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Viewing: Blog Posts Tagged with: the Kindle, Most Recent at Top [Help]
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1. "I'm reviewing the situation" by Lynne Garner

When I first started to write professionally I produced non-fiction how-to pieces for craft magazines, something until very recently I still did. However reluctantly and after much coercion from him-in-doors I took the words of Fagin to heart and "reviewed the situation." I carried out an analysis of how long it takes me to write a magazine feature compared to how much I was earning. This is what I discovered:

  • In 1997 I was being paid £25 per page
  • By 2000 this had gone up to £50 per page
  • By 2007 I was earning on average £75 per page
  • In 2011 I was earning on average £33 per page

I knew my income had been dwindling but I was shocked to discover I was earning less than I was eleven years ago. When I started in 1997 I had never written a published piece of work, so the rate of £25 reflected this. Since then I've had 21 books and over 200 features published worldwide. Yet this wealth of experience is obviously no longer reflected in the payments I'm receiving.

Also many magazine publishers have changed the way they work. I used to supply a feature on a first serial rights basis. This meant I could sell the feature to an overseas publisher and double my income from the same work. However today they want full rights, which takes away my ability to top up my income. Now I understand the magazine industry is having a tough time. I understand they have reduced budgets but it feels they want not only their piece cake but my piece as well. So I've decided to change the way I work. For the fist time since 1997 I have no features commissioned and am not actively seeking new clients. I've decided to step back from magazine features (unless they are worth my while) and concentrate on writing Kindle eBooks which I can sell via Amazon to a growing buying public.

I'll admit it's a scary situation to be in, turning down work and not looking for paying work. But the time feels right to find another way to make my writing earn me a living wage. If I don't I'm scared I'll be forced into finding myself a 'proper' job, one that pays a regular wage, sick pay and even holiday pay. Just the idea makes me shudder!


Lynne Garner

www.madmomentapps.com

www.lynnegarner.com

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2. A Google-eyed slant on the world - Dianne Hofmeyr



As a break from editing the bare breasts and sex out of my Egyptian novel Eye of the Moon for a US publisher, I’m reading Hilary Mantel’s Wolf Hall and Jeff Jarvis’s What Would Google Do? simultaneously. The three make very odd companions while I shift from 1500 BC to the 16th century, and then on to the digital world of now.

In What Would Google Do? Jeff Jarvis suggests we have to kill books to save them. He says they’re dead because they’re frozen in time with no means to update except by new editions, they’re a one-way relationship – the author seldom benefits from the reader, they’re expensive to produce, they rely on ‘blockbuster’ economy – few winners/ many losers, they’re subject to ‘gatekeepers’ (do we know this!), they aren’t read enough (according to Jarvis, 40% of printed books are never sold) and then there’s the problem of ‘returns’.

On the other hand books that are digital can be linked and updated, can find new audiences and can grow and live on beyond the page because of interaction and discussion.

I can understand that literacy may be ‘rekindled’ as a result of the Kindle and similar devices being able to offer a rebirth of books that are out of print. But I’m not sure about rekindling ‘visual’ literacy. The fact that we all carry favourite picture book stories around in our heads suggests a strong interaction with the page as a child. I doubt this kind of engagement and a development of visual literacy is possible in a digital format picture book.

So on reading what Jarvis had to say generally about books being dead, my first thoughts were – Why does everything have to be so interactive? Can’t a book just be a book? Why this clamour for digital interaction? Can’t a book, like art, or theatre stand alone? A work of art is still a work of art with only one person viewing it. How would we experience the ‘redness’ of red if we did away with real art and only viewed a Mark Rothko digitally. And theatre doesn’t expect comments to be thrown at it from the audience (except in Shakespeare’s times). Do writers really need interactive audiences drawing on the opinion of everyone, to survive?

Then I reread parts of what Jarvis was saying. And came back to the word ‘re-invention’ – rather than killing the book. What about putting the book online in full for a few weeks? Or serializing extracts from the book for a limited time? (some ABBA bloggers are doing this already and may be able to give feedback). Or putting up a free PowerPoint or video version of the book? (I’ve tried the visual PowerPoint route as a marketing device to get publishers interested but generally they’ve been lethargic and haven’t seen it as a tool to market the book publically.) What about ads in a book?

He cites Paulo Coelho who says ‘blogs’ have given him a different voice that attracts new readers. Coelho invites readers to make a movie of his nove

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