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Viewing: Blog Posts Tagged with: teaching memoir, Most Recent at Top [Help]
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1. work in progress: the teaching of memoir

Maybe it doesn’t sound allthat Ivy League or resume building to ask your students to honor the smear ofchildhood or to heed the rhythms of remembered talk.   The negotiationof once with the language of right now is unquantifiable. It’s also a tad shy of rigorous to conduct a classroom full ofeased-back kids—dreamers and window watchers, scribblers and flippers of pens,dismantlers of paper clips. There’s no science to teaching creative nonfiction, and there are norules, and if one or two of the students emerge from the reminiscing haze witha sentence that feels new, don’t bet that they all enjoyed the ride.


4 Comments on work in progress: the teaching of memoir, last added: 2/28/2012
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2. House of Prayer No. 2 and The Duke of Deception: A Literary Pairing

The worst part about teaching at Penn is the decision-making part.  As in:  I have to study my swollen, swaying, triple-stacked wall of memoirs and decide which few (only a few!) to put on the syllabus.  Sure, we're reading all semester long—theory, excerpts, slices of things.  But which memoirs will we read, cover to cover?  Which books will my students carry forward, in their own libraries?

I have, just now, made at least one pairing decision:  House of Prayer No. 2 (Mark Richard) and The Duke of Deception (Geoffrey Wolff).  I cannot wait to read both these books again.

2 Comments on House of Prayer No. 2 and The Duke of Deception: A Literary Pairing, last added: 12/1/2011
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