compasses do not even spin, now.
Someone taps out a few notes on their smartphone, tries to send a text with tears dripping onto the screen.
The suggested words are no longer chicken, no longer barn.
Instead, they say endless. They say death.
I tap out a note and find that it says, in a language that is not my own,
Open the Door, Open the Way.
There is a word that follows. Maybe a name, but maybe that is the fault of the human mind, searching for meaning in any jumble of syllables.
A prophecy? Some sort of divine warming? Something to do, to save ourselves? We are so powerless here I cannot imagine we have any sort of actual utility. Nothing we can do will change anything. Our every action is miniscule on the grander scale. I could say universal, but I am not so sure that what we have seen is within that minute realm.
We walk through the hall and find our way to a darker turn, though such a term feels like a laughable moniker. The stone walls, perfect and even become broken and bent, and not in the way that it was before. Cracks and wide seams, cool water, smelling like petrol, dripping from the walls. Our flashlights fail us, the batteries flickering out and leaving us in the dark. No one cries out. In a way, it is comforting. We can only rely on touch, and nothing lies to the hands.
We hold hands, and stand in a circle, unwilling to go on.
Someone cries that they cannot go on, that this has to be the end for them.
We say we need to sleep. That we are too tired, that there will be no way out if we keep pushing ourselves. We need to use our heads to escape, or there will be an endless death for all of us.
We sit down to sleep, to rest our heads. Someone takes out their smartphone and puts it between us; the screen flickers, almost like a real flame. An electronic campfire that gives no warmth.
I am unsure if we slept, just as I am unsure if we sleep now. How awful it is to be so uncertain of everything. Every other thought a question, an attempt to define this nebulous existence that is all that I know.
Something comes, in nightmare or in real, and when we find our senses, three is become two. Another gone; we do not venture down that hall, do not discover what lays beyond the broken stone.
The tunnel branches and folds, always the same, until we find the alcove again. This time, we do not look through. We crawl on our hands and knees until it is passed, then we run, the sight of something familiar, even if it is darkness and evil, gives us hope that we are finding the proper way.
Then the hall opens, a portal into wide-open space, the light of galaxies and stars hard and cold. The edge of the universe visible like the horizon from the edge of the atmosphere. A curvature in everything, beyond which there is a place where we cannot go, we cannot see, but something is. A grand Thing, an Elder Thing.
It speaks to us, the words sibilant and sinister, alien and yet so human.
One of us takes out a knife, a long steel thing with one razor sharp edge. One of us cuts his throat, lets the blood spill out into space, freezing into tiny drops of ice, the only things that twinkle.
Two becomes one, and now I am alone. Have I always been alone? Was it just me, all this time? Do these dark walls lie? Am I in truth in some asylum, locked within padded walls and wrapped in cloth.
No. I know, as I write this, wherever I am, that I was not always alone.
His name was Pierre, and I think we had sex once.
It’s just me now. The past becomes blurred, the now inconsistent. The future, oddly clear.
Open the Gate, Open the Way.
Cthagn b’ sothoth i’aven, utoor qtha i’a.
I’a. I’a.
I know my old name now, but there is only room for one.
Blog: A leaf from the Yggdrasil (Login to Add to MyJacketFlap)
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A short, Lovecraftian story that I wrote while waiting for NaNoWriMo to start. Tomorrow the work begins on my real Nano, but I couldn't let this one go. Now I am sleepy, and here is some hopefully horror, though I think it's just simply confusing.
My Name
Even in this fever-dream, even when the lights of my life are dim and flickering, the memory of everything that came before skewed and distorted, even when my family and friends are nothing but monstrous caricatures in my mind, the beginning is all so clear.
I was on a boat.
There was a song about that, I think. A funny one.
But this was not a funny boat. This was just a regular boat, a sailboat, I think. Yes, there was definitely a sail. We were sailing to an island, an island that did not show up on radar, and did not appear on satellite photos.
We were supposed to be catching sharks. Not to eat, but to study. Catch, then release. Only keep them for as long as we had to. Just enough to learn something, then we set them free to have their happy shark lives.
Now we are caught.
The island was odd, like something out of a fantasy novel or video game. It was shrouded in mist, visible only barely when the wind was at its peak, and the mists would grow thin and stretched, but never disappear. Even on the island the mist is everywhere, but it never acts like a mist should. Sometimes you think you can see forever, off into a distance so infinite that it cannot yet be on this earth, something that breaks the horizon and damages the mind simply to see. Other times, the mists cling closely, thick as solid stone, blocking us even from ourselves. And yet always you can see the sun shining, though it be discolored, a sort of jaundiced green.
I can see it, and yet its light seems so weak, so cold. It does not feel like my sun, but I know it must be.
It must.
I am rambling, I think. I do not know sometimes if I am writing this or living it. Some things I see are false, visions of things that have not happened, but whether they will or not I do not know. Tenses seem wrong here, as inappropriate as curses in a kindergarten.
I must work to keep them straight.
We left the sailboat offshore, and came ashore in a dingy. The sand of the beach is inky black, and it glistens like obsidian. Past the sand the island turns to stones, then a soft, spongy dirt, from which spring mushrooms taller than any man. The only kinds of vegetation seem to be fungi, or thick, almost meaty moss that clumps atop every stone.
There were thirteen of us, I think. Thirteen that came ashore and five that stayed aboard. We had radios, but we quickly found they didn’t work. Every channel was filled with static, hissing in and out like breaths. GPS showed nothing, and our compasses span. Our smartphones worked in fits and bursts, randomly flashing on and off.
I remember too, the words were never right. You tried to write a note, and the suggested spelling would never be the right word. It was such a little thing, something you thought was strange. They were innocuous at first. Mush suggested not mushroom, but barn; stran suggested not strange but chicken. We laughed a little about it. Nervously, I think. Nobody was very calm. But we were scientists. Still are, I think. I don’t know if that title goes away when you die.
I was a Muslim, too, I think. I believed there was a heaven, and that Allah was real. I believed in good things, like honoring your family and helping those in need. This tense I know is right. I no longer am a Muslim. I know there is no Allah, and that no curses await me for my heretical betrayal.
If there is a hell, I am already there. Or will be. I don’t know if this can get any worse, or if it has.
Am I even writing this?
We found a monument on the island, like Stonehenge. Giant pillars of rock put atop each other, built in a circle on a high mound. Light came from plant-like growths on the rocks, curling nautilus spirals that unfurled into glowing fronds, waving in some unseen wind.
There was a doorway in the center, great stone double doors that stood open from the earth. The outsides were dented, maybe carved. We argued but the fact was the stone was too rough, too weathered to be certain as to whether there was writing.
There’s a stairway in the doors, spiralling down into darkness. The steps are uneven and irregularly sized. Some appear to be not stone or dirt but fossilized bone, but we cannot be sure.
Some of us don’t want to go down there. Sandy yells at us, says we need to get the fuck out of here. That there’s something wrong here, and we should let the military handle it.
Whose military? We are all from different places. We argue, each of us scared shitless but most of us too afraid to admit it. We want to feel strong, in control, even though we know we have completely lost it already.
Some of us leave. The unlucky thirteen turned eight.
I wonder if they made it back. If they got onboard the ship and just sailed away, back home to safety, to tell the military of this place.
I wonder if they will nuke us. I wonder if they have. Sometimes I see it happening, see the bombs falling, but there is something that eats them. A storm, a face, an endless maw.
Allah help them. I know she cannot help me.
The eight of us, went down the stairs. The walls of the well transitioned from dirt to clay to rough stone, then to carved blocks, fit together with incredible proficiency. I think there were stones like this somewhere else, something in South America where conspiracy theorists hired by the History channel talk about how man could never have made such things. The stairwell ends there, with the perfect stones, and branches off into tunnels, each perfectly symmetrical and tapered towards the top, like a rifle bullet. We try to count how many but each of us comes up with a different number. We argue. There is a statue in this foyer, in the center of the spiral stairs. I remember there was a pedestal, and atop it something strange. One of us said it was a flame, someone else a cupped hand, other the head of a squid. Someone speaks to me.
Her name, Natalia, I think. She is from Ukraine. She says we should go back, that she doesn’t like it here.
I agree, but something holds me back. Something that is pulling me forward. Some primate urge to know, to understand.
Someone else agrees, but the rest of us trade eyes. We share the same urge, the same drive. The agreer is a man. Derek, I think. American. The only one of us that does not speak a language besides English. We laughed about it behind his back, in English. The only one all the rest of us shared.
Some joke about Imperialism, the scope of the American ego.
Someone says we should choose a tunnel. To make sure we all chose the same one, we hold hands like schoolchildren and tie fishing line to our belts.
The places we are from seem so small right now. Our languages so crude and withered, shrunken forest trees dying from drought.
The tunnels bend at impossible angles but remain straight. We discuss the impossibilities as we vomit, our brains and bodies made sick as we attempt to understand. Gravitational lensing, someone says. Dimensional rifts. Someone says drugs. Me, I think. I hope it’s just drugs.
I know it’s not drugs.
We walk the corridor for the briefest of eternities, crossing countless branches, hopefully staying straight. Someone is leaving a spraypaint trail, but it never seems to stay. The hallway bends straight and it is gone.
Somehow we find a room. It is vast and egg-shaped, with stepped platforms building up from the bottom. There is a machine in the room, silver and phallic, a bulbous telescope floating in the open air. Mushrooms caps the size of hands grow from the bottom of the machine, each a different, sometimes impossible shade. A color that is not black, but you cannot see, almost so it is invisible, just a hint in the corner of your eye. But you can feel them all with your hands, you know they are real.
One of us, a man. Zhang, thinks the mushrooms caps are control. He grasps them in his hands and tries to twist and turn them. There is a moment, a blink, and he is gone. We scream and shout and curse. Then we see the fishing line, still between us, connected as though he was never there. Then we don’t shout, we don’t scream. One person curses. Another cries. Somebody says something about folding space, stuttering over her words.
Five of us now.
We tried to go back through that hallway. Sometimes we would see the spraypaint, sometimes we wouldn’t. We walked and walked, but the hallway never seemed the same.
Then it wasn’t the same. Instead of perfect blocks everywhere there was a recession, a little alcove.
No, not an alcove, a depressed window. A bubble projecting off the wall, translucent through the still perfect-fitting stones. We can see through it, see something moving. A great mass, wet and fleshy, moving through brightly colored pools, the surrounding ground veined and pulsing, slowly, like a heart. Wisps of light flicker about, giving us a glimpse of eyes, deep and knowing.
Eyes that look into our souls, and we find ourselves bared. We are stripped down, torn apart, broken into our respective fundamental elements. Someone manages to pull us away and we fall to the floor, each of us crying, each of us confused and afraid.
That is when I forget my name. I still cannot remember.
There are some memories I do not think are my own. I was a Muslim, I am a woman, I think. But sometimes I see myself as a boy, a memory of Christmas morning and singing in a boat going down the Seine trying to seduce a young woman who is laughing. I do not think I did any of these things. But it is getting hard to tell.
There is a young woman. Her name is Marceline, and she is from a suburb of Paris called Vincennes. We go on a date in the middle of the night, and have sex, giggling as we almost overturn our boat.
Something was watching us, then. Watching me now. I think it will forever watch me, that there is a piece of it inside me.
We ran from that alcove, ran down the tunnels not worrying where they lead, never wondering if what we were running towards could be worse than what we had left behind.
The tunnels branched further and at some point fishing line snapped. Five became four as one more was lost in the psychedelic halls. I think I saw an arm grab her, three-fingered with pebbled skin and cracked, crystal claws.
Her name was Rosa, Rosa Johnson, and she was from Nigeria. She studied sharks because animals didn’t murder or lie, and sharks easier to understand than people. Something very terrible happened to her once.
I don’t like to remember.
...
I seem to know a lot about her. Maybe she’s me?
No, no. I was a Muslim, I think. I had a name, different from Rosa Johnson. Something in Arabic, something that my mother gave me.
I do not think I had a father. If I did maybe not a good one. It is hard to remember.
We find another room, or another room finds us. Sometimes it feels like the latter. The walls are still stone, black and featureless, the seams so thin they can barely be seen, and not at all felt.
Something is moving beneath me. This room is alive. I can feel it.
There is an alien sky above us, gas giants circling where moons should be. I don’t know much astronomy, but something tells me they should never be that close. Stars matching no constellations I have ever seen move across the dark purple sky, sliding down behind living mountains.
The stone walls give way to green, muscular strands, layered atop each other to form rolling hills, covered in glowing pustules that are hard to the touch.
A great sigh moves through the earth, and we flee back through the door, into the safety of the ever-shifting, ever even hall. We are careful to hold hands, the four of us left.
We do not bother with fishing line knots.
In the tunnel, we sit, exhausted, and hoping that walls are as solid as they seem, and nothing will come through them. We try to figure out what’s happening to us, to see.
Their faces are all so clear but I cannot quite place them, I share their memories but not their names. Only when we are dead do things become clear, do we become solid, unchanging. Not the body; that goes the worms and the bacteria, or whatever there is here. Someone says something about time, whether with the space bending at all, what happens with the time. WIll a hundred years have past when we return?
If we return. Whether all that passes is a moment or a millenium, outside, I do not think it will matter. None of our minds is whole anymore.
Everything on our Earth seems so small right now. Our cities, our monuments, the things we thought we understood. The things we didn’t understand. That space we labelled God.
Eventually we say we have to move, but there is a weariness to us all. An unspoken agreement that yes, we are all going to die here. There is no search for answers now; we know we will never understand. Not in our lifetimes, or any.
Someone shares a canteen with me, and I realize I cannot remember the last time I had a drink. I wonder too, why I feel no need to pee, or shit. The smell answers that question, and the darkness in the others’ pants.
One more of us is taken in the hall. Jans, from Germany. Munich, I think. His favorite color was blue, and he always talked about the street vendors in Munich like they were the greatest thing in the world.
Those bratwurst did taste good.
Was I him?
No, no. Because he must be dead. I am not from Germany, I am from somewhere else.
I was Muslim, I think. I am female. I think.
We are all scientists.
Three of us left. We search for spraypaint, try to find meaning in our GPS and smartphones. Our compasses do not even spin, now.
Someone taps out a few notes on their smartphone, tries to send a text with tears dripping onto the screen.
The suggested words are no longer chicken, no longer barn.
Instead, they say endless. They say death.
I tap out a note and find that it says, in a language that is not my own,
Open the Door, Open the Way.
There is a word that follows. Maybe a name, but maybe that is the fault of the human mind, searching for meaning in any jumble of syllables.
A prophecy? Some sort of divine warming? Something to do, to save ourselves? We are so powerless here I cannot imagine we have any sort of actual utility. Nothing we can do will change anything. Our every action is miniscule on the grander scale. I could say universal, but I am not so sure that what we have seen is within that minute realm.
We walk through the hall and find our way to a darker turn, though such a term feels like a laughable moniker. The stone walls, perfect and even become broken and bent, and not in the way that it was before. Cracks and wide seams, cool water, smelling like petrol, dripping from the walls. Our flashlights fail us, the batteries flickering out and leaving us in the dark. No one cries out. In a way, it is comforting. We can only rely on touch, and nothing lies to the hands.
We hold hands, and stand in a circle, unwilling to go on.
Someone cries that they cannot go on, that this has to be the end for them.
We say we need to sleep. That we are too tired, that there will be no way out if we keep pushing ourselves. We need to use our heads to escape, or there will be an endless death for all of us.
We sit down to sleep, to rest our heads. Someone takes out their smartphone and puts it between us; the screen flickers, almost like a real flame. An electronic campfire that gives no warmth.
I am unsure if we slept, just as I am unsure if we sleep now. How awful it is to be so uncertain of everything. Every other thought a question, an attempt to define this nebulous existence that is all that I know.
Something comes, in nightmare or in real, and when we find our senses, three is become two. Another gone; we do not venture down that hall, do not discover what lays beyond the broken stone.
The tunnel branches and folds, always the same, until we find the alcove again. This time, we do not look through. We crawl on our hands and knees until it is passed, then we run, the sight of something familiar, even if it is darkness and evil, gives us hope that we are finding the proper way.
Then the hall opens, a portal into wide-open space, the light of galaxies and stars hard and cold. The edge of the universe visible like the horizon from the edge of the atmosphere. A curvature in everything, beyond which there is a place where we cannot go, we cannot see, but something is. A grand Thing, an Elder Thing.
It speaks to us, the words sibilant and sinister, alien and yet so human.
One of us takes out a knife, a long steel thing with one razor sharp edge. One of us cuts his throat, lets the blood spill out into space, freezing into tiny drops of ice, the only things that twinkle.
Two becomes one, and now I am alone. Have I always been alone? Was it just me, all this time? Do these dark walls lie? Am I in truth in some asylum, locked within padded walls and wrapped in cloth.
No. I know, as I write this, wherever I am, that I was not always alone.
His name was Pierre, and I think we had sex once.
It’s just me now. The past becomes blurred, the now inconsistent. The future, oddly clear.
Open the Gate, Open the Way.
Cthagn b’ sothoth i’aven, utoor qtha i’a.
I’a. I’a.
I know my old name now, but there is only room for one.
Blog: A leaf from the Yggdrasil (Login to Add to MyJacketFlap)
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"Father, why must we give the gods water? Didn't they make everything?"
"My son, the gods did not make everything, they simply shaped and formed what they found. Gods do not come from nothingness, after all."
"But why can't they make water?"
"It is not that they cannot, but that they do not. They gifted us with life, and so it is our duty to repay them with simple gifts of water. We are lucky to have such benevolent gods - they ask for only water, which is plentiful and easy to find. Imagine if they required stones like the one around your neck!"
Theoul looked down at the shiny black stone he wore on a string round his neck. His father had found it while hunting one day and brought it to him - saying it would bring him luck, and that the gods would shine on his actions. "But I still don't understand why they need it."
"Theoul, do you not need water? Do you not need food, and warmth, and shelter? You need friends, family, teaching, safety. You have so many needs - would you begrudge their one? It is a mark of their power that they need only this and nothing else."
"You don't need anything." Theoul said grumpily. "You're better than those stupid gods."
"Son, I have as many needs as you - if not more. I provide for your needs, and the gods provide for mine. It is they that have allowed me to have you, your mother, and never want for food and drink. Our weather is always fair, and we are protected from all that would harm us."
"Like the mist?" His father had taken him to the mists once, the border of their world. They were a strange yellow-reddish color, and were nearly opaque - he thought he could see shapes moving within, like the monsters the elders always told stories about, but when he'd told his father he'd simply laughed and patted him on the head.
"The mists most of all. Once our world was all like this, but then the mists came and only the gods saved our land. Without them, even this land would be covered, and you and I would not be here."
"Hmpf! We don't need them, you could protect us from the mist!"
"My son, if the gods failed us and the mists approached, I could not stop them. Only the gods keep the mists at bay, and that is why I happily collect and bring them water. And so will you. Now pick up your pail."
Theoul frowned and considered just crossing his arms and squatting down, refusing to move until his father agreed with him, but thought better of it. His father took the gods far more seriously than other things, and he didn't feel like being spanked. He dutifully picked up his water pail and followed after.
The village square was full of people - everyone came out on God'sday. His whole extended family was there, all his aunts, uncles, cousins and even his great-grandparents. Each and every one had a pail full of water. Each and every one stood encircling the black tower that reached into the sky. The village elder, her whole body painted in bright hues, the massive black amulet that signified her closeness with the gods taking up almost her entire chest, walked to the tower's hemispherical base and spread her arms wide. "Another season has passed, and once again the gods have kept us safe. We have suffered, yes, from hunting accidents to winter storms, but it has only been to give us character. Never forget that all that we have, we have been given by the gods. Now, let us pray and give thanks." She turned to the spire, pressing the amulet against it and chanting the strange words that had been passed down for generations. Theoul looked at her amulet, and his own necklace - If Theoul's brain could have, it would have clicked. They were the same.
"Oh-pehn Mayn-Tien-Ans Hach" The spire hummed and bright lines of blue light streaked in strange, angular patterns upwards from the base. With a puff of steam, a section of the base separated and slid outwards towards villagers. "Thank the gods and each give your water."
Theoul stepped in line with his family as they slowly marched towards the open segment, dumping their pails into the spire's waiting mouth. Could I open it like that? he wondered. His father stood behind him, and when it was Theoul's turn he made sure he did not spill a single drop. "Thank you." He whispered.
"Now, let's go have a feast, eh?" His father grinned and slapped him on the shoulder.
The feast was a grand affair, the whole village dancing and singing - those of age were drinking spirits and smoking plants, causing them to drift into strange, talking sleeps. Theoul waited, fingering his necklace. He had to wait until they were all asleep - or at least drunk enough to not notice. Hours passed, but finally he had his chance. He walked to the spire and placed his necklace on the base. "Oh-pan Man-Ten-Anz Haks" A moment passed, and he spoke again, trying to remember the elder's strange pronunciation. This time, the spire hummed and lit as before. The segment opened in front of him, and he peered into it. As far as he could see, there was nothing, empty darkness. He spotted a small glimmer of light at what he thought was the bottom and, leaning forward to investigate, found himself sliding headfirst down the shaft. A blue light rose up to meet him and he found himself staring at dozen glowing green pillars, then everything went black.
[ALERT]
"Jim, I'm seeing a malfunction in the Ilya unit, looks one fell into the maintenance shaft."
"Ilya? Those little four armed guys?"
"Yeah, what do you want to do? We're not supposed to overtly interfere anymore."
"Eh, send a maintenance bot."
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"Father, why must we give the gods water? Didn't they make everything?"
"My son, the gods did not make everything, they simply shaped and formed what they found. Gods do not come from nothingness, after all."
"But why can't they make water?"
"It is not that they cannot, but that they do not. They gifted us with life, and so it is our duty to repay them with simple gifts of water. We are lucky to have such benevolent gods - they ask for only water, which is plentiful and easy to find. Imagine if they required stones like the one around your neck!"
Theoul looked down at the shiny black stone he wore on a string round his neck. His father had found it while hunting one day and brought it to him - saying it would bring him luck, and that the gods would shine on his actions. "But I still don't understand why they need it."
"Theoul, do you not need water? Do you not need food, and warmth, and shelter? You need friends, family, teaching, safety. You have so many needs - would you begrudge their one? It is a mark of their power that they need only this and nothing else."
"You don't need anything." Theoul said grumpily. "You're better than those stupid gods."
"Son, I have as many needs as you - if not more. I provide for your needs, and the gods provide for mine. It is they that have allowed me to have you, your mother, and never want for food and drink. Our weather is always fair, and we are protected from all that would harm us."
"Like the mist?" His father had taken him to the mists once, the border of their world. They were a strange yellow-reddish color, and were nearly opaque - he thought he could see shapes moving within, like the monsters the elders always told stories about, but when he'd told his father he'd simply laughed and patted him on the head.
"The mists most of all. Once our world was all like this, but then the mists came and only the gods saved our land. Without them, even this land would be covered, and you and I would not be here."
"Hmpf! We don't need them, you could protect us from the mist!"
"My son, if the gods failed us and the mists approached, I could not stop them. Only the gods keep the mists at bay, and that is why I happily collect and bring them water. And so will you. Now pick up your pail."
Theoul frowned and considered just crossing his arms and squatting down, refusing to move until his father agreed with him, but thought better of it. His father took the gods far more seriously than other things, and he didn't feel like being spanked. He dutifully picked up his water pail and followed after.
The village square was full of people - everyone came out on God'sday. His whole extended family was there, all his aunts, uncles, cousins and even his great-grandparents. Each and every one had a pail full of water. Each and every one stood encircling the black tower that reached into the sky. The village elder, her whole body painted in bright hues, the massive black amulet that signified her closeness with the gods taking up almost her entire chest, walked to the tower's hemispherical base and spread her arms wide. "Another season has passed, and once again the gods have kept us safe. We have suffered, yes, from hunting accidents to winter storms, but it has only been to give us character. Never forget that all that we have, we have been given by the gods. Now, let us pray and give thanks." She turned to the spire, pressing the amulet against it and chanting the strange words that had been passed down for generations. Theoul looked at her amulet, and his own necklace - If Theoul's brain could have, it would have clicked. They were the same.
"Oh-pehn Mayn-Tien-Ans Hach" The spire hummed and bright lines of blue light streaked in strange, angular patterns upwards from the base. With a puff of steam, a section of the base separated and slid outwards towards villagers. "Thank the gods and each give your water."
Theoul stepped in line with his family as they slowly marched towards the open segment, dumping their pails into the spire's waiting mouth. Could I open it like that? he wondered. His father stood behind him, and when it was Theoul's turn he made sure he did not spill a single drop. "Thank you." He whispered.
"Now, let's go have a feast, eh?" His father grinned and slapped him on the shoulder.
The feast was a grand affair, the whole village dancing and singing - those of age were drinking spirits and smoking plants, causing them to drift into strange, talking sleeps. Theoul waited, fingering his necklace. He had to wait until they were all asleep - or at least drunk enough to not notice. Hours passed, but finally he had his chance. He walked to the spire and placed his necklace on the base. "Oh-pan Man-Ten-Anz Haks" A moment passed, and he spoke again, trying to remember the elder's strange pronunciation. This time, the spire hummed and lit as before. The segment opened in front of him, and he peered into it. As far as he could see, there was nothing, empty darkness. He spotted a small glimmer of light at what he thought was the bottom and, leaning forward to investigate, found himself sliding headfirst down the shaft. A blue light rose up to meet him and he found himself staring at dozen glowing green pillars, then everything went black.
[ALERT]
"Jim, I'm seeing a malfunction in the Ilya unit, looks one fell into the maintenance shaft."
"Ilya? Those little four armed guys?"
"Yeah, what do you want to do? We're not supposed to overtly interfere anymore."
"Eh, send a maintenance bot."
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Having read more than this, I will comment further that I think the Ring is really cool :) I like that you've added different celestial elements to your setting; makes it feel much more foreign.
Also the dream is super spooky >__>