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1. Victorian Poets and Paranormal Romance: Anne Greenwood Brown


Click through to sign up for the National Poetry Month giveaway!

When people ask me where I got the idea for LIES BENEATH, a YA novel about murderous mermaids on Lake Superior, I tell them that the initial image came to me in a dream, which is the truth. But the inspiration--the thing that fueled the novel--was Victorian poetry.

I’ve always had a love for the Victorian-era poets: Shelley, Tennyson, Dickinson, Rossetti, and the Brontës, just to name a few. In particular, I’m drawn to the way they mix their images of death and romance: the beautiful corpse, so to speak. For example, Dickinson speaks of death being a suitor come courting in a fine carriage:  

Because I could not stop for Death
He kindly stopped for me.
The Carriage held but just Ourselves
And Immortality.

But the Victorians don’t have a monopoly on this juxtaposition of romance and death. It is also a familiar image in modern-day paranormal romance.

The paranormal genre is filled with vampires, faeries, angels, and mermaids--all beautiful creatures who bring romance to unsuspecting mortals, just as easily as they bring death. So why are we drawn to them? They should repel us, but we are transfixed. Perhaps it is because we long to be consumed by love, just as surely as death will consume us all. Perhaps it’s the notion of “‘til death do us part” taken to its most extreme conclusion.

LIES BENEATH (the first book in the trilogy) is the story of Calder White, a merman, who falls in love with Lily Hancock, a human girl whose family has a history with monsters in the lake. The novel was inspired by three Victorian poems about beauty, love, and death, all written by Alfred, Lord Tennyson: “The Merman,” “The Mermaid,” and “The Lady of Shalott.” 

Tennyson describes the merman as a beautiful creature, living a king’s life. He’s flirtatious and bold, but without real love, his life is lonely, empty, and shallow: 

Who would be
A merman bold,
Sitting alone
Singing alone
Under the sea,
With a crown of gold,
On a throne?
                      -The Merman

But the mermaids are more straightforward in their warning that death lurks behind the beautiful façade of their lives:

Till that great sea-snake under the sea
From his coiled sleeps in the central deeps
Would slowly trail himself sevenfold
Round the hall where I sate, and look in at the gate
With his large calm eyes for the love of me.
                      -The Mermaid

In LIES BENEATH, Calder recognizes the emptiness of his life, wants more, but fears he cannot escape his own nature. That is, until he meets Lily Hancock, a modern-day Lady of Shalott.

Like the Lady of Shalott, Lily Hancock lives under a curse. While the Lady is teetering on the edge of a mental breakdown, Lily’s perception of the world is colored by her belief that she is destined for insanity, just like her grandfather before her. Both Lily and the Lady long for love and an end to the curse, even if seeking it out will surely lead to death.

When the Lady sees Lancelot, the object of her desire, Tennyson describes him just as dazzling and golden as he described the merman:

The gemmy bridle glittered free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily
As he rode down to Camelot:
                                     -The Lady of Shalott

Both Lily and the Lady put on white dresses, board a boat, and seek an end to their family curse. One of them is successful. The other pays the ultimate price. But can we say they did not both achieve their goal?

Some argue that YA paranormal romance sets a bad example of love for teens. I disagree. I would suggest that argument is looking at the genre through the wrong set of lenses. Rather, if considered through the lens of poetry, the reader quickly realizes that paranormal romance--like so many Victorian-era poems before it--presents a metaphor for sacrificial love. And, in the end, isn’t that the greatest love of all?

Anne Greenwood Brown is the author of  Lies Beneath (Random House/Delacorte June 12, 2012), Deep Betrayal (Random House/Delacorte March 12, 2013), and Promise Bound (Random House/Delacorte spring 2014). She lives in Minnesota with her amazingly patient husband and their three above-average children. Follow her on Facebook and Twitter.


4 Comments on Victorian Poets and Paranormal Romance: Anne Greenwood Brown, last added: 4/15/2013
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2. Welcome to National Poetry Month (and a Giveaway)

I've been preparing behind the scenes since January, working with eighteen different teachers, readers, librarians, authors, and poets to bring you their thoughts on poetry. For the rest of the month* this space will be devoted to their words. I'm excited to share these wonderful posts with you and to join in the discussion !

4/3 -- Jennifer Gennari :: Opening the Heart of Characters Through Poetry
4/4 -- Paul Hankins :: Coming Back to Poetry and Leaving the Textbook Behind
4/5 -- Lee Wardlaw :: 8 Things I Learned From My Cats About Writing Haiku
4/6 -- Caroline Starr Rose :: Words Inspiring Words -- a Poem for Sharon Creech's LOVE THAT DOG 
4/8 -- Lisa Taylor :: Three Poems and Why I Know Them
4/9 -- Gabrielle Prendergast :: Using Acrostic Poetry Both In and Out of the Language Arts Classroom
4/10 -- Paul Janeczko :: Poetry is to Share
4/11 -- Rosanne Parry :: The Reluctant Poet
4/12 -- Anne Greenwood Brown :: Victorian Poets and Paranormal Romance
4/15 -- Jessica Bell :: The Vignette
4/16 -- Augusta Scattergood :: Learning by Heart
4/17 -- Robert L. Forbes :: Looking Out the Window
4/18 -- Laurel Garver :: Stories that Sing -- Poems with a Plot
4/19 -- Amy Ludwig VanDerwater :: Poem Spools -- Stitch by Stitch
4/22 -- Jayne Jaudon Ferrer :: C'mon, Give It Another Chance
4/23 -- Margaret Simon :: The ABC's of Poetry
4/24 -- Kathryn Fitzmaurice :: On Destiny and Emily Dickinson
4/25 -- Kathryn Burak :: First Poems and My Mother -- The Sleever and Muse
4/26 -- Theresa Milstein :: Becoming
4/30 -- Giveaway winner announced

*4/29 We will return to our Lucy Maud Montgomery Read Along discussion briefly before the final poetry post on 4/30.

Giveaway:
Enter to win this fun Emily Dickinson tote (which also includes information on Kathryn Burak's book, EMILY'S DRESS AND OTHER MISSING THINGS)
and these three books: THE POCKET EMILY DICKINSON, Paul Janeczko's SEEING THE BLUE BETWEEN: ADVICE AND INSPIRATION FOR YOUNG POETS, and my verse novel, MAY B.



29 Comments on Welcome to National Poetry Month (and a Giveaway), last added: 4/28/2013
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