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Viewing: Blog Posts Tagged with: psychology of character building, Most Recent at Top [Help]
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1. Personality's Importance in Fiction Writing

Time for Psych 101 - Personality is important in Writing? You BET!

Q 4: How does 'personality' assist in the writing of fiction?

Answer: Personality...and this means A, B, C and all types, figure heavily in fiction and typically the author's own personality comes into play as does the readers for that matter!

A writer has to be somewhat driven and obsessive to stick with it for the duration of what is often called a "checkered" career in such a fickle business, such a roulette wheel business as publishing.

The Reader also must have the 'right stuff' to bring a book to completion--that is a personaltiy that sees a novel through. In other words: Writer endures to the end, flip-side that, reader hopefully endures to the end. I had a teacher who once asked me when I balked at War and Peace in its abridged form, "Are you going to beat that book, or are you going to let it beat you?"

In the depiction of character, personality is the culmination of conditioning, struggle against conditioning, or failure to make that struggle and accepting one's conditioning (we're all brain washed to something as it is the nature of nurture, right?). What motivates a person equals personality.

Comes of having personal goals, and every character, good, bad, ugly and in between must have goals and perhaps a super goal. Characters have run ins with themselves--memories, sensations, images. Flash backs or hallucinations, etc. These form layers in a character's personae.

A character is molded by circumstances or resists them. Either way tensions and conflict can come of a stubborn obsessive compulsive, and the most memorable characters have these traits when they set their eyes on the prize.

Ahab in Moby Dick had a wooden leg for a reason. If he was sound of leg and mind, if he still had both his legs, or if he had no legs and was confined to a wheel chair and could not act on his mad obsession over the whale, or didn't really care to be bothered, it wouldn't be quite the memorable saga it is. It'd be flatline story for sure, for sure....

Ahab would never walk the deck of a ship. Would not be motivated to do so. Would retire.

Nightmare, memory, learned experience, what's in the character's bedrock DNA is at the heart of personality and story. The best authors know how to create full-blown characters fully realized. Characters are multi-layered and complex as in life. Readers today demand far more complexity of character than complexity of storyline.

In other words a character-driven story is at least as important as a plot-driven story, and the best stories are characte fits plotline like a glove stories wherein both are equally important. If you exchanged Ahab's personality for instance for that of Sherlock Holmes, it would change the dynamic of the story as surely as chaning the plot line. Can you imagine Sherlock in Ahab's shoes...errr ahhh pegleg?

Do leave a comment; would love to hear your remarks on this area of Psych for Writers.

Rob Walker
http://www.robertwalkerbooks.com/ FREE stuff
http://www.makeminemystery.blogspot.com/

6 Comments on Personality's Importance in Fiction Writing, last added: 5/29/2010
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2. Abnormal Behavior & Pavlov's Doggie

PSYCH 101 for Writers and Their Characters Continued
                  Robert W. Walker’s Psych 101 Questions —

\Q 3— How does ‘abnormal behavior’ enter into the realm of crime writing and fiction in general?
Answer: Have you read any one of my books? OK…risky word phrase this ‘abnormal behavior’ as you have to ask then what is ‘normal’ behavior in a species that ‘won’ out as the meat eater of all the great apes? Authors are forever dealing with perceptions of what is right and what is wrong, what is good, what is evil, and the common error of taking things at face value. Is writing and painting and creating ‘abnormal’ in itself since, like actors, all artists have to be driven and obsessed to become a player in this field? This question may be too complex to answer here, but let’s keep exploring.

Appearance is seldom what it seems in a novel, especially a mystery or suspense or thriller. Societal norms are taken to task. Since I write about murder and often times serial murder, murder is my stock and trade, my INC. This means ‘abnormal behavior’ is my bread and butter but once removed as I have killed no one except on a stage. My evil antagonists are always into aberrant and sickening words and actions; what he says, thinks, and does is who he or she is (see Final Edge for the worst female killer in all the history of books! Laurelie Blodgett). Such characters are motivated by sick fantasies, mania, fear, psychological disorders, obsessions, phobias, actual physical deformities, actual illnesses just as are Shakespeare’s worst villainous scum like Iago. They are motivated often by ‘abnormal’ beliefs, but often such ‘abnormal’ beliefs come out of popular cultural beliefs, legends, even religion as in anti-religious behavior on a grand scale. Some sick beliefs have a foothold in historical fact about mankind–as in cannibalistic behavior, perhaps even necrophilia–sex with the dead. Certainly there are enough scatologically disgusting elements about mankind and his history to provide fodder for many, many an aberrant behavior or belief system or ‘nutty’ fantasy, desire, want, goal.

I don’t have to mention Stephen King and Anne Rice made a killing on abnormal behavior, do I? Still there is a fine line at work here. Abnormal can slip over into caricature and unintended funnies in the blink of a Cyclop’s eye if one is not careful. How far from the ‘norm’ can our ‘abnormal’ Grandma Grimwood go before she becomes a twisted Dickensian comical granny?

In books about psychotics, sociopaths, organized and disorganized killers of every stripe there is great latitude in defining abnormal, but in all cases the sociopathic monster has to have its\his\her roots in humanity and where we’ve come from…from the primitive lizard brain to the present…roots are sunk deep. This is why the abnormal among us, in the end, are human after all. Humanity swings a wide arc across the rainbow from purity to the unspeakably vile and no author can turn away and not see this if the story demands it. Those who do turn a blind eye to the absolute end of the spectrum, the deepest rung in the pit miss an entire part of the human condition and it’s like being color blind, missing an entire spectrum of the rainbow itself.

OK…believe it or not.

Robert W. Walker
author Killer Instinct, Fatal Instinct & Dead On
Thanks so much and find me on facebook, twitter, myspace, and at www.acmeauthorslink.blogspot.com and do leave a message here.

2 Comments on Abnormal Behavior & Pavlov's Doggie, last added: 5/1/2010
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