Ever since I've been an agent, I've listened to writers complain about the unpleasant aspects of the publishing industry. Part of my job is helping authors navigate these difficult waters. I try to talk my clients through the hard parts of publishing; and on this blog, I do the same for many writers who aren't my clients. Believe me, I know there are frustrations, and I know people need a chance to rant now and then. I do it occasionally myself, obviously.
But there's one particular rant I seem to hear more than any other, and I'm weary of it. It's the one where writers complain about the terrible, horrible, no good, very bad agents who take forever to respond on a full or partial manuscript, or worse, have the nerve to not respond to every query.
Listen: Whine about the system if you want. Lament the difficult economy that is forcing agents to work harder and faster than ever before. Gripe about the publishing industry in which it's getting more difficult to sell a book. Bellyache that there are far more writers querying than ever before, yet agents still have the same amount of time in a day and it's quickly becoming darn near impossible to keep up with it and still sustain a business.
Vent about your frustrations, but please, please, please: Refrain from making every complaint a criticism of agents.
→ I've read on the Internet that we agents were never taught manners by our mothers and don't have enough sense to simply respond to an email. (I'm thinking mama wouldn't have known what to do with 100+ letters a day.)
→ I've read that we're high and mighty power-mongers who care nothing for the poor writers querying us, and that we laugh behind their backs.
→ I've read that we apparently think we're above meeting deadlines and behaving professionally.
→ I've seen it implied that agents (a) must be irresponsible and disorganized; (b) don't care; (c) are malicious toward writers; or (d) all of the above.
It's ridiculous. We agents are working within the same imperfect system you are. We're all dealing with frustrations. But the difficulties of getting yourself heard in this business can't be laid at the feet of agents.
You simply have no idea how fast we are running all the time. You know your query isn't the only one in the inbox, yet you don't understand the reality of exactly how many we're dealing with on a daily basis, plus the fact that everything we do besides reading and responding to queries is actually a full time job. Most of us read queries and manuscripts at night and on weekends.
Some people seem to think it's easy reading and responding to queries. It might be - if we weren't truly looking for great books, and all we had to do was quickly go through and send a form rejection to everyone. But since our livelihood depends on finding good writers, we have to carefully consider queries. It takes a lot more time than you might expect. And when we request partials or fulls, considering those takes even more time. Yes, we fall behind. As a matter of fact, it's the most frustrating part of this job. We all feel like we're going crazy half the time because we are never caught up - there is always someone out there wanting something from us.
We’re not bad people, we’re not all terrible at running our businesses as people are always implying. We’re not contemptuous or dismissive of writers. Most agents I know are doing the best we can with the limited hours and resources we have.
Some agents respond to all or most queries, some don't. That's their prerogative. WordServe's official policy is (1)
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Blog: Rachelle Gardner, Literary Agent (Login to Add to MyJacketFlap)
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Blog: Rachelle Gardner, Literary Agent (Login to Add to MyJacketFlap)
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I was amazed at the comments on my Friday and Saturday posts, not just the number, but the depth, the passion and the thoughtfulness in many of them. It shows how diverse we all are, and how many different opinions and ideas we can have about the same topic. Again, I want to say I appreciate the feedback.
I was a little disconcerted, although not surprised, by several comments that suggested maybe I was against new developments in publishing because I was afraid of what it meant for literary agents, i.e. that the new publishing landscape wouldn't include agents.
Speaking strictly for myself, I'm not against any new developments in publishing. But I do consider and try to think through how each change will affect both writers and readers. And there's my point. I'm not as concerned about how these changes will affect agents. My post on Friday was truly about writers and readers.
I guess I find it vaguely insulting that some people assume I'm speaking from a place of self-interest. Is it so hard to believe that there was no hidden self-focused agenda for my ponderings?
I'm absolutely not afraid of the future of publishing. I'm well aware that the role of literary agents will change. I'm also aware that the role of many publishing employees will change. The roles of writers have been changing drastically in the last few years and will continue in that direction. Heck, people's roles in countless industries have been changing rapidly as our technology changes, our economics change, the role of marketing changes, etc.
The fact is, no matter what you do, you're going to have to embrace change at some point or you're going to stagnate, fall behind, fail. To me that is such a "duh" concept. So it's laughable that someone would think I question changes in publishing because I was afraid of what it will mean for me.
If you want to know the truth, I think it's exciting. The future is wide open for people who are adaptable, creative, and forward-thinking. I can envision many different ways for agents' roles to evolve, and I know most of my agent friends have been thinking about this, too. Perhaps there are some agents who have been doing this job for a few decades, and doing it the same way they did in 1975, and they're not excited about changes that will mean they simply can't do it the same way anymore. Maybe those people will not be able to adapt, I don't know. Maybe they're scared.
But that's not the majority of agents I know. Most of us can think of twenty different ways our roles could morph into something related yet different. Those who are not interested in rolling with the changes are looking at the possibility of a different career down the road.
So don't feel bad for all of us poor agents who may be out of a job in a few years. I'm fairly sure that the same skills that led us to be agents in the first place will serve us well as we each figure out our next step. With any luck, we'll all still be in publishing. Somehow, some way.
Happy Monday.
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Blog: Rachelle Gardner, Literary Agent (Login to Add to MyJacketFlap)
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This week another major publisher, Harlequin, announced their entry into the self-publishing business. The blogs have lit up over it and there's a lot of interesting reading out there. I think Victoria Strauss gave a great overview on the Writer Beware blog (here.)
I have to admit that the idea of all these major publishers opening self-pub arms is making me nervous. It makes me worry about the future of publishing, much more than other issues like e-books, the decline of reading, etc. And here's why.
The lure and the prestige of getting a book published has always been based on... what? Exclusivity. It's exciting to get a book deal because many want one, and few can get one.
Published books have always been respected because of the many gatekeepers they had to go through to get on that bookstore shelf. Numerous people had to agree that the book was worthy of publication. Large companies had to invest money and time. All of that added to the value of each book.
Writers had to endure rejection, and be persistent. They had to keep trying harder, improving their writing, to get to the point of being published. And they had to impress a lot of people.
With no more gatekeepers, no more exclusivity, no more requirement to actually write a good book, won't published books lose value? If anybody can get a book published, doesn't that diminish the perceived status of all authors?
And if we are entering this brave new world where anyone and everyone can get their book published, and the traditional industry is even going to assist and give these books the look of a regular published book, who's looking out for the consumers?
Right now, when we walk into Barnes & Noble, at least we have the assurance that most of the books there have been through a rigorous approval process. Now it appears we will no longer have that assurance.
Many of you will say that the "approval process" is meaningless—just look at all those terrible books available! Who's doing the "approving" anyway? Clearly they don't know what they're doing. They're useless.
Well, I have news for you. If you think the published books are bad now, just wait until self-pubbing becomes the norm. Holy cow. Folks, you don't see an agent's daily slush pile. Sure, some of it is good. But let me tell you. At least half of it is seriously not good. As I look at all the books I say "no" to, and then realize these books could be for sale within a matter of months, I get depressed.
If you think the overall quality of literature has already declined substantially in the last, oh, forty years or so? I shudder to think how it will be ten years into a new world of self-publishing. "Literature" as we know it could be a thing of the past.
Major publishers have always been in the business of culling through the masses to find the cream of the crop. In my mind, they've set themselves up as gatekeepers and arbiters of literary taste. They've taken on that responsibility. By entering self-publishing, they're going 180 degrees away from that. And they're doing it for the money, because otherwise they might just go out of business altogether. (I get that part.)
I just don't see how any of this ends up serving readers. It serves writers, yes, but at what cost? Will the work of all writers be devalued? Worse—will writers lose the motivation to become master craftsmen? If so, books will deserve to be de
Blog: Rachelle Gardner, Literary Agent (Login to Add to MyJacketFlap)
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At my church, I participate in a mother-daughter group with my 12-year-old. We meet once a month to have fun and talk about girly topics, and we choose a couple of books a year for everyone to read. I just started reading our new book, which shall remain unnamed. Very quickly I pegged it as a Really Bad Book.
Not that I'd tell anyone that, of course. (Just a thousand or so of my closest friends here on the blog.) But as I'm reading, I just can't stop thinking about how poorly the book is crafted, how I can point out a million things to fix, how I can think of so many suggestions to make the book really shine. This is not normal for me; when I read for enjoyment, I'm fairly good at turning off my internal editor. But not this time.
As it turns out, Really Bad Book has been on shelves for eight years, continues to be a strong seller, and has even been made into a movie (direct to DVD) which I've seen with my family. Clearly others have a different opinion than I do.
What gives? How can this happen? How can such a badly written book (in my opinion) go on to such success?
There are lots and lots of books that you or I would consider badly written but sell boatloads of copies and even become movies. People (even those I love and respect!) enjoy them. I have to admit that I struggle with it, as I know many of you do. I drive myself crazy wondering why I can't sell some of my clients' fantastic books when that stuff is getting published.
But then I have to take a step back and remember why I'm in this business in the first place. I love books. I love writing and I love writers. It doesn't mean I have to love every book specifically; but I love the fact that there are so many different people writing so many different books. It takes all kinds, right? Other people judge books differently than I do. Thank heavens there are books that suit my tastes and books for other people as well.
And besides, I'm just one person with an opinion. Who am I to judge? Some of the books I love would undoubtedly be called Really Bad by others.
I can't begrudge any book or any author their success. I can't judge others who think a book is wonderful when I think it stinks. This publishing business is so hard, I'm happy for anyone's success. I'm thrilled when a book finds its audience, even if I wouldn't have predicted it—or if I flat hate the book.
I'm so glad I have the freedom to choose which kinds of books to read for pleasure, and which ones to represent!
As for the Really Bad Book Book That Did Not Appeal To Me, I'm trying to change my attitude. Sure, from an editorial standpoint, there are a lot of things about it that tweak my radar. But I'm trying to read it with as little judgment as possible, concentrating on the message and asking myself what opportunities it presents for discussions with my daughter. During the moments I've been able to let go of my snobbishness, I've actually (gasp) enjoyed it.
How do you deal with the fact that there are so many books out there that you think are BAD? Does it cause you any frustration? Resentment? What helps you put it all in perspective? (Please don't name any books in the comments.)
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Blog: Splendid Failures (Login to Add to MyJacketFlap)
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Our current toaster tends to burn things and the crumb tray is crap. It just drops crumbs all over the counter and attracts mice. So I'm looking into getting a new one. Since the one we currently have was a cheapy Target purchase, I'm contemplating splurging on a nicer toaster. I'm loving the design of this Bodum toaster but it is rather expensive.
Blog: Rachelle Gardner, Literary Agent (Login to Add to MyJacketFlap)
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*Snark Alert!
So the other day this guy tweeted me:
"Any advice for a new author trying to find a literary agent?"
I feel really bad for the guy. I'm sure he's nice enough, and a good writer, and he's doing his due diligence researching agents. But in the moment, the question dumbfounded me and I just totally went off, I mean I had a complete flippin' conniption fit. (What's a conniption anyway?) It was just one-of-those-days (and it was only 9am) and I suddenly felt absolutely overwhelmed by someone wanting a 140-character answer to such a ginormous question.
Kind of like walking up to the nearest person at Niagara Falls and asking, "Hey, is there any water around here?"
I tweeted him back: "You didn't really just tweet that, did you?"
Do I have any advice for new writers?
Uh, no. Not unless you count my 500 blog posts.
I know it was an innocent question - I should give the guy a break. I did apologize to him. I know this is a difficult and confusing business, and everyone's just doing the best they can to learn what they can... in whatever way they can. (And I need to keep my knee-jerk emotional reactions to myself!)
Maybe I can come up with a stock answer to keep handy for when I get those kinds of tweets (because it happens frequently). Something like,
"Sure, thanks for asking! (1) Write a great book. (2) Query agents."
Pretty simple, to the point, and helpful, right? Or maybe it should be more like:
"Yes. Quit now. If you have to ask, you'll never get an agent."
What do you think? In no more than 140 characters, how should I answer the question:
"Any advice for a new author trying to find a literary agent?"
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P.S. Please make me laugh with your answers.
P.P.S. I'm trying to have a little fun here, so please don't take it all so seriously and have your feelings hurt.
P.P.P S. In case you're worried this post might hurt the feelings of the guy who tweeted me, never fear. He's already read and approved this post (thereby confirming my status as the nicest agent EVER.) Go say hi to him on Twitter: http://twitter.com/ChrisPaternoste.
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Blog: Splendid Failures (Login to Add to MyJacketFlap)
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I forgot to mention that I figured out what caused those strange bruises. It was climbing in and out of the window that leads to our roof. We've put some tomatoes and herbs out there and you have to climb out the window in order to water them. Sadly, I am so wimpy that this causes me to bruise. How does one toughen up one's skin?
Thanks for the link Erin. And thank you for this post Libba Bray. So eloquent it made me a bit teary reading it.
Blog: Splendid Failures (Login to Add to MyJacketFlap)
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Last night as I was getting ready for bed I looked down and found long purple bruises streaking down the back of my leg. I guess someone must be beating me in my sleep, I joked to Josh. But this morning there's more bruises and then there's the case of my mysteriously skinned elbow. So what's going on? I think it's the yoga I've started doing. No, I'm not doing yoga on a bed of nails either. I am simply the worlds biggest klutz. Seriously, I once cut myself on a piece of chocolate. So skinning my elbow while getting into downward dog, isn't really as odd as it sounds. I am tempted to use this as an excuse not to exercise, but I guess the elliptical machine can't really hurt me. Oh wait, I once got my foot stuck between the pedals of one of those things! Hmmmmm....
Blog: Splendid Failures (Login to Add to MyJacketFlap)
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It is just not my day and while my reasons for having these petty, negative emotions are pretty silly, I can't help it. I'm stuck. I'm having a terrible, horrible, no good, very bad day.
Blog: Splendid Failures (Login to Add to MyJacketFlap)
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2009 may be the year of the dead best-friend. Dear friends of mine, please don't worry. I'm not planning on offing anyone! I love you all and want you all safe and sound. I'm merely speaking of a pattern I'm seeing in the world of YA publishing. I just finished Wintergirls by Laurie Halse Anderson and this is the third book I've read this month about a self-destructing girl with a tragically dead best-friend. First there was You Know Where to Find Me and after that, Love You Hate You Miss You.
I find this theme troublesome. I know that self-destruction has teen-appeal. I remember my friends and I passing Go Ask Alice around in middle school. I'm glad that these books are at least better written and less sensational than Go Ask Alice. Still, I'm much more at ease with Frankie Landau-Banks style narcissism than I am with these pill-popping cutters. I worry that if the plots of these three books are so similar, is the message being sent that all teen girls are ticking suicidal time bombs? This is not really a new thing though. There have always been books like this. Maybe I've just managed to coincidentally pick up three in a row. I think the rest of my ARC pile is historical fiction and fantasy though. So hopefully there will be no more dead girls for a while.
Blog: Splendid Failures (Login to Add to MyJacketFlap)
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But today I'm left shaking my head over the ongoing battle between the school board and the courts over Vamos a Cuba.
This article is interesting because it points out several of the passages that opponents of the book object to. Some of the points seem validly inaccurate. For example:
A page that describes paintings on rocks in a Cuban valley, which the book says were ''made by people who lived in Cuba about 1,000 years ago.'' Opponents said the paintings were made in the 1960s.Others seem, well, nit picky.
A section on food mentions white rice as the most common food and arroz con pollo as a favorite dish, but does not discuss Cuba's shortages and strict rationing.I'm ambivalent about the book's value. No, what worries me is something else. Do you know how much has been spent on this legal battle? Over $250,000!
I'm on the YALSA Intellectual Freedom committee. Our committee is presenting a program at ALA's Annual Conference in Chicago titled "Walk the Line: The Fine Line Between Selection and Censorship." So, I've been thinking a lot about the difference between selection and self-censorship and I think the thing about self-censorship is that it comes from a place of fear. And it's really easy to say that everyone should just be fearless and not worry but $250,000 is a lot of money to spend over one book. This has become a battle between organizations with major cash flow. Librarians still lose their jobs defending intellectual freedom. It does happen. There are scary groups out there with lots of money behind them. They can afford prolonged legal battles. So for me being on the IF committee is about all fighting that fear while at the same time making sure people are aware that there is reason to be afraid!
Today is my last day as Stella's nanny. I'm sad and I'm going to miss her terribly. She's starting to be really fun. We are finally at the point where we play and interact most of the day. But I think she's going to get a lot out of playing with other babies in daycare. And now I have to figure out what to do next. I plan to spend the next week really delving into what my options are. I am hoping I get the job I interviewed for but I want to come up with a plan for if I don't. I can try babysitting for another family. I've been notified of another family with a 6 month old who needs a nanny but the truth is I'm a bit bored staying home all day with a little baby. I'm having such fun with Stella now but I remember how monotonous my days were when she was just a little bit smaller. If I do babysit I think I want to do so for toddlers rather than infants. I'm also thinking of going back to school to get my school media certification. But at least for a week I'm taking a break and getting some house cleaning and organizing done. And then, I'm off to ALA midwinter in Denver. Hey, maybe a job prospect will come out of that!
Blog: Splendid Failures (Login to Add to MyJacketFlap)
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Unemployment is getting to me. Every time I start to feel bummed about not having the job I want, I remind myself that it could be worse. I am working. So I'm a nanny. It's a job. And I work at the library part time. So it's not a librarian position. At least that's something. But today that's just not helping me feel any better. I'm pissed. I don't want to be told to go work in an academic library (like it's so easy to get a job there!) or that there's some magical job out there will turn up. I was a good children's librarian. I want to keep being a children's librarian. I'm staying involved with ALA. I'm still reading reviews and professional literature. I'm doing all the things you're supposed to do to keep yourself competitive. But right now, given the fact that they're laying off staff and closing libraries, it all seems pretty useless. And I'm pissed because I feel like I'm doing all the right things for no reason.
I know I'm luckier than a lot of people and I'm thankful for the things I do have. But today, right now, I just want to have a pity party for thing I'm missing.
Blog: Splendid Failures (Login to Add to MyJacketFlap)
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I'm sitting here watching the Today show and since the Twilight movie is bringing back the mall mob scene, they have Robert Pattinson and Kristen Stewart on. Of course Meredith drags them out to talk to their adoring fan who are all screaming about how they love Edward Cullen and asking stupid questions like "How similar are you to the moody teenage vampire love-god you play?" But the best part was when they asked the girls why they liked Edward so much. I love how Pattinson jumped right in one poor girls face pressing her for an answer. He was all yeah but what exactly to you like about him anyway? And the girl couldn't come up with an answer. Finally kinda shrugging and saying she didn't know.
What she should have said: Not his stupid hair!
Up until the very last minute last night I was full of gloom and doom. At work on Monday I watched teenage girls, most of whom are too young to even vote, carrying signs and cheering in the street for Obama and all I could do was dread the coming election. You can get used to losing quickly. It's easy to expect little of people.
And then hope won out over pessimism. I am proud of this country and I am so thankful for the right to vote. Today the country has changed and perhaps there is hope for us after all.
Blog: Splendid Failures (Login to Add to MyJacketFlap)
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So this past week I started a part time job as a Saturday After School Leader at my neighborhood library branch. It looks like it's going to be a fun job that will keep me busy while I wait for a librarian position to come up, but there are a few draw backs. It means working every Saturday, which kind of kills my weekends. But I can deal with that because it's a short term thing. The other problem is that I find it depressing to work in a library and not be a librarian. I mean it's fun to work with the kids and I appreciate that the librarians at this branch have gone out of their way to help me get a job, but I want to be planning programs and making decisions. I miss that part of my old job. Sadly, with the economy the way it is it may be a while before I get to revisit my former role. I should use this time to catch up on my reading but I haven't even picked up a book in weeks. I think I'm in a funk. I have The Absolutely True Dairy of a Part-Time Indian on hold though so I should have something to read by next week.
Blog: Splendid Failures (Login to Add to MyJacketFlap)
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Last night Emerson (who once upon a time was perfectly crate trained) was being a pain and whining about being in his crate. Finally I couldn't take it anymore so I got up and slept on the couch. Apparently this makes for some messed up dreaming because once I fell back asleep things got weird.
I dreamed that I was back in high school and a fascist regime had just taken over and two high ranking officials moved next door. Who were these officials? None other than Sarah Palin and Nate Birkus (a designer who's on the Oprah show a lot). Crazy, right? But then it gets weirder because I go next door to give them a pie (Huh?! I've never brought a neighbor a pie! What is this Desperate Housewives?) and end in a giant yelling match with Sarah and Nate. Then, Nate switches sides and says he doesn't want to work for the fascist regime anymore and then Sarah kicks me out.
I think I woke up for a second here and when I fell back asleep I was pregnant and had to ask Sarah Palin for permission to have an abortion. Thank goodness Josh woke me up then to tell me he was leaving for work.
And Sarah Palin, please get the hell out of my head and stop giving me nightmares!
Blog: Splendid Failures (Login to Add to MyJacketFlap)
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So I am reading the Midnight Sun Commentary over at Occupation Girl (If you don't mind spoilers read it! It's great for inducing fits of "I'm glad I haven't had cofee yet this morning because I'm sure I'd snarf it all over my keyboard" laughter.) and while on her blog I came across this quote from Robert Pattinson about playing Edward Cullen.
"When you read the book," says Pattinson, looking appropriately pallid and interesting even without makeup, "it's like, 'Edward Cullen was so beautiful I creamed myself.' I mean, every line is like that. He's the most ridiculous person who's so amazing at everything. I think a lot of actors tried to play that aspect. I just couldn't do that. And the more I read the script, the more I hated this guy, so that's how I played him, as a manic-depressive who hates himself. Plus, he's a 108-year-old virgin so he's obviously got some issues there."
Blog: Splendid Failures (Login to Add to MyJacketFlap)
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I just finished Breaking Dawn and I couldn't have predicted how much I hated it. I mean, I'm pretty sure that the whole time I was reading part of my mid was just repeating, gross gross gross gross gross....
I've copped to it before: I liked Twilight. I even kind of liked New Moon. Though the characters annoyed me and the writing grated on my nerves, I felt it was no more disturbing than your typical romance novel. And I can see why teenage girls are loving the escapist fantasy of it all. But for me Breaking Dawn took disturbing to a whole new level.
Ok. There's spoilers ahead. Sop reading if you don't want to know.
So the book begins with Bella and Edward's wedding. It's boring and perfect. Oh except for the part where Bella briefly gets manhandled by the two men who are supposedly in love with her. Way to show off your affection guys. Anyway, then they have a boringly perfect honeymoon. Oh except for the crazy Vampire /Human sex that leaves Bella battered. But then she doesn't care. Why should she care that she's being hurt? All that matters is that she's got her man. And so we learn the first lesson of Breaking Dawn, as long as your guy loves you, who cares if he beats the crap out of you! I mean, he didn't mean to and he's really really sorry. He swears it will never happen again.
At this point I had to put the book down for a bit. It was that or hurl it out the window. I should have hurled because it gets so much worse. You see, nobody thought about birth control on this perfect honeymoon and guess what...Bella's knocked up. Yup, Bella's got a blood sucking bun in the oven. If you want to walk away from this review now, do it. I think this was the point where I really should have just stopped reading. Because even though the little hybrid vampire fetus is killing her, Bella loves it and refuses to give it up. Let that be lesson number two, abortion is immoral. The better alternative is to let the fetus kill you. I mean how selfish is it for Edward to want to protect Bella's life over that of an unborn child. Oh but don't worry he comes around once he hears the kid's thoughts. You see people, this fetus has a soul! How could you even think about doing away with her? You are so going to hell!
And it gets so much worse. Bella gives the baby the most hideous name ever. Even the characters in the book refuse to call her by her given name. It's THAT bad. Oh and remember that Werewolves like to in fall in love with babies. So I'd watch the kid around Jacob. And then some political Vampire stuff happens, which is boring. And then they all live happily ever after. Now, I have no problem with happily ever after. I do have a problem with almost everything else in the book though. Wait, to be fair there was some interesting stuff going on with Jacob and his pack. True, Jacob is a whiny baby when it comes to Bella but for the most part the wolves were way more fun to read about. I guess I liked how they, you know, cared about people other than themselves.
I know that there are die hard fan of the series out there and that there are also the flip side of the coin, people who detest the whole series. I considered myself pretty neutral before. Though I guess this puts me firmly in one camp.
Blog: Splendid Failures (Login to Add to MyJacketFlap)
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Spurred by the new movie that's coming out this summer, there's an interesting discussion of the American Girl franchise over at Slate. I'm glad that they address the "commodity fetishism of it all" as well as the appeal of the dolls. And I thought that it was a rather intelligent conversation until I came across this quote:
I think I'll get my kids the catalogs. I miiiight consider getting them a doll, but I'd definitely pair those plodding books with some better kids' lit.Wait, isn't that backwards? You will get your kids the catalogs, media that is purely consumerist, you might get the dolls; and but your biggest worry is that the books aren't quality kid lit?! What on earth do you think the catalogs are then? Alice in Wonderland? Treasure Island? People just don't make sense sometimes.
Good God! I love her!
Blog: Splendid Failures (Login to Add to MyJacketFlap)
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Yay, Cassandra Clare's second book finally arrived at the library for me. I plowed through it on Friday and was quite happy. I think the writing might have improved, though some of the descriptions of the boys in the book were almost as annoying as Meyer's sparkling vampires. But I liked that we're past the predictable set up part of the first book, and into the action! And man, is there action. No one escapes without injury in this book! I do like Clary as a heroine (though this book seemed to concentrate a bit more on Jace and what was going on with him) and I'm willing to stick with the series till she starts really kicking butt!
My biggest beef with the book was the Jace/Clary/Simon love triangle. As I've already complained in my goodreads review, it seems like every "urban fantasy" book I read has this dynamic going on and it drives me batty. The author makes it very obvious to us readers who the heroine is in love with and then wants us to believe that she's so confused and she can't tell the difference between platonic friendship feelings and and ooooh I wanna jump your bones feelings. Please, urban fantasy writers, stop doing this. It makes your characters seem dumb and flaky. And I don't want to ready about dumb, flaky girls. I want to read about girls who are strong and true to themselves. That's the type of character I want the girls in my middle school book club to look up to, to imagine themselves as. So let's start writing book in that vein, ok?
Blog: Splendid Failures (Login to Add to MyJacketFlap)
JacketFlap tags: libraries, random rants, Add a tag
So now that it's official that we are moving to Philadelphia in August, I can start obsessing about my hatred of moving. First off, moving involves change. And me, well, I don't do so well with change. Then there's all the organizing and packing and labeling which would be doable except that this will all have to be done while Josh is studying for the bar! And then there's the having to find a new job a process that I'm finding difficult to navigate due to the very different way that Philadelphia Free Library does their hiring. OY!
But at least Philly has Stella, my favorite child in the whole world. (Sorry to my darling story-time kids!) So there's the silver lining in this whole moving mess.
I gotta complain about something here. I am getting rather peeved about being told that I'll feel differently about things when I'm a parent. A few well-meaning older women have said this to me the recently and it always leaves me grinding my teeth and grumbling. Now I understand that having a child changes your life and that there's no way to predict what the experience is like. But it seems to me that the people who are saying this are not talking about my feeling in regards to children or even certain life choices but rather in regards to my beliefs and ideals. And even if it's true. Even if it does all change when you have kids, it's just plain rude to say that to someone. You are basically saying nothing you think or feel now is valid because you are not a mother. Even if the person saying it is well meaning, it's still a power play. With that small phrase they have just told me that they know better than I do and I can't argue with anything they are saying.
Everyone has experiences that shape the way they think. But you can't go around telling people that their experience isn't valid because it's not the same as yours. I still don't know how to respond the next time someone says this to me though, other than ranting on my blog after the fact!
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clindsay said:
rejected a manuscript that I had been seriously considering last week because upon a cursory online search, I found a LiveJournal post by the author badmouthing me and several of my colleagues for what she thought were excessive response times. Well, that blog post cost her representation from at least one agent. (OH, and it was a LOCKED LibeJournal post. You do know that Google Reader doesn't respect locked posts, right? Well, you do now.)"
I apologize in advance for what I'm about to say, and I will try to be at least minimally civil. That being said, I find this attitude astonishing. It isn't even high school. It's grade school. It represents business decision making being subordinated to personal pique. And yes, you have the right to do this. No law requires anybody to be a good person or even to have common sense. But maybe it would be a good idea nonetheless.
-Steve
Good point about Colleen Lindsay, Steve. I think this is a very important aspect of the agent-writer relationship. Lindsay's clients do not work for her, she works for them, yet she would have them approach her as though applying for a job. If she could write, she would be a writer. She isn't.
And to make a business decision based on hacking a livejournal account, when considering representing what is ostensibly a well-written work, is downright stupid. I would never trust such an agent to make a rational business decision in my best interest. I would rather maintain a relationship with someone who can sell my books.
Rachelle, you joked in one of your responses about having people "pay $500 to submit or have a Masters in Literature" to cut down on submissions - I bet if you charged just $1, and I mean that literally - just $1, you would block out over 50% of your queries - especially the bad ones (assuming you could get all other agents to do the same).
As a writer I receive tons of requests to view manuscripts, endorse manuscripts, talk to a good friend who wants to be a writer, etc. I can't do that and make deadlines, so I try to really respond to those who I believe in, or to send them to other great sources like The Writers View where they can connect with other writers in the industry. I think an honest discussion of this is good, Rachelle. It clears up the confusion so that people do understand the pressure an agent faces, as well as what to do if their queries are hitting a brick wall. Great post!
David said:
"Lindsay's clients do not work for her, she works for them, yet she would have them approach her as though applying for a job."
I think this is only partially true. For one, the agent/writer relationship seems more like a partnership to me. Without one or the other, neither person can go very far. Maybe this is a naive view, and I'll accept that if you think so. However, it seems perfectly reasonable to me for both parties to do their research. Not only is it reasonable, but anyone looking for a job, where they would be working FOR someone, should investigate the company to which they apply. If they get called in for an interview, I would hope they would have questions to ask. In my opinion, it's a similar situation.
In reference to your statement about not responding to rejections being rude. I agree, but that doesn't mean it doesn't happen in other sectors. I just moved and have applied for several jobs. I haven't heard back from any of them other than that they received my application. Is that rude? Yes, and I constantly wonder why they didn't respond. But, it's a fact of life.
I have to agree with Steve. It's not that hard to send a form rejection - it literally takes five seconds to spare a writer agonizing weeks or months of waiting. No, the agent owes nothing to non-clients, but a little humanity goes a long way. Just think, Rachelle, of all the form rejections you could have sent out in the time it took you to post and read through this blog...
Rachelle--thanks for your reply in the comments :) I think I wasn't quite clear--my comment was meant to say exactly that, that a business's mindset of which emails to reply to are different from an agent's. I think it's tough for people in the business world to recognize that sometimes, and apply their understanding of hard work onto an agent, which in this case is clearly misguided. Mix that with the sting of rejection (rejection always stings...not the agent's fault) and you get frustrated rants.
Maybe the solution is to let those who want to rant, rant...perhaps the writers who are the most serious about making a career out of writing will be the ones that make an effort to understand the business side of publishing and accept this one frustrating aspect of the system. (Err, it's a hope, anyway.)
I always thought writers need to cultivate patience...this goes to show that, but it also shows the patience agents need to have for the constant attacks on their work. Thanks again!
So Colleen Lindsay (and I'm sure she's not alone in this) turns down potential clients because she doesn't think she'll get along with them. Big deal. Don't you *want* an agent who not only connects with your work but connects with you? I'm not saying you and your agent need to be best friends; in fact, it's probably better if you're not. But agents are your advocates when contacting editors and trying to get the best deal possible for your book(s). I want an agent who will go to bat for me with no hesitations. And with so many great writers out there looking for agents, and with publishers only looking for a limited number of books each year, agents have to say no for one reason or another to most of the people who query them. May as well be for personal reasons. I'm not saying the author who posted on LiveJournal is to blame either. I'm saying that an honest working relationship is the way to go. The author didn't respect CL and other non- or late-replying agents. So why would he/she want to work with her anyway?
In an ideal world, yes, all agents would respond to every query/partial/full. But they don't, and it's frustrating. What brings my blood pressure back down to reasonable level, however, is realizing that I write because I love writing--not because I love querying. So when I'm not getting the responses I want--or responses at all--I go back to writing. I don't feel like I'm being an ostrich about this, or that I'm being particularly zen either. But writing is something *I* can do. Getting an agent to respond to my query? That's out of my hands.
Feel better? (smile)
David 11:39 pm, if you would email me, I'd appreciate it. Thanks.
Rachelle, I don't comment day that I visit but I always walk away with a greater appreciation for this business.
Writing and publication are two very different things. When I do decide to query you I believe that you will behave as professionally and compassionately as you have on this site.
Well, I'm rather late to this party (a blown pickup engine at 1 AM Monday morning has a way of causing that), but think I will still comment.
I have no problem with the query system. As you said, this is democratic and is not broken. I think an auto-responder message to a query would be a good thing, something like: Your e-mail seems to be a query. I try to respond to as many queries as I can, but because of the large number I simply can't. If you don't here back from me within XX days, consider this as a 'not interested' response. You could change the number of days according to your backlog, current busyness, etc.
What bothers me about the publishing model is when solicited material--say from a conference interview--is ignored. My record with agents is 100 percent non-response to solicited materials. That's only two of two. In both cases I had to send multiple e-mails reminding the agent of the material. One agent even asked that I "badger" him with weekly e-mails until he responded. That felt rather demeaning and useless, but I did what he asked until he sent his response: Your writing is strong.
For what it's worth, my record with editors is the same: 100 percent non-response to solicited materials. Maybe it's just me.
The query process to find an agent is hard on writers, hard on agents, and hard on agency assistants.
But, to be honest, it really does help to prepare you for the submissions process that comes after. And trust me when I say that finding an agent to represent you is only the first big step on the road to publishing.
I just don't get why some writers have to make this such an adversarial process. Not that it will help much, but I kept myself sane by writing my next book while querying. I figured if BOOK A didn't garner me an offer of representation, I'd stop querying when BOOK B was done and start querying that one. And while BOOK B was being queried, I'd write BOOK C.
I didn't sit around placing blame for my lack of success on BOOK A. If BOOK A didn't break me in, then maybe BOOK B would.
After six months of querying and almost 100 queries sent, I finally connected with a few agents who loved BOOK A. It really is about finding the RIGHT agent, and you won't know who that is until you find them. Two of the agents who offered, including the agent I signed with, were people who I hadn't originally included on my list, because I didn't think they'd be a fit with my material. Imagine my surprise.
If your book is ready to be published, you'll find an agent who can see its potential. If you don't find that agent on this book, maybe it'll be your next.
But none of this is anyone's fault. There's no one to blame... not even the writer! Not selling a book doesn't make you a bad writer, or even an unpublishable writer, it just means you might have written an unpublishable manuscript. Or maybe it's just unpublishable right now in this climate.
Brush yourself off and write another. Pointing fingers and whining won't solve anything.
If you want an eye-opening story, look up Stacey Cochran on YouTube. He did a video log of his query process, starting in 2006. Look especially for "Stacey Gets a Check in Mail" in 2008. It was his first check from the publisher after 15 years of writing. After having written 10+ books, he finally received money for his book. The emotion there is amazing.
I watched his videos after only a month of querying and decided then that until I'd spent 15 years at this, I really couldn't complain.
People have done a lot of talking about what it means to be a "Real Writer."
Maybe a real writer accepts the system as it is, and keeps writing and submitting until they write that break-in novel. Whether you like his books or not, I think Stacey Cochran is definitely a "real" writer. And he never once complained about the process.
I know watching videos about that part of his story really helped me.
I'm surprised @ the writer who pities agents who work nights and weekends...isn't that when writers write as well? If 99% of queries are clearly so bad or off-base, why does it take so long to reply to the few gems in the slush? Then why does it take forever to get a response, if agents can tell within the first five pages if they want to read a ms.?
I've actually pulled mss. from an agent's consideration cuz they were taking too long to respond (6 months?!) and it felt damn good!
Who wants that kind of agent anyway, esp since they can't manage their time or clients after so many years in the biz? As a pro writer, I've had to learn to work smarter, not harder--why can't agents learn this too?
Dear Rachelle,
I have absolutely no reason to butter you up, since you don't represent fantasy and that is what I am writing.
So I have no ulterior motive for saying this: I'm sorry!
On behalf of all the bitter, nasty people out there who take the joy out of your job, I'm sorry. I'm not an agent, but I certainly know what it's like to be in situations where you feel constantly harassed.
And feel free to rant... I don't mind! We all need to do that once in a while.
In this case, I think it's a public service.
I don't write what you represent, so there is no conflict of interest here. :)
I appreciate your stating up front a time period by which a writer can consider his/her work rejected in the absence of a reply. I get it that the submissions stack is overwhelming. Yours isn't the only field with circumstances like that. So on the query level, it's nice to have a definite back wall. When there isn't one, writers never know if their query was swallowed by a spam filter, or just rejected.
On the requested material stage, I think some sort of reply is necessary. Most agents give one, but at the same time, I'd guess most writers have had at least one requested submission disappear into the ether. Which can make it hard for the writer to know what to do if someone asks for an exclusive and you don't know what's up with the pages that are out with someone else. (There is a solution: write and withdraw exclusivity.)
The agents I most like to query are the ones with very clearly stated policies regarding expected response times, when to consider a submission dead, and under which circumstances, if any, an agent wants an exclusive. (The Bent Agency has a wonderfully clear policy about this, for example.)
David said:
Good point about Colleen Lindsay, Steve. I think this is a very important aspect of the agent-writer relationship. Lindsay's clients do not work for her, she works for them, yet she would have them approach her as though applying for a job. If she could write, she would be a writer. She isn't.
First off, never assume an agent is a failed writer. Many have no desire to write. And others ARE successful writers and still want to be agents. I have 5 books under contract and I am interning for a literary agency becuase I *STILL* want to be an agent.
Secondly, Ms. Lindsay is not at all off base in relating prospective clients to job hunters. That dynamic changes when she signs you. She IS working for you. But you have to prove yourself by sending submissions just like a job seeker sends resumes, becuase she's going to work hundreds of hours in the *HOPE* she will earn money later. THAT is why YOU must prove to her you're worth it.
Even knowing my agent has sold 5 books, I still have to wonder if the math even works out to minimum wage, becuase she spent two years working to sell my debut.
Agents are simply ont the bad guys, people. They aren't. And if you don't like the way one agent represents themselves, then don't query them.
But as a professional in this business, as someone who has books under contract with the biggest houses in NYC, I wouldn't bat an eye at querying Rachelle or Colleen.
David said:
Good point about Colleen Lindsay, Steve. I think this is a very important aspect of the agent-writer relationship. Lindsay's clients do not work for her, she works for them, yet she would have them approach her as though applying for a job.
Mandy Hubbard already made some great points in response to this. I'm neither published nor agented, but I also know that there's a critical distinction between clients and prospective clients. Clients have already entered into a formal professional relationship with their agent. Prospective clients have not. To continue on with the job analogy, clients already have the job. Prospective clients do not.
As a prospective client I certainly feel all the same frustrations and desires as others who are in the same boat, but when I do land an agent you can bet the house I'll want her to prioritize me above the hundreds of prospective clients she hears from every week.
All current clients were once wanna-bes so agents need to regard queries with anticipation, not dread. If that's the case, maybe they should close for submissions.
When we get offers of representation, guess who'd going to be at the top of our list: the agent who responds in a timely, friendly and helpful manner.
Agents willingly open their doors to submissions so they must be prepared to handle the influx of queries in a civilized, timely manner.
Disclosure: I am a published and agented writer (although not with Rachelle).
Here's what I think.
YES, the system sucks in a lot of ways - but as I have said before and I have, apparently, to keep on saying - publication is a privilege, not a right. Nobody owes anybody anything at all, just because they've written a book. Yes, I agree that there should be responses. Yes, I agree they should be timely. Yes, I would love to have all my emails and letters and phonecalls answered instantly.
It ain't gonna happen. NOBODY does that. You call a plumber or an accountant and leave a message, they'll take a little while to get back to you. And THEY don't get 100+ calls a day.
Yes, "wait" is a four letter word in the publishing world. Yes. I'd love for my own agent to drop everything and respond to my every email by return of email, as it were, instantly. She doesn't, but she does respond - as soon as her circumstances allow her to. I am not her ONLY client.
Agents and writers do have an interesting relationship. It isn't strictly speaking an employer/employee thing, and it does change subtly when an agent signs up a writer, Until the moment that happens, the AGENT is the one making the selection. After it happens, the agent is working on the writer's behalf. So in some ways the agents are interviewing THEMSELVES for this job - they'll sign UP a writer, but they'll also sign ON to be that writer's voice and presence in the publishing arena and the signing up process is a prerequisite to them accepting a job offer from the author ("are you willing and able to represent me?") I should think it stands to reason that the agent would exercise due diligence in this.
Where does that leave the writer? For all the position of "power" in the relationship in that they are the "employer", the writer's livelihood and reputation depend on how good their agent is. So yes, the writer is employing the agent TECHNICALLY but the writer is dependent on that agent once he or she is hired. SOunds like a small difference, but it MATTERS.
Finding the right match between an agent and a writer can be harder than it appears. THe best writer in the world might be a bad match for a particular agent, if nothing else than personality-wise. Hence, the query letters. It allows the two parties to take the necessary time to size each other up.
YES IT TAKES TIME. Pick up your packet of patience at the door when you enter the writer's life. It comes with the job. If you can't wait, perhaps you should be doing something that has a more instant gratification to it.
Agents are there to ALLOW the writers to write. The rejected writers may think there's a conspiracy - there isn't. It's just that there are limited seats in the lifeboats, and they aren't going to take on people who just look like they want to go out on a SUnday sail. Are you serious about this writing lark? Then pay your dues. Wait.
I think that one thing gets left out here. The situation with agents was not always this intense or difficult.
When I was first professionally published 30 years ago, there were many more publishing houses than there are now. Each publishing house employed legions of first readers and manuscripts came mostly over the transom.
Following the corporate buyouts and mergers that began in the early 80s, both the number of publishing houses and those legions of first readers were lost in the shuffle to maximize profits.
In order to make up for these changes, it fell to agents to do the job that those first readers did. More and more of the dwindling number of publishers began to go "agent only" on what they would read in order to keep from being swamped.
Instead the agents got swamped.
I don't see a real cure for the situation.
So stop the griping. Starts here.
The current corporate paradigm that makes things difficult for agents and thus for authors is a world that the agents did not create.
I think that most of them do a very fine job of coping with the changes. Today's agents have it a lot tougher than the previous generations and their coping mechanisms ought to be respected, not railed against.
I would be proud just to have an agent like you. I love the fire. Great job. If more people attacked the source of the problem instead of the easiest one to blame the world wouldn't be in the shape that it's in.
Meta-griping!
This is a delightful post.