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In that alternate universe where I am independently wealthy and spend all my days reporting on children’s literature (isn’t that what you would do if you were independently wealthy?) I spend certain days of the year traveling to different children’s rooms in libraries throughout the country to check out their original art by fantastic children’s illustrators.  Murals, paintings, stained glass windows, the works.  As of right now I think the only time I’ve ever actually reported on this blog on the art in a children’s room was when I went to the Kalamazoo Public Library’s back in 2009 (note how this was written before my blog was switched to its new format and thus *sob* I lost ALL the images).

Here at New York Public Library you might think that the branches are filled to brimming with the art of local authors and illustrators.  While it may be true that we have some lovely pieces by Ezra Jack Keats and Faith Ringgold here and there, it doesn’t come up all that often.  So I need not tell you how excited I was when I heard that Elisha Cooper had volunteered out of the goodness of his golden glorious heart to paint art for the children’s room in Greenwich Village’s Jefferson Market Branch.

A little background.  When I first got my bright and shiny library degree and moved to New York City I was under the distinct impression that the only available positions with NYPL were on Staten Island.  As I came in for my final interview, however, the nice recruiter who changed my life offered me the chance to be in Greenwich Village instead.  Hence I came to the most gorgeous branch in the system. Built in the 1860s with a clocktower that holds a giant spider puppet year round (this is true), converted jail cells in the basement, and more stained glass than many a church, it’s a beauty.  It had a huge children’s room on the first floor with these massive white blank walls.  And there was nothing on a single one of those walls either, long after I left.  Not for years and years and years.

Enter Elisha Cooper.  You may know him best from his numerous amazing picture books.  My personal favorite is Farm followed by Beach, but I understand the love many hold for Magic Thinks Big or Beaver Is Lost or even this year’s Homer.  Long story short, the man has this beautiful, distinctive style that somehow turns the merest of outlines into works of beauty.  He’s also a Greenwich Village resident and he saw the great gaping walls of the Jefferson Market children’s room and thought he should do something about it.

What did he do?  Ladies and gentlemen he brought, from his own home, six empty white canvasses into the branch.  Then he got permission to paint on them in the programming room next to the children’s room.  His process looked something like this:

Those images were taken by Christopher “Flash” Smith.  That is why they were good.  These next images are from my camera phone.  That is why they are less good.  Each canvass, as you can see, contains a variety of different animals.  Elisha did think to possibly make each one represent a different continent, but I’m not sure whether or not he proceeded with that plan until the end.

(I love that he worked in that honey badger)

I’m sorry I don’t have a close-up shot of these three canvasses since those are the ones that contain the most children’s literature homages.  You can find the ducklings from Make Way for Ducklings (apropos since that book was created in a tiny Greenwich Village apartment), Kitten from Kitten’s First Full Moon, Ferdinand, and a bunch of other folks in these paintings.

Big thanks to Elisha for showing me his art and for passing along some of these photos.  So for any of you passing through Greenwich Village, be sure to stop by the Jefferson Market Library at 6th Avenue and 10th Street and admire what’s on display.

When you come to visit New York City you might want to see some art of the children’s literary variety.  To do so you’ve a couple different options.  You could figure out where various artists are having shows.  You could find permanent locations around the city where their art is on display.  Or you could take the subway.

Every day I take the 2 or 3 train to work.  It’s a mere hop, skip, and a jump from my home, a twenty minute ride, and then a hop, skip and a jump to my workplace.  Often there are no seats so I stand in the aisles, my eyeballs prey to whatever advertisement happens to be floating before them.  That’s why I’ve always been so grateful for MTA’s Arts for Transit program.  Suddenly the dull minutes on the train are turned into a lovely game of Guess-the-Children’s-Author (yes, my life can essentially be boiled down to different moment of thinking about children’s books). For you see, suspended where an ad would normally go are these little art cards.  And many sport some familiar names.

In the past there were some lovely ones out there. The earliest one was by subway darling Peter Sis (who, if rumors are true, designed the art for an entire station somewhere as well).  It was essentially a colorized version of this:

Then for a little while in 2004 there the eclectic duo of Stefan Hagen and Sloane Tanen were all the rage.  Do you remember them?  They did books like Coco All Year Round and Where Is Coco Going? They were trendy for a little while, then disappeared entirely.  But while those two were shining in the sun, they made an art card too:

Back in 2008 Chris Gall, the man behind such fabulous books as Dinotrux and Dear Fish made this little beauty:

I like that on his website Gall writes of it, “And though many of you emailing me have claimed to see a metaphor for the Last Supper, any such similarity is strictly coincidental!”

It came out in 2011, but it was only recently that I noticed that R. Gregory Christie (most recently of It Jes’ Happened) had an art card of his own:

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