I must admit some surprise that the best book I've read about judgement, taste, and aesthetics is a book about Céline Dion. Carl Wilson's Let's Talk About Love: A Journey to the End of Taste is not only thoughtful and well-informed, it is also compelling in every sense of the word. (It's part of the ever-surprising and wonderfully odd 33 1/3 series from Continuum Books.)
I don't know where I first heard about Wilson's book -- probably via Bookforum -- but it's gotten plenty of press, including a mention by James Franco at the Oscars and an interview of Wilson by Stephen Colbert. The concept of the book is seductive: Wilson, a Canadian music critic and avowed Céline-hater, spends a year trying to figure out why she is so popular and what his hatred of her says about himself. I kept away from the book for a little while because I thought it couldn't possibly live up to its premise, and that in all likelihood it was more stunt than analysis. Nonetheless, the premise kept attracting me, because I am fascinated by the concept of taste and I, too, find Dion's music to be the sonic equivalent of a Thomas Kinkade painting.
What makes Wilson's approach so effective and insightful is that it avoids the fanboy defensiveness marring everything from internet discussions to scholarly studies such as Peter Swirski's From Lowbrow to Nobrow. Wilson isn't grinding axes or settling scores; he's more interested in exploration than proclamation, more inclined toward maps than manifestos. The result is one of the few books I know that is as likely to expand its readers' view of the world as it is to provide the choir with an appealing sermon.
By focusing on Céline Dion, Wilson is able to discuss a wide range of topics: the details of Dion's career, of course, but also the history of popular music, the globalization of certain styles and tastes, the power of local cultures, the role of class and aspiration in forming and policing personal taste, the demonization of sentimentality and excess, the promotion of irony and transgression, etc. Wilson also provides a good, basic overview of histories and traditions of aesthetic philosophy, showing that even the most eminent thinkers and critics tend to do little more than construct elaborate sleight-of-hand routines. Because his goal is not to debunk so much as it is to explore, Wilson is able to use the best of what he encounters -- most fruitfully in his clear-eyed application of ideas from Pierre Bourdieu's
3 Comments on Let's Talk About Love: A Journey to the End of Taste by Carl Wilson, last added: 12/9/2009
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Blog: The Mumpsimus (Login to Add to MyJacketFlap)
JacketFlap tags: Music, reviews, popularity, truth, theory, taste, critics, pedants, aesthetics, sentimentality, essentialism, judgment, ubiquity, Add a tag

Blog: Beth Kephart Books (Login to Add to MyJacketFlap)
JacketFlap tags: Devon Horse Show, friendship, dance, sentimentality, Add a tag
Tonight, at the Devon Horse Show (or returning from the horse show) I see: Cammy, my high school friend, not to mention the mom of a young lady who has always been an authentic friend to my son. I see George and Shirley, beloved neighbors (even if George says the words in my books are too big). I see the kids from my church, the husband of an old friend, the former chairman of the board of a favorite company.
I go out with my camera, and I return with my world. A full heart. A deep gratitude that makes some think me sentimental.
I'm not sentimental. Don't call me that. I'm in love with the life I have been granted.

Blog: Black Threads in Kid's LIt (Login to Add to MyJacketFlap)
JacketFlap tags: health books, 2006 books, health books, 2006 books, Add a tag
Dr. Lisa Price Stevens, a Norfolk, VA internist, has written an 18-page illustrated story titled "What's That: A Tale of Cholesterol" (Trafford Publishing, 2006). In this story, Junior and his Grandma visit the local grocery story to get a few items. Junior spies a jar of "fatback" and asks Grandma what it is. "Grandma, that's gross. Do you eat it?" Junior asks... and thus starts the lesson
Thank you for this excellent review. Carl Wilson seems to be doing for Celine what Paul Morley did for Kylie: contextualizing the myth and somewhat legitimizing the music.
I'll certainly look for this on the basis of your review. Fascinating breadth of ideas.
An excellent review of a book I've spent some time with. You quote one of the most telling points Wilson makes, the creative medium that is personality - not because I agree, or agree entirely, but because it captures much of the flavour of contemporary Western culture, particularly American culture.
Yeah, this is a great book and an excellent review of it. I should have written about it back when I read it, or at least mentioned it more prominently; perhaps then some few readers at least might have had a better idea what the book was like...