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Viewing: Blog Posts Tagged with: tradigital, Most Recent at Top [Help]
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1. Traditional + Digital = TRADIGITAL

There is no question that some publishers frown upon what they call “digitized” artwork.   The truth is, digital painting is far from digitized.  To digitize an image refers more to taking a photo bringing it into a computer.  Sampling at various intervals occurs in the computer via scanning or direct input.  That word - digitized -  has all kinds of negative suggestion as it applys to art.  Far too easily it can be misinterpreted to mean all digital illustration is somehow computer generated and not a very different and original artform.


Digitizing is a far cry from “digital painting.”  The term digital painting simply refers  to the fact that the painting is taking place in the computer.  Digital painting has the ability to free the illustrator from having to redo an entire painting just to correct one color or element. Newer high end computer software can mimic the brush strokes for hundreds of brushes, pens, pencils, pastels and all forms of paint.


I will often sketch with pencil or pen because it gives me the freedom to do very large renderings.  Those can be reduced in the computer to the size needed by my editors.
This is a watercolor study for the digital painting below.   Usually I don't go this far, but I wanted to get a feel of the colors and technique I would use when I transferred to the computer for the final painting. As a study it was good, and I was able to incorporate it into the main painting. 

Digital painting is no less creative than traditional.  Colors, design, point of view and composition are all elements of digital painting.  When combined with traditional sketches and even watercolor washes or beginnings, the finished work can have a quality that is impossible to get in any other way.  The colors can be controlled and kept constant through pages and pages of illustrations.  You won’t run out of paint.
Paintings that you have completed traditionally can easily be scanned or photographed and incorporated into the digital work.

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2. Heritage and Hope: The Lotus Seed

The Lotus SeedAuthor: Sherry Garland
Illustrator: Tatsuro Kiuchi
Published: Harcourt Brace Children’s Books (on JOMB)
ISBN: 0152014837
Chapters.ca Amazon.com

Glowing, earth-toned illustrations and swift, soothing narrative capture the loss and longing of a life tossed by the turbulence of Vietnam.

To learn more about Lotus Flowers, click here.

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3. Poem Illustration for Cricket


Here's a new illustration just published in the May '07 issue of Cricket. It's done in the same "sketchy style" as TEA WITH MRS. ROSENBERG

I've had quite a few people lately telling me that they would like to learn to use Painter, but are too worried about a high learning curve.

While in reality Painter may be a complex program (there are a lot of things it can do using filters and brush building and "shapes"for example) In all the years I've used this software, I have been ignoring every tool but the few I actually need. I am only doing three basic things for each picture.


  • Setting a size (usually 300 DPI) for my image and choosing the canvas texture
  • Choosing a brush tool and color so I can actually sketch/draw/paint
  • Using layers to keep my pencil drawings separate from my watercolor layer while I work.

Then I just save it as a .tif if it's to be uploaded to my FTP site for the client to grab. If it's just a sketch, at a smaller resolution, I will just compress it and email it to the art director.

I don't recommend attending classes or sitting through tutorials or heaven forbid, reading the manual. I think the best way to learn Painter is to sit down and play with it. If you get stuck somewhere, Google your specific question. Even the most basic questions have been asked and answered on the internet. Or, you can just send your question to me and I'll try to help.

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