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1. The New Republic on THE MAN WITH THE GOLDEN TOUCH"


Today, The New Republic joins the New York Post and others in praising Sinclair McKay's wonderful THE MAN WITH THE GOLDEN TOUCH: How the Bond Films Conquered the World. Read the review in its entirety here, but it starts out putting The Man with the Golden Touch in an excellent context of the canon of books exploring the James Bond phenomenon.


Like a number of successful novel sequences or film franchises, the James Bond movies have spawned a stream of books that analyze, often too solemnly, the artistic merit and the cultural relevance of the original works. These books tend to be written by people who take great pleasure in complete immersion in their subject. A book on, say, Arthur Conan Doyle’s famed detective is likely to know what kind of pipe Sherlock Holmes smoked, or where Dr. Watson underwent his training in medicine. The James Bond scholar (there’s a phrase!) is likely to know that Noël Coward was considered for the role of Dr. No, and that if Cary Grant had been willing to sign on for more than one film, he very well might have been cast as the lethal British spy.

Very well and good, you say—an author ought to know his subject. The problem is that such arcane trivia tends to cloud out the bigger picture; fandom, with its purely obsessive approach, does not always produce the most considered or insightful judgments. Most James Bond books (and I do not mean the fiction on which the films are based) tend to get lost in the universe under review—and, to paraphrase Ian Fleming, this world is not enough. Fans of Conan Doyle or P.G. Wodehouse or Star Trek know what I mean, however loathe they may be to admit it.

Another danger stems from the opposite problem: a tendency to condescend to the subject. There are few things worse than a 007 obsessive who pens an entire book about his hero, but, out of an apparent need to appear serious or highbrow, ends up trashing what he most worships. Where is the fun in that? This is a longwinded way of saying that Sinclair McKay’s new book is one of the very best attempts to take stock of the Bond films. It has its share of quirks, and is by no means appropriate for someone with a minimal interest in the series. But his analysis of the movies is smart and unexpected, and his grasp of Bond is obviously the result of thought and study.


The rest of the review can be found here. We also found out that yesterday was Sean Connery's birthday! Was he your favorite Bond?

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2. NYP: James Bond IS "The Man with the Golden Touch"


If you missed Sinclair McKay's interview on the Dennis Prager show, don't fret--this weekend's New York Post had a fantastic two-page spread dedicated to the much-praised new book, The Man with the Golden Touch.

Here's our favorite part of the article, but if you have a few minutes, we recommend you take the time to read the whole thing. If you're a Bond fan and haven't picked this book up yet, this wonderful piece will definitely make you want to do so!

McKay is at his most entertaining simply recounting the absurdity of the films themselves, sprinkled with bits of trivia. Like how cheap the early films were, with “Dr. No” costing only $1 million. Connery was understandably grumpy about his take, which was estimated on the fourth film, “Thunderball,” at about $350,000 — for a movie that took in $141 million worldwide!

Or the fact that most of the early actors, hired for their looks, had to be dubbed. Yet that only made Gert Frobe’s portrayal of Goldfinger better, McKay argues. The German’s lack of English lent him “a constant facial expression of belligerent confusion.”

Today, the greatest challenge facing James Bond is not coming up with an inventive way for the good girl to die — it’s the financial problems of film studio MGM, which has held up Daniel Craig’s third outing indefinitely.

It’s too bad. Because reading McKay’s retrospective, it seems like Bond is just getting started.


Already read, ordered or wish-listed the book? Leave your favorite Bond fan in the comments. We'll share ours later!

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