How to use this Page

Just finished a wonderful book - Mortal Engines, by Philip Reeve. It's a sort of post-apocalyptic steampunk novel set many centuries in the future, when most of human civilization has evolved into something called municipal Darwinism. Cities roam about on big wheels, devouring smaller cities. It's excellent, and I completely overlooked it when it came out in 2003 because Voya gave it a quality rating of 3 out of 5. Durr.

Steampunk is a term I've only become aware of in the the past six months. I can't believe there is now a word for the melding of my two favorite things: the Victorians and science fiction. I now realize that some of my favorite novels can retroactively be classified as steampunk - His Dark Materials, to some extent; The Diamond Age, by Neal Stephenson (not YA exactly, but certainly of interest to smart teens), etc.

Can you guys think of others? I already know of Larklight, also by Philip Reeve, and it is on my reading list.

Reaching waaay back in time (all the way to 2007!), there the YA YA YAs initiated a discussion about social class in young adult literature. Whether/where poverty is depicted in YA lit, whether/how it's tied up with race, etc. Figures that in the month since, I've read several good books that deal with class differences.

1. Mortal Engines, by Philip Reeve.

   I'd tried reading Larklight and just couldn't get into it, so I was intensely surprised and pleased when I discovered I LOVED Mortal Engines!

   It's a steampunk adventure set on a far-future Earth where wheeled cities roam the continents devouring smaller towns. The gentry live on the top tier, slaves operate the engines in the bowels, and everyone else falls somewhere in between.

   Our story’s heroes are Tom, an apprentice historian (middle-class), Katherine, the Head Historian’s daughter (nouveau riche), and Hester, a would-be assassin (outsider/untouchable). All become embroiled in London’s sinister plot to dominate Eurasia. It’s a page-turner with three glorious sequels.

   To me, it read most like Kenneth Oppel’s Airborn and Skybreaker, but it will find fans among most literary fantasy/science fiction (Philip Pullman, Garth Nix, Diana Wynne Jones, etc.) lovers, junior high and up.

2. Taken, by Edward Bloor.

   In this near-future suspense, 13-year-old Charity has been kidnapped, presumably for the high ransom her parents will pay. Kidnapping children from wealthy families has become an industry in this America of intense social stratification (yes, even more intense than today). Fully expecting to be returned home safely within the typical 24 hours, Charity is forced to reevaluate everything she knows when the kidnappers stray from protocol.

   In this book, race and class are definitely intertwined. In Charity’s South Florida community, the people living in gated communities seem to be mostly white, while the new servant class is largely Hispanic, African-American, or otherwise “of color.” Taken sort of hits the reader over the head with its social commentary, but it’s still one of the better written and thoughtful suspense novels for the junior high age group available. It should appeal to both boys and girls.

3. Another Kind of Cowboy, by Susan Juby.

   And now for something completely different. This contemporary YA book explores teenagers Alex and Clio’s coming of age. Alex is a reserved, closeted gay teen who lives for horses. Clio is a spoiled and naive debutante at the local equestrienne school. Alex’s lack of money causes problems in his quest to pursue the dressage method of riding, while Clio has more money than she knows what to do with. In spite of their glaring differences, they somehow become good friends.

   I really enjoyed the book’s realism and dry humor. It reaches a very satisfying conclusion, and avoids the obvious solution to Alex’s financial problems by having Clio bail him out.