So you have an idea. A persistent something that has gnawed at your brain doggedly enough for you to start jotting it down. You’re getting to know your characters, and laying down the brickwork on the bumpy path that will become your plot. What next? Well – unless you’re writing a real-time testimonial of your own life (mine might be called Girl Who Stares at Computer and Drinks Many Teas) – you’ll probably need to do some research.
Astonishingly, most fiction authors are not in fact experts in every worldly field. Whether your book is set in a suburb that isn’t your own, or on a space station orbiting Pluto – whether your character is a forensic genius or plays the flute or is champion chess boxer (yes that is a thing) – chances are, your story will demand knowledge of some things that are unfamiliar to you. Writers always walk a line between creating their own worlds, which they set the rules for, and ensuring those rules make at least some real-world sense. Bringing into existence another person who has skills that are not yours can be pretty daunting. There’s always the fear of getting something wrong, or simply of being ill-equipped to execute the story you want to tell…
[For the month of June, I will be writer-in-resident at the fab Inside a Dog - you can read the rest of this post here]
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