But that begs the question - where does the money come from? After all, books are our priciest prize.
One thing we did to find the money was change how we program.
We booked performers for years - singers, magicians, storytellers, performers of one kind and another. A very few could generate a crowd of 100-150 kids in our auditorium. Most would result in crowds of 25-45 kids and adults - and this in a city of 51,000 population!
The costs involved with performers were substantial - $200 if we were lucky; $300-$500 and up more likely. Add mileage, hotel and expenses and ouch! When we had 25 people in the audience, it meant we were paying anywhere from $10-30 per person in attendance for the program. That didn't seem like a sustainable use of money.
We were also developing some amazing in-house programs led by staff. It occurred to us that if we continued this strong staff programming and cut back on performers, we would have enough money to fund the hundreds of books that we want to give to kids as prizes.
So we made it so. We still book a performer or two for special events. The money we saved went directly to buying books as prizes for babies through teens. Parents and kids both love these books. Kids get to choose freely from a variety that we put out. We fill our program room for two weeks in August with books for kids to choose from who have completed their SLP in previous weeks.
Of course, we could also have written grants, looked for donors or sought money in other ways. But we chose to enfold books into existing programming money. By changing our priorities we made sure we could make a book in the hand of a child happen. Seems worth it!
(For more thoughts on sustainability and funding in Youth Services, see
this series starting here that I wrote last fall).
Photo courtesy of Pixabay
Lisa over at Thrive After Three and I did an informal survey recently to look at the state of school-age programming. We had 171 responses to help us get a snapshot of services.
Today we want to look at number of programs that people reported as well as if there is a a correlation between that number and how much budget is devoted to programming.
From the survey results, it is clear that we librarians love to program for school-age kids. On average, respondents presented 42 programs annually. The high was 200 - at a shop with five librarians. The lower end included 2 programs at another shop with 5 librarians. So you never know!
A pleasant surprise was how many passive programs libraries were reported. Out of that average of 42 yearly programs, almost 10 were passive programs. Over 3/4 of respondents run active
and passive programs.
Annual program budgets varied from 0 to $12,000; the average was $1,169. Looking at 42 programs annually, that breaks down to about $27 per program. We know that contracted performances (singers, jugglers, magicians, storytellers, etc) that need $300-$500 to fund can really eat up a program budget fast. So we might speculate that that $27 per program may be on the high side.
We were especially curious to see if a large program budget meant more programs. This is clearly not the case. The programming budgets of respondents varied widely as did the number of programs. Most interesting, over half the respondents had an annual budget for programs of $500 or less and on average had the same number of programs as libraries with large budgets. Some spend on average $1-2 per program. This may indicate these libraries are not spending money on contracted performers but more likely running program series with materials on hand, book clubs, etc.
Libraries that have large program budgets and staff are lucky - but programming numbers don't seem to correlate with that large budget. Youth librarians have long used creativity and ingenuity to create programming magic and the survey seems to bear this implication out.
To see more published results of the survey, please stop over at Lisa's blog Thrive After Three
here and
here!
Graphic courtesy of Pixabay